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Collection of 18th and early 19th century gilt tea wares, including some matching sets, marks including Worcester, Derby, New Hall, and a continental grisaille cup and saucer with crossed swords marks (25 pieces)

Late 18th century English porcelain, to include a Worcester Chamberlain Stag Hunt pattern sucrier and cover, a milk jug, possibly Chamberlain Worcester, painted with Chinese figures, a New Hall cream jug, a Caughley tea caddy, and a Caughley tureen (5)

Three Wedgwood green leaf dishes, together with a New Hall teapot, (4)

Five volumes of Charles Dickens Published by Chapman and Hall (London); Charles Scribner's Sons (New York), London and New York (1901)

A collection of documents and other ephemera, 19th century and later, to include a rolled canvas map titled 'A Coppy of a Record in the Court Rolls of the Manor of Hawarden in Flintshire' (at fault), a poster advertising a performance by Dan Leano at Gemaes Bay Village Hall in 1938, two political posters relating to the candidacy of Mr Emerson Tennent in the 1834 election in Belfast, Bacon's New Survey Map Of North Wales, two 1947 planning-related maps of Chester etc (Qty)

A group of maritime-related programmes and ephemera to include Cunard Line luggage labels, postcard of Cunard R.M.S. Franconia, Cunard Steamship Company RMS Franconia programme of events for on-board entertainment, a Cunard list of passengers for Tourist Class New York to Liverpool Thursday July 26th 1956, a New Hall Hanley ashtray, postcards from the Franconia, a pair of opera glasses, two vintage cigarette cases to include a pewter example, a vesta in the form of a book, a cylindrical cut glass perfume bottle and a Ross London High Power Monocular number 78293 NP34.

New hall hanley boumier ware dressing table set

* ANGUS MCEWAN RWS RGI RSW (SCOTTISH b 1963), IN WITH THE WOODWORK watercolour on paper, signed 42cm x 30cm Mounted, framed and under glass Label verso: Thompson's, Marylebone, 13 New Cavendish Street, London. Note: Angus McEwan was born in 1963 in Dundee, Scotland. Angus studied at the Duncan of Jordanstone College Art in Dundee, graduating in Fine Art and a Post Graduate Diploma in the same discipline. Angus was elected to the Royal Scottish Society of Painters in Watercolours (1995) and in 2012 the Royal Watercolour Society. In 2005 he was recognized as an Associate of the International Guild of Realism USA. He is also an associate member of the AWS and NWS in the USA. Angus has been Finalist three times of the ''International Artist Magazine'' and won first place in the John Blockley Prize in the RI open exhibition. Angus has also won second prize in the Sunday Times Watercolour Competition (2007) in London and the International Prize ''Marche d'Acqua'' Fabriano, Italy in 2012. In 2013 Angus won Bronze Award, at the Shenzhen International Watercolour Biennial, in China. He was recently awarded the May Marshall Brown award at the Royal Scottish Society of Painters in Watercolours (RSW), Edinburgh, 2015 and was elected RGI in May 2016. Many galleries display McEwan's works, including Ok Harris Gallery in New York and Quanhua Gallery, Shanghai. Recently highlighted in Shenzhen Biennale and the Qingdao Hall of Watercolor. He has exhibited in Fabriano, Italy in the ''Marche d'Acqua'' International Award, as special guest and Vicenza, Italy, where he had a solo show in the ''Artbox''. McEwan was one of the 23 finalists in Narbonne, France at the Concours Mondial de l'Aquarelle 2014 1st World Watercolour Competition. Angus also exhibited at the World Watermedia Exposition, Thailand and Myro Gallery, Greece. He also participated in the Second International Watercolour Exhibit in Thessaloniki, Greece. In the UK McEwan exhibits with Thompson's Gallery (London) and The Open Eye Gallery (Edinburgh). Notable collectors include: Dundee Art Galleries and Museums; The Qatar Royal Family; the Royal Scottish Academy Collection; Ernst & Young, Glasgow; Scottish Enterprise; Scottish Equitable; Historic Scotland; Perth Royal Infirmary.

A CAUGHLEY BLUE AND WHITE SAUCE BOAT PRINTED WITH CHINESE ISLANDS, A DERBY CUSTARD CUP PAINTED WITH ROSES AND A NEW HALL TEA BOWL.

A fine reproduction mahogany hall table, 82 x 33 x 76 cm (cost new circa £600)

Assorted china tea ware, inc. New Chelsea, Royal Grafton "Fragrance" pattern, Coalport and Minton ("Haddon Hall" and "Lorraine" patterns)

TROLLOPE, Anthony, The Works thereof in 19 vols. Chapman and Hall, London 1876, New Edition. small format (174 x 120mm), 1/2 tooled calf and marbled boards (19)

AN ELIZABETHAN NEW TESTAMENT with finely engraved title page 'The Text of the New Testament of Jesus Christ translated out of the vulgar Latine by the Papists of the traiterous Seminaire at Rhemes... with a Confutation of all such arguments, glosses and annotations... by William Fulke, Doctor in Divinitie', imprinted at London by the Deputies of Christopher Barker 1589. 496pp plus a Table of Controversies, contemporary embossed calf, owners sig. b/p remnants 4to. (280 x 202mm), handwritten title. Eric Gerald Stanley b/p Note: William Fulke (1538-1589) English Puritan and Master of Pembroke Hall, Cambridge

A New Hall early 20th century jug and bowl set with matching chamber pot having a white ground with hummingbird design

Folding County Maps. Milne (Thomas), A Topographical Map of the County of Norfolk reduced by a scale of Two Statute Miles to one Inch from the Large map in six sheets..., published W. Faden, 1803, engraved map with contemporary outline colouring, sectionalised and laid on linen, 590 x 890 mm, contained in a contemporary marbled card slipcase with publisher's printed label to upper cover, case worn and frayed, together with Dix (Thomas). A New Map of the County of Gloucestershire, Divided into Hundreds, published W. Darton, 1830, uncoloured engraved map, sectionalised and laid on linen, circular cartouche, mileage scale, compass rose and vignette of Tewkesbury Church, slight staining, 455 x 365 mm, contained in a contemporary marbled card slipcase with publisher's printed title label to upper cover case worn and frayed, with Cary (John). A New Map of Cornwall Divided into Hundreds exhibiting its Roads, Rivers, Parks &c., 1828, engraved map with bright contemporary outline colouring, sectionalised and laid on linen, oval cartouche, inset map of the Scilly Isles, 485 x 550 mm, marbled endpapers, contained in a contemporary marbled card slipcase with printed title label to upper cover, plus Hall (Sidney). Berkshire [and] Oxfordshire, circa 1850, two engraved maps with contemporary outline colouring, sectionalised and laid on linen, each approximately 195 x 250 mm, contemporary cloth gilt boards, and Walker (J. & C.). Kent [and] Wiltshire, 1835 & 1846 respectively, two engraved maps with contemporary outline colouring, sectionalised and laid on linen, map of Kent stained and dust soiled, each approximately 400 x 330 mm, bound in contemporary cloth boards with printed label to upper cover, with two folding fox hunting maps of Oxfordshire and South West England, various sizes and condition (Qty: 9)

A collection of various china wares to include eleven Royal Doulton Clarendon coffee cans and twelve saucers, New Hall style silver shape teapot, brown and gilt decorated floral spray sucrier and three matching tea bowls and saucers, Worcester style basket work blue and gilt decorated bowl, Spode floral spray decorated jug and an oval meat plate

Five volumes of Charles Dickens Published by Chapman and Hall (London); Charles Scribner's Sons (New York), London and New York (1901)

Original vintage music advertising poster featuring a colour photograph of English rock band Procol Harum originally published in the Dutch music magazine Pop Foto. Procol Harum is an English rock band formed in 1967. Their best-known recording is the 1967 hit single "A Whiter Shade of Pale", one of the few singles to have sold over 10 million copies. Although noted for their baroque and classical influence, Procol Harum's music also embraces the blues, R&B, and soul. In 2018, the band was honoured by the Rock and Roll Hall of Fame when "A Whiter Shade of Pale" was inducted into the brand-new Singles category. Good condition, folded as issued, cracks, small tears and defects in margins. Country: Netherlands, year of printing: 1968, designer: Unknown, size (cm): 52x78 (Horizontal)

Vinyl - Kevin Vicalvi With Denis Dela Grogendiere - Sings From Down The Hall Vinyl LP on Starizon Records. New & Sealed Condition.

Extensive New Hall tea, coffee and dinner service with floral design and pale blue borders

First New Testament printed at Oxford.- Bible, Turkish.- Domini nostri Iesu Christi Testamentum Novum. Turcice redditum, translated by William Seaman, general title in Latin, followed by a title and text in Turkish Arabic, title with woodcut printer's device, some spotting, occasional causing loss of the odd letter, lightly browned at edges, contemporary calf, sympathetically rebacked, corners worn, rubbed and scuffed, [D&M 9345; Madan 2727; Wing B2813], small 4to, Oxford, excudebat H. Hall Academiæ typographus, 1666.⁂ William Seaman (1606-1680) orientalist and first translator of the New Testament into Turkish, which was was printed at the expense of Robert Boyle and the Levant Company. In about 1630 Seaman travelled to Constantinople and entered the service of the English ambassador Sir Peter Wyche. Provenance: The Earls of Macclesfield (engraved armorial bookplate and blind-stamps). Our copy bears manuscript corrections to the text and numerous dots placed in the fore-margin. One possible candidate for these is the English orientalist Edward Pococke, who was a Fellow of Christ Church, Oxford, and Professor of Arabic there. The inside rear covers bears the initials EP in a couple of combinations.

A collection of 19th century and later teawares, including Dresden, New Hall etc., including a New Hall teapot

* ANGUS MCEWAN RWS RGI RSW (SCOTTISH b 1963), IN WITH THE WOODWORK watercolour on paper, signed 42cm x 30cm Mounted, framed and under glass Label verso: Thompson's, Marylebone, 13 New Cavendish Street, London. Note: Angus McEwan was born in 1963 in Dundee, Scotland. Angus studied at the Duncan of Jordanstone College Art in Dundee, graduating in Fine Art and a Post Graduate Diploma in the same discipline. Angus was elected to the Royal Scottish Society of Painters in Watercolours (1995) and in 2012 the Royal Watercolour Society. In 2005 he was recognized as an Associate of the International Guild of Realism USA. He is also an associate member of the AWS and NWS in the USA. Angus has been Finalist three times of the ''International Artist Magazine'' and won first place in the John Blockley Prize in the RI open exhibition. Angus has also won second prize in the Sunday Times Watercolour Competition (2007) in London and the International Prize ''Marche d'Acqua'' Fabriano, Italy in 2012. In 2013 Angus won Bronze Award, at the Shenzhen International Watercolour Biennial, in China. He was recently awarded the May Marshall Brown award at the Royal Scottish Society of Painters in Watercolours (RSW), Edinburgh, 2015 and was elected RGI in May 2016. Many galleries display McEwan's works, including Ok Harris Gallery in New York and Quanhua Gallery, Shanghai. Recently highlighted in Shenzhen Biennale and the Qingdao Hall of Watercolor. He has exhibited in Fabriano, Italy in the ''Marche d'Acqua'' International Award, as special guest and Vicenza, Italy, where he had a solo show in the ''Artbox''. McEwan was one of the 23 finalists in Narbonne, France at the Concours Mondial de l'Aquarelle 2014 1st World Watercolour Competition. Angus also exhibited at the World Watermedia Exposition, Thailand and Myro Gallery, Greece. He also participated in the Second International Watercolour Exhibit in Thessaloniki, Greece. In the UK McEwan exhibits with Thompson's Gallery (London) and The Open Eye Gallery (Edinburgh). Notable collectors include: Dundee Art Galleries and Museums; The Qatar Royal Family; the Royal Scottish Academy Collection; Ernst & Young, Glasgow; Scottish Enterprise; Scottish Equitable; Historic Scotland; Perth Royal Infirmary.

Hall (William Henry, Esq.), The New Royal Encyclopædia; or, Complete Modern Universal Dictionary of Arts and Sciences, on an Improved Plan [...], Illustrated with upwards of 150 Large Superb Copper Plates [...], three-volume set, London: Printed for C. Cooke [...], [n.d. 1789-1790], contemporary reverse calf, spines of six-compartments, lettering pieces to the second- and fourth-compartments, marbled endpapers, folios, [3]

Collection of Vintage Collectibles including a vintage Art Deco style mantle clock; an oval dressing table mirror with ceramic floral design relief to top; a hand made wooden gavel; a pewter tankard and a miniature tankard; Fowlers Type H Chronometer in metal case; silver round tray with hall marks; various serving utensils. Also includes a pack of vintage 'Players Please' playing cards, a German Teddy Bear in new condition, and a Fisher Price Jack in the Box. Please see images.

Collection of Jazz Albums & 45s including Albums: Jazz Samba (Stan Getz & Charlie Byrd); Best of Ol' Blue Eyes (Frank Sinatra); Mel Torme Sings Fred Astaire; In Person at the Sands Las Vegas 1970 (Jack Jones); Hey - Let Yourself Go (Nelson Riddle); MidnightRhapsody (Joe Bushkin); At Town Hall, New York 1958 (Sammy Davis Jnr); Blue Saxaphones (Coleman Hawkins & Ben Webster; Beethoven Symphonies No 5 & 8 (Vienna Philharmonic Orchestra); Kenton with Voices (Stan Kenton); Songs for Swingin' Lovers (Frank Sinatra); Ella Fitzgerald Sings the Cole Porter Songbook; American Pie (Don McLean); Goon - But Not Forgotten (The Goons); Best of the Goon Shows (The Goons). Also includes 45s, including: Count Basie (Basie's Back in Town); Duke Ellington (The Duke at Newport); Brook Benton (When I Fall In Love); Stan Kenton (Number Two); Billy Eckstine & Sarah Vaughan (Best of Irving Berlin); Ella Fitzgerald (Sweet & Hot Part 3); Joe Williams (Everyday I Have the Blues); Oscar Peterson Plays Harry Warren; Billy Eckstine & Duke Ellington (Billy & The Duke); Anita O'Day (Sweet Georgia Brown).

Concert tickets including Michael Jackson Wembley stadium 1988, plus Michael Jackson July 30 1992, The Who New Bingley Hall Saturday 17 November 1979, The WHo EMpire Stadium Wembley 1989 AUgust, Meatloaf Odeon Birmingham 83, Whitney Housten, 10CC, etc.

Postcards, London suburbs, a selection of 13 RP's including Norbury (5), Forest Hill (4), Shooters Hill (2), Deptford Town Hall New Cross and Blackheath, nice selection (gd)

PAUL WELLER / ALBUMS - LPs. Killer collection of 16 x LPs. Titles include Paul Weller, Stanley Road, Live Wood Modern Classics, Heavy Soul, Wild Wood, Southern Songs, As Is Now, Catch-flame!, A Kind Revolution, Sonik Kicks, Wake Up The Nation, Saturns Pattern, True Meanings, More Modern Classics, Others Aspects Live At Royal Festival Hall. Condition is Ex+/as new, some copies are factory sealed.

PAUL WELLER / ALBUMS & COMPS - CDs/DVDs/CASSETTES. Great collection of 7 x CDs, 4 x CD Box Sets, 5 x DVDs and 26 x cassettes. Titles include Fly on the Wall, Stanley Road (Deluxe Ed.), Hit Parade, 22 Dreams, Weller at the BBC, Saturns Pattern, Studio 150, Wild Wood, Modern Classics, Live at The Royal Albert Hall, Modern Classics on Film, Live at Braehead, Brand New Start, Above The clouds, Uh Huh Oh Yeh, Into Tomorrow, The Changingman, Hung Up, The Weaver Up, Sunflower, Heavy Soul, Heliocentric, Mermaids, Peacock Suit, Broken Stones, You Do Something to Me. Condition is generally Ex to Ex+.

PAUL WELLER /PROMO ALBUMS - CDs. Smart bundle of 57 x promo CDs, including some duplicates/variants. Titles include Bootcut (Special Fanclub Ed.), Weller at BBC - Sampler, KCRW Radio (Special Fanclub Ed.), 22 Dreams (x3), Wild Wood Deluxe, Fly On The Wall, Stanley Road Deluxe Ed. (x4), Heavy Soul (x4), As Is Now (x2), Modern Classics (x3), Interview (x2), Heliocentric (x2), Under The Influence, Wake Up Nation, Just A Dream, Sonik Kicks (x3), Studio 150 (x2), Catch-flame! (Ltd. N354, inc. 5 badges), The Best of Paul Weller Volume One, Days of Speed Selections, Illumination (x3), Savages (x2), Come On / Let's Go (x2), Blink and You Will Miss It, As Is Now (x2), The Floorboards Up, Find The Torch Burn The Plans, Live At Royal Albert Hall, Hit Parade, Live at Braehead, A Kind Revolution, Into Tomorrow. Condition is generally Ex to Ex+/as new.

THE JAM / PRIVATE RELEASES - LPs. Killer selection of 3 x LPs. Titles include The Jam (SOUNDS 03, Ex+/Ex+), Changing My Address (Green, LAD 1, Ex+/VG+), Live at Newcastle City Hall 28th October 1980 (4747449, as new/sealed).

A Tray of Floral Pattern Teawares to Include Minton, New Hall, Roslyn, Royal Worcester etc

A New Hall coffee service, 1932 pattern

ASSORTED VINTAGE HARDBACK BOOKS including volumes of 'The New Cambridge Modern History', 'The Big Book for Boys', several family Bibles Provenance: Cyffdy Hall, Llanrwst

BREWER (J N) The Beauties of Ireland, 2 vols., London 1825-26, 8vo, plates, half calf; STEPHENS (Rev. Walter) Notes on the Mineralogy of Part of the Vicinity of Dublin, 1812, 8vo, 2 folding engraved plates (one damp stained at head), and folding hand-coloured map (loose), original boards (worn), uncut; a folding plan of Dublin by Stanford, 37 x 45cm, some tears and soiling; Pranceriana, Dublin 1775, small 8vo, 'Harlequin Prancer a New Ballad' 2pp., bound in at end, worn calf; The Picture of Dublin, 1835, 12mo; Chartae et Statuta Collegii.. Trinitatis, 1768, 4to, engraved title, paper wrapper, edges rather worn and knicked; HALL (S C) Ireland its Scenery, Character &c. 3 vols. 1841, cloth, fading and tears to spines; a floral watercolour by Lizzie Caroline Yeates (inscribed verso); few other vols.

A late 18thC Pinxton porcelain fluted bowl, decorated in a New Hall type pattern, unrecorded, marked with impressed letter E, c1746, 12cm Dia.

THEATRE, programmes & handbills, Music Hall and Variety, 1930s-40s, inc. Theatre Royal Chatham, East Ham Palace, Grand Theatre Luton, Croydon Empire, Royal Hippodrome Dover, Lewisham Hippodrome; Palacde Theatre Reading, Regent Cinema Hayes, Regal Theatre Minehead, New Hippodrome Darlington etc., duplication, tear to spine (1), G to VG, 42*

Silver and silver plate to include a silver frame inscribed Presented to Enoch Morrel Esq on the Occasional of the Opening of the New Concert Hall November 18th 1927

MISCELLANEOUS BRITISH CERAMICS, INCLUDING COALPORT, NEW HALL AND OTHER TEA WARE, ETC

AN EXTENSIVE COLLECTION OF INDIAN TREE PATTERN DINNER WARE, ROYAL GRAFTON, NEW HALL AND OTHERS

A pair of important French Louis-Philippe Royal ormolu and hardstone mounted candelabra made for Ferdinand-Philippe duc d'Orleans by Guillaume Deniere, designed by Aime Chenavard, the figures by Jean-Jacques Feuchere and the semi-precious and hardstone ornaments by M. Combettes, Paris, each with a female musician finial above a globe issuing eight leaf and lappet scroll branches, above a stem with gargoyle masks, eagles and with an entwined serpent, the circular base applied with hardstones and modelled with a smaller globe with music-making putti, 111cm high. (2) Provenance: Commissioned by Ferdinand-Philippe duc d'Orleans (1810-1842) in 1834 and delivered to the Palais des Tuileries, Paris, on the 20th April 1839. Sold by the duchesse d'Orleans (1814-1858): Hotel Drouot, Paris, 18th-20th January 1853, either lots 3, 4 or most probably lot 6. By family repute, the candelabra were acquired by Sir James Watts of Abney Hall, Manchester, in the mid-19th century. Thence by descent to Lady Eleanor Campbell-Orde. The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016). THE DUC D'ORLEANS' CANDELABRA - A LOST SURTOUT DE TABLE Ferdinand-Philippe duc d'Orleans was born in Palermo in 1810. He was the eldest son of King Louis Philippe and was a noted soldier serving in campaigns in Algeria and was one of the most dynamic and popular figures of the July monarchy. Along with his brother, the duc de Nemours, he had apartments in the Pavillon de Marsan in the Tuileries and as a patron of the arts he employed famous architects, artists and ebenistes to furnish them. He commissioned paintings from Delacroix and furniture from Bellange. After receiving the title of duc d'Orleans in 1830, the young Duke was to order a magnificent surtout de table to grace the dining room which overlooked the rue de Rivoli. The surtout de table was designed by Aime Chenavard and followed the Duke's passion for the Renaissance and Medieval revival styles. The Duke was keen to encourage young emerging artists and many different sculptors and bronziers were responsible for the production of the suite, including: Klagmann, Pradier, Barre, Deniere, Feuchere and a young Antoine-Louis Barye. The surtout consisted of a number of centrepieces, coupes, socles and fourteen candelabra and once laid out must have been an incredible sight. The Duke sadly died young in a tragic carriage accident in 1842. After his death his wife, the duchesse Helene, remained living in his private apartments along with the surtout until the 1848 revolution, when a mob broke into the apartment and many pictures and works of art, including the surtout, were removed to the Louvre for safe-keeping. After a protracted legal battle, a decree was passed that they should be handed over to the state. To avoid this, the family decided to sell the collection, including the surtout, which was sold by public auction on the 18th, 19th and 20th January 1853. The present lot is most probably from lot six: 'Six candelabres en bronze dore, a huit lumieres, ornes de nielles et de pierre de couleuer, et la base de figures , de J. Feucheres'. They were subsequently acquired by Sir James Watts of Abney Hall, Manchester, and would have appealed to his taste for everything Gothic and Medieval at his Pugin designed country house. They then passed by descent to Lady Eleanor Campbell-Orde and thence to her son, the late Sir John Campbell-Orde. Other pieces of the surtout de table have recently been sold at auction. In 2011 Sotheby's sold two magnificent centrepieces, see Sotheby's, Treasures-Princely Taste, 6th July 2011, lot 30 for £409,250. Also in 2011, Christie's New York sold a three-piece table garniture, see Christie's, 500 Years: Decorative Arts Europe, 19th -20th October 2011, lot 160 which realised $104,500. In 2015 again at Christie's New York, a splendid centrepiece was sold for $269,000, The Opulent Eye, 21st October 2015, lot 198 and most recently in 2017 Christie's sold an identical pair of candelabra to the present lot for $93,750, Opulence, 13th April 2017, lot 69. (All prices include buyer's premium). For a detailed examination of the surtout de table, see Isabelle Leroy-Jay Lemaistre's article entitled 'Des Sculpteurs et des bronziers' which features in the book 'Le Mecenat du duc d'Orleans 1830-1842', edited by Robert Herve.

A gilt brass hexagonal hall lantern in Regency style, with a three-light fitting with six glass panels, one with a hinged door and a clenched fist handle, 63cm high, 40cm wide. Provenance: Warrens House, Bramshaw, New Forest.

DICKENS CHARLES: (1812-1870) English Novelist. A brief A.L.S., Charles Dickens, (with paraph, in his earlier favoured brown ink), one page, 8vo, Broadstairs, 21st September 1841, to Messrs. Bradbury and Evans. Dickens writes, in full, 'If you can get it all in handsomely, please do so'. Some very light age wear and a minor spindle hole at the centre of the page, not affecting the text or signature, otherwise VG The English printing and publishing business of Bradbury & Evans was established in 1830 by William Bradbury (1799-1869) and Frederick Mullett Evans (1804-1870). In 1841, the same year as the present letter, they had acquired Punch magazine and ventured into publishing. They printed works for Chapman and Hall, the publishers of Charles Dickens, before, in 1844, Bradbury and Evans became his new publishers. Evans' daughter, Bessie Evans, married Dickens' son, Charles Dickens Jr., in 1861.

A selection of ceramics including New Hall Hanley dinner wares

Various 19thC porcelain pottery cabinet cups, etc., a 19thC two cup and saucer set in Imari type decoration, an early 19thC New Hall porcelain tea bowl, 9cm dia, blue and white hors d'oeuvre dish, etc. (a quantity)

Paul McCartney: Two signed postcards, vinyl/CDs and other related memorabilia,comprising: two postcards, dated June and December 2000, written in blue and black ballpoints by Paul and addressed to his MPL offices in London, the June example sent from New York, remarking...having a grand time, inducting Brian Wilson into the Songwriters Hall of Fame and jamming with James Brown..., the other sent from Courchevel, France, stating ...Apres ski jolly + relaxing...love Paul and Heather; two Run Devil Run limited edition box sets, with leaflet; a mint and boxed Run Devil Run promo 'Jukebox' radio/cassette player; seven various boxed painted wood MPL Christmas tree decorations, 2000s; a boxed MPL 'No Struggle Juggle' juggling kit, with three balls, Christmas 2001; thirteen various Paul McCartney CD releases, including Rushes and Electric Arguments by the Fireman, Band On The Run and 1 by the Beatles, both promo copies, the larger postcard 5in x 7in (12.7cm x 17.8cm), (Qty)

Various silver-plated trays, one circular salver marked Mappin & Webb Princes Plate, another marked Reed & Barton "New Willard", one marked Walker & Hall (5) 

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Messenger and the Sentinel" Dated: '83 - 05 Oil on Paper laid on Canvas. Signed verso. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France. Overall Size: 11.25 x 15.25 in. (350 - 4303)

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Shaman's Doll" Dated: '94 Oil on Canvas. Titled and signed verso. Having gallery label verso. In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France. Overall Size: 18 x 16 in. (189 - 4309)

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "The Crossing" Dated: '93 Oil on Canvas. Signed, dated and titled verso. Overall Size: 31 x 43.5 in. (140 - 4332) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Student's League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of '71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces, one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness, landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974, Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS 2001 SRQ ON MAIN, Sarasota, Florida 1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 ? July 31, Marilyn Mars, Curator 1995 KOETHER ? NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida 1993 MATRIX, Renegade Gallery, East Hampton, New York 1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York 1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida 1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY 1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia 1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY 1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY 1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY 1974 AJANTA GALLERY, New York, New York 1973 St. Croix, Virgin Islands 1972 St. Croix, Virgin Islands 1971 Ars Bar, Ibiza, Spain 1970 Ars Bar, Ibiza, Spain 1969 Ars Bar, Ibiza, Spain 1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin Islands SELECTED GROUP AND JURIED SHOWS 2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY 1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida 1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum 1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida 1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida 1994 KOETHER, ASHAWAGH ?94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY 1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University 1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York 1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York 1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York 1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York 1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia 1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York 1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York 1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York 1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York 1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York 1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia 1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia 1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia 1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia 1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia 1971 LE CENTER AMERICAN, Paris, France.

* ANGUS MCEWAN RWS RGI RSW (SCOTTISH b 1963), IN WITH THE WOODWORK watercolour on paper, signed 42cm x 30cm Mounted, framed and under glass Label verso: Thompson's, Marylebone, 13 New Cavendish Street, London. Note: Angus McEwan was born in 1963 in Dundee, Scotland. Angus studied at the Duncan of Jordanstone College Art in Dundee, graduating in Fine Art and a Post Graduate Diploma in the same discipline. Angus was elected to the Royal Scottish Society of Painters in Watercolours (1995) and in 2012 the Royal Watercolour Society. In 2005 he was recognized as an Associate of the International Guild of Realism USA. He is also an associate member of the AWS and NWS in the USA. Angus has been Finalist three times of the ''International Artist Magazine'' and won first place in the John Blockley Prize in the RI open exhibition. Angus has also won second prize in the Sunday Times Watercolour Competition (2007) in London and the International Prize ''Marche d'Acqua'' Fabriano, Italy in 2012. In 2013 Angus won Bronze Award, at the Shenzhen International Watercolour Biennial, in China. He was recently awarded the May Marshall Brown award at the Royal Scottish Society of Painters in Watercolours (RSW), Edinburgh, 2015 and was elected RGI in May 2016. Many galleries display McEwan's works, including Ok Harris Gallery in New York and Quanhua Gallery, Shanghai. Recently highlighted in Shenzhen Biennale and the Qingdao Hall of Watercolor. He has exhibited in Fabriano, Italy in the ''Marche d'Acqua'' International Award, as special guest and Vicenza, Italy, where he had a solo show in the ''Artbox''. McEwan was one of the 23 finalists in Narbonne, France at the Concours Mondial de l'Aquarelle 2014 1st World Watercolour Competition. Angus also exhibited at the World Watermedia Exposition, Thailand and Myro Gallery, Greece. He also participated in the Second International Watercolour Exhibit in Thessaloniki, Greece. In the UK McEwan exhibits with Thompson's Gallery (London) and The Open Eye Gallery (Edinburgh). Notable collectors include: Dundee Art Galleries and Museums; The Qatar Royal Family; the Royal Scottish Academy Collection; Ernst & Young, Glasgow; Scottish Enterprise; Scottish Equitable; Historic Scotland; Perth Royal Infirmary.

Joseph Francis Walker (British 1831-1906): Seated Portrait of a Gentleman, oil on canvas 74cm x 61cm in ornate gilt frameProvidence: Originally from The New Hall, Hedon, East Yorkshire Condition Report Click here for further images, condition, auction times & delivery costs

Joseph Francis Walker (British 1831-1906): Seated Portrait of a Lady, oil on canvas signed 72 cm x 60cmProvidence: Originally from The New Hall, Hedon, East Yorkshire Condition Report Click here for further images, condition, auction times & delivery costs

Head and Shoulder Portrait of a Gentleman, 19th century oil on canvas unsigned 59.5cm x 46.5cm in gilt frameProvidence: Originally from The New Hall, Hedon, East Yorkshire Condition Report Click here for further images, condition, auction times & delivery costs

Bindings. Collection of leather-bound books, predominantly 19th century, including part-sets and school prizes; some handsome bindings in calf or crushed morocco with marbled boards and title labels lettered in gilt. To include A History of New York, by Diedrich Knickerbocker, Glasgow: John Wylie, 1821; Our Mess, edited by Charles Lever, illustrated by Phiz, Dublin: William Curry, 1843; Paradise Lost, by John Milton, in two volumes, London: J. Beecroft et al., 1770; Pickwick Papers, by Charles Dickens, in two volumes, London: Chapman & Hall, 1861; The Poetical Works of Lord Byron, London: John Murray, 1873; The Plays of Shakespeare, in three volumes, London: Routledge, 1858, and others, condition varied (37)

Staffordshire Potteries / Juvenalia Interest. Collection of books comprising: The Father's Best Gift (small booklet, 9.5cm height), woodcut frontispiece, decorative paper covers, Burslem: J. Tregortha [c.1800]; The Cottage Fire-Place, C. Bentham, 1821, illustrated with wood-engravings in the manner of Thomas Bewick, 'Crewe Hall Library - Juvenile Books' label to front pastedown; The Sunday Scholars' Magazine and Juvenile Miscellany for 1829, Hanley: W. Shuttleworth, contemporary half-calf; Enoch's Bell: A Ballad, by J. H., Burslem: J. Tregortha, 1819; The Complete New Cow Doctor, by T. Beaumont, Burslem: John Tregortha, 1816; A Collection of Hymns for Primitive Methodists, Bemersley: J. Bourne, 1829, full calf with brass clasps; The Housekeeper's Assistant or Whole Art of Cookery, by Mrs Carter, Burslem: J. Tregortha, 1820; The Young Man's Best Companion, by J. Sutcliffe, Burslem: J. Tregortha, 1816, full contemporary leather with oxblood morocco title label; Art and the Beauty of the Earth, a Lecture Delivered by William Morris at Burslem, London: Longmans, 1898, publisher's paper covers (9)

* [Dickens, Charles]. Ticket for Charles Dickens's Final Readings, 1870, printed in black on pink card, giving the purchaser entry to a public reading by Dickens at St. James's Hall on Tuesday February 1st in 1870, in the Sofa Stall, Row 14, No. 23, priced 7s, used (i.e. with left hand portion torn off on entry to event), 7 x 5.5cm (2.75 x 2.25ins), housed in a W.H. Smith envelope embossed on flap '34 & 35 New Bond Street, London, W.1.' and with 'WHS' monogram, note in early manuscript on front pertaining to contents (Qty: 1)NOTESCharles Dickens, renowned for his powerful theatrical public readings of his own novels, embarked on a series of twelve "farewell" performances at St. James's Hall, from 11th January to 15th March 1870. The readings, given despite Dickens's fragile state of health, included episodes from Pickwick Papers , Oliver Twist and the perennial favourite A Christmas Carol . The tickets for these Final Readings were hugely sought after and on 15th March Dickens faced an audience of some two thousand people, with many more having been turned away. After the final performance Dickens made an emotional speech which ended: ''... from these garish lights I vanish now for evermore... '', words which were inscribed on his funeral card distributed at Westminster Abbey three months later. A rare and significant piece of Dickensiana in excellent condition.

A Cauldon China Angoulême sprig pattern part dinner service, early 20th century, comprising: an oval vegetable dish and cover; a pair of vegetable tureens and covers; a sauce tureen and cover; six oval serving dishes in sizes, the largest 52cm long, the smallest 27cm long; twelve soup plates and thirty-four dinner plates, retailer's mark for Mortlock's of Oxford Street; and a pair of associated Creil et Montereau creamware salad crescent plates and a New Hall type slop bowl in the same pattern

George Washington Lambert ARA (Australian 1873-1930) Kate Kelly during the last stand of the Kelly Gang Signed and dated 1908 Oil on canvas 35.7 x 50.9cm Provenance: Purchased from the artist by Sir Walter Baldwin Spencer, Melbourne (1860-1929); by descent to his daughter Lady Dorothy Young (d.1966); by descent to her son Patrick Templeton Young (1925-1992); and by descent to the present Private Collector Literature: William Henry Lang, Australia (T.C. & E.C. Jack, London, 1908), o.p.238, illustrated, as The Last Stand of the Kellys at Glen Rowan; Anne Gray, George Lambert 1873-1930 Catalogue Raisonné: Paintings and Sculpture, Drawings in Public Collections (Bonamy Press, 1996), p.25, no. P89 Exhibited: Melbourne, Guild Hall, Australian art exhibition, March - April 1911, no. 29, as In front of the Glen Rowan - Kate Kelly; Sydney, Art Gallery of New South Wales, Sir W. Baldwin Spencer's Collection, December 1916, no 206; Sydney, Art Gallery of New South Wales, Loan Exhibition of Australian Art, 1918, no. 70, as Ned Kelly; Melbourne, Fine Art Society, The Baldwin Spencer Collection of Australian Pictures and Works of Art, May 1919, no. 18; Melbourne, National Gallery of Victoria, Loan Exhibition of Australian Paintings, 1925, no. 193, as Ned Kelly; Sidney, Education Department Gallery, 1930, no. 93 The daring Kate Kelly came forth from the crowd and on her poor brother she call out aloud "Come forth, my dear brother, and fight while you can!" This work depicts the last stand of the notorious Kelly Gang, at Glenrowan, Australia in 1880. The outlaws took numerous hostages at a local inn, and were besieged by the police. George Lambert has depicted Ned Kelly's younger sister Kate, astride a horse, trying to make her way past the police and reach her brother.