Thomas Koether (New York, Florida / Europe, Australia B. 1940) "Bio Physical Collage". Mixed Media. Signed lower right. Sight Size: 17.75 x 14.5 in. Overall Size: 26.75 x 23 in. Framed behind glass. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student?s League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of my own abstractness ? landscapes and still-lives of my own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France
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Thomas Koether (New York, Florida / Europe, Australia, B. 1940) "Attempted Evasion". Signed, titled "Attempted Evasion" and dated ('94) verso. Oil on Canvas. Canvas Size: 34 x 32 in. Overall Size: 35 x 33 in. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student?s League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of my own abstractness ? landscapes and still-lives of my own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France
Thomas Koether (New York, Florida / Europe, Australia B. 1940) Oil on Canvas. Signed and dated ('94) verso. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student?s League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness ? landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. Canvas Size: 48 x 42 in. Overall Size: 49 x 43 in. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France
Thomas Koether (New York, Florida / Europe, Australia B. 1940) Abstract painting. Signed lower right. Oil on Canvas. Canvas Size: 18 x 15 in. Overall Size: 19 x 16 in. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student?s League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of my own abstractness ? landscapes and still-lives of my own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France
Thomas Koether (New York, Florida / Europe, Australia, B. 1940) "In the Pink". Signed lower right and verso. Oil on Heavy Woven Paper laid on canvas laid on plywood. Canvas Size: 39 x 42 in. Overall Size: 40 x 43 in. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student?s League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of my own abstractness ? landscapes and still-lives of my own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France
1970'S CUSTOM HI WATT 100 AMP AMPLIFIER HEAD. Model DR103 and serial number 5251. Comes with cover and in very good condition. "I went to see The Stranglers play at Bingley Hall Stafford and was so blown away by Jean Jacques Burnels playing and sound I resolved to copy his set up. Hiwatt 100 Head and 2x15 Vox Bass cab. Each Hiwatt head is handbuilt and wired, so each one is completely different from another. I tried a lot before I got one that sounded how I wanted! This is not the Original. That was stolen on the first New Order Tour of America. These are great British Amplifiers. I still use the new ones now. Very rugged and reliable."
JOY DIVISION LIVE RECORDING CASSETTES. Two cassettes to include Britannia Row Studios cassette featuring JD Love Will Tear Us Apart plus New Order and PR5 at the Tatton Community Hall, Chorley on 3/1/81. The second cassette is a recording of 6 tracks from 17/1/81 - tracks are Ice Age, Sound of Music, Ceremony, Exercise One, The Kill and In a Lonely Place."We were so young and un-jaded that we would play wherever, whenever and love it. Nothing was too much trouble. I am so jealous now."
c. 1937 Velocette KSS Project, 350 cc. Registration number DVN 218 (not registered with DVLA). Frame number TBC. Engine number KSS 10242. Gearbox 10 - 1980. The overhead cam KSS was designed to appeal to the rider seeking a sporting road machine. The overhead cam 350 cc Velocette engine came into being in 1925, and within twelve months had won its first Junior TT, fitted in a new frame designated KSS. The effect of the win made the machine so popular and demand so phenomenal that Velocette had to invest in a new factory to keep pace. Situated at Hall Green, the Birmingham facility then became the home of Velocette for many years to follow. K series engines were produced here at the rate of around 1000 a year until the thirties depression so affected sales of luxury and performance bikes that the company had to refocus efforts on the less expensive 2 stroke and overhead valve powered roadsters. Over the years these GTP (2 stroke) and MAC (ohv) machines became almost equal in performance to the 'cammy' models which had to be upgraded to Mk2 form in 1935 to maintain the performance edge. Always expensive to manufacture and not easy to maintain the KTS (touring) and KSS (sporting) versions continued in production subsidised by sales of the less expensive models, but giving the company a broader range of products to offer the public. There is paper on file stating that KSS Velocette registration number DVN 218, see rear number plate, was Fred Smith ex Doreem of Lightcliffe. Sold with a Spares booklet, buyers should satisfy themselves as to the completeness of this lot.
Richardson & Son, Hull - an ash and elm Windsor armchair, with pierced splat and turned legs, stamped label to the underside. Richardson and Sons was the largest and most prestigious furniture maker in nineteenth-century Hull. The founder Thomas Richardson claimed to have started the business in 1812. By 1903 Richardson and Sons had been appointed upholsterers to King Edward VII. They undertook major projects in Hull, including furnishing the Council Chamber of the New Town Hall in 1863. The mayor's and doorkeeper's chairs made by Richardson and Sons for the Town Hall are still preserved in Hull Museums' collections. In 1854 they made three ornately carved and gilded softwood chairs for Queen Victoria, Prince Albert and the Prince of Wales to use during their visit to Hull. The company is not listed after 1915.
LAUREL & HARDY: LAUREL STAN (1890-1965) & HARDY OLIVER (1892-1957) English and American Film Comedians. A printed 8vo theatre programme for a performance by Stan Laurel and Oliver Hardy in Birds of a Feather at the New Theatre, Northampton, in the week commencing 19th October 1953, signed by both Laurel and Hardy individually in bold blue inks to clear areas at the foot of the front cover. A colour vignette of the duo is lightly and neatly affixed to the centre of the front cover. Some very light, minor creasing and a horizontal central fold, not affecting the signatures, otherwise VG The recent critically acclaimed film Stan & Ollie (2018) focuses on the personal relationship of the two comedians during their gruelling Music Hall tour of the United Kingdom and Ireland in 1953. The present programme dates from one of their performances from that tour.
MORSE SAMUEL F. B.: (1791-1872) American Inventor associated with the single-wire telegraph system and the development of the Morse Code. A good A.L.S., Saml. F. B. Morse, three pages, 8vo, New York, 30th April 1862, to Rev. J. Treadwell Walden. Morse acknowledges receipt of his correspondent's courteous letter and a copy of the Atlantic Monthly, remarking 'I have read with deep interest your admirably written article to which you refer, and were I to designate its character, and the impressions it has made upon me, of its high intellectual power, in fitting terms, I might perhaps, be accused of being unduly influenced by its panegyric and the flattering terms in which you are pleased to speak of my humble instrumentality in introducing to the world the invention which has modified so greatly, and is still further to modify the intercourse of the nations' and further adding 'While conscious of the position which humanly speaking has justly been assigned to me by the almost unanimous voice of the civilized world (Great Britain as a Government is an exception) I can say to you that I yet am fully sensible that I am a wea[k] if an honored instrument in the ha[nd] of the giver of every good and perfec[t] gift, by whom it has pleased Him to grant this boon to his children, and to Him be all the glory'. In concluding Morse invites his correspondent to call upon him either at his residence in New York during the winter or in Po'keepsie during the summer and in a postscript adds 'I send you a copy of a pamphlet (no longer present) which embodies my views on the troubles that distract our country'. A letter of interesting content relating to Morse's contribution to the invention of a single-wire telegraph system. Some light overall age wear and light staining and a few small areas of paper loss, neatly and professionally repaired, only very slightly affecting a few words of text and not the signature, G Jacob Treadwell Walden (1830-1918) American Episcopal Clergyman and Author who was appointed on two special commissions by the United States Sanitary Commission in 1864 to investigate the treatment of prisoners of war. He later lived in England from 1886-89 during which time he preached in Westminster Abbey and wrote The Story of England in Westminster Hall. Father of Arthur Treadwell Walden (1871-1947) American Klondike Gold Rush Adventurer and a member of Byrd's first Antarctic Expedition. Morse's declaration that the Government of Great Britain were an exception to the 'unanimous voice of the civilized world' was made as a result of the English scientist and inventors Charles Wheatstone (1802-1875) and William Cooke (1806-1879) launching a commercial telegraph prior to the American inventor. Wheatstone and Cooke patented the electrical telegraph in 1837 however, within a few years their multiple wired signalling method was overtaken by Morse's cheaper method and the American fought vigorously to be called the sole inventor of the electromagnetic telegraph despite the previous inventions. The Morse telegraphic apparatus was officially adopted as the standard for European telegraphy in 1851 and only the United Kingdom (with its extensive overseas empire) kept the needle telegraph of Wheatstone and Cooke.
NO RESERVE Book Illustration.- Walker (R.A.) The Best of Beardsley, reprint, 1983 § Hall (N.John) Max Beerbohm Caricatures, New Haven & London, 1997 § Darracott (J.) The World of Charles Ricketts, 1980 § Spurling (H.) The Drawings of Mervyn Peake, 1974 § Armfield (Maxwell) An Artist in Italy, original cloth-backed boards, uncut, 1926, plates and illustrations, some colour, all but the last original cloth or boards with dust-jackets, some a little rubbed; and c.15 others on illustrators etc., some pamphlets, 4to & 8vo (c.20)
Iden Walter J. FINE & RARE OLD ENGLISH CLOCKS IN THE COLLECTION OF WALTER J IDEN, LONDON Two volumes hand-compiled with photographs by Iden mounted on card leaves and with detailed descriptions in ink, tissue guards, with manuscript index at beginning of vol. 1, introductory leaves to each section and notes at end of vol. 2, presentation inscribed in ink Melvyn H. Rollason With the Collectors compliments, Walter J. Iden, March 1941, 2 Volumes to the inside of the front board of vol. 1, original brown embossed cloth boards fastened with metal screws and with card slip cases inscribed M. H. ROLLASON ESQ. LUDSTONE HALL. CLAVERLEY, NR. WOLVERHAMPTON. (2). The current lot is one of only a few sets of albums produced by Walter Iden who clearly enjoyed creating heavily annotated photographic records of his collection compiled into albums. However as the collection grew and the albums became full he was in the habit of presenting them to an interested or helpful friend before starting new revised ones to include recent acquisitions. The earliest of these albums known is dated 1936 and, as with the current lot, notes were also included to record examples which had been disposed as the collection evolved. Mr. and Mrs. H. Rollason were connoisseur collectors of furniture, fine art and objects who lived at Ludstone Hall, near Claverley, Wolverhampton, 1939-70. The building itself is a splendid example of a Carolean mansion, built within an existing moat for the Whitmores around 1607.The house was well restored and its grounds improved by John Round Cartwright, who lived there until his death in 1910. In addition to the extensive landscape works undertaken by John Round Cartwright a red brick summerhouse is thought to have been added by Mr. and Mrs. Rollason; the house and contents belonging to them were also featured in a ten-page spread in the December 1965 edition of The ANTIQUE COLLECTOR.
ϒA substantial collection draughtsman’s protractor rules, sectors, metal protractors and parallel rules, various makers, circa 1800 and later Comprising twelve rectangular ivory protractor rules variously engraved with mathematical plotting scales and including examples stamped CARY, LONDON; ADIE, LONDON; G. ROWNEY & Co. LONDON; ELLIOTT BROS, LONDON; FRANCIS SAM’L CHAMPION and B.J. HALL & CO LTD LONDON and another ivorine; six boxwood, three ivory and an ivorine mathematical plotting rules; five boxwood and two ivory hinged sectors including one stamped W & S JONES * 30 HOLBORN; four ivory parallel rulers, each with brass pivot hinges; twelve brass and two other semi-circular protractors; an ivory sector and matching parallel ruler both stamped W. DIXEY. MATH’L INS’T MAKER, TO HER MAJESTY, NEW BOND ST. LONDON, and a brass sector bearing engraved inscription Butterfield AParis, Pied de Roy, lengths 20cm (7.875 inches) and shorter, (qty). The vast majority of the items in the current lot would have originally been included as part of a draughtsman’s drawing instrument set hence the present selection may prove invaluable to a collector seeking to complete an incomplete set. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Commemorative Wares - a 1953 Coronation mug issued by the Independent Order of Odd Fellows, Manchester Unity Friendly Society; another similar; a 1935 Silver Jubilee mug, Copeland Spode; a New Hall 1953 Coronation mug; another similar; a pressed glass Victoria's Jubilee lidded butter dish; etc
Beatles / Signatures / BOAC Menu Card, A BOAC Cunard Menu for the 'Beatles Bahamas Special' flight from February 1965 signed by all four Beatles together with an additional signature of 'Rough Hawkins' - The Vendor writes as follows: My father-in-law was the chief steward of the flight from London Heathrow to New York on a Boeing 707 scheduled flight dubbed the Beatles Bahamas Special.The flight to the Bahamas had on board all the four members of the Beatles group, film crew etc to film the second Beatles film "Help" . My Father-in-law could remember that Ringo asked for a jam butty although the food was very special. On landing at New York the group decided to stay on the air craft, against the wishes of the American customs. The flight crew, however, had to change and as My Father -in-law entered the arrivals hall he was asked by the screaming young crowd if the Beatles had spoken to him, he said that indeed they had and that he had served them food, on that they mobbed him and after he was rescued by the security he found that his Neck Tie had been cut off at the end by one of the fans as a memento! Menu signed on the rear - all nice and clear - a few light creases around the edges, otherwise n Excellent condition
EDWARD WILLIAM GODWIN (1833-1886)ARCHITECTURAL DRAWINGS: PROPOSED ASSIZE COURTS, BRISTOL a collection of 9 drawings in ink, pencil and coloured wash, each on unbleached tracing paper and neatly laid-down onto 7 leaves of card, comprising:- Proposed Assize Courts, Bristol, 350 x 395mm- Drawings showing Proposed New Roof to Guildhall Court..., 240 x 380mm; [laid onto the same sheet as] Proposed New Assize Courts Bristol, 335 x 220mm- ...Assize Courts Bristol, 480 x 290mm; [laid onto the same sheet as] Proposed Assize Courts Bristol [Guildhall Roof], 420 x 300mm- Proposed Assize Courts Bristol [Floor Plan], 710 x 460mm- Proposed Assize Courts Bristol [First and Second Floor Plans], 720 x 425mm; - Proposed Assize Courts Bristol [Floor plan], 710 x 465mm- Proposed Assize Courts Bristol, elevation towards Small Street, 390 x 460mmNote: Winning the competition to build the new Northampton Town Hall at the age of twenty-nine established Godwin's reputation as a leading civic architect. He followed this with another winning town hall design for Congleton, a small town near Manchester. These successes prompted his move to London in 1865, and in 1866 Godwin, with his partner Henry Crisp, entered the competition for the building of the new Bristol Assize Courts under the nom de plume '1066' or 'Ten Hundred and Sixty-Six'. Their designs won first, second and third prizes. Despite this, and amid protestations, a second competition was order by the town council, which Godwin again entered, this time only gaining second place to an entry from Popes & Binden, which was the one finally built. The collection on offer comprises a number of drawings from the first competition, including the original drawing
Hall, Mr. & Mrs. S. C. Ireland: Its Scenery, Character &c., New Edition in three volumes, London: Hall, Virtue and Co., no date [c.1860]. Illustrated throughout with engraved plates depicting topographical views and maps, plus further illustrations within the text. Full green calf with gilt decoration and titles to spines, morocco title labels partially present, marbled page edges. Irish History Interest
Collection of books, predominantly late-19th and early-20th century, to include The Children, by Edith Wharton, first edition, New York & London: Appleton, 1928; Candleford Green, by Flora Thompson, first edition, London: OUP, 1943 (no d.j.); In a Hollow of the Hills, by Bret Harte, London: Chapman & Hall, 1895; Six to Sixteen, by Juliana Horatia Ewing, new edition in publisher's blue wrappers, London: George Bell, 1885; Uncle Sam's Abscess, or Hell Upon Earth, by W. Jarman, Exeter: 1884; The Minister's Wooing, by H. Beecher Stowe, London: Sampson Low, 1859, and others, in one carton, to include a folded Robert Morden map of Lancaster on laid paper, cased vintage spectacles, and a small box containing a quantity of Edwardian family photographs
Pilkington (Matthew). A Dictionary of Painters from the Revival of the Art to the Present Period, New Edition, with Considerable Additions ... by Henry Fuseli, printed for J. Walker [and others], 1810, light spotting, rear inner hinge strengthened, bookplate of Roy and Nina Merley of Plash Hall, contemporary half russia, joints cracked, extremities worn, 4to, together with: Richardson (William), Catalogue of Richardson's Collection of English Portraits, engraved from Rare Prints, or Original Pictures ... as described in Granger's Biographical History of England, 2 volumes, [?W. Baynes, 1816], numerous engraved plates, bookplate, modern half sheep, 8vo, Saunders (John), Saunders' Portraits and Memoirs of Eminent Living Political Reformers ... to which is added a Copious Historical Sketch of the Progress of Parliamentary Reform ... by William Howitt, published by J. Dowding, 1840, engraved plates, blind stamps of the Free Public Library, Wigan, bookplate, contemporary quarter calf, rebacked, paper sides and morocco tips renewed, large 8vo, and 3 others, 19th century, leather-bound (10)
Szabo (George). Masterpieces of Italian Drawing in the Robert Lehman Collection, 1st US edition, New York, 1983, 80 colour plates and 82 black and white illustrations, original cloth in dust jacket, covers lightly rubbed to head and foot, spine lightly faded, large 4to, together with Kok (J.P. Filedt), The Master of the Amsterdam Cabinet, or The Housebook Master, ca. 1470-1500, Amsterdam, 1985, numerous black and white illustrations, original cloth in dust jacket, covers lightly rubbed, large 8vo, and Bromberg (Ruth), Canaletto's Etchings..., 1974, numerous black and white illustrations, original cloth in price clipped dust jacket, covers slightly rubbed to head, minor tear to spine, large 8vo, plus Kahng (Eik & Michel, Marianne Roland), Anne Vallayer-Coster, Painter to the Earl of Marie-Antoinette, USA, 2002, numerous colour and black and white illustrations, original cloth in dust jacket, large 4to, and other European art reference and related, many original cloth in dust jackets, G/VG, 8vo/folio Many with Pla[i]sh Hall bookpate. (3 shelves)
Postcards, Worcestershire, a collection of approx 70 cards, the majority street scenes and villages, with 48 RP's inc. Load St Bewdley, Queens Head Emley Castle, High St Droitwich, Alms-houses Bournville, Corbett Hospital Stourbridge, Red Hill Stourbridge, Offenham Village, Wing Lane Kemerton, Kemerton Village, Arley, Woodbury Hill Oddfellows Picnic, New Town Hall Dudley, Harvington Village, Honeybourne, Bournville Schools, Littlecomberton, High St Stourbridge, Ombersly Village, Blockley etc (mainly gd)
World War 2 Postal History, selection of documents relating to German prisoner of war Rudolf Bohusch, a marine, captured 6th March 1944, who spent time in No. 1 Grizedale Hall, Hawkshead and 21 Comrie Perth camps in the UK then camp Hampton Rhodes, New York, inc. card of capture, postcards to family from camps, military documents, receipts for military pay, 'Feld' post letters, photo etc. unusual and interesting selection of documents (gd/vg) (16)
Postcards, a subject collection of 200+ cards of Hunting, Shooting, Horses, Dogs & a few Cats, specifically Hunting with Hounds, Shooting Game, Farm Horses, Polo Pony, Hunters', Shires', named Hunt RP's at Bromham, Lyndhurst, Wiston, Shuckburgh Hall Works, Bicester, Bedford, New Forest, Viscount Milton etc also many illustrated artists inc. Frank Mason, Wardle, Norah Drummond (many), Rankin, Lionel Edwards, Vernon Stokes, Beckles, Gear, & 2 sets of 6, Tuck cards, Fox Hunters no 9450 and Comic Set 'To the Victor the Spoils' etc (mainly gd)
A group of English porcelain, late 18th/.19th century comprising; a Worcester blue and white bullet shaped teapot, printed with the 'Three Flowers' pattern, circa 1770, 13cm high, a Worcester 'Old Japan Fan' pattern teacup and saucer, circa 1770, two New Hall type floral decorated dishes, and an early 19th century pink lustre and bat printed saucer dish (6).
HALL (William Henry) The New Royal Encyclopaedia of Arts & Sciences .... vols. I & II (of 3), numerous engraved plates and maps, subscribers list, old reversed calf, folio (17 ), sold with The Harmsworth Atlas and Gazetteer, many coloured maps and city plans, old half morocco and cloth (defective), folio (c. 1910), (3).
§ Graham Rust (British, b.1942) The Saint-Tropez Frieze signed lower right "Graham Rust" watercolour and ink 14.50 x 50cm (6 x 20in) Exhibited: The Roger Ramsay Gallery, 212 West Superior Street, Suite 503, Chicago, Illinois 60610, USA. Literature: Graham Rust, The Painted House, London: Cassell, 1991, illus. pp. 32-33 Other Notes: Graham Rust studied at the Central School of Arts in London, and the National Academy of Art, New York. He first exhibited at the Royal Academy in 1965 and since then has worked throughout the world. Renowned for his murals and ceiling paintings, he has also illustrated several books. His most important work is the mural "The Temptation" in the entrance hall of Ragley Hall, Warwickshire, which took over a decade to complete. The present painting was a design for a long window frieze at a medieval house in Cogolin, near Saint Tropez., telling the legend of St Tropez, a Roman centurion beheaded at Pisa - St Tropez's body was put to sea accompanied by a cockerel and a dog, and was found untouched when the boat washed ashore in France. The town of Cogolin was named for the cockerel of the legend. Condition is fine.
POSTCARDS - NORTH AMERICA Approximately 350 cards, including real photographic views of Mount Lassen eruption, 1915; Whitehall Building, Battery Park and Entrance to North River, New York; District Memorial Hospital, Tillsonburg, Ont.; damaged crops 'Result of Hail Storm July 15 1909' (postmarked Wooster, Ohio); View of Prince Rupert looking over the Fire Hall; Part of Business District, Kamloops, B.C.; Biological Sciences & Pharmacy Building, U.B.C., Vancouver; and Central United Church, Calgary; with views of Bonsecours Market, Montreal; McGill Street in Winter, Montreal; Drummond Street in Winter, Montreal; City Hall, Lincoln, Neb.; Hotel Alcazar, Vancouver; Wreck of the 9th Ave. 'L' at 53rd St & 9th Ave., New York, 1905; Broadway Street, Cartwright, Manitoba; Birds Eye View of Heinz Plant, Pittsburg; Second Ave., Seattle; Broughton Street (East), Savannah, Ga.; Mellin Street, Phoebus, Va.; Notre Dame Street, Lachine, P.Q.; C.P.R. Station, Galt, Ont.; Union Pacific Passenger Depot, Grand Island, Neb.; Palmer House, Grand Island; Third Street, Grand Island; Market Building, Kelso, Wash.; Street Scene, Loup City, Neb.; two printed satin 'Fab' Patchwork Cards; and others, (loose).
PRESIDENTIAL ELECTIONS FACTS AND FIGURES. Published 1964, compliments of Stewart K. Fogg - This is your Congress by John E. Russell, 1955 (covers split and loose) - Scenes of Modern New York c.1948 (covers spit and loose) - The McKerry Hall Portrait Gallery of American Indians. TOGETHER WITH A SMALL SELECTION OF OTHERS RELATED
Leather-bound literature - Trollope, Anthony Orley Farm, New Edition London Chapman & Hall 1874 , half blue calf 8vo; Thackery, W M Vanity Fair (vol 1 of a set of 13) London; Smith, Elder & Co 1885, half calf and oilboard 8vo, Milman, Henry Hart, Savonarola, Erasmus & Other Essays, London, John Murray 1870 half calf and oil board, 8vo; Knight, Charles (edit) Half Hours with the Best Authors, 2 vols New Edition, London, Frederick Warne & Co (circa 1870) (5)
Fleming, Rev. Francis SOUTHERN AFRICA: A GEOGRAPHY AND NATURAL HISTORY OF THE COUNTRY, COLONIES AND INHABITANTS London: Arthur Hall, Virtue & Co, MDCCCLVI [1856] FIRST EDITION, small 8vo, xii + 497 [p.497 numbered as 487] + [1] errata pp, 10 plates + 2 fold out maps of which one coloured, recased with original cloth and spine laid down, new eps, first map with section of margin next to spine removed, second map with small tear in margin next to map hinge and two pencil notes, Frikkie Botha bookplate
* ANGUS MCEWAN RWS RGI RSW, A REFLECTIVE MOMENT pastel on paper 100cm x 37cm Mounted, framed and under glass. Note: Angus McEwan was born in 1963 in Dundee, Scotland. Angus studied at the Duncan of Jordanstone College Art in Dundee, graduating in Fine Art and a Post Graduate Diploma in the same discipline. Angus was elected to the Royal Scottish Society of Painters in Watercolours (1995) and in 2012 the Royal Watercolour Society. In 2005 he was recognized as an Associate of the International Guild of Realism USA. He is also an associate member of the AWS and NWS in the USA. Angus has been Finalist three times of the ''International Artist Magazine'' and won first place in the John Blockley Prize in the RI open exhibition. Angus has also won second prize in the Sunday Times Watercolour Competition (2007) in London and the International Prize ''Marche d'Acqua'' Fabriano, Italy in 2012. In 2013 Angus won Bronze Award, at the Shenzhen International Watercolour Biennial, in China. He was recently awarded the May Marshall Brown award at the Royal Scottish Society of Painters in Watercolours (RSW), Edinburgh, 2015 and was elected RGI in May 2016. Many galleries display McEwan's works, including Ok Harris Gallery in New York and Quanhua Gallery, Shanghai. Recently highlighted in Shenzhen Biennale and the Qingdao Hall of Watercolor. He has exhibited in Fabriano, Italy in the ''Marche d'Acqua'' International Award, as special guest and Vicenza, Italy, where he had a solo show in the ''Artbox''. McEwan was one of the 23 finalists in Narbonne, France at the Concours Mondial de l'Aquarelle 2014 1st World Watercolour Competition. Angus also exhibited at the World Watermedia Exposition, Thailand and Myro Gallery, Greece. He also participated in the Second International Watercolour Exhibit in Thessaloniki, Greece. In the UK McEwan exhibits with Thompson's Gallery (London) and The Open Eye Gallery (Edinburgh). Notable collectors include: Dundee Art Galleries and Museums; The Qatar Royal Family; the Royal Scottish Academy Collection; Ernst & Young, Glasgow; Scottish Enterprise; Scottish Equitable; Historic Scotland; Perth Royal Infirmary.
Original vintage advertising poster for a New Wave / Punk Rock music concert in 1982: Anti-Pasti Chelsea Special Duty Brixton Town Hall No Nukes Music Friday 19th Feb. Great design featuring the text running diagonally across the poster in black and white letters against black, white and pale blue backgrounds with musical notes on top of the anti-nuclear logo above and the ticket and admission details below. The British band Anti-Pasti was formed in 1978. Horizontal. Good condition, few rust marks. Country:UK. Year:1982. Designer:Unknown. Size (cm):51x76.5
HALL, JOSEPHTHE CONTEMPLATIONS UPON THE HISTORY OF THE NEW TESTAMENT, THE SECOND TOME London: Nath. Butter, 1634. Folio, contemporary calf, joints slitting, small hole to T2 with loss to a few letters, neat marginal repair to Gg1, a little marginal worming and some slight marginal dampstaining [ESTC S2036]
A COLLECTION OF ASIAN ART REFERENCE WORKS, INCLUDINGDAVISON, GERALD The Handbook of Marks on Chinese Ceramics. London: Han-Shan Tang Books, 1994. First edition?, 8vo, original boards with gilt title; [Idem] The New and Revised Handbook of Marks on Chinese Ceramics. London: Gerald Davison, 2010. 8vo, original red board with gilt title; Hall, James Illustrated Dictionary of Symbols in Eastern and Western Art. London: John Murray, 1994. First edition, 8vo, original boards with gilt title to spine, dust-jacket not price clipped; Chaffers, William Marks & Monograms on European and Oriental Pottery and Porcelain. London: William Reeves, 1965. 15th revised edition, 8vo, 2 volumes, dust-jacket price clipped; Blacker, J.F. The ABC of Japanese Art. London: Stanley Paul & Co., [n.d.]. 8vo, original cloth; Mew, Egan Japanese Porcelain. London: T.C. & E.C. Jack, [n.d.]. 8vo, original cloth with gilt title to spine and cover, some tears to dust-jacket; Cammann, Schuyler Substance and Symbol in Chinese Toggles. Philadelphia: University of Pennsylvania Press, 1962. 8vo, original cloth, dust-jacket price clipped, some tears to dust-jacket; and 20 others (28)
BETJEMAN, JOHNGHASTLY GOOD TASTE: OR, A DEPRESSING STORY OF THE RISE AND FALL OF ENGLISH ARCHITECTURE London: Chapman & Hall, 1933. First edition, 8vo., folding illustration at rear, original quarter blue cloth, printed pink paper boards, with spare label tipped in to rear pastedown, errata slip tipped in at p.1, a little wear to corners, book plate of John Bury at front: An Oxford University chest comprising a description of the present state of the town and University of Oxford. London: John Miles, 1938. 4to., illustrations by L. Moholy-Nagy, Osbert Lancaster, the Rev. Edward Bradley etc., original quarter buckram, marbled boards, lacking dust wrapper, book plate of John Bury; Ghastly good taste. London: Anthony Blond, 1970. 4to., folding illustrations at the end, original quarter buckram, printed pink paper boards, dust wrapper, book plate of John Bury; Acton, Harold Five saints and an appendix. London: Robert Holden, 1929. First edition, 8vo., publisher's quarter buckram, marbled boards, edges uncut, with dust wrapper, wrapper with wear to head and tail; [Idem] Cornelian. London: Chatto & Windus, 1928. First edition, 8vo., publisher's cloth, fore-edges uncut, a little rubbed and stained, no 462 of 550 copies signed by the author; [Idem] Old lamps for new. London: Methuen, 1965. 8vo., original cloth, dust wrapper; Potocki, Geoffrey Wladislas Vaile, Count de Montalk Social climbers in Bloomsbury: done from the life. London: The Right Review, 1939. 8vo., original printed paper wrappers, a little dusty; [Idem] Snobbery with violence: a poet "in gaol". London: Wishart, 1932. 8vo., printed paper wrappers and (8)
Darwin, Bernard - "Rubs of The Green" 1st edition 1936 in the scarce original dust jacket and pictorial cloth boards - Publ'd London Chapman and Hall Ltd - comprising a selection of Darwin's articles from Country Life and The Times as well as 6 new articles - clean and tight internally complete with cellophane protective sleeve (minor tear to top and tail of spine) otherwise overall (G) hard to find the title with a dust jacket
A PAIR OF 19TH CENTURY PORCELAIN TWIN HANDLED VASES, painted with flowers on a gilt heightened deep blue ground, 26cm high; a similar small vase; a pair of 19th Century botanical cabinet plates; two 19th Century porcelain florally painted mugs, dated 1859 and 1868 respectively; a New Hall sucrier and cover; two other similar pieces; various late 18th and early 19th Century coffee cans, saucers etc.; a lustre jug; and a decanter (qty)
A Victorian Silver Tea Trio. The set comprising tea pot, milk jug and water jug, Sheffield hallmark, mm Martin Hall & Co, dated 1863 approx 1686 gms. The t an inscription "Presented to R.A Maullier Esq by the 1st Corps East York Rifle Volunteers in recognition of his valuable and gratuitous services as Honorary Architect for the New Barracks dated Hull October 1864.
Heims (Steve J.). John von Neumann and Norbert Wiener, From Mathematics to the Technologies of Life and Death, 3nd printing, MIT Press, 1981, a few illustrations, original cloth in dust jacket, a little rubbed and discoloured on spine, 8vo, together with Fairbanks (Ralph W.), Successful Office Automation, 1st edition, Prentice-Hall, 1956, original boards, large 8vo, Oxford University Press, 1965, library stamp and marks to front endpapers, original cloth gilt, a little rubbed and soiled, 8vo, plus Paley (Raymond E.A.C. & Weiner, Norbert), Fourier Transforms in the Complex Domain, 1st edition, New York, American Mathematical Society, 1934, portrait frontispiece, original cloth gilt, rubbed and slightly soiled with a little wear at spine ends, plus other mostly cloth-bound computing, maths and science interest (6 shelves)
Sammet (Jeane). Programming Languages: History and Fundamentals, 3rd impression, Prentice-Hall, 1969, original cloth in rubbed, slightly creased and chipped dust jacket, together with Beer (Stafford), Brain of the Firm, a Development in Management Cybernetics, 1st edition, New York, 1972, original cloth in dust jacket, a little rubbed, chipped and soiled, plus Wooldridge (R.), An Introduction to Computing, 1st edition, Oxford University Press, 1962, original cloth in dust jacket, slightly rubbed and browned on spine, plus McCracken (Daniel D. & Weiss, Harold & Lee, Tsai-Hwa), Programming Business Computers, 1st edition, New York, 1959, original cloth, slightly rubbed, all 8vo, plus other computing interest, mostly cloth-bound and many in dust jackets (6 shelves)
A New Hall part tea and coffee service, pattern 779, circa 1810, printed and gilt with grapes and vine leaves on a blue ground, comprising oval teapot, cover and stand, sugar bowl and cover, milk jug, waste bowl, eight teacups, twelve coffee cups and ten saucers, together with a similar Coalport service/see illustration/Provenance: Beverston Castle Condition Report: Teapot:- Cover with a crack, pot with a riveted crack to handle, stand undamaged. Sugar bowl:- good condition, Slop bowl - good condition, milk jug - good condition, coffee cups, one can with a crack to the handle, small chip and crack to another and one with a tiny rim chip. Teacups:- one with a small flat rim chip, another with a short firing crack to rim near handle. Saucers:- one cracked and stained but otherwise no damage, overall enamels and glazing quite good. The Coalport:- Teapot:- the spout has been broken and rivet repaired, the stand in good condition. Milk jug:- replacement wicker handle. Slop bowl:- undamaged but rim gilding very flaked. Plates:- one with a hairline crack and rim flaking, other one good. Cups:- two each with a short hairline crack. Saucers:- one with a short hairline crack
FUTURAMA 1979 - 20” x 30” (51 x 76 cm) - THE WORLD'S FIRST SCIENCE FICTION MUSIC FESTIVAL - Queens Hall, Leeds with sets by P.I.L., Joy Division, OMD, Hawkwind, Teardrop Explodes, Echo & the Bunnymen, Scritti Politti - A SCARCE ITEM OF MUSIC MEMORABILIA from the late 70's that featured some very important PUNK & NEW WAVE bands - Rolled - Fine minus
Thomas Koether (New York, Florida, Born 1940) Abstract oil on board painting titled, "Air Riders". Canvas Size: 16.25 x 19.5 in. Overall Size: 20.5 x 17.25 in. Manner of Syd Solomon (Florida, New York 1917-2004). In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student?s League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of my own abstractness ? landscapes and still-lives of my own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France
Thomas Koether (New York, Florida, Born 1940) "Offshore" Large Abstract Oil on canvas painting. Signed lower left. Dated verso. Sight size: 48 x 60 in. Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student?s League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ?71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces ? one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of my own abstractness ? landscapes and still-lives of my own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France
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