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A Spode ‘Chelsea’ pattern dinner service, comprising: four place settings and serving plate; together with three New Hall style rose decorated tea bowls and two saucers; and a rose decorated tumbler.

George III new hall hand painted plaque

A QUANTITY OF ASSORTED PICTURES AND PRINTS ETC, to include a Rowland Hilder print, reproduction print 'The East Prospect of Birmingham' by W Westley, four Baxter prints from the Christie's New Hall Vault sale topographical prints, landscape prints, modern needlework pictures, other assorted prints etc ( box and loose)

Auction Sale Catalogues of Antiques & Fine Art of Famous Collections and Country Houses Comprising: Collection du Baron de Rede, Provenant de l'Hotel Lambert, March 2005, (2 volumes) Sotheby's, France, Chateau de Groussay, Boxed, (3 Volumes + Introduction), June 1999 Phillips & Gurr Johns, Cliveden, Taplow, Maidenhead, Berks, May 1967 Sotheby's, London, The Magnificent Contents of 148 Piccadilly (by order of Victor Rothschild), W1, April 1937 Christie's, Mallorca, Ca'n Puig Y Castillo de Bendinat, Mallorca, May 1999  Christie's, Elveden Hall, Boxed, (6 Volumes), May 1984  Sotheby's, Schloss Marienburg: The Royal House of Hanover, Boxed, (3 Volumes & DVD), October 2005 Sotheby's, New Bond Street, The Estate of an Italian Connoisseur, The Giuseppe Rossi Collection, Boxed, (4 Volumes), March 1999  Hampton & Sons, St James' Square, London, The Collection of the late Lord Michelham, November 1926 Sotheby's, Baden Baden, Die Sammlung der Markgrafen und Grossherzoge von Baden, Boxed, (6 Volumes), October 1995 Sotheby's, London, Elton John, Volumes I-IV, September 1988 Bonhams, Knightsbridge, The Adams Collection, (4 Volumes), May 1996 Sotheby's, Regensburg: Die Furstliche Sammlung Thurn und Taxis, Boxed, (6 Volumes + Introduction Volume), October 1993 Christies, Monaco, Collection of M. Hubert De Givenchy, Boxed, 2 Volumes, December 1993 Sotheby's, Stokesay Court, Ludlow, Shropshire: The Contents of Stokesay Court, Boxed, (3 Volumes), September 1994 Sotheby's, New York, The Estate of Jacqueline Onassis, April 1996 Sotheby's, Thornton Manor, Wirral, Merseyside: The Leverhulme Collection, 2 Volumes, June 2001 Parke-Bernet, New York, The Walter P. Chrysler Jr. Collection of English Furniture, 2 Volumes, April 1960 Poulain Le Fur, Paris, Succession de la Comtesse de Pimodan, December 1999 Sotheby's, London,  The Thomas F Flannery, Jr. Collection, December 1983 Christies, New York, Property formerly in the Collection of Mr & Mrs Jack Warner, October 1990  Sotheby's, Cubbley House, Nr. Ross-on-Wye, Herefordshire: The Roger Whittacker Collection, July 1999 Sotheby's, London: The Roger Collection, January 1998 Christie's, King Street, The Humphrey Whitbread Collection, April 2001  Sotheby's, London, The Price Collection, November 2000 Sotheby's, London,  The Charles & Barbara Robertson Collection, An Informed Eye & The Contents of Combe Hay, December 2002  Sotheby's, The East Wing, Ickworth, Suffolk, June 1996 Christie's, Luttrellstown Castle, September 1983  Sotheby's, New York, Important English Furniture & Related Decorative Arts, A Private Collection, April, 1995  Sotheby's, London, The Collection of the late Sir Harold Wernher, Luton Hoo, May 1995 Sotheby's, Firenze: The Contents of Villa Demidoff, Pratolino, Near Florence, April 1969  Christies, King Street, Highly Important English Furniture & Sculpture from St Giles's House, Dorset, June 1980  Christie's, Childwick Bury, St Albans, Hertfordshire, Part I, May 1978 Christie's, King Street, Le Pavillon Chougny, A private collection by Alberto Pinto, December 2004  Sotheby's, London,The Dimitri Mavrommatis Collection, July 2008  Sotheby's, London, The Alberto Bruni Tedeschi Collection, March 2007  Sotheby's, London, The Moritzburg Treasure, the Royal House of Saxony, December 1999  Ader Tajan, Villa Baia dei  Fiori, Collections de Son Excellence Ilhamy Hussein Pacha,March 1993 Sotheby's, Paris, Collection Privee Parisiennes, December 2004  Sotheby's, London, The Luigi Koelliker Studiolo, December 2008  Sotheby's, New York, The Collections of Lily & Edmond J. Safra, 2 Volumes, November 2005  Sotheby's, London, Piano Nobile, A Collection from an Aristocratic Milanese Palazzo, November 2013 Parke-Bernet, New York, The Mrs Henry Walters Art Collection, 2 Volumes, April 1941 Christie's, South Kensington, Le Bois Muralt, A Collection of a European Noble Family, January 2000  Christie's, King Street, The Collection of The Late Baroness Batsheva de Rothschild, December 2000 Sotheby's, London, The Hector Binney Collection, Dec 1989  Sotheby's, Paris, Collection de Madame Barbara Piasecka Johnson, October 2003  Sotheby's Paris, Collection de M. Ghislain Prouvost, Dec 2005  Christie's, South Kensington: The Legend of Dick Turpin, 2 Volumes, March 2006  Christie's, King Street,Two Late Regency Collectors, Phillip John Miles & George Byng 1815-45, June 2005  Christie's, King Street, Out of The Ordinary, The Discerning & Individual Taste of Christopher Gibbs & Harris Lindsay, May 2006 Sotheby's, New York, A collection formed by a Gentleman residing in New York, June 1974  Christie's, King Street, The Champalimaud Collection, Boxed, 2 Volumes, July 2005 Christie's, King Street, The Collection of The Barons Nathniel & Albert von Rothschild, July 1999 Christie's, King Street, Works of Art from Houghton, Dec 1994 American Art Association, Anderson Galleries, NY, Collection of the late Mrs Benjamin Stern, April 1934  Sotheby's, London, The Christopher Hodsoll Collection, Oct 2002  Christie's, King Street, Silver, Porcelain & Glass from the Royal Prussian Collection, November 2002  Christie's, King Street, A Town House in Mayfair, Nov 2008  Sotheby Parke Bernet, Monaco, Collection Monsieur Akram Ojjeh, June 1979 Sotheby's, Castle Howard, York, Yorkshire, November 1991 Sotheby's, London: 1000 Ways of Seeing, The Private Collection of the Late Stanley J Seeger, March 2014  Christie's, King Street, A Tribute to John Fowler: Furniture & Decorations, Sept 2006  Sotheby's, London, The Ronald A. Lee Collection, Nov 2001 Christie's, King Street: Wentworth, July 1998 Sotheby's, New York, Tom Devenish, The Collection, Highly Important English Furniture, April 2008  Sotheby's, Syon Park, The Sale at Syon Park, Middlesex, May 1997  Sotheby's, West Wycombe Park, The West Wycombe Park Sale, June 1998  Sotheby's, Barnwell Manor, May 2002 Christie's, Belton House, Linconshire, May 1984  Galerie Georges Petit, Paris, Collection Jacques Doucet, 1912  Sotheby's, Scotland, Tyninghame, East Lothian, Scotland, September 1987  Christies, South Kensington, The Contents of Harrington House, May 2000 Sotheby's, Haddington, East Lothian, May 1990 Christie's: The Gyrn Castle Sale, North Wales, July 2006  Christie's, North Mymms Park, Hatfield, Hertfordshire, Volume I, September 1979  Christie's, King Street, The Sir Michael Sobell Collection, June 1994  Sotheby's, Hadspen House, Castle Cary, Somerset, May 1996 Christie's, The Edward James Collection, West Dean Park, Volume I, June 1986  Christie's, The Mill House, Sonning, Berkshire, The Property of Count & Countess Csaky, June 1994 Christie's, The Manor House at Clifton Hampden, The Home of Christopher Gibbs, September 2000 Sotheby's, The Contents of Wilsford Manor, Wiltshire, October 1987  Bonhams, Knightsbridge, The Rothman Collection, March 1995 Christie's, Sacombe Park, Hertfordshire, October 1993  Sotheby's, New York, The Estate of Peter Jay Sharp, January 1994  Sotheby's, Benacre Hall, Suffolk, May 2000 Sotheby's, London, The Adler Collection, February 2005  Phillips, Winchester, The Contents of 13 St Thomas Street, Winchester, June 1992  Choppin de Janvry, Paris, Succession Anita Semail, March 2009  Christie's, Godmersham Park, Canterbury, Kent, June 1983,Christie's, South Kensington, Notting Hill, No Ordinary Life, May 2006

Set of two posters reproducing antique prints with London scenes. 1. Artwork by a Dutch Golden Age artist Claude de Jongh (1605-1663) titled Old London Bridge (1630) in the Iveagh Bequest at Kenwood, depicting the bridge with buildings spanning over the Thames River. Horizontal. Large size. Good condition, creasing, staining, paper skimming. Country of issue: UK, designer: Claude de Jongh, size (cm): 46x122, year of printing: 1970s; 2. Long View of London From Bankside by a prolific and accomplished Bohemian graphic artist of the 17th century Wenceslaus Hollar (1607-1677) featuring a panoramic view of the city from Southwark, showing the Palace of Whitehall, Scotland Yard, Suffolk House, York House, and Durham House; Salisbury House, the New Exchange on the Strand, the Savoy, Somerset House, Arundel House, Covent Garden, Essex House, the Temple and St Clement Danes, Blackfriars, and Baynard's Castle; Queenhithe, St Andrew's, Holborn, Old St Paul's Cathedral, with Highgate Hill behind in the distance; the Steelyard, Bow Church, the Guildhall, Coalharbour, All-Hallows-the-Great, St Laurence Pountney, the Royal Exchange, The Old Swan, St Michael's, St Peter's, Fishmongers' Hall, St Magnus-the-Martyr, Old London Bridge, Greyfriars, St Dunstan-in-the-East, Billingsgate, All Hallows-by-the-Tower, the Customs House, the Tower of London, and meanders of the River Thames past St Katharine Docks towards Greenwich. On the south bank are the Bankside theatres the Globe and Hope (mislabelled), Winchester House, Southwark, and St Olave's. Large size. Horizontal. 2 sheet poster. Good condition, staining, creasing, 2 sheets stuck together. Country of issue: UK, designer: Wenceslaus Hollar, size (cm): 58x242, year of printing: 1970s.

This stunning R-Type was bodied in Aluminium by E.D. Abbott of Farnham in 'Continental' style. Only a handful were created, and offer fabulous styling for a fraction of the cost of the celebrated Fastback Continental. In June 1952, Bentley’s new R-Type was presented to the public and it owed its name to the fact that the VI Series had, by this time, reached the chassis letter 'R'. The new model continued to utilise the MkVI’s independent front suspension, hydraulic front brakes and six-cylinder 'F-head' power unit, by now extended to 4,566cc. The standard R-Type was a lively performer, achieving 106mph in silence and reached 50mph from standstill in ten seconds, despite a curb weight approaching two tonnes.As usual, the R-Type could be ordered in chassis form for bodying by specialist coachbuilders, and this manual transmission example was the work of E.D. Abbott of Farnham, Surrey. The stylish, streamlined, Continental-style fastback coupé coachwork, designed by Abbott's stylist, Peter Woodgate, had been intended for the superseded MkVI chassis and bore more than a passing resemblance to H J Mulliner's contemporary Bentley Continental. After two prototypes had been completed, Abbott bodied 14 'production' cars, this example being the first. Of the remaining 13, one was fitted with automatic transmission and one was built with left-hand drive.We understand that this example was sold new to The Earl of Sefton, bodied in Aluminium and presented as a two-door ‘Continental’ style coupé in Ascot Grey.OYE 700 is accompanied by a fascinating history file which contains a list of previous owners, confirming that the car’s first owner was indeed the Rt. Hon. Earl of Sefton at Croxteth Hall. In 1968 it became the property of Richard Clover from Worcester and, ten years later, it was registered to the Midland Record Company (Peter John Riley). Jeremy Pemberton of Yellowhammer PLC acquired the Bentley in 1990 before selling it in 2004 to specialists dealers Frank Dale and Stepsons who, according to invoices in the file, carried out quite a lot of work on the car. A Michael Percival is listed as owning the car in 2004 with Eric Adkins in 2005, prior to Mr and Mrs Silverstone, also in 2005. The famous car-collecting dentist, Dr James Hull, added it to his Collection in late 2009 and, naturally, it moved to a previous vendor’s significant Collection around 2012 when Dr Hull sold everything.There are a number of older invoices with the car and it appears that by 1985, whilst in Peter Riley’s custodianship, the Bentley was looking a little sad. A.B.Price, Automobile Engineers of Studley provided an 'estimate' dated 4th February 1985 for 'totally stripping coachwork, rebuilding corroded and damaged panelwork, re-cellulosing the car, replacing wood frame in body structure, completely refitting the interior woodwork and reassembling all fittings etc'. The estimate totalled £14,338. Invoices over the next 18 months totalled over £20,000 from A.B.Price and detail the work completed. Later invoices over the years from Frank Dale & Stepsons and Hillier Hill detail subsequent maintenance and repairs, with the most recent one dated 8th October 2011, recording the odometer reading of 50,572 miles.The history file also contains a number of old V5s, a dozen older MOTs, lots of correspondence, the original ‘buff’ logbook, its R-Type Bentley Handbook, an article by Bill Medcalf entitled 'R-Type Continentals' and a booklet titled ‘Twenty Years of Crewe Bentleys’. There is also a letter from Bentley confirming that, should the opportunity arise, they would be delighted to display OYE 700 at the factory as part of 'The Bentley Experience'.OYE 700 is currently owned by a private Collector who has recently spent over £1,200 with DA Cooper in Sussex on some mechanical work to ensure the car is in splendid shape for the next owner.This was the first of the Abbotts of Farnham aluminium-bodied cars, and one can only imagine the sort of attention the 'swoopy' Continental bodywork would have generated back in 1954, matched only by the sort of admiration it would garner in 2023. This car is effectively the same as a manual Mulliner R-Type Continental, but at a fraction of the price, and rarer. Both cars are alloy-bodied and drive identically.We encourage you to view this remarkable piece of automotive art in the metal and to appreciate the sheer quality on offer.Specification Make: BENTLEY Model: R-TYPE COUPE BY ABBOTT Year: 1954 Chassis Number: B393SP Registration Number: OYE 700 Transmission: Manual Engine Number: B446S Drive Side: Right-hand Drive Odometer Reading: 51171 Miles Make: RHDClick here for more details and images

Three framed Prints to include; Cardiff City Hall, The New University Tower Bristol, etc., signed by same artist, W.H. Gough(?).

Worksplate YORKSHIRE ENGINE CO LIMITED MEADOW HALL WORKS SHEFFIELD No 2498 1951 ex 0-6-0 ST delivered new to Samuel Fox a subsidiary of United Steel Companies and numbered 9, sold to the NCB in 1959 and used at Chislet Colliery Kent, purchased in 1969 for preservation and is now at the Buckinghamshire Railway Centre Quainton Road. Oval cast brass, face restored, measures 11in x 6in.

Worksplate YORKSHIRE ENGINE CO LIMITED MEADOW HALL WORKS SHEFFIELD No 2827 1961 ex 0-6-0 Diesel Hydraulic delivered new to RTB Llanwern and later used at British Steel Moss Bay Workington as number 311 . Oval cast brass, face lightly cleaned, measures 11in x 6in.

Group of English ceramic tea wares including a New Hall type cup and saucer, a Cantonese porcelain cup and saucer and a further London shape cup and saucer with floral designs

Tray containing a quantity of English late 18th Century/19th Century porcelain, New Hall cup, tea bowls, also a Yarmouth pottery limited edition mug for the Fur & Feather

Group of late 18th Century cups and saucers, probably New Hall with a tobacco leaf type design comprising four cups, two cans and five saucers

The Great Sheffield Flood Its History Re-Told, reprint of the original edition, with original wood engravings. Queen Victoria's visit to Sheffield and The Opening of the New town hall on May 21st 1897, Trades Unior Commission The Sheffield Outrages, with an introduction by Sidney Pollard. The Gem of The Peak or Matlock Bath and its Vicinity, 3rd edition by W. Adam, Chatsworth "The Attic Sale" catalogue:- One Box.

HARRY POTTER AND THE PRISONER OF AZKABAN (2004) - Hagrid's (Robbie Coltrane) PumpkinA pumpkin from Hagrid's (Robbie Coltrane) garden in Alfonso Cuarón's fantasy-adventure sequel Harry Potter and the Prisoner of Azkaban. Hagrid tethered the hippogriff Buckbeak in his pumpkin patch, while the beast awaited its execution.The pumpkin has an orange-dyed rubber exterior and a hollow foam interior. It features a carved spooky grinning face on one side and a green-painted stalk at the top. A circular section has been carved out around the stalk, and this rests over the opening it's created. This pumpkin was among many later repurposed for the 2017 Dark Arts at Harry Potter Studios Halloween Tour. For this event, the prop team carved unique faces into each of the pumpkins, hollowed them out and hung them with wires from the ceiling of The Great Hall set. For subsequent Dark Arts studio tours, these pumpkins were replaced with new pumpkins and this one was saved from disposal. The pumpkin exhibits glue remnants and hook holes around the top opening. Dimensions: 60 cm x 60 cm x 62 cm (23 1/2" x 23 1/2" x 24 1/2")Estimate: £1,000 - 2,000 M View all lots from HARRY POTTER AND THE PRISONER OF AZKABAN (2004)View all lots from HARRY POTTER - ALL ITEMSBidding for this lot will end on Saturday, November 11th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Friday, November 10th or Sunday, November 12th.

FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN (1989) - Mario Kirner Collection: Jason Voorhees' (Kane Hodder) ShirtJason Voorhees' (Kane Hodder) shirt from Rob Hedden's slasher sequel Friday the 13th Part VIII: Jason Takes Manhattan. After being accidentally resurrected from the bottom of Crystal Lake, Jason wore his shirt throughout the film as part of his slime-drenched costume, while hunting a group of high-school graduates on a cruise ship to New York. This example is one of three shirts worn by Kane Hodder during the production. It screen-matches to an episode of The Arsenio Hall Show in July 1989, when Jason appeared as a silent guest to promote the film. It matches through the intentional distress and markings on the collar and pockets.The Levi's chambray grey cotton shirt is marked as a size "XXL" and displays heavy intentional distressing with several rips and holes. The colour has faded over time, creating a washed-out appearance.Additional Provenance:This lot comes from the personal collection of Friday the 13th collector and historian Mario Kirner.This lot comes from the Friday the 13th Props Museum collection of Mario Kirner. The Museum was created as a private collection that showcased not only Jason's iconic hockey mask, but also a number of other movie props, costumes and additional materials that were used during the production of the Friday the 13th movies. An avid contributor in the screen-used prop and costume collecting field for more than 20 years, Mario Kirner has been a dedicated in his work and efforts to help to transform what was once a niche hobby into an popular culture phenomenon. Mario is not just a collector, but a true historian and curator of all things Jason Voorhees and Friday the 13th, also publishing a book dedicated to showcasing the museum's content and their stories. Estimate: £3,500 - 7,000 Ω View all lots from FRIDAY THE 13TH PART VIII: JASON TAKES MANHATTAN (1989)View all lots from FRIDAY THE 13TH - ALL ITEMSBidding for this lot will end on Thursday, November 9th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 10th, Saturday, November 11th or Sunday, November 12th.

STAR WARS: VARIOUS PRODUCTIONS - Anthony Daniels Collection: Autographed Black-and-white Photo of C-3PO (Anthony Daniels) and the London Symphony OrchestraA black-and-white picture of C-3PO (Anthony Daniels) and the London Symphony Orchestra from the 1978 Star Wars symphonic film-music concert at the Royal Albert Hall. Conducted by John Williams, who was later joined by C-3PO for the encore, the Orchestra performed Williams's iconic score for George Lucas' A New Hope. This glossy photograph depicts C-3PO standing infront of the Orchestra, facing the audience, with a conductors baton taped to his hand. Daniels' describes this experience in his memoir as "the greatest night of my life". It features Daniel's autograph signed in silver pen and exhibits minor edge wear and creases from handling. Dimensions: 20.5 cm x 25.5 cm (8" x 10")Additional Provenance: This lot comes from the personal collection of actor Anthony Daniels. Daniels plays loyal protocol droid C-3PO in the Star Wars saga. He first appeared in the role in 1977 and is the only actor to appear in all Star Wars feature films to date.Estimate: £100 - 200 M View all lots from STAR WARS: VARIOUS PRODUCTIONSView all lots from STAR WARS - ALL ITEMSBidding for this lot will end on Friday, November 10th. The auction will begin at 3:00PM BST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 9th, Saturday, November 11th or Sunday, November 12th.

NO RESERVE Pok (Marie) Olivier Dwek: Architectures 2001-2015, Photographs by Serge Anton, Brussels, 2014 § Shulman (Julius) Architektur und Fotografie, Cologne, 1998 § Cowboys Stadium: Architecture, Art, Entertainment in the Twenty-First Century, New York, 2010 § Cholmondely (David) & Andrew Moore. Houghton Hall: Portrait of an English Country House, New York, 2014 § Lightscape: James Turrell at Houghton Hall, 2015 § Ai Weiwei at Blenheim Palace, Woodstock, 2015 § Joana Vasconcelos: Versailles, Paris, 2012, illustrations, many colour, original cloth or boards, all but the sixth with dust-jackets; and c.25 others, mostly architecture, 4to & 8vo (c.30)

PORCELAIN/CERAMICS: to include, GODDEN, Geoffrey S., 'New Hall Ceramics', Antique CC, 2004 (excellent condition); with seven others (some ex-lib.) all by Godden.

Benedict Angell Hyland (British, 1859-1933)The Duke of Portland's Clumber Spaniels at Welbeck Abbey signed and dated 'B.A.Hyland 1884' (lower left)oil on canvas61 x 78cm (24 x 30 11/16in).Footnotes:LiteratureW. Secord, Dog Painting: A History of the Dog in Art, New York, 2013, p. 363.In the 1880s, Hyland was restoring the pictures of the Duke of Portland at Welbeck Abbey. It is here that he would have met and painted the Duke's Clumber Spaniels. The duke is known to have possessed most of the best bitches of the day. Clumbers were famously bred and trained for the 2nd Duke of Newcastle by gamekeeper William Mansell, at Clumber Park in Nottinghamshire, an adjacent estate. Dogs from Clumber Park made their way into the Duke of Portland's kennels at nearby Welbeck Abbey, along with the kennels of the Foljambe family at Osberton Hall near Worksop; the Duke of Kingston's kennels at Thoresby Hall; and the Duke Norfolk's at Worksop Manor.For further information on this lot please visit Bonhams.com

Eight: Warrant Mechanician F. G. Hall, Royal Navy, who served in H.M.S. Nigeria including when damaged by a torpedo escorting the Operation Pedestal convoy to Malta in August 1942 British War and Victory Medals (K.27996 F. G. Hall. Sto. 1, R.N.); 1939-45 Star; Atlantic Star; Africa Star; War Medal 1939-45, M.I.D. oak leaf; Jubilee 1935, these unnamed; Royal Navy L.S. & G.C., G.V.R., 2nd issue (K.27996 F. G. Hall. Mech., H.M.S. Pembroke) mounted as worn, good very fine and better (8) £200-£240 --- M.I.D. London Gazette 1 January 1942. Frederick George Hall was born in Bermondsey, London on 2 September 1897. Employed as a Locomotive Fireman, he enlisted into the Royal Navy as a Stoker 2nd Class on 6 September 1915. Serving on the destroyer Fairy, January 1916-June 1917, he was advanced to Stoker 1st Class in September 1916. Promoted to Leading Stoker in September 1920, Stoker Petty Officer in November 1922, Mechanician in August 1926 and Chief Mechanician 2nd Class in March 1933. He was awarded the L.S. & G.C. in November 1930. During the Second World War Hall served in the cruiser Nigeria, August 1940-July 1943, including when damaged by a torpedo on 12 August 1942 when escorting the Operation Pedestal convoy to Malta. For his services aboard Nigeria he was mentioned in despatches in the New Years Honours of 1942. In February 1944 he was promoted Temporary Acting Warrant Mechanician. With original Certificate of Service; letter appointing him Temporary Acting Warrant Mechanician, dated 12 February 1944; slip confirming service at that rank at H.M.S. Pembroke, February 1944-February 1945; and three photographs.

A NEW HALL 'KNITTING' PATTERN TEAPOT AND CREAM JUG pattern no. 195; together with a New Hall pattern no. 449 part tea service; etc. (Qty) Pattern no. 195 teapot 14cm high195 teapot lacking cover. Each teapot is damaged. Cream jug in good condition. A lot of the other pieces have some damage.

David Bowie LP vinyl records, nineteen including Aladdin Sane RS-1001 UK pressing, 3T/3T; Who'll Love Aladdin Sane in Tokyo, S-1973 David Robert Jones labels; Aladdin Sane Watch That Man - Live at the Radio City Music Hall New York 1973; Heathen (2002); Heathen (2015), blue vinyl; Reality, white vinyl; Self-titled DOA1 800 087; Standing on My Own, limited edition no.65/500; Blackstar (2016), sealed; movie soundtracks featuring David Bowie, two including Labyrinth; Lazarus; The Turning; Just a Gigolo; The Man Who Fell To Earth and others.Qty: 3 / 6 / 10

Natural history. A turtle carapace from the cutler's feast of the Company of Cutlers in Hallamshire, 1841, mounted with contemporary silvered brass armorial shield engraved with the shield, helm and crest of the Company of Cutlers in Hallamshire and inscribed Thomas Ellin Junior Master Cutler AD 1851, 67 x 79.5cm, approximately 1.2kg   Thomas Ellin Junior (1799-1847), the son of Thomas Ellin the first, was elected Master Cutler in 1841   The tradition of a live turtle forming the principle part of the cutler's annual feast on the election of a new Master Cutler began in the 1770's and continued until the Edwardian era. Another example with the reptile's head and similar engraved shield is at Cutlers' Hall, Sheffield. The tradition gave rise to the production, in very small numbers, of the magnificent Sheffield Plate soup tureens in the form of a turtle that were made between about 1790 and 1810 Fine old colour and condition, small old loss to shell surface and small old chips, two neat old drilled holes either side for fixing

Scratch-built wooden doll's house of double fronted form with simulated stucco walls under a faux tiled hipped roof with guttering and valleys, central gable to the front and dormer window to the rear, the triple hinged front elevation with central door flanked by two columns opening to reveal an entrance hall with stairs to landing and four rooms on two floors, the rear elevation with single hinged door giving access to a ground floor fitted scullery and first floor fitted bathroom, the hinged dormer window opening to an attic bedroom; wired for electrical lighting L94cm D40cm H70cm; together with a large quantity of good quality wooden furniture, accessories, rugs and dolls, some new and unused and some older pieces, including boxed Christmastime fire-surround, ceramics and 'glassware', metalware, clocks etcCondition Report:House in very good condition but wiring not checked. Contents - most look to virtually mint with the exception of the older pieces but each item not checked individually.

ASSORTED EARLY 19TH C. PORCELAIN CUPS, Swansea French fluted tea cup and saucer, two Crown Derby coffee cans, Spode coffee can, Barr Worcester 'Royal Lily' pattern tea cup and saucer, and New Hall teabowl and saucer (6)Provenance: collection of the Late Dai Evans, former Director of Picton Castle and former curator of Petworth HouseComments: one Derby can cracked, Barr cup & saucer worn rims and tiny chip/

RARE BRONZE INCENSE BURNER IN THE FORM OF A DUCK STANDING ON TOAD MING DYNASTY, 17TH CENTURY 明 銅寶鴨戲金蟾薰爐 cast standing with one leg on a three-legged toad, head turned to the right and beak ajar, the wings with plumage finely rendered and opening up to the vessel, on a bespoke wooden stand Dimensions:35.2cm high; 3760g Provenance:Provenance: Leonard Gow (1859–1936), thence by family descent. Born in Glasgow, the son of a shipping magnate, Leonard Gow attended Glasgow University in 1884 to spend a year studying Moral Philosophy. He became senior partner in the shipping company Gow, Harrison & Co, director of the Burmah Oil Company and chairman of several other companies. A noted philanthropist, he founded the Leonard Gow Lectureship on Medical Diseases of Infancy and Childhood in 1919. He was given an Honorary Degree in 1934. He began collecting Impressionist art, and Chinese and Japanese porcelain around 1880. His collection of well over 400 prints by Muirhead Bone, which includes many rare impressions, was presented by his trustees in 1965 to the Hunterian Art Gallery, University of Glasgow. A selection of Chinese porcelains from Leonard Gow, notably lot 354, a pair of Yellow and Green 'Dragon' bowls, Yongzheng mark and period, were sold in this saleroom on 2 December 2014.As remembered by the current owner (the great-grandson of Leonard Gow), the present lot was displayed in the hall at his grandparents' family home at Hallhill, Renfrewshire during the 1960s and 70s. Note: Note: Bronze incense burner in the form of a goose or duck, either standing one-legged or two, is a relatively common subject matter. The three-legged toad, known as jinchan in Chinese, is a beloved mythical animal believed to beckon wealth, usually depicted with the immortal Liu Hai. However, it is unusual to see the combination of a duck standing on a toad. A comparable example, dated to the Ming dynasty, is in the Guanfu Museum, note the similarity of the composition of the duck and toad. According to the museum note, 'duck', in Chinese ya, is a homophonic pun for 'press' or 'insistence', and the toad symbolises wealth. The duck standing sideway on the toad implies a guaranteed unexpected, or sudden gain of wealth.Sold examples of only the duck, Ming dynasty, standing on one leg like the present lot, can be found in auctions, one at Sotheby's Paris, 16 June 2022, lot 72, the other at Christie's New York, 29 Jun 2021, lot 99. A related example of a bronze 'Liu Hai and toad' censer, 17th century, was sold at Sotheby's London, 18 May 2018, lot 437.

COLLECTION OF ART REFERENCE BOOKS ON ASIAN CERAMICS中國陶瓷藝術參考書籍（共八十五本）含：重要陶瓷研究及出版著作、大英博物館大維德中國藝術基金會若干收藏、顯赫收藏拍賣圖錄、古董商著作及圖錄等 including art reference books on asian art ceramics, in total 85 publications:Ashmolean Museum, Eastern Ceramics: and other works of art from the collection of Gerald Reitlinger, Oxford: Ashmolean Museum, 1981Battie, David (ed.), Sotheby's Concise Encyclopaedia of Porcelain, London: Conran Octopus Limited, 1994Beurdeley, Cecile, A Connoisseur's Guide to Chinese Ceramics, Office du Livre, 1985Butler, Michael, Seventeenth Century Jingdezhen Porcelain from the Shanghai Museum and the Butler Collections, London: Scala Publishers Limited, 2006Carswell, John, Blue & White: Chinese Porcelain Around the World, London: The British Museum, 2000Carswell, John, Chinese Ceramics in the Sadberk Hanim Museum, Istandbul: Sadberk Hanim Museum, 1995Catalogue of a Special Exhibition of Early Ming Period Porcelain, Taipei: National Palace MuseumChina without Dragons: Rare Pieces from the Oriental Ceramics Society Members, Hong Kong: CA Book Publishing, 2020Chinese Ceramics: Selected articles from Orientations 1982-2003, Hong Kong: Orientations Magazine Ltd., 2004Vainker, S.J., Chinese Pottery and Porcelain: From Prehistory to the Present, London: The British Museum, 1991Crick, Monique (ed.), Celadon: Grès des musées de la province du Zhejiang, Chine, Paris: Paris-Musées, 2005Davidson, Gerald, The Handbook of Marks on Chinese Ceramics, London: Han - Shan Books, 1994Eskenazi: Song ceramics 10th to 13th century (catalogue), 2003Fischell, Rosalind, Blue & White China: Origins/Western Influences, Boston: Little Brown & Company, 1987Foundation Amaverunt, Musée Ariana, La porcelaine chinoise de transition et ses influences sur la céramique japonaise, proche-orientale et européenneFrick Collection, Chinese Blue-and-white Porcelain in the Frick Collection, Frick Collection, 1992Fung, Rebecca, Ming Colours: Polychrome Porcelain from Jingdezhen, London: School of Oriental and African Studies, 2006Garner, Harry, Oriental Blue & White, London: Faber and Faber Limited, 1954Gray, Anita, A Catalogue of Oriental Ceramics and Works of ArtGray, Anita, A Catalogue of Oriental Ceramics and Works of ArtGray, Basil, Sung Porcelain & Stoneware, London: Faber and Faber Limited, 1984Hardy, Sheila Yorke, Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1999Harrison-Hall, Jessica, Ming Ceramics in the British Museum, London: The British Museum, 2001Heaven and Earth Seen Within Song Ceramics from the Robert Barron Collection, New Orleans: New Orleans Museum of Art, 2000Ho, Lee Ying, Antique Ceramics: translated by Goh Beng Choo, Singapore: Asiapac Books PTE Ltd., 1996Illustrated Catalogue of Celadon Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1997Illustrated Catalogue of Ming and Ming Style Polychrome Wares in The Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2006Illustrated Catalogue of Qing Monochrome Wares in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 1989Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares in the Percival David Foundation of Chinese Art, Hardy, Sheila Yorke, London: School of Oriental & African Studies, 1999Jenyns, Soame, Japanese Pottery, London: Faber and Faber Limited, 1971Jenyns, Soame, Ming Pottery and Porcelain, London: Faber and Faber Limited, 1988Kerr, Rose (et al.), The World in Colours: an exhibition of ceramics with coloured decoration dating from 700 to 1920 belonging to members of the Oriental Ceramic Society, London: The Oriental Ceramic Society, 2006Kerr, Rose, Song Dynasty Ceramics, London: V&A Publications, 2004Krahl, Regina, Dawn of the Yellow Earth: Ancient Chinese Ceramics from the Meiyintang Collection, New York: China Institute Gallery, 2000Kuwayama, George, Chinese Ceramics in Colonial Mexico, Los Angeles: Los Angeles County Museum of Art, 1997Li, He, Chinese Ceramics: The New Standard Guide, London: Thames and Hudson, 1996Little, Stephen, Chinese Ceramics of the Transitional Period: 1620-1683, New York: China Institute in America, 1983Littleton & Hennessy, Littleton & Hennessy: Exhibition of Qing Porcelain, London: Littleton & Hennessy, 2005Liu, Liang-yu, A Survey of Chinese Ceramics: Ch'ing Official and Popular Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Ming Official Wares, Taipei: Aries Gemini Publishing Ltd., 1991Liu, Liang-yu, A Survey of Chinese Ceramics: Sung Wares, Taipei: Aries Gemini Publishing Ltd., 1991Lo, Kai-Yin (ed.), Bright as Silver White as Snow: Chinese White Ceramics from Late Tang to Yuan Dynasty, Yung Ming Tang, 1998Macintosh, Duncan, Chinese Blue and White Porcelain: Third Edition, Woodbridge: Antique Collectors' Club Ltd., 1994Medley, Margaret, Illustrated Catalogue of Ming Polychrome Wares, London: School of Oriental & African Studies, 1978Medley, Margaret, Illustrated Catalogue of Ting and Allied Wares, London: School of Oriental & African Studies, 1980Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains in the Percival David Foundation of Chinese Art, London: School of Oriental & African Studies, 2004Medley, Margaret, Illustrated Catalogue of Underglaze Blue and Copper Red Decorated Porcelains, London: School of Oriental & African Studies, 1976Medley, Margaret, Metalwork and Chinese Ceramics, London: School of Oriental & African Studies, 1972Medley, Margaret, The Chinese Potter: A Practical History of Chinese Ceramics, Oxford, Phaidon Press Limited, 1999Medley, Margaret, Yuan Porcelain & Stoneware, London: Faber and Faber Limited, 1974For full list, please see: https://www.lyonandturnbull.com/auction/lot/lot-241---collection-of-art-reference-books/?lot=279991&so=0&st=&sto=0&au=9380&ef=&et=&ic=False&sd=0&pp=96&pn=3&g=1Provenance:Provenance: Private Scottish collection, North Berwick, has been collecting Asian ceramics for 25 years. Note:Please note this lot will be offered with no reserve. 本拍品不設底價

TWO MIRROR-BLACK-GLAZED LONG-NECKED BOTTLE VASESKangxiOne vase with a pear-shaped profile rising from a slightly splayed foot to an elongated neck, finely coated in a brilliant shiny rich dark glaze, the interior plain, 22cm (8 3/4in) high; the second vase with a globular body below the long neck, with traces of floral gilt decoration, 25cm (9 1/2in) high. (2).Footnotes:清康熙 烏金釉長頸瓶 一組兩件Provenance: an American private collection (the pear-shaped vase)Ralph M. Chait Galleries, New York, on 10 May 2016 (the pear-shaped vase)Professor Edward Thomas Hall (1924-2001) (label) (the globular shape vase)Ralph M. Chait Galleries, New York, on 18 November 2005 (the globular shape vase)A European private collection來源：美國私人收藏（梨型身瓶）Ralph M. Chait Galleries，紐約，2016年5月10日（梨型身瓶）Edward Thomas Hall 教授（1924-2001)（標籤）(球型身瓶)Ralph M. Chait Galleries，紐約，2005年11月18日(球型身瓶)歐洲私人收藏Compare the pear-shaped vase with a similar mirror-black-glazed vase, illustrated by P.Y.K.Lam, Shimmering Colours: Monochromes of the Yuan to Qing Periods, Hong Kong, 2005, p.235, pl.157. See also a related mirror-black-glazed vase, Kangxi, which was sold at Bonhams London, 16 May 2019, lot 28. Compare the globular vase with a related black-glazed vase, Kangxi, in the collection of The Metropolitan Museum of Art, New York (acc.no.14.40.23). A similar black-glazed vase in the Victoria and Albert Museum, London, is illustrated in Sekai tōji zenshū (Ceramic Art of the World), Vol.15, Tokyo, 1983, p.194, pl.251. Another similar black-glazed vase Kangxi, in the Asian Art Museum of San Francisco is illustrated by H.Li, Chinese Ceramics: The New Standard Guide, London, 1996, p.282, no.553.See also a similar mirror-black-glazed vase, Kangxi, which was sold at Christie's London, 7 June 2004, lot 195.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A CORAL-AND-GILT-DECORATED 'DRAGON' BOWL AND COVER'Jing si tang zhi' four-character hall mark, DaoguangThe flaring body with slightly everted rim and domed cover each brightly enamelled and gilt with two five-clawed dragons striding around the exterior in mutual pursuit of a flaming pearl amongst cloud-scrolls. 11cm (4 1/4in) diam. (2).Footnotes:清道光 礬紅描金双龍戏珠紋蓋碗礬紅「經笥堂製」楷書款Provenance: Ralph M. Chait Galleries, New YorkA European private collection來源：Ralph M. Chait Galleries，紐約歐洲私人收藏The mark Jing si tang zhi (經笥堂製) meaning 'the Hall for Storing Classics' was used during the reign of the Daoguang Emperor. Although the owner of this hall has not been confirmed yet, the shapes, designs and even sizes of the vessels bearing this mark are almost exactly the same as the ones with the Imperial mark of the Daoguang Emperor. See a similar iron-red-and-gilt-decorated bowl but without cover, Jing si tang zhi mark and of the Daoguang period, illustrated in the catalogue of Qingdai diwang shenghuo ceying zhan (清代帝王生活側影展), Shanghai, 2012, p36. Compare also with a related iron-red-decorated 'dragon' bowl, Daoguang seal mark and of the period, which was sold at Christie's London, 21 February 2019, lot 126.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A RARE CORAL-GLAZED AMPHORA VASE18th centuryThe slender baluster and trumpet neck with wide rim all under a dappled orange-coral glaze on the exterior, fired white inside the neck and within the foot. 24.5cm (8 1/4in) high.Footnotes:十八世紀 珊瑚紅釉撇口瓶Provenance: Professor E.T. Hall (1924-2001) Ralph M. Chait Galleries, New York, 5 August 2004A European private collectionExhibited, Published and Illustrated: The Oriental Ceramic Society, Iron in the Fire: Chinese Potters' Exploration of Iron Oxide Glazes, London, 1988, no.100來源：E.T. Hall教授 (1924-2001) Ralph M. Chait Galleries，紐約，2004年8月5日歐洲私人收藏展覽著錄：東方陶瓷學會，《Iron in the Fire: Chinese Potters' Exploration of Iron Oxide Glazes》，倫敦，1988年，編號100Professor Edward Thomas Hall (1924-2001), a scientist and inventor, was a leading expert in the development of archaeometry, radio-carbon dating and research in thermoluminescence techniques.Compare with a related coral-red-glazed vase, Qianlong, which was sold at Christie's New York, 27 March 2018, lot 74.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

TWO PAIRS OF FAHUA-GLAZED MODELS OF BUDDHIST LIONS16th centuryEach seated on its hindquarters, both looking to the left, one with its right leg resting on a smiling recumbent cub, the other with its left leg on a brocaded ball, all under a dark aubergine glaze, the mane, bushy tail and upper front leg glazed turquoise, on rectangular bases, wood stands, 33.5cm (13in) high; and two green-glazed roof tiles heavily modelled as crouching lions, one with a cub, the other with a ball, on hemispherical bases, 34cm (13 1/4in) high. (4).Footnotes:十六世紀 琺華釉獅子擺件兩對 一組四件Provenance: Ralph M. Chait Galleries, New York (aubergine and turquoise glazed pair)A European private collection來源：Ralph M. Chait Galleries，紐約 （紫釉和孔雀綠釉一對）歐洲私人收藏Models of lions were introduced to China from Central Asia as symbols of religious might, but have evolved to be seen as noble and divine creatures and protectors of the Truth. Typically modelled in pairs of a male and female lion, they also symbolise the yin and yang forces, as well as the auspicious wishes for unity and continuity.Compare with a related pair of fahua-glazed Buddhist lions, Ming dynasty, in The British Museum, London, illustrated by J.Harrison-Hall, Catalogue of Late Yuan and Ming Ceramics in the British Museum, London, 2001, nos.13:38 and 13:39.A related pair of fahua-glazed lions, Ming dynasty, was sold at Christie's New York, 21 March 2000, lot 319.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A RARE LONGQUAN CELADON-GLAZED FIGURE OF BUDAIMing DynastyThe Laughing God heavily potted seated on a deeply-pierced rockwork throne plinth, wearing a translucent greyish-green robe, his bald head, bare protuberant stomach and feet all reserved in the biscuit fired dark brown, holding a rosary on his right knee. 22cm (8 1/2in) high.Footnotes:明 龍泉窯青釉布袋和尚坐像Provenance: Ralph M. Chait Galleries, New York, 2 November 2006A European private collection來源：Ralph M. Chait Galleries，紐約，2006年11月2日歐洲私人收藏The stories of Budai, the Laughing Buddha, centered on an eccentric, but much-loved Zen (Chan) monk who lived during the late Tang to early Five Dynasties period. A native of Fenghua, his Buddhist name was Qici or Qieci (literally 'Promise this') and he was known for working small wonders and predicting the weather.According to an accumulation of several Chinese legends, Budai is most commonly regarded as an incarnation of Maitreya Buddha (the Buddha of the Future). He is admired for his happiness, wisdom and contentment, and is associated with the protection of children.A similar Longquan celadon-glazed figure of Budai, Ming dynasty, in the collection of The British Museum, is illustrated by J.Harrison-Hall, Ming Ceramics in the British Museum, London, 2001, p.502, no.16:98.Compare with two similar Longquan celadon-glazed figures of Budai, Yuan/Ming dynasty, which were sold at Sotheby's Hong Kong, 29 November 2018, lot 605 and Sotheby's New York, 14 September 2019, lot 1764.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A SOFT-PASTE WHITE-GLAZED BEEHIVE-SHAPED WATERPOT, TAIBO ZUN KangxiThe domed vessel with orange-peel skin surmounted by a small waisted neck with flaring mouth rim, the sides incised with three roundels containing archaistic chilong, covered in a creamy ivory-white glaze. 12cm (4 3/4 in) diam. Footnotes:清康熙 白釉暗刻團螭紋太白尊Provenance: Professor E.T.Hall C.B.E (1924-2001)Christie's London, 7 June 2004, lot 70來源： E.T.Hall C.B.E (1924-2001)舊藏倫敦佳士得，2004年6月7日，拍品編號70Professor Edward Thomas Hall C.B.E (1924-2001) was a scientist and inventor. Educated at Eton and New College, Oxford, he became a leading expert in the development of archaeometry, radio-carbon dating and research in thermoluminescence techniques. A trustee of the National Gallery and the British Museum, he sat on the Advisory Council of the Science Museum. He was also a hot-air balloon pilot and created his own balloon. He was a regular client at Bluett's and purchased Qing Imperial monochromes. See R.Davids and D.Jellinek, Provenance, Oxford, 2011, pp.211-212. The Taibo zun vessel such as the present lot is typical of the Kangxi reign. Its name derives from the Tang dynasty poet Li Bai (701-762), also known as Li Taibo who was notorious for his drinking, and is often depicted leaning against a wine jar of this form. This shape is also referred to as a jizhao zun, as it resembles a chicken coop. Waterpots of this beehive shape are more commonly found with peachbloom glazes. See for example, one peachbloom-glazed waterpot, Kangxi mark and period, in the Percival David Collection, the British Museum, illustrated by R.Scott, Qing Porcelain for the Imperial Court from the Percival David Foundation of Chinese Art, Singapore and London, 1997, no.60. See a similar soft-paste beehive-shaped waterpot, Kangxi, in the Art Gallery of New South Wales, Sydney (acc.no.348.1994). See a related white-glazed waterpot, Kangxi six-character mark and of the period, is illustrated by J.Ayers, Chinese Ceramics: The Koger Collection, p.167, pl.139, where the glaze is described as 'moon-white' and the medallions are of 'a dragon biting another creature, and a bat'. Another white-glazed beehive waterpot, Kangxi, is illustrated in The Wonders of the Potter's Palette: Qing Ceramics from the Collection of the Hong Kong Museum of Art, Hong Kong, 1984, pp.64-65, no.28.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A SOFT-PASTE WHITE-CRACKLE-GLAZED BEEHIVE SHAPED WATERPOT, TAIBO ZUNKangxiThe domed vessel rising to a short, lipped mouth rim, moulded around the exterior with three clusters of wispy ruyi-shaped clouds, covered in a creamy white glaze and suffused with a fine craquelure. 9.5cm (3 3/4in) diam. Footnotes:清康熙 白釉暗刻團螭紋太白尊Provenance: Professor E.T.Hall C.B.E (1924-2001)Christie's London, 7 June 2004, lot 196來源： E.T.Hall C.B.E （1924-2001）教授舊藏倫敦佳士得，2004年6月7日，拍品編號196Professor Edward Thomas Hall C.B.E (1924-2001) was a scientist and inventor. Educated at Eton and New College, Oxford, he became a leading expert in the development of archaeometry, radio-carbon dating and research in thermoluminescence techniques. A trustee of the National Gallery and the British Museum, he sat on the Advisory Council of the Science Museum. He was also a hot-air balloon pilot and created his own balloon. He was a regular client at Bluett's and purchased Qing Imperial monochromes. See R.Davids and D.Jellinek, Provenance, Oxford, 2011, pp.211-212.Compare with a related soft-paste white-glazed waterpot, Kangxi, in the British Museum, London (acc.no.1915,0409.18).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Zelda Norte 'Indian Landscape' artwork, Zelda had collections in Murray Edward college, Cambridge  Zelda is very well known in art circles.  She studied with Picasso I believe, and is regarded as a pioneer in sculpture by women and I suspect by Jews, hence her inclusion in the New Hall (now Murray Edwards) collection. 63x83cm pencil signed and numbered in margin

Zelda Norte artwork ' arithmetic of sound' 63x83cm collection in Murray Edwards college, Cambridge Zelda is very well known in art circles.  She studied with Picasso I believe, and is regarded as a pioneer in sculpture by women and I suspect by Jews, hence her inclusion in the New Hall (now Murray Edwards) collection. pencil signed and numbered in margin

Derbyshire History & Topography. A miscellaneous collection of books to include Wirksworth and Five Miles Round, by R. R. Hackett, large paper edition numbered 18/75, Wirksworth: F. W. Brooks, 1899, small quarto, publisher's gilt cloth, illustrated with real photographic plates; A New Historical and Descriptive View of Derbyshire, by Rev. D. P. Davies, Belper: S. Mason, 1811, illustrated with five plates (three folding), including hand-coloured map frontispiece, bearing armorial bookplate for Thornbridge Hall, octavo, full calf, crudely re-backed; The History of Buxton, by A. Jewitt, Yorkshire: Published by the Author, 1816, vignette title, four plates inc. frontis., vignette supplement leaf, worn half morocco; History, Gazetteer and Directory of Derbyshire, by Samuel Bagshaw, Sheffield: S. Bagshaw, 1846, rebound in blue buckram; History, Gazetteer and Directory of the County of Derby, Leeds: Francis White, 1857; The Derby Almanac & Diary for 1924; Recollections of Matlock & Neighbourhood, London: Newman & Co., [c. 1870]; A New Map of the County of Derby, hand-coloured copper engraving, linen-backed, 53 x 46cm, London: J. Wyld, 1838, housed in pebble-cloth slipcase bearing paper title labels; six children's books published by the Religious Tract Society, each bearing a gift inscription to William Moorcroft from the Hatton Wesleyan Sunday School, 1886-90; an auction catalogue for Milford House, Derbyshire, 1938; two bound volumes of Belper Parish Magazine, 1891 & 1896. Together with a small quantity of modern local history & reference. Condition varied, sold as one collection with all faults, in one carton

19thC and later ceramics, comprising two New Hall style coffee cans and saucers, each painted in pink with deer, a Copeland Spode basalt vase, Hadley's Worcester vase, etc. (1 tray and loose).

An oak dining chair, 19th century, the red leather upholstery with bold brass studs and gilt family crests, on a chamfered oak frame, 51cm wide 96cm high Provenance: The Clive and Jane Wainwright Collection. From Costessey Hall, Norfolk. The chair was probably commissioned for Costessey Hall by the Hon. Valentine Stafford Jerningham (1802-1884), prior to his succession as the 9th Baron Stafford and the 8th Baronet Costessey in 1851. Costessey, four miles west of Norwich, was gifted, in 1066, to Alan Rufus, Earl of Richmond, by William 1. In 1555, Mary 1 awarded it to Sir Henry Jerningham for his support of Lady Jane Grey, and Jerningham built a new manor to the south of the river Tud. Between 1826 and 1836, J C Buckler built a large and extraordinary neo-Gothic castle for Lord Stafford Jerningham. The contents of the hall, presumably including this chair, were sold in 1913 and the hall left empty. At the start of the Second World War, it was commandeered by the War Office, finally being demolished in 1925. The belfry block - the only survival - now stands next to the 18th hole of Costessey Park Golf Club. The loss of Buckler's 'pinnacle and towered' hall, which was one of the finest examples of scholarly and romantic Regency Tudor revivals, is considered a notable loss amongst many 20th-century house demolitions. Condition ReportUpholstery used, with cracks and splits

By Omar Ramsden and Alwyn Carr, an Arts and Crafts aluminium and oak Zeppelin paperweight, 1916, rectangular form, mounted with a chased panel depicting the Zeppelin in flames above 'Potters Bar Oct 1st 1916', the underside with a panel 'I was made by Ramsden and Carr of Metal from the Zeppelin and Oak from the Tree on which it fell', length 12cm.Provenance: The Wood Hall Collection of Omar Ramsden. Bonhams, New Bond Street, London, Fine Silver and Objects of Vertu, 2 July 2008, lot 187 (part).

LARGE JAZZ LP COLLECTION (TRAD/ EASY/ DIXIELAND). Another extensive collection of around 250 jazz LPs. See pictures for detailed images of sleeve spines. Artists/ titles include Bill Evans - Autumn Leaves, Miles Davis inc Decoy, Water Babies, Ornette Coleman - The Shape Of Jazz To Come, John Coltrane - Settin The Pace, Slim And Slam - Volume 3, Oscar Peterson & Harry Edison, Various - Midnight On Bourbon Street, Paul Barbarin - New Orleans Jamboree, Kid Ory - At The Jazz Band Ball 1959. Duke Ellington inc Carnegie Hall 1943, The Elegant Mister Ellington. Coleman Hawkins - Lover Man, Django Reinhardt - The Art Of Django, Doc Cheatham - A Tribute To Billie Holiday. Condition is generally VG to Ex+.

BILL EVANS - LP PACK. A pack of 15 x LPs by Bill Evans. Titles include A Simple Matter Of Conviction, New Jazz Conceptions (Riverside 12-223, 3rd press circa 1961, '235 West' address sleeve), Trio '65, Trio 64, Empathy, Alone, Intermodulation, Bill Evans At Town Hall, Living Time, Further Conversations With Myself, Symbiosis, Undercurrent and Crosscurrents. The condition is generally VG+ to Ex+.

A collection of seven 18th century & later travel works relating to the world, mostly in contemporary calf bindings. The lot comprising Works containing Travels into Several Remote Nations of the World by Lemuel Gulliver (later known as Gulliver's Travels, vol III only), printed for George Faulker 1735, full worn calf with loose boards. Extracts from a Journal written on the Coasts of Chili, Peru and Mexico, second edition by Basil Hall (vol I only of II), printed Archibald Constable and Co. 1824, full contemporary calf. A New Geographical, Historical and Commercial Grammar by William Guthrie, new edition (vol II), printed for J. Knox 1776, full calf with gilt tooling (split in two). The Sacred Edict by F. W. Baller, fifth edition printed China Inland Mission 1921, half calf. The Wars of the Jews by Flavius Josephus in two volumes, printed for J. G. & F. Rivington 1832, full recent cloth with original leather spine labels; 1809 The Tablet of Memory, twelfth edition printed for J. Johnson, contemporary full calf with loose boards. And The Story of Extinct Civilizations of the East by Robert A. Anderson, printed George Newnes Ltd 1898, publisher's original cloth binding.

A small quantity of assorted ceramic cups/saucers. To include Royal Albert 'August', Aynsley, Wedgwood Millennium, New Hall trio etc

A COLLECTION OF CHINESE ART AUCTION CATALOGUESComprising a partial run of approximately 195 Christie's auction catalogues (dating between 1967 to 2017) and 364 Sotheby's auction catalogues (dating between 1973 to 2016) from London, Hong Kong and New York.(Approximately 596).Footnotes:Provenance: From the estate of Robert Hatfield Ellsworth (1929-2014)Christie's 21 Jul 2016, lot 115 [part lot]中國藝術拍賣圖錄 一組Saleroom notices:Please note this lot will be viewable by appointment only at our Oxford storage facility prior to the sale. Please contact the department for further details.The lot includes catalogues of Robert Hatfield Ellsworth collection, the Edward T Chow collection, the J. M. Hu collection, the Ira and Nancy Koger collection, the Meiyintang collection, the Sakamoto collection, the Pilkington collection, the Bloch collection, the Frederick Knight collection, the Dr Ip Yee collection, the Dr S. Y. Yip collection, the Baoyizhai collection, the Toguri Museum of Art collection, 40 years special catalogue, the Georges De Batx collection, the Christina Loke Balsara collection, the Dr Alice Cheng collection, the Jiansongge collection, the British Rail pension fund, the Biegucang collection, the Leshantang collection, the Muwen Tang collection, the Pan-asian collection, the Eugene O Perkings collection, the Aurelius Perenti collection, the Jarras collection, the Jingguantang collection (all 3), the Robert Chang collection, the E.T Hall collection, the Edoris collection, the Pine Moon Studio collection, the Alan and Simone Hartman collection, the Arthur M Sackler collection, the Fonthill collectioin, the Lee family collection, the Yiqingge collection and the Richard Bryant Hobart collection. A full list is available on request.Lot to be sold without reserve.This lot is subject to the following lot symbols: • TP• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

A Suzie Cooper platter, Suzie Cooper part teaset, two Suzie Cooper plates (smaller crazed), four New Hall plates and two Poole Spring plates

A hall marked silver hip flask.Sheffield 1914 William Hutton & sons, various Small pocket dents, lid shuts snuggly, will likely need a new cork seal.  119.9g/4.2oz

Tom Dodson (British 1910-1991): 'The Smithy' 'The Backyard' 'The New Baby' and 'The Old Town Hall', set four limited edition colour prints two signed and numbered in pencil max 35cm x 47cm (4)

James Rosenquist (1933-2017) Poster for Guild Hall, Easthampton, New Yorksigned and dated 'Rosenquist 1974' (lower right)89 x 61cm

A good quantity of 18th and 19th-century porcelain, to include New Hall, Worcester and others, comprising tea bowls, slop bowls, tea cups and saucers, a pair of covered comports and others.

IMPORTANT BRÛLE-PARFUM COUVERT IMPÉRIAL EN BRONZE, DINGMarque et époque Qianlong AN IMPERIAL BRONZE TRIPOD CENSER AND COVER, DINGQianlong six-character mark and of the periodHeavily cast, raised on three sturdy cabriolet legs, the compressed globular body flanked by a pair of elegantly curved S-shaped handles, the cover a reticulated design of a phoenix and dragon flying amidst swirling clouds, rising to a 'dragon and flaming pearl' finial, the bronze with a lustrous rich brown patina. 35cm (13 3/4in) high (2).Footnotes:清乾隆 御製銅龍鳳紋朝冠耳三足蓋鼎「大清乾隆年製」款Provenance: Collection of Max Müller (1867-1960), German consul in Hankow, acquired in China between 1905 and 1912, thence by descent to his daughter Irmgard Müller-Doertenbach (1909-2011), acquired in 1992 from her collectionExhibited:On loan to the Museum of East Asian Art, Berlin, 2001-2004 來源： 德國駐漢口領事Max Müller（1867–1960）珍藏，於1905年至1912年間得自中國，後傳至其女Irmgard Müller-Doertenbach（1909-2011）現藏家於1992年得自上述來源展覽： 2001年至2004年間借展於柏林東亞藝術博物館Sacrificial ceremonies were among the most important rituals of the Qing court, with the emperor attending, if not performing, all of the major rites. Buddhism was the primary religion of the Qing dynasty and there were numerous Buddhist shrines and temples, as well as altars, in the private quarters of the emperors and empresses. All of these necessitated ritual paraphernalia, including altar sets, which were made in various materials including bronze, porcelain and cloisonné enamel of varying size. For a pair of imperial bronze censers with dragon decoration, see Wan Yi, Daily Life in the Forbidden City, New York, 1988, pls.473 and 474, pp.302-303, where they are shown in situ in the shrine in the interior of the rear Hall of the Imperial Ancestral Temple and in the rear part of the Hall of Ancestral Worship. See a similar bronze censer bearing a Qianlong mark, from the collection of Jürgen L. Fischer, Baden-Baden, sold in Koller Zürich, 29 October 2013, lot 179.For further information on this lot please visit Bonhams.com

TAPIS IMPÉRIAL EN SOIEFin de la Dynastie QingAN IMPERIAL SILK AND METALLIC THREAD 'LOTUS AND BATS' HALL CARPETLate Qing DynastyWith a gold ground centred on a large lotus flower circled by four bats picked out in blue silk alternating with four smaller lotus flowers, below an additional two bats each flanked by lotus flowers on the upper and lower boders, all against a dense ground of stylised ruyi-shaped clouds picked out in a vibrant orange colour, within a thin diaper border and framed by a keyfret band a five character 'Taihe Dian beiyong' (Great Hall of Supreme Harmony) mark to the upper border. 217cm x 123.5cm (85 3/8in x 48 5/8in)Footnotes:清晚期 御製絲織金屬綫蝙蝠蓮紋地毯「太和殿備用」款This carpet belongs to an extensive group of so-called 'palace' or 'hall' carpets woven in silk and precious metallic thread and supposedly made for the various halls and palaces of the Forbidden City during the Qing dynasty. The Taihe dian, The Hall of Supreme Harmony, or throne hall, was the most important of the Three Front Halls in the Forbidden City complex, and was used for observing various rites and conducting a number of important ceremonies including celebrating New Year's Day, the Winter Solstice, the emperor's birthday and the imperial wedding ceremony, as well as issuing proclamations of war and peace and other major rites of state, see Wango Weng and Yang Boda, The Palace Museum: Peking, Treasures of the Forbidden City, New York, 1982, pp.41-44.While a number of silk and metallic thread carpets bearing the same hall mark as the present lot are known, the lotus and bat design is rare, compare a silk and metallic thread carpet without a hall mark, sold Christie's New York, 19 March 2021, lot 748.For further information on this lot please visit Bonhams.com

RARE GRAND BRÛLE-PARFUM IMPÉRIAL EN BRONZE DORÉ ET ÉMAUX CLOISONNÉS, LUDUANMarque et époque Qianlong (1736-1795)AN IMPERIAL GILT-BRONZE AND CLOISONNÉ ENAMEL INCENSE BURNER, LUDUANQianlong six-character mark and of the periodSuperbly cast in the form a mythical luduan standing foursquare on large clawed feet, the rotund body decorated in pink, yellow, green, blue, and white enamels with delicate flower sprays with curling leafy tendrils, all reserved on a vibrant turquoise ground, the head forming the hinged cover, modeled with open mouth, bulging eyes and a flat nose his furry mane hiding large ears and a single large horn, the hinge incised with a six-character Qianlong mark. 39.5cm (15 1/2in) high.Footnotes:清乾隆 御製掐絲琺瑯番蓮紋甪端薰爐「大清乾隆年製」款Provenance: Formerly in a German collection, acquired in China in the 1920s (by repute), acquired from the collection來源： 德國私人舊藏，於1920年代得自中國（傳）現藏家得自上述來源The pair to this luduan censer from the same German family collection, was offered in Sotheby's Hong Kong, 11 April 2008Mythical beasts of this form are known as luduan, powerful, legendary creatures reputed to be capable of distinguishing between good and evil. Incense burners of this form were placed beside or in front of the imperial thrones in the halls of the palaces to symbolise that the emperor, protected by these animals, was a virtuous and intelligent ruler, as illustrated by a pair of censers of luduan shape flanking the throne in the Hall of Supreme Harmony (Taihe Tang) in the Forbiden City, published in Palaces of the Forbidden City, Hong Kong, 1986, pp.66-67. Luduan-form censers are seen as early as late Ming/early Qing and their popularity is demonstrated by the surviving examples. Compare with two Ming examples of this form with Wanli marks in the collection of the Palace Museum, Beijing, published in The Complete Collection of Palace Museum. Enamels 1: Cloisonne in the Yuan (1271-1368) and Ming (1368-1644) Dynasties, Beijing, 2011, pls.102-103. Compare also a similar example of a gilt-bronze and cloisonné enamel luduan incense burner, dated to the Qianlong period, in the imperial Palace in Shenyang, illustrated in The Prime Cultural Relics Collected by Shenyang Imperial Palace Museum. The Enamel Volume, Beijing, 2007, pp.92-95, no.5 and 6. A very large pair of luduan was sold at Christie's New York, 29 March 2006, lot 311.For further information on this lot please visit Bonhams.com

A C.1790 NEW HALL / FACTORY X PORCELAIN TEA SET COMPRISING TEAPOT, SIX TEA BOWLS AND SAUCERS, CREAM JUG AND SUGAR BOWL, PATTERNS 273 & 207, TEAPOT HEIGHT 18CM

James Kibart,Leicester scenes,four watercolours, signed,31x44cm.Qty: 4Condition report:Fountain by town hall, base of clock tower, New Walk and The Magazine near DMU. Please see additional uploaded images.

008 Extracts from the Kirk-Session Records of Dunfermline (from AD 1640 to 1689 inclusive); od A Glimpse of the Ecclesiastical History of Dunfermline (for a period of Fifty years). Edited by E Henderson. Edinburgh” Printed by Fullarton & McNab; Sold by J Miller & Son, W Clark and D Campbell, Dunfermline; T G Stevenson, South Frederick Street, Edinburgh, 1865) Brown limp cloth; original title on front cover; spine worn; signatutre of John Swan, Leslie, on fep [009] For A Web Begun. The Story of Dunfermline; By W T Barr [Oliver and Boyd, Edinburgh: Tweeddale Court; London: 96 Great Russell Street, W C ; 1947. Green cloth; dw; this book was being remaindered in the 1980s, hence the good condition of the book today [010 ]Burgh Life in Dunfermline in the Olden Time. A Lecture By the Rev William Ross, Aberdour, Delivered in the Music Hall, Dunfermline, 8 Feb 1864, at the Request of the Literary Society of that Town [Edinburgh: Edmonton and Douglas, 1864]; speckled boards, black tape around spine; gilt title around spine (Probably all not original); Bookplate of Carnegie Public Library, Dunfermline, Reference Department [011] Dunfermline Sketches & Notes. By Robert Somerville [Dunfermline: Herbert T Macpherson, 1917]Illustrated Cream Boards; This copy has a bookplate of a Visit to Dunfermline of the American and Canadian Delegation of the Dry Goods Merchants, Thursday, 2nd June 1921 [012] Reminiscences of Dunfermline and Neighbourhood, Illustrative of Dunfermline Life Sixty Years Ago. By Alexander Stewart. With Chronological Appendix, 1064-1880. Edinburgh: Scott & Ferguson, and J Menzies & Co; London: Simpkin, Marshall & Co 1886; Illustrated Blue Cloth Boards; title in gilt on front cover and spine; Presentation copy “To Mrs Alexander Elder, from her sincere friend, The Author, Nov 1886;” Bookplate of William Saunders, HYS BOOKE on front pastedown; Signature of William Saunders, Edinburgh, 25 Aug 1923, on title page [013] Royal Dunfermline: A Historical Guide to the City and its Antiquities; With an Account of the Carnegie Benefactions. A Richly Illustrated Souvenir Handbook. By Alan Reid and William Kirk. Dunfermline: A Romanes & Son, “Press” Office; 1906; Green Cloth, hardback [1st Edition] [ 013 A.] Ditto, Second Edition, Revised and Enlarged, 1907. Blue Cloth Presentation Copy, “To A W Bell, Esq., with the Publishers. Comp; iments” [013B.] Another copy of the 2nd Edition, dark blue cloth, with the following inserted at beginning of volume: Loyal Order of Ancient Shepherds (A.U.). 81st A.M.C., Dunfermline, 21st - 24th May May 1907. With the Compliments of the Fifeshire District [013C]. Third Edition, Revised and Extended, Dec 1908; dark blue cloth [013 D]. New and Enlarged Edition [4th Edition], Oct 1922; Light Blue Cloth LOT 013E. 5th Edition, March 1934; light blue cloth, dw (torn); presentation copy, “To Margaret, with best wishes from B & J Fraser, July 1936” [014] Dunfermline Remembered Between The Wars. By Albert F Lindon. Self Published, 1980s. Printed by Dunfermline Press (A Romanes & Son Ltd), Pitreavie Business Park, Dunfermline; Illustrated Card Covers; stapled [015] Historical and Statistical Account of Dunfermline. By The Rev Peter Chalmers; William Blackwood snd Sons, Edinburgh and London; 2 vols, 1844 and 1859; Rebound in red cloth boards, with red leather around spine; title in gilt on spine; new eps; Genealogy at end of Vol 2 [016] Another copy of above, but Vol 1 only of 1844; thick heavy bespeckled boards, leather around spine; title in gilt on spine; slight damp staining to beginning of volume, but not affecting frontispiece print or title page [ 017] The Story an Ancient Craft in An Ancient Town; Card Covers, Pp 16; about weaving in Dunfermline; No Date, c 1920s. Printed by J McOwan, Printer, 10 High Street, Dunfermline [018] Poems and Songs. By the late Thomas Morrison, Merchant, Dunfermline. Privately Printed. Dunfermline: William Clark & Son, Journal Office , 1902; brown boards; design in gilt on front cover; leather around spine; title in gilt on spine; signature of F Hudson [ie Felix Hudson, clock and watchmaker in Dunfermline], Aug 1984. The Poems and Songs in this volume were contributed by Thomas Morrison (d 1879), merchant, Dunfermline, and appear to have been printed by the latter’s nephew, Thomas Morrison, Braddock, Pennsylvania [019] A Sketcher’s Notes to Illustrate A View of the Ruins of Dunfermline Abbey; Containing Some Incidents in the Life of Elizabeth Stuart, Queen of Bohemia. Vol II [London: Printed at The Operative Jewish Converts’Institution, Palestine Place, Bethnal Green; folio; blue cloth boards; gilt around front and rear covers; inscription of Mrs M Balfour from the Author, on fep; Volume I was published in 1855, with sketches of the Old Church of Dun, and had nothing to do with Dunfermline [020]Scottish Reprints. City Development. A Report to the Carnegie Dunfermline, Trust, with An Introduction by Peter Green. Originally published in 1904 and written by Patrick Geddes, this Reprint is a Complete and Unabridged photolithographic facsimile of the first Edition, published by Irish University Press, Shannon, Ireland, 1973; Copyright Carnegie Dunfermline Trust, 1973, for original text and Illustrations; and the Irish University Press for Introduction [021]. Selections from the Writings of William Stewart (Gavroche). Hardback Boards; Published by Robert Gibson & Sons (Glasgow) Limited; Printed by The Blackfriars Press Limited, Leicester, 1948 Stewart was born in Dunfermline on 8 July 1856, and died in Glasgow on 27 Aug 1947 aged 91. For over 25 years he was Secretary and Organiser of the Independent Labour Party in Scotland. He also published The Worker, a monthly Socialist Journal for Fife and Clackmannan from Bruce Street, Dunfermline, in 1898-1900 This copy has the signature of Douglas Young, 1948 on front paste-down

A Regency New Hall helmet-shaped cream jug decorated in the famille-rose manner, no.218, 12.5 cm to/w a Victorian floral-painted jug gilded with initials 'T.S' and dated 1840 and eight other early 19th century pottery jugs (10)

A quantity of Regency New Hall china orange-ground tea wares with floral and foliate decoration (a/f) (box)

Assorted European Ceramics and Glass, including majolica, Quimper, Denby, New Hall porcelain, copper lustre, various wine bottles, cod bottles, and other advertising bottles (four boxes)

Leeds.- Wilkinson (Albert Edward, Lord Mayor of Leeds, Managing Director of the Acme Engineering Co., of Holbeck, Leeds, 1873-1959) Album of events during the mayoralty of Albert Wilkinson, items including: autograph of Edward VIII as Prince of Wales of his visit to Leeds in 1933 on civic hall notepaper, typescript: "Harewood House Party... H.R.H. The Princess Royal... Princess Helena Victoria..."; "Souvenir 1936 - A King for 11 Months, 1936"; printed book: "An Historic Occasion... of the Celebrations to Mark the Opening of the New Canteen at Hudson Road Mills, Leeds"; illustrations, blue morocco, gilt, [1934]; typescript: "The Town Clerk's Speech on the Occasion of the Luncheon Given by the Lord Mayor to the Head Officials of the Corporation", 3pp., folio, [1934]; ephemera (Round Table, Leeds Charity Ball, The Leeds Press Ball, 1934); dinner menus (Twentieth Anniversary Commemoration Dinner 15th Battalion West Yorks Regiment Leeds 'Pals' Battalion), copy of a letter inviting Wilkinson to Broadcasting House in Leeds; numerous pieces of ephemera, photographs, newspaper cuttings, most laid down, numerous pp., original cloth, gilt, slightly dulled, spine defective, v.s., album folio, 1933-34 & 1936.