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(Women's Rights, Feminism, Suffrage, Social Reform), John Stuart Mill: 'The Subjection of Women', London, Longmans, Green, Reader & Dyer, 1869, 1st edition, iv,188pp, ex Repton School library, 19th Century inkstamp and later de-accession inkstamp to title page, no other lib. markings, original cloth gilt (worn), pencil ownership signature to FFEP of John Henry Gurney Senior (1819-1890), English banker, amateur ornithologist, and Liberal Party politician of the prominent Quaker family, the Gurneys of Norfolk. J.H. Gurney Senior was the son of Joseph John Gurney (1788-1847), banker, Quaker minister, humanitarian and philanthropist of Earlham Hall, Norwich, and the nephew of Elizabeth Fry (née Gurney; 1780-1845), the famous prison reformer, social reformer & philanthropist. Fry was a major driving force behind new legislation to improve the treatment of prisoners, especially female inmates, and as such has been called the "Angel of Prisons". She was instrumental in the 1823 Gaols Act which mandated sex-segregation of prisons and female warders for female inmates to protect them from sexual exploitation. Fry kept extensive diaries in which the need to protect female prisoners from rape and sexual exploitation is explicit. Joseph John Gurney joined his sister Elizabeth Fry in her attempt to end capital punishment and institute improvements in prisons, together they visited prisons all over Great Britain to gather evidence of the horrible conditions in them to present to Parliament. They published their findings in a book entitled Prisons in Scotland and the North of England. Gurney campaigned against slavery during trips to North America and the West Indies from 1837-1840, he also continued to promote the abolition of capital punishment and advocated total abstinence from alcohol. A first edition and interesting association copy of one of the great statements of the equality of the sexes, recognized as an early contribution in the feminist canon: "among campaigners for women's suffrage. it rapidly became a sacred text and gave him a position of heroic, almost apostolic, authority within the nascent women's movement" (ODNB). Mill had long been a women's rights advocate, having been influenced by the thinking of his father, the Utilitarian philosopher James Mill, and by his long friendship with, and then marriage to, the philosopher Harriet Taylor Hardy (1807-1858), a passionate advocate for equality.

William Woollett after Benjamin West, engraving, 'The Battle at La Hogue', published by West, Woollett and Hall 1781, visible sheet 48 x 60.5cm The action at La Hogue occurred during the pursuit by the English of the French fleet after the Battle of Barfleur on 19 May Old Style (29 May (New Style)), 1692, during the Nine Years' War. The pursuing English fleet, under the command of Admiral of the Fleet Edward Russell, 1st Earl of Orford, destroyed a number of French ships that had been beached near the port of Saint-Vaast-la-Hougue.During the Nine Years War, the English and French fleets had engaged off the coast of Normandy. Tourville's fleet of badly damaged ships was swept by wind and tide down the coast of the Cotentin peninsula, pursued by an English fleet under Admiral of the Fleet Edward Russell, 1st Earl of Orford.The French beached three of their most badly damaged ships at Cherbourg-en-Cotentin, where they were attacked and destroyed by an English squadron under Vice Admiral of the Red Sir Ralph Delaval. The remaining ten French ships, commanded by Tourville and four of his flag officers, were swept down the coast, to be beached on the evening of 21 May outside the small port of Saint-Vaast-la-Hougue.

A German .800 standard silver mounted clear-glass tapering claret jug and hinged stopper. The tapering glass body engraved with flowers and leaves above a broad fluted section and a narrow diamond-cut band, the mount with a scroll handle, the shaped spout with hinged and knotted stopper, a moulded border and engraved with a presentation inscription in German as a special prize for a dog shown in Linz, Austria in 1889, the German 800 standard marks, 31cm highProvenanceBy family repute this jug formerly belonged to Charles Cruft (1852-1938), the founder of the World Famous Dog show first held first at the Royal Agricultural Hall, Islington in 1891. Having no desire to join the family jewellery business, in 1876 he joined James Spratt in a new venture in Holborn, London selling 'Dog cakes'. Over the following years he travelled extensively in Europe and the United Kingdom as General Manager of Spratts (Dogs Biscuits) in order to better understand the needs and the market in his chosen field. It is thought this jug was given during this period. Condition Report: Overall in good condition. Some small chips to the glass at the point at which the glass and silver connects. Tarnishing to the metal. No obvious cracks. Signs of wear including light scratches consistent with age and usage.

William Henry Hall, The New Royal Encyclopaedia of Modern Universal Dictionary of Arts and Sciences on a New and Improved Plan, in which all the respective sciences are arranged into complete systems, N.D, second edition. Complete in 3 volumes with seven folding maps as called for (including a double world hemisphere) subscribers list to the work together with directions to the binder for placement of the numerous engravings. Bound in full polished tree calf with red and green labels.

A collection of 18th century and later ceramics, to include a first period Worcester porcelain plate, New Hall jug, and a Regency part tea service (a/f)

A new painted four drawer hall table with a polished pine top made by a local craftsman to a high standard - Height 77cm x 126cm x 37cm

A collection of 48 postcards of Petworth, West Sussex, including photographic postcards titled 'Town Hall, Petworth', 'Petworth Boys' School Choir 1928', 'War Memorial & Petworth House, Petworth', 'The New Post Office, Petworth' and 'Lombard Street, Petworth'.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

Miles (William, translator). The History of Hydur Naik otherwise styled Shums Ul Moolk, Ameer ud Dowla, Nawaub Hydur Ali Khan Bahadoor, Hydur Jung, Nawaub of the Karnatic Balaghaut; Written by Meer Hussein Ali Khan Kirmani. Translated from an original persian manuscript, in the library of her most gracious majesty, by Colonel W. Miles, London: Oriental Translation Fund, 1842, subscriber's leaf bound in at front, folding map of Mysore contained in pocket inside rear cover, original cloth with paper label to spine, rubbed and marked with minor fraying to head and foot of spine, large 8vo, together with Fallon (S.W.). A New Hindustani-English Dictionary: with illustrations from Hindustani Literature and Folk-Lore & A New English-Hindustani Dictionary with illustrations from English Literature and Colloquial English translated into Hindustani by S.W. Fallon, assisted by Lala Faqir Chand, 2 volumes, Banaras: Medical Hall Press, for E.J. Lazarus and Co., & Trubner and Co., 1879/1883 respectively, text in double column, marbled edges, contemporary uniform half calf, black morocco title labels to spines, a little rubbed, large 8vo, together with Thomas Patrick Hughes, A Dictionary of Islam, second edition, 1896, John Martin Honigberger, Thirty-Five Years in The East...relating to the Punjab and Cashmere, Calcutta, 1905, two small early 20th century photograph albums etc., all 8voQTY: (12)

A collection of 19th century Derby, comprising a Stevenson and Hancock (Derby) scent bottle and stopper, painted with roses and cornflowers, 9.5cm high; a small imari bottle vase, 11.5cm high; an imari campagna vase, 16.5cm high; a Derby jar or vase, lacking cover; 15.5cm high; together with an English pot pourri vase, lacking cover, probably Coalport, decorated with two opposing panels of flowers with mask-head handles, square pedestal base, 14cm high; a pair of Coalport London-decorated twin-handled vases, decorated in red monochrome and gilt with panels of classical figures, 14cm high; a French Sevres style coffee can and saucer, 19th century English printed wares etc including Patterson and Co and a pair of Copeland plates with 'Hudson Trinity College' markings ( `Hudson` relates to the College Cook for Trinity College, Cambridge, a self-employed caterer responsible for feeding the College Fellows and Undergraduates and providing the china they used. Henry Hudson is recorded as Cook from 1834 to 1854; Philip Hudson from 1854 onwards) (qty) (a.f);Condition:London decorated vases - one cracked, this vase is also badly rubbed to the gilding and scratched through the panels.Derby scent bottle - Stopper fixed into bottle, small visible rim nibble mouth.Derby small imari bottle vase - Restoration to mouth and neck.Derby campagna vase - Broken section to the upper rim broken and re-glued, one large chip and another two smaller chips to rim. Crack to one handle and general rubbing to gilt.Derby vase lacking cover - Chips and breakages to leaves around upper rim. Some fine crazing and areas of yellow discolouration. Short hairline to mouth.French coffee can and saucer - Can chipped and cracked, saucer with hairlines.Pot pourri vase - Both handles broken (missing a horn on each). Small chip to the top of the pedestal base.Monochrome vases - Hairline crack to one vase. Both with rubbing and scratches to the panels and gilt.Keeling/New Hall tea bowl - hairline.Red printed Frolicking Putto pearlware tea bowl and saucer - Chipped, cracked.Patterson & Co (Gateshead, Newcastle) teacup and saucer - saucer broken and repaired.Copeland Hudson plates - one has been broken into two pieces and repaired.

An assembled group of English tea and coffee wares, early 19th century onwardsincluding various orphaned pieces, a quantity of New Hall/Keeling etc, and a Spode pattern 2767 coffee cup, saucer and matching plate, 19cm diameter; a Spode bat-printed teacup and saucer; Spode pattern 2461 trio, Derby coffee can and saucer; pink lustre 'Charity' and 'Faith' teacup and saucer etc (qty, three trays - reference collection with damages)Condition:Several pieces with hairlines and/or chips. A couple of cups missing their handles. Some pieces with rubbing to decoration. Sold with all faults.

An 18th century New Hall of Staffordshire part tea service. The set comprising of tea pot, 2 x creamer, sugar bowl, cup & saucer. Pattern believed to date 1787 - 1790. Teapot measures 16cm high. 

A collection of 19th century tea cups and saucers to include Miles Mason, multiple New Hall examples, 2x mintons twin handled, early staffordshire and others. Also to include delph dish and Royal Worcester lidded pot. 

JAZZ GREATS - LP COLLECTION. A superb selection of around 47 jazz LPs, mostly reissue pressings. Records are generally VG+ to Ex+, sleeves VG to Ex. Artists/ titles include Quintet Of The Year - Jazz AT Massey Hall (LAE 12031, record VG+/ sleeve VG+), Charles Mingus inc Mingus Ah Um, Presents Charles Mingus (Candid 8005), New Tijuana Moods, Reincarnation Of Love Bird, Oh YeahConcertgebouq Amsterdam 1964. Shelly Manne inc More Swinging Sounds Vol 5, The West Coast Sound, My Fair Lady, At The Black Hawk 1. Donald Byrd inc The Cat Walk, Long Green, Star Eyes, Early Byrd, Jazz At The Waterfront. Charlie Parker inc The Definitive Vols 1, 2, 3, 4, 5, 6, 7 & 8, The Happy Bird, The Fabulous Apoloo Sessions, On Dial Vols 1, 2, 3, 4, 5 & 6.

CLASSIC ROCK - VINYL BOX SETS. A collection of 6 x Box Sets. Artists/ Titles are Fleetwood Mac - 1969 to 1972 (EU Pressing), Akira Kurosawa's Movie Soundtracks (DOY002), Cream - Royal Albert Hall (stock white vinyl, RSD 2013), Jethro Tull - Thick As A Brick 1 & 2 (2012), The The - Soul Mining (2014) and Blancmange - The Blanc Tapes (2019, LMSSS21275, Stock Copy, No signed print). The condition is generally Ex to Ex+ / As New.

50s/ 60s ARTISTS - JAZZ LP COLLECTION. A quality collection of around 87 jazz LPs. Artists/ titles include Clark Terry - In Orbit (12-271), Clark Terry inc Color Changes (Candid 9009), Serenade To A Bus Seat (RLP 12-237), Cecil Taylor - The World Of, Eric Dolphy inc Outward Bound, Memorial Album. Cecil Payne - Patterns, Horace Silver - Silver's Blues, Sonny Stitt inc With The New Yorkers, Autumn In New York, Sittin In, Kaleidoscope, Symphony Hall Swing. Frank Socolow's Sextet - Sounds By Socolow, Wayne Shorter inc Wayning Moments, Second Genesis, Blues A La Carte. Tadd Dameron, Ray Crawford, Sonny Criss, Eddie Costa, Zoot Sims inc Down Home, Zoot!. Dick Collins, Earl Coleman, Al Cohn, The Four Brothers, Paul Desmond Quartet.

A Collection of Various Early 19th Century English Porcelain to Comprise New Hall Type Teapot, Blue and White Jug, Tea Bowl with Oriental Scene Depicting Buffalo and Rider etc, All with Condition Issues

18TH CENTURY & LATER CABINET CUPS & SAUCERS, TEA BOWLS ETC - makers include Royal Worcester, Copeland & Garrett, New Hall, Spode and others, hand painted and printed examples to include a Worcester Dragon in Compartment pattern fluted cup and saucer, 50 plus pieces (within 2 boxes)

OASIS - PRIVATE RELEASE LP PACK. A curious selection of 9 LPs by Oasis and some solo releases, all privately released and containing things like live material, demos, acoustic material etc. Artists/ titles include Liam Gallagher - Why Rome? Why Not. (Limited Edition No.137 of 300 on marbled vinyl). Oasis inc R Kid's Not Here, The Legendary Unplugged Show (Royal Festival Hall 23/8/1996), Undrugged (picture disc), Days Of Our Lives (orange vinyl), Precreation Blues (IMLP9278), Proms: Camden Roundhouse 2008, Knebworth 1996 (M/ Sealed) & Noel Gallagher - The Dreams We Have As Children (Live At The Royal Albert Hall). Condition is generally Ex to Ex+/ Like New.

Hall, Sidney, A New British Atlas 1834, comprising a series of 54 maps, 46 hand coloured maps, four are two to a page, original morocco backed cloth boards

[TRAVEL]. INDIA Oliver, Edward. Across the Border or Pathan and Biloch, first edition, Chapman and Hall, London, 1890, original pictorial crimson cloth (re-backed with new spine and blocking), thirty-seven illustrations by J.L. Kipling (as called for), octavo. Condition Report : Lacking maps; some foxing. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

POSTCARDS - LONDON & OTHER Approximately 366 cards, comprising real photographic views of Marble Arch & Oxford Street; Trafalgar Square; Tower Bridge; Piccadilly Circus from Criterion; Mansion House & Cheapside; Fleet Street & St. Paul's; The Tate Gallery; The Terrace, Kensington Gardens; Aldwich, London; The Pavilion and Bandstand, Rhyl; and The Royal Parade, Plymouth; with printed views of Tregenna Castle Hotel, St. Ives; Sidmouth Esplanade and Royal York Hotel; The Chapel and Almshouses, Point in View, Exmouth; Municipal Bank and Masonic Hall, Birmingham; Tyne Bridges, Newcastle Upon Tyne; The New Admiralty Arch; Royal Academy and Piccadilly; London Bridge; The Strand; and others, (two albums).

SIX PAIRS OF LADIES BREECHES/JODPHURS including Size 30 (Ladies UK Size 14) all branded (Caldene, Harry Hall, Pikeur, Kentucky), one pair of black Jeffries half chaps, riding shirts, stocks and a black hat silk (most items as new)

A large assortment of 18th and 19th century ceramic items, the majority English, with a few pieces of Chinese, porcelain and earthenware, hand painted and transferware, comprising teacups, bowls, including Worcester, New Hall examples, etc some with damage, the largest bowl 16cm diameter AF (qty)

Ernst Caramelle (Hall i. Tirol/Österreich 1952 – lebt in Karlsruhe, Frankfurt a.M. u. New York/USA). „ohne Titel“. 1987Wasserfarbe, Collage, Tinte und Gesso auf Hartfaser. 60,5 × 70 cm (23 ⅞ × 27 ½ in.). Rückseitig mit Tuschfeder bezeichnet, datiert, betitelt, signiert und datiert: 1/1 oben 60,5 x 70 cm 1987 ohne Titel Caramelle 1987.[3102]Zustandsbericht: Schöner harmonischer Gesamteindruck. Unter UV-Licht sind keine Fehlstellen und Retuschen erkennbar. Insgesamt leicht angestaubt und vereinzelt mit kleinen Kratzern und Fleckchen. An der linken Kante zwei Dellen. Die Holzleisten auf der Rückseite teilweise gelöst.Wir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.

Ernst Caramelle (Hall i. Tirol/Österreich 1952 – lebt in Karlsruhe, Frankfurt a.M. u. New York/USA). „Old work New York“. 1994/95Gesso und Wasserfarbe auf Hartfaser. 45,1 × 46,1 cm (17 ¾ × 18 ⅛ in.). Rückseitig mit Tuschfeder bezeichnet, betitelt, signiert und datiert: 1/2 Old work New York Caramelle 1994 - 95.[3102]Zustandsbericht: Schöner harmonischer Gesamteindruck. Unter UV-Licht sind keine Retuschen oder Fehlstellen erkennbar Insgesamt leicht angestaubt und stellenweise kleine Fleckchen. Stellenweise feines Craquelee (nicht störend). Rückseitig unten links zwei Etikette sowie leichter Oberflächenverlust (8 x 2,5 cm). Die Holzleisten auf der Rückseite teilweise gelöst.Wir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.

A GROUP OF SOTHEBY'S AND CHRISTIE'S ASIAN ART CATALOGUES The majority Chinese Ceramics and Works of Art, to include The Falk Collection I, New York 2001; Important Chinese Works of Art from the Arthur M Sackler Collections, New York December 1994; The Collection of Evelyn Annenberg Hall, New York, March 2006 etc (35) Condition: Condition Report Some fading to spines; and general signs of use This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

A NEW HALL TEA POT, STAFFORDSHIRE POODLE, A SPILL VASE GROUP AND A CLASSICAL FEMALE FIGURE

R. THOMPSON, WELSH DIVISION 1 GOLD MEDAL 1923/4 the reverse inscribed WINNERS DIV:1 1923-24, in nine carat gold, along with his Powderhall New Year Handicap medal, the reverse inscribed R. THOMPSON 1916, in nine carat gold (2)Note: The Wlesh Division 1 title was won by Pontypridd F.C. during this season.Welsh league medal approx. 16.6gThe powder hall medal approx. 12.8g

NO RESERVE Meatyard (Ralph Eugene) The Family Album of Lucybelle Crater, first edition, New York, The Jargon Society, 1974; A Fourfold Vision, one of 1000 copies, Tucson, AZ, Nazraeli Press, 2005 § Hall (James Baker) & Guy Davenport. Ralph Eugene Meatyard, An Aperture Monograph, first edition, New York, 1974, photographic illustrations, original cloth, the first with light spotting at edges, the first and last with dust-jackets; and 3 others by or about Meatyard, 4to (6).

Victorian popular editions by Routledge and other publishers, hard and soft backed. HATLEY (R M) Memoirs of Madame Tussaud. London: Routledge 1878, 12mo, pictorial 'yellow back' covers; SMITH (Albert) The London Medical Student, 1861, 12mo; PEACOCK (T L) Headlong Hall and Nightmare Abbey, 1856, 12mo; PROWSE (W J) Nicholas's Notes, no date, 12mo; The Book of Ready Made Speeches, 1867, paper covers; SHERWOOD (Mrs) The Nun, new edition, no date; LEMON (Mark) Mr Punch His Origin and Career, no date, paper covers; DENIER (T) The Great Secret of Shadow Pantomimes, New York 1868, recased preserving original covers; The Life of P T Barnum, 1855, 'Author's Edition'; SMITH (Albert) Christopher Tadpole, 1857, pictorial boards; few others (14)

CHARLOTTE DE SYLLAS: PAIR OF NEPHRITE, CORAL AND CULTURED PEARL EARRINGS, 2001Each carved Canadian nephrite plaque inlaid with coral corallium rubrum and a cultured pearl, mounted in 18 carat yellow gold, maker's mark CdeS, London hallmark, length 2.6cm, fitted wooden caseFootnotes:Exhibited:'Charlotte De Syllas: Sculpted Gemstones', The Goldsmiths' Hall, London, 27th April - 22nd July 2016Literature:Exhibition catalogue, 'Charlotte De Syllas: Jewellery in Carved Gemstones', 2016, ill. p.58Please note, this lot will be subject to US Fish and Wildlife inspection if imported into the USA.In 1963, at Hornsey College of Art, Charlotte De Syllas enrolled on a new and innovative jewellery making course, recently established by the pioneering and hugely influential jeweller, Gerda Flӧckinger, CBE (b.1927). One of the first students to graduate, De Syllas' jewellery caught the attention of Graham Hughes, who purchased her entire body of student work for The Worshipful Company of Goldsmiths Collection. Hughes served as Art Director of The Goldsmiths' Company between 1951-1981 and actively promoted the work of British avant-garde jewellers. The 'International Exhibition of Modern Jewellery, 1890-1960' held at Goldsmiths' Hall under his leadership in 1961, marked a watershed moment for British jewellery design and the industry at large. Each of the four De Syllas jewels presented in this sale (lots 83 - 86) were exhibited at a major retrospective exhibition of De Syllas' work, held by The Goldsmiths' Company at Goldsmiths' Hall in 2016. The exhibition featured 73 unique pieces, covering her student work from the 1960s to her latest commissions. Prior to this, De Syllas won the first ever Jerwood Prize for Jewellery in 1995 (jointly with Peter Chang). Since graduating in 1966, she has taught and exhibited internationally and her work can be found in the permanent collections of the V&A Museum, the Crafts Council in London and the Alice and Louis Koch Collection at the Swiss National Museum in Zurich.De Syllas designs a jewel around the form of the gemstone she carves, creating sculptural pieces that are tailored specifically to each client – their complexion, hair colour, personality and personal preferences are all considered. Sculpting gemstones requires a great depth of understanding, experience, patience and skill and the art is fraught with many challenges. While the metal settings are secondary to the gemstone itself, De Syllas carefully considers the metal used in order to best enhance and seamlessly support each carving. She employs unconventional methods traditionally used in other fields, such as gunsmithing and dentistry and embraces new technologies, such as digital design drawing and laser welding. Her work is truly exceptional for its technical brilliance and fearless ingenuity. Nearly all of her pieces are private commissions, and this is likely to be the first time her jewellery has ever been presented to a global audience at auction.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

CHARLOTTE DE SYLLAS: NEPHRITE AND CORAL 'LEAF' BROOCH, 1992The delicately carved Canadian nephrite 'leaf' inlaid with a carved coral stem, mounted in 18 carat gold, maker's mark CdeS, London hallmark, length 3.8cm, wooden boxFootnotes:Exhibited:'Charlotte De Syllas: Sculpted Gemstones', The Goldsmiths' Hall, London, 27th April - 22nd July 2016Literature:Exhibition catalogue, 'Charlotte De Syllas: Jewellery in Carved Gemstones', 2016, ill. p.56Please note, this lot will be subject to US Fish and Wildlife inspection if imported into the USA.In 1963, at Hornsey College of Art, Charlotte De Syllas enrolled on a new and innovative jewellery making course, recently established by the pioneering and hugely influential jeweller, Gerda Flӧckinger, CBE (b.1927). One of the first students to graduate, De Syllas' jewellery caught the attention of Graham Hughes, who purchased her entire body of student work for The Worshipful Company of Goldsmiths Collection. Hughes served as Art Director of The Goldsmiths' Company between 1951-1981 and actively promoted the work of British avant-garde jewellers. The 'International Exhibition of Modern Jewellery, 1890-1960' held at Goldsmiths' Hall under his leadership in 1961, marked a watershed moment for British jewellery design and the industry at large. Each of the four De Syllas jewels presented in this sale (lots 83 - 86) were exhibited at a major retrospective exhibition of De Syllas' work, held by The Goldsmiths' Company at Goldsmiths' Hall in 2016. The exhibition featured 73 unique pieces, covering her student work from the 1960s to her latest commissions. Prior to this, De Syllas won the first ever Jerwood Prize for Jewellery in 1995 (jointly with Peter Chang). Since graduating in 1966, she has taught and exhibited internationally and her work can be found in the permanent collections of the V&A Museum, the Crafts Council in London and the Alice and Louis Koch Collection at the Swiss National Museum in Zurich.De Syllas designs a jewel around the form of the gemstone she carves, creating sculptural pieces that are tailored specifically to each client – their complexion, hair colour, personality and personal preferences are all considered. Sculpting gemstones requires a great depth of understanding, experience, patience and skill and the art is fraught with many challenges. While the metal settings are secondary to the gemstone itself, De Syllas carefully considers the metal used in order to best enhance and seamlessly support each carving. She employs unconventional methods traditionally used in other fields, such as gunsmithing and dentistry and embraces new technologies, such as digital design drawing and laser welding. Her work is truly exceptional for its technical brilliance and fearless ingenuity. Nearly all of her pieces are private commissions, and this is likely to be the first time her jewellery has ever been presented to a global audience at auction.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

CHARLOTTE DE SYLLAS: TOURMALINE 'TWIN' BROOCH, 2010The carved tourmaline crystal foiled with platinum and mounted in 18 carat white gold, maker's mark CdeS, London hallmark, length 8.0cm, fitted wooden boxFootnotes:Exhibited:'Charlotte De Syllas: Sculpted Gemstones', The Goldsmiths' Hall, London, 27th April - 22nd July 2016Literature:Exhibition catalogue, 'Charlotte De Syllas: Jewellery in Carved Gemstones', 2016, ill. p.51, shown with the other twin brooch, both carved from the same tourmaline crystal.In 1963, at Hornsey College of Art, Charlotte De Syllas enrolled on a new and innovative jewellery making course, recently established by the pioneering and hugely influential jeweller, Gerda Flӧckinger, CBE (b.1927). One of the first students to graduate, De Syllas' jewellery caught the attention of Graham Hughes, who purchased her entire body of student work for The Worshipful Company of Goldsmiths Collection. Hughes served as Art Director of The Goldsmiths' Company between 1951-1981 and actively promoted the work of British avant-garde jewellers. The 'International Exhibition of Modern Jewellery, 1890-1960' held at Goldsmiths' Hall under his leadership in 1961, marked a watershed moment for British jewellery design and the industry at large. Each of the four De Syllas jewels presented in this sale (lots 83 - 86) were exhibited at a major retrospective exhibition of De Syllas' work, held by The Goldsmiths' Company at Goldsmiths' Hall in 2016. The exhibition featured 73 unique pieces, covering her student work from the 1960s to her latest commissions. Prior to this, De Syllas won the first ever Jerwood Prize for Jewellery in 1995 (jointly with Peter Chang). Since graduating in 1966, she has taught and exhibited internationally and her work can be found in the permanent collections of the V&A Museum, the Crafts Council in London and the Alice and Louis Koch Collection at the Swiss National Museum in Zurich.De Syllas designs a jewel around the form of the gemstone she carves, creating sculptural pieces that are tailored specifically to each client – their complexion, hair colour, personality and personal preferences are all considered. Sculpting gemstones requires a great depth of understanding, experience, patience and skill and the art is fraught with many challenges. While the metal settings are secondary to the gemstone itself, De Syllas carefully considers the metal used in order to best enhance and seamlessly support each carving. She employs unconventional methods traditionally used in other fields, such as gunsmithing and dentistry and embraces new technologies, such as digital design drawing and laser welding. Her work is truly exceptional for its technical brilliance and fearless ingenuity. Nearly all of her pieces are private commissions, and this is likely to be the first time her jewellery has ever been presented to a global audience at auction.For further information on this lot please visit Bonhams.com

A selection of antique blue and gilt decorated ceramic tea wares, mostly 19th Century, makers including New Hall, most unmarked.

A selection of tea bowls, cups, saucers and other items, most 19th Century, various makers and designs, including New Hall.

NEW & SEALED LPs (ROCK/ POP/ FOLK/ METAL). Another excellent collection of 28 new & sealed LPs. Artists/ titles include Amy Winehouse - Live At Glastonbury 2007, AC/DC - Irvine Meadows Amphitheatre (picture discs), Soft Machine - Live At The Bataclan, Morrissey - First Among Equals, The Fall - Live Derby UK, The Doors - Shot To Pieces, Jefferson Airplane - Stony Brook 1970, Joni Mitchell - Live At Carnegie Hall 1969, Tom Petty - Dockside Volume One, Bob Dylan, Bob Dylan/ Tom Petty - Live Confessions, Pearl Jam - State Of Love And Trust, Foo Fighters - Retroactive, Gary Numan - Intruder. Simon & Garfunkel, Ed Sheeran, Rory Gallagher, Mike Oldfield, Nazareth, Elvis Costello, The Runaways, Pearl Jam, Bon Jovi, U2, Cash Money, Brood X, Nathaniel Rateliff, David Crosby/ Graham Nash. Condition is M/ New & Sealed.

NEW & SEALED LPs (ROCK/ POP/ FOLK/ METAL). Another magical selection of 28 new & sealed LPs. Artists/ titles include David Bowie inc Best Of Seven Months In America, Low. AC/DC - Live at Freedom Hall Civic Centre 1988, Nine Inch Nails - Live At The Right Track 1988, My Bloody Valentine - Loveless, Metallica - Rocking At The Ring 1999, Kiss - Live In Sao Paulo 1994, Iggy Pop - Live In New York, The Offspring - Americana, Merton Parkas - Face In The Crowd, Fleetwood Mac inc Illusions, At The Other End. Bruce Springsteen inc 1995 Radio Hour, The 1974 Acoustic Radio Sessions. Van Morrison, Bob Dylan, Scott Walker, Grateful Dead, Pink Floyd, Meat Loaf, Bad Company, Eric Clapton, TLC (picture disc), Rory Gallagher, Elvis Costello, Roger Waters, Elton John, Lewis Capaldi. Condition is M/ New & Sealed.

NEW & SEALED LPs (ROCK/ POP/ FOLK/ METAL). Another fantastic collection of 28 new & sealed LPs. Artists/ titles include David Bowie inc Live Los Angeles 1974, Low. The Beatles - Let It Be, Jane's Addiction - Live By The Lake, AC/DC - Live Freedom Hall Civic Centre 1988, Sex Pistols - Agents Of Anarchy, Scott Walker - Live On Air 1968, Grateful Dead, Foo Fighters - Retroactive, Pink Floyd - Live European Radio 1968, Meat Loaf - Boston Broadcast 1985, Bruce Springsteen - 1995 Radio Hour. Misfits - PUNX, Anthrax - Boston Breakout, Fleetwood Mac inc At The Other End, Gothenburg 1969. Gary Numan, Bob Dylan, Joni Mitchell, Crosby Stills & Nash, Elvis Costello, Venetian Snares, Eagles, Elton John, Iggy Pop, The Isley Brothers/ Santana, Destiny's Child (picture disc), Eric Clapton. Condition is M/ New & Sealed.

An original concert poster advertising Frank Zappa at New Bingley Hall, 12th Feb 1977. Measures approx 30 x 40". Rolled. VF condition.

A CASED LATE VICTORIAN SILVER HANDLED BUTTON HOOK AND SHOE HORN AND A SILVER BACKED HAND MIRROR, the button hook and shoe horn in a 'Houghton & Gunn New Bond Street' case, marks rubbed, Birmingham 1889, the hand mirror with engine turned decoration, Walker & Hall, Sheffield 1930 (2) (Condition Report: the set in good condition with some stains to the exterior of the case, the hand mirror has a number of dents)

World- SDUK ATLAS. 'Maps of the Society for the Diffusion of Useful Knowledge': Two Volumes bound in one; Bound with: 'The STARS', & Bound with: INDEX to the Principal Places in the World, with reference to the Maps. Chapman and Hall, 1844. With 157 Maps & 49 PLANS on 53 sheets (4 are double page), 23 of the plans are with views; PLUS: 6 Maps of the stars. In all 212 Hand coloured Maps & Plans. The plans are of most main cities of the world, including: Boston, New York, Philadelphia, London, Paris, Dublin, Frankfurt, Berlin, Madrid, Naples, Venice, Moscow, St. Petersburg, Calcutta, Etc. Cont. half leather; rubbed and upper cover detached. The maps and plans are bright and clean.

Set of six original antique World War One posters for war loans and post-war currency issues. 1. Educational lecture about Reich banknotes - Bold black lettering translates to - Danger! pre-war money owner! Who still owns old Reich banknotes of 1000, 100, 50 and 20 marks? Educational lecture on: Our final battle against the Reichsbank and their secret helpers. Company lawyer G. Winter-Leipzig, the personal plaintiff, speaks on Tuesday, April 27, 1926 in the large hall of the Zoological Garden, Leipzig. Anyone who wants to hear the truth should definitely come to this educational lecture in Leipzig's "Zoologische Garden". Under no circumstances will it be cancelled. All reports to the contrary are false and in the interests of the Reichsbank. Appear en masse! The Reichsbank has to pay! Horizontal. Good condition, fold, tears, browning, staining, paper loss on bottom right corner, ink stamp on reverse. Country of issue: Germany, designer: , size (cm): 45x60, year of printing: 1926; 2. 4th War Loan / 4 Kriegsanleihe - Bold black lettering. Printed by J. Weiner in Vienna. Good condition, folds, creasing, staining, tears. Country of issue: Austria, designer: , size (cm): 63x95, year of printing: 1910s; 3. Third War Loan issued by the General Transport Bank / Allgemeine Verkehrsbank - Yellow and black border with stylised lettering which translates to - Once again the call is issued to the entire Austrian population: Provide the means that the Fatherland needs to continue waging the war! For more than a year, the monarchy has faced a world of enemies vastly outnumbering it, bent on its annihilation. Enormous feats of arms by our army and our fleet, great economic achievements characterize the past Kuegs year and guarantee a favorable outcome of the world war, which nobody in the monarchy wanted, but the politics of our opponents today have been working purposefully towards unleashing it for years. But there are still difficult things ahead of us, we still have to do everything we can because everything is at stake. Daily and hourly our brothers and sons risk their lives out in the field in the fight for the fatherland. Now those who stayed at home should get new funds so that our heroes outside can be equipped with the things they need to live and fight. It is a matter of honor for everyone to serve and help the fatherland with all their might during this great time, which will be decisive for the future of the monarchy. And whoever heeds the call and subscribes to the war loan does not even make a sacrifice, but at the same time preserves his own interest by acquiring securities of excellent security and brilliant interest. That's why the war loan subscribes! Draw yourself and help wake up the indifferent! Every drawing, even the smallest, counts. Everyone must contribute to the best of their ability and ability to ensure that the great work succeeds. The first two war loans have rightly been said to mean battles won. Also the result of the third war loan, which was put up for subscription according to the announcement of the Ministry of Finance, must again turn out to be a great, decisive victory! Poor condition, large paper loss in bottom left corner, folds, tears, staining, creasing, pinholes Country of issue: Austria, designer: , size (cm): 95x63, year of printing: 1910s; 4. 6th Austrian war bond - STYRIAN! Subscribe to the VI war loan by way of war bond insurance at the insurance department for Styria Austrian military widows and orphans fund . You will not only fulfill a patriotic duty, but also your families at the cheapest and supply in the simplest way. No surcharges will be levied and the vesting of the paid Premium is guaranteed from the start of the insurance. Good condition, folds, minor staining, small tears. Country of issue: Austria, designer: , size (cm): 95x63, year of printing: 1910s; 5. Austrian War Bonds explaining the value of bond slips - Design features bold lettering and images of War bond documents on a blue background. A K1758 has the face value of a K100 and K1758 has a value of K1000 - to be purchased according to the sample below. With such a small cash outlay one becomes a war bond subscriber and yet has one helped the state in the full height drawing, since the bank pays the entire amount corresponding to the subscription to the state administration in cash. Printed by J.N Vernay in Vienna. Good condition, Good condition, folds, creasing, staining, tears, pinholes. Country of issue: Austria, designer: , size (cm): 95x64, year of printing: 1910s; 6. Educational lecture about Reich banknotes - Bold black lettering translates to - Danger! Pre-war money owner! Report on the Supreme Court hearing from Company lawyer Gustav Winter, Leipzig on Thursday, May 20, 1926 in the large hall of the"Zoologische Garden" in Leipzig. Appearance is mandatory! Horizontal. Fair condition, folds, creasing, tears, staining, paper losses, tape on top left corner, browning, staining, ink stamp on reverse. Country of issue: Germany, designer: , size (cm): 90x60, year of printing: 1926.

1969 Triumph 649cc T120R BonnevilleRegistration no. not registeredFrame no. T120R GC 21491Engine no. GC 21491 T120RAs the 1960s dawned, Triumph's larger twin-cylinder models remained recognisably similar to the first Speed Twin of 1938. Unitary construction of engine and gearbox was already a feature of the 350 and 500 twins though, and that innovation duly appeared on the 650s in 1963. The café racer's favourite since its launch, thanks to lusty acceleration and a top speed approaching 120mph, the Bonneville continued in this new form as Triumph's top-of-the-range sports roadster, arriving at what aficionados consider its ultimate specification with the launch of the 1968 model. By this time the frame had been sorted and 12-volt electrics standardised, but welcome improvements included shuttle-valve fork internals, independently adjustable ignition points, Amal Concentric carburettors, and a long overdue twin-leading-shoe front brake. For the next couple of seasons the Bonnie continued essentially unchanged, before the disastrous launch of the 'oil-in-frame' models in November 1970 precipitated the collapse of the entire BSA-Triumph Group. Belonging to the last Bonneville generation built before BSA-Triumph switched to the Umberslade Hall-designed oil-in-frame range, this example was imported from the USA and still carries its Virginia licence plates. No history is known but the Bonnie appears in nice original condition. The vendor has checked the machine mechanically but left it untouched cosmetically. Recommissioning is advised before further use. Accompanying paperwork consists of a VMCC dating letter and HMR&C correspondence.Offered with keyFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com

c.1957 Velocette 349cc Venom/KSS SpecialRegistration no. YSJ 842Frame no. RS10265 (see text)Engine no. KSS 10579Slotting Velocette's wonderful pre-war K-Series overhead-camshaft engine into later cycle parts has long been an accepted practice among aficionados of the Hall Green factory's products, and this example combines an ex-racing Venom rolling chassis dating from circa 1957 with the motor taken from a circa 1947 KSS MkII. Introduced for the 1936 season, the MkII KSS represented a major re-design of Velocette's top-of-the-range overhead-camshaft roadster. The MkII featured many improvements including a new aluminium-alloy cylinder head with enclosed valve gear (which replaced the old cast-iron 'head with exposed springs).Restored in 2022, this very smartly turned-out hybrid features a modified and lightened frame; uprated engine; Venom four-speed gearbox; TT magneto; Kevin Thurston belt primary drive; aluminium oil tank; Hagon shock absorbers; alloy fork yokes; more modern forks; alloy wheel rims; and various other modifications. The machine last ran in November 2022 and is described by the private vendor as in very good condition. 'YSJ 842' comes with a V5C Registration Certificate erroneously recording the frame number as 'R510265'. Key not requiredFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com

1955 Velocette 500cc MSSRegistration no. FGH 757Frame no. RS7052Engine no. MSS 10267 (see text)Dropped from Veloce Limited's range in 1948 while the company concentrated on the LE, the MSS reappeared in 1954 with a new swinging-arm frame and Hall Green's own telescopic front fork. The engine too was updated, gaining 'square' bore and stroke dimensions of 86x86mm together with an alloy cylinder barrel and 'head. For many years this MSS formed part of the private collection belonging to an old friend of the vendor. When the friend was forced to stop riding following an accident, he sold the machine to our vendor in 2004. The owner's 'everyday bike', the Velo has been ridden on various Irish rallies by him and the previous owner. However, it has not been used for at least 4-5 years and will require recommissioning and a new battery before returning to the road. Prior to being laid up, the MSS was regularly maintained by the enthusiast owner and is only being sold due to his advancing years. Close inspection of this wonderful example is highly recommended. The machine comes with a comprehensive history file; an original service manual; and a copy of The Book of the Velocette. It should be noted that the engine number has been eroded and appears to read 'MSS 10267' rather than '10227' as recorded on the V5C. Furthermore, the machine is listed as first registered in 1980 together with a 1936 date of manufacture - presumably historical errors. Key not requiredFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

1970 Triumph 649cc T120R BonnevilleRegistration no. not registeredFrame no. AD 39288 T120REngine no. AD 39288 T120RAs the 1960s dawned, Triumph's larger twin-cylinder models remained recognisably similar to the first Speed Twin of 1938. Unitary construction of engine and gearbox was already a feature of the 350 and 500 twins though, and that innovation duly appeared on the 650s in 1963. The café racer's favourite since its launch, thanks to lusty acceleration and a top speed approaching 120mph, the Bonneville continued in this new form as Triumph's top-of-the-range sports roadster, arriving at what aficionados consider its ultimate specification with the launch of the 1968 model. By this time the frame had been sorted and 12-volt electrics standardised, but welcome improvements included shuttle-valve fork internals, independently adjustable ignition points, Amal Concentric carburettors, and a long overdue twin-leading-shoe front brake. For the next couple of seasons the Bonnie continued essentially unchanged, before the disastrous launch of the 'oil-in-frame' models in November 1970 precipitated the collapse of the entire BSA-Triumph Group. Belonging to the last Bonneville generation built before BSA-Triumph switched to the Umberslade Hall-designed oil-in-frame range, this example was imported from the USA and still carries its Los Angeles licence plate. No history is known but the Bonnie appears in original condition. The vendor has checked the machine mechanically but left it untouched cosmetically. Recommissioning is advised before further use. The machine is offered with USA title (West Virginia) and Assignment of Certificate of Title to a UK-based owner dated 2004.Offered with keyFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com

Property of a deceased estate1962 Velocette 499cc MSSRegistration no. AOO 515Frame no. RS14750Engine no. MSS 12824The third of Velocette's overhead-valve, high-camshaft, single-cylinder designs, the 500cc MSS was announced in 1935. First of these new models had been the 250cc MOV of 1933, which was joined for 1934 by a long-stroke 350cc version: the MAC. For the MSS, Veloce combined the MAC's 96mm stroke with a larger bore to create its new '500',which featured a new frame derived from that of the racing KTT. The MSS disappeared from Veloce Limited's range in 1948 while the company concentrated on the LE, reappearing in 1954 with a new swinging-arm frame and Hall Green's own telescopic front fork. The engine too was updated, gaining 'square' bore and stroke dimensions of 86x86mm together with an alloy cylinder barrel and 'head. This MSS belonged to the lady vendor's late father for over 50 years. Carrying a tax disc that expired in 2015, the Velo was last ridden circa five years ago, since when it has been dry stored under dust sheets. (The father passed away in June 2022.) Following a period of inactivity, the machine will require re-commissioning to a greater or lesser extent, or possibly more extensive restoration before returning to the road and thus is sold strictly as viewed. Prospective purchasers should satisfy themselves with regard to the motorcycle's completeness, originality, and mechanical condition prior to bidding. Accompanying paperwork includes the original RF.60 logbook; current V5C document; expired MoTs (most recent 2017); DVLA correspondence; and various receipts/invoices.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.For further information on this lot please visit Bonhams.com

Property of a deceased's estate1968 Triumph 649cc T120R BonnevilleRegistration no. AHJ 902GFrame no. T120R DU89806Engine no. T120R DU89806As the 1960s dawned, unitary construction of engine and gearbox was already a feature of Triumph's 350 and 500 twins, and that innovation duly appeared on the 650s in 1963. The café racer's favourite since its launch, thanks to lusty acceleration and a top speed approaching 120mph, the Bonneville continued in this new form as Triumph's top-of-the-range sports roadster, arriving at what aficionados consider its ultimate specification with the launch of the 1968 model. By this time the frame had been sorted and 12-volt electrics standardised, while welcome improvements included shuttle-valve fork internals; independently adjustable ignition points; Amal Concentric carburettors; and a long overdue twin-leading-shoe front brake. For the next couple of seasons the Bonnie continued essentially unchanged, before the disastrous launch of the Umberslade Hall-designed 'oil-in-frame' models in November 1970 precipitated the collapse of the entire BSA-Triumph Group. Belonging to the last Bonneville generation built before BSA-Triumph switched to the oil-in-frame range, this example was purchased from Chariots Specialist Cars, Kettering in 2016 (invoice on file). The Bonnie carries a tax disc that expired in 2014 and is believed to be an older restoration. Following a period of inactivity, it will require re-commissioning to a greater or lesser extent and thus is sold strictly as viewed (the vendor advises us that a new battery has been fitted). Accompanying documents include a current V5C; Triumph Owners Motorcycle Club dating certificate; expired MoTs; DVLA correspondence; and sundry invoices/bills. Offered with keyFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

A collection of ceramics to include Spode coffee cans Hicks and Meigh. Paris cans with insects on, New Hall coffee can and saucer, Don pottery shell shaped dessert dish and a Ridgway vase all examples C1800-1840 in dates, to include a continental bisque group of the seasons, AF, stands 23cm high. There are chips and restoration and small cracks to most examples,(21)

A New Hall porcelain plate and saucer, the plate with floral design and dotted wavy line to the edge, the saucer with floral patterns and pink fish scale effect edge.

A New Hall porcelain Teapot (pattern no. 241), circa 1795, body cracks, 9'' long x 6 1/4'' high, and an English pottery Teapot circa 1805, hand painted with flowers and swan finial, staining and tip of the spout restored, 8 7/8'' long x 5 1/2'' high.

An early 19th century New Hall cream jug, together with a slag glass beaker, a 19th century continental salt glazed stoneware flagon, 30cm high and decorative china, to include character jugs

DICKENS (Charles): 'A Tale of Two Cities': London, Chapman & Hall, 1860: FIRST EDITION, 3rd impression, illustrated by H K Browne: publishers blind stamped green cloth, recased with backstrip laid down, new endpapers, waterstain to initial quire, scattered foxing, 8vo. (1)

A collection of approx. 10 mixed vinyl records to include - The Jacksons – Live ( EPC 88562 ) / The Boomtown Rats – The Boomtown Rats ( ENVY 1 ) / The Boomtown Rats – A Tonic For The Troops ( ENVY 3 ) / Nat King Cole – The Unforgettable Nat King Cole ( SW 20664 ) / Louis Armstrong And His All Stars – New York Town Hall ( DLP 1015 ).

A collection of British and world coins and tokens, including a German East Africa one rupie 1910, a Belgium Leopold II five francs 1869, a New Zealand George Mecaul of Grahamstown token 1874, a George J. Mills, Fish Salesman, 7 Lower Thames St sixpence token, and a Hall & Co Ltd Washington tool check token.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

with rounded oblong bodies, embossed decoration, angular handles and raised on 4 bun feet, by Walker & Hall, Sheffield 1903; the teapot 9.25" (23.35m) long; 20.2ozt (3). *CR Each piece quite worn, bright and polished. Dents all over each piece. Teapot spout is bashed & split & repaired at the end & requires a new nut for the finial.

Collection of cigarette card banded large sets (apparently complete but unchecked), ranging from good to excellent condition, including Hill Music Hall Celebrities, Millhoff Roses, Player Clocks Old & New, Mount Everest, Picturesque Bridges, Picturesque Cottages, Portals of the Past, Types of Horses, Wills Dogs, Famous British Liners 1st and 2nd, Golfing, Public Schools, Rigs of Ships, University Hoods & Gowns and others by Churchman, Hill, Wi and more. High cat. value.

Books. 15 shelves of general stock, including Waugh (Evelyn), Brideshead Revisited, sixth edition, London: Chapman & Hall, 1945, original red cloth only, worn, 8vo, Huxley's Brave New World, London: Chatto & Windus, 1942, original cloth only, worn, twisted, 8vo, Rugby School registers, hymnal, etc., vintage Penguin paperbacks, 19th c and later decorative bindings, including leather and part-leather bound Bibles, devotionals and anthologies, Goldsmiths' Company, further silver and metalware interest, horology and clocks, P.D. James, further crime, classics, etc

Various English porcelain, 1790-1820, comprising a New Hall 'clip-handled' teapot and cover, 15cm high, a Factory X helmet cream jug, a Derby teapot, cover and stand with Imari flowers, red painted mark, a Ridgway porcelain jardinière and stand with Classical reliefs and an early Grainger & Co. Worcester tureen and cover with distinctive swan feet and a Cockpit Hill porcelain blue and white plate printed with the Pinecone pattern/Provenance: from the Henry Sandon Study Collection CONDITION REPORT: New Hall teapot and cover- chipping to tip of spout, small chip to the upper handle terminal and associated hairline crack, base with faint stained hairline cracks, the cover with extensive black sanding to glaze, small footrim chip. Slight flaking to enamels. Factory X cream jug with hairline cracks issuing either side of a central hole to base, travelling up foot towards socle. The Derby teapot, cover and stand: the teapot with stained glaze crack to spout, slight rubbing to gilding and wear to enamels, typical glaze crazing overall. The Ridgway jardiniere and stand with chip to aperture at base of jardiniere and associated hairline cracks, two areas of restored chipping to the stand with old retouching/regilding, wear to gilding overall. The Graniger's Worcester tureen with slight chipping to flange, some crazing to glaze, wear to enamels and gilding. The Pinecone pattern plate with a large triangular chip to rim 3.4-5cm wide, some extensive crazing to glaze, and further 5 small rim chips.

A collection of late 18th/early 19th Century New Hall porcelain to include: a fluted edged side plate/dish no. 140, another numbered 241, one sugar bowl, seven tea bowls and eight saucers together with Holgate, David - New Hall, published Faber & Faber with three ebonised wooden plate and cup stands (Q) .Further details: Restoration to one plate, large cracks to sugar bowl, chips and nibbles to tea bowls and saucers.