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A TRAY OF AUTOGRAPHS AND PHOTOGRAPHS, LETTERS, CARD AND PAPER OF MAINLY FILM STARS, ACTORS, ACTRESSES, to include Ewan McGregor, Sylvester McCoy, Alfred Molina, Don Maclean, Sheree Murphy, Andrea McClean, Toby Maguire, Al Murray, Alistair McGowan, Helen McCrory, Patrick Malahide, Kim Medcalfe, Jean Marsh, Cliff Michaelmore, Sienna Miller, Garfield Morgan, Penny Lancaster, Caroline Munro, Rick Mayall, Leo McKern, Shirley Maclaine, Robert Mitchum, etc** VIEWING IN PERSON RECOMMENDED**Condition Report:The signed items in this lot are part of a private lifetime collection consigned by the deceased 's relative. There is no provenance other than the confirmation they were an avid p autograph collector during their lifetime.
A 1905 NEW ZEALAND INTERNATIONAL ALL BLACKS RUGBY UNION JERSEY MATCH-WORN BY LOOSE FORWARD FRANCIS TURNBULL GLASGOW (1880-1939)The most iconic of all historic rugby union jerseys characterized by the quilted overlay to shoulders, leather neckline with believed original lace, large embroidered ‘silver fern’ and stitched 'hidden' ‘M’ to hem, unique to the 1905 All Blacks jerseys and believed to stand for 'Mary' (Mary Stubbs and her husband John founded J Stubbs, Hosiery Manufacturer, later to be known as the Manawatu Knitting Mills). The back of the jersey stitched with white canvas square bearing printed No.7. Believed to be the first time that an ‘Originals’ jersey has appeared at auction with the playing number remaining on the back. It is thought that the numbers were tacked on to player's backs in most cases.Together with framed period black and white team photograph ‘NEW ZEALAND v WALES at Cardiff, December 16th, 1905’ with player’s names listed below, 46 x 56cms, incl. frameProvenance: the jersey was swapped with Wales’s Charles Meyrick Pritchard (1882 – 1916) after the famous Wales v New Zealand ‘Match of the Century’ on 16th December 1905. Preserved with other important jerseys, caps and photographs by Charlie Pritchard which form a collection entered to this auction by Charlie Pritchard’s great-grandson. In recent years the collection has been archived and exhibited at the World Rugby Museum at Twickenham Stadium.The 1905 New Zealand Rugby Union team were the first to tour outside of Australasia. By the time the tour arrived for the match against Wales, the All Blacks had not conceded a single point in their last 600 minutes of rugby. They had played 27 matches scoring 801 points and conceding just 22 and had won all three of their preceding international matches, two without conceding any points (12–7 against Scotland, 15–0 against Ireland and 15–0 against England).They became known as ‘The Originals’ and for the first time labelled ‘The All Blacks’ by the British Press. In readiness for the tour, the New Zealanders had embraced new strategies and had studied assiduously what was permitted within the laws of the game. The tour was a benchmark in world rugby and laid the framework for all rugby tours since. It cemented Rugby Union as New Zealand’s national sport, embedded the sport in the national psyche and commenced a ‘new order’ of world rugby with The All Blacks at the helm, a position which has rarely been threatened in 120 years.Wales versus The Originals, in Cardiff, is a match regarded as one of sport’s greatest with over 47,000 spectators at the Arms Park. It was eagerly anticipated by swathes of rugby fans and by the press, according to the South Wales Echo's report on the morning before the match, 'Never in the long annals of Rugby football has a match excited more widespread interest than today's International at Cardiff. The all-conquering career of the New Zealanders has been watched with a keenness that has never been equalled, and as they were meeting a side whose style more closely resembles their own than any they have met on their brilliantly successful tour...The Great Western Railway Company had made arrangements for thirty excursion trains from all parts of the country, the first of which arrived at about 10.20am. This was from Frome and the West of England, and was a long train, crowded. At 10.50 the Ogmore and Garw Valleys contingent came - a large and enthusiastic crowd of footballers - closely followed by people from the Western Valleys of Monmouthshire, from Weymouth, Birmingham, Liverpool, Swindon, London, Paignton. All reports went to show that these trains were full, and a special from London, due to arrive at 12.10, brought 700....the officials at the TVR station, Cardiff, estimate that, including ordinary, the trains on their service from mid-morning brought from 12,000 to 15,000 people into Cardiff up to 1 o'clock. A similar estimate as the Rhymney railway station shows that up to the same hour about 8000 to 9000 people had arrived over that line'.Even before the eagerly anticipated kick-off the match had become a landmark game given that the Welsh supporters sang ‘Hen Wlad Fy Nhadau (Land of My Fathers)’ in response to the New Zealand player’s stirring performance of the Haka. The South Wales Echo commented that its effect was electrifying. It was the first time a national anthem had been sung before any sporting fixture.There had already been a degree of controversy leading up to the test, particularly in relation to the choice of referee John Dallas. Also with regards to the tactics New Zealand had brought with them to the Northern Hemisphere, in particular the role of captain Dave Gallaher as a roaming wing-forward. Many remarked the tactic as unsporting with the intent of obstructing opposition players. The controversy continued as the game developed with decisions seeming to go against The Originals. The referee, wearing formal clothes including walking shoes without bars or sprigs in wintry conditions, struggled to keep up with play. But the experience Welsh team crafted a first half try through Teddy Morgan. In the second half there was a ‘try that never was’ when Bob Deans, The All Blacks centre-three-quarter, was adjudged to have grounded the ball short of the try-line. Wales’s first half try was enough to seal a 3-0 victory for the home-side. New Zealand’s incredible unbeaten run was over and a 'humorous' obituary card 'In memory of the New Zealand Football Team' was printed and circulated in Wales.On their first overseas tour the All Blacks played thirty-five matches, winning thirty-four of them, scoring 976 points and conceding only fifty-nine. . The loss to Wales and its controversial manner rankled the New Zealanders for years to come but it acted as a catalyst for future successes and their superiority in subsequent tours.Frank Glasgow was one of the successes of The Originals tour, playing 27 of the 35 matches, he appeared in all five international games and was the leading scorer amongst the forwards with a points tally of 32. Glasgow was said to be a tough, athletic, and an intelligent loose forward. Originally from Dunedin, Glasgow represented Wellington, Taranaki, Hawke's Bay, and Southland. A bank-manager by trade, Glasgow generally played in the front-row but also played as flanker and back-row forward. He also played occasionally as hooker including against the Anglo-Welsh tourists in 1908 when he scored a try against the tourists.
A 1906 IRELAND INTERNATIONAL RUGBY UNION JERSEY MATCH-WORN BY ALFRED TEDFORD (1877-1942)The emerald-green jersey with white collars, three buttons, canvas shield-shaped crest in rope frame, embroidered with four-headed shamrock and date 1906, interior label for T Lynch & Son, Dublin and with player’s label inscribed ‘A Tedford’Provenance: believed to be the first time a 1906 Ireland international jersey has been offered at auction, acquired by Charles Meyrick Pritchard after the Ireland v Wales match in Belfast, March 10th, 1906. It is assumed that Pritchard sought-out Tedford after the 1906 match, as Tedford had scored two tries in a victorious man-of-the-match performance against Wales in 1904 which had been Pritchard’s debut for Wales.Preserved with other important jerseys, caps and photographs by Charlie Pritchard which form a collection entered to this auction by Charlie Pritchard’s great-grandson. In recent years the collection has been archived and exhibited at the World Rugby Museum at Twickenham Stadium.Ireland played host to Wales at the Balmoral Showgrounds in Belfast, the visitors with a Triple Crown in their sights having beaten England and Scotland, Despite the exciting backlines for both sides which included the formidable Basil Maclear for Ireland and the likes of Teddy Morgan, Rhys Gabe and Gwyn Nicholls for Wales, the match evolved into a forward arm-wrestle. Alfred Tedford, wearing this jersey, put in a key performance to claim victory for the underdog home-side. It was a match not without incident with Irish half-back W B Purdon carried off just before half-time with a broken leg and in the second half they lost another player when Tommy Cadell had to retire with a broken ankle. According to E H D Sewell in 'Rugger: The Man's Game the Irish win 'heralded the greatest victory recorded in rugby's stirring history, who would have risked a ha'penny that the Irish team, if playing one short throughout the second half and two short for the last ten minutes of it, would beat that Welsh side'. The match was also notable as the final cap for Gwyn Nicholls, the legendary Welsh 'Prince of Threequarters'. The Irish win concluded the 1906 Championship with them level on top with Wales.Tedford was born in Belfast and educated at Methodist College Belfast. He played his club rugby for Malone RFC and between 1902 and 1908 was capped twenty-three times for Ireland scoring six international tries. In 1903 he took part in the 1903 British Lions tour to South Africa, playing in three test matches, and was voted the outstanding forward on the tour. With the backdrop of political unrest in Ireland, Tedford must have endured a challenging tenure as President of the Irish Rugby Football Union in 1919-1920. In 1923 and 1924 he served as an Irish selector.
A Rouen faience plate, circa 1725Painted in ocre niellé technique with ochre borders picked out with elaborate baroque scrollwork elements, the centre of the plate with similar decoration, the all edged in underglaze-blue, 24cm diam. (restored)Footnotes:Provenance:Charles Bourdet Collection, thence toCollection of Daniele Lasser, New York, NYThis type of decoration, the ochre with reserved black detailing in 'niello' style or ocre niellé is counted amongst the rarest and most time-consuming styles at the Rouen factory. There are examples of trays that show the decoration filling the entire space, and combined with blue figural representations. Another plate with the same style of decoration to the one present is in the Metropolitan Museum of Art, a gift of J. Pierpont Morgan in 1917 (17.190.1883), and another very similar plate in the Musée de la céramique, Rouen, published in J. Chompret, Répertoire de la Faience Française, (1933), IV, pl. D.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Tarot and Fortune Telling cards, a W Foulsham Co. The Gypsy Bijou Fortune Telling Cards; a David Palladini for Morgan Press Inc Aquarian Tarot; and Grimaud (French) Tarrot, in original boxes; and Dutch edition Lenormand French cartomancy deck - The Ring, The Book, The Letter, The Gentleman, published by Dondorf (some wear)
Pair: Private G. Morgan, King’s Royal Rifle Corps Queen’s South Africa 1899-1902, 5 clasps, Cape Colony, Tugela Heights, Relief of Ladysmith, Transvaal, Laing’s Nek (6287 Pte. G. Morgan, K.R.R.C.); King’s South Africa 1901-02, 2 clasps, South Africa 1901, South Africa 1902 (6278 [sic] Pte. T. [sic] Morgan. K.R.R.C.); together with a King’s Royal Rifle Corps cap badge, edge bruising, suspension claw re-affixed on QSA, with rivet filed down, very fine and better (2) £140-£180 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- G. Morgan served with the 3rd Battalion, King’s Royal Rifle Corps in South Africa during the Boer War. Sold with the recipient’s original Description Card for Active Service; an envelope from the front sent to ‘W. Morgan in Milford Haven’; a vesta case; and copied medal roll extracts, the recipient’s name and number on the QSA roll being corrected from ‘6278 T. Morgan’ to ‘6287 G. Morgan’
New Zealand 1845-66, reverse dated 1864 to 1866 (411 Jas. Morgan, 68th. Lt. Infty.) officially impressed naming, edge bruise, good very fine £360-£440 --- James Morgan was born in Hulme, Manchester, in 1839 and attested for the 68th Regiment of Foot in Liverpool on 11 April 1858. He served with the Regiment in India from 5 years and 10 months, and in New Zealand for 2 years and 5 months, and was present at the action at Gate Pa and Te Ranga. He was discharged on 2 March 1874, after 15 years and 90 days’ service, his period with the Colours being several times punctuated by periods in the cells, with his name appearing 37 times in the Regimental Defaulters Book. Sold with copied record of service and other research.
CÈSAR DALY; Volumes 1-20, Volumes 29 and 30 of 'Revue Générale de L'Architecture et des Travaux Publics Journal, Sous la Direction de M. César Daly Architecte', containing numerous black and white and colour engravings and plates, also 4th Series Volumes 2, 5 and 14 of the same, and 'L'Architecture Privée Au XIXe Siècle (Deuxième Série) Nouvelles Maisons de Paris et Des Environs, Second Volume Villas-Chalets-Jardins', together with a volume of 'Catalogue de Dessins et Tableaux Provenant et la Collection de Feu M. H. Destailleur', printed Paris Damascène Morgan de Libraire de la Société des Bibliophiles François Passage des Panoramas 55 1896 (20).
Two bottles Marks & Spencer Finest Reserve Port, one bottle Harvey's Bristol Cream, one bottle Captain Morgan Black Label and one bottle Baileys Original Irish Cream, together with one bottle Balleut Pineau des Charentes, one bottle Corvoisier VSOP Champagne Cognac, boxed and one bottle Croft Original Fine Old Pale Cream Sherry, boxed
1956/57 Manchester Utd public trial match 11 August 1956 single sheet, first team had Duncan Edwards, Roger Byrne, Bill Foulkes etc. 2nd team Bobby Charlton, Albert Scanlon, Jackie Blanchflower etc. etc.; double issue with junior trial match played earlier (Dawson, Brennan, Morgan, Gaskell); fold kept flat, edge tear. Scarce issue. (1)
Collection of Manchester Utd memorabilia to include 1958 'The United Story in pictures' 48 pages, Evolution - Theatre of Dreams (brochure about the Old Trafford Stadium), 2005 United for UNICEF annual dinner + entrance pass, 2013 World Finals tourny at Manchester Utd (U15's tourney), 2019/2020 away at Lask (champions league) + newspaper report, 1996 Sportsman's dinner 18 April 1996 (signed by Denis Law, James H. Reeve + 1 other) menu, Mike Tyson inaugural dinner tour (19 November brochure), 2006 St. Patricks Celebration at the Manchester Suite pocket booklet, 2006 3 Lions Sporting Gala dinner booklet menu, 2007 Celebration match menu + car park ticket Manchester Utd v Europe XI, 2006 Sporting Legends Dinner menu + list of events + ticket, 2005 Asia Tour brochure by Malaysian Airways, 1993 Soccer Festival in South Africa programme Manchester Utd v Kaizer Chiefs, v Arsenal, 2005 The Royal Oak dinner menu, 2006 Player of the Year Awards order events/menu x 4, 1962/63 United handbook (autographs Albert Quixall, Dave Gaskell, Nobby Lawton, Jimmy Nicholson, Sam McMillan, Ian Moir), book - On the Wing by Willie Morgan (autographed by W.M.), 1967/68 United v Real Madrid + return pirate, 1968/69 Juventus v Manchester Utd pirate, plus some further programmes; fair/good. (A Lot)
Aldous Huxley (Godalming, 1894 - Los Angeles, 1963)Autograph bank check signed “Aldous L. Huxley”, dated “June 5th 61” by the English writer and novelist. Huxley signs a check to the “Morgan Guaranty Trust Co.” for “…Five Thousand Seven hundred seventy-three dollars”. Included : autograph letter signed by the wife of the writer Laura Archera Huxley (1911-2007), dated “25 Marzo 1965” to the collector. 1 p. On yellow paper.
WILLIAM DE MORGAN (BRITISH, 1839-1917): EARLY FULHAM PERIOD'Parrots' tile panel, circa 1890Two eight-inch tiles forming the main panel, decorated in colours and glazed with two birds each turning back to look at the other, amidst foliage. Mounted with De Morgan turquoise tiles, within a black frame.Tile panel: 27.5 cm x 47.3 cm (two 8 x 8 in tiles)With frame: 38.6 cm x 48.4 cmImpressed De Morgan rose mark Wm De Morgan-Sands End Pottery-Fulham.Footnotes:LiteratureJon Catleugh, William De Morgan Tiles, Trefoil Books, London, 1983, p. 163, no. 251 (for similar design illustrated)Martin Greenwood, The Designs of William De Morgan, Dennis and Wiltshire, England, 1989, illustrated on inside cover/fore page.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Winged creatures' tile, circa 1875Earthenware, blue on white glaze. Mounted with period blue border tiles, within a black and gold frame.15.2 cm x 15.2 cm (6 x 6 in)Impressed W DE MORGAN (Chelsea Period) mark.Footnotes:ProvenanceWoolley & Wallis, 'Arts & Crafts', 19 June 2013, lot 57 LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 125 (for comparable design)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Marabou stork' tile, circa 1880Earthenware, green and blue glaze. Mounted with blue border tiles, within a brown and gold frame.15.3 cm x 15.3 cm (6 x 6 in)Footnotes:LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 128This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Peacock' tile panel, circa 1890Three six-inch tiles forming the main panel, decorated in colours and glazed with a peacock perched on a wall, with fruiting plants and two salamanders. Mounted with De Morgan 3-inch turquoise tiles, within a black and gold frame.Tile panel: 61.3 cm x 30.4 cm (three 6 x 6 in tiles)With frame: 73 cm x 41.5 cmFootnotes:ProvenanceRichard Dennis Gallery, LondonLiteratureJon Catleugh, William De Morgan Tiles, Trefoil Books, London, 1983, p. 139, pl. XIX (similar design three-panel peacock tiles illustrated)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Sunset and Moonlight' high-sided bowl or jardinière, circa 1900Earthenware, triple-lustre glaze, decorated with 'comic peacock' and bird design. Decorated by Fred Passenger.19.6 cm highPainted mark F.P.Footnotes:LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, pp. 94 (pl. 1398), 95 (pl. 1395) & 226 (pl. 172)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Comic ostrich' tile, circa 1890Earthenware, blue glaze on a celadon ground. Mounted with blue border tiles, within a gilded wooden frame.15.3 cm x 15.3 cm (6 x 6 in)Impressed SANDS END (Early Fulham Period) mark.Footnotes:LiteratureMartin Greenwood, The Designs of William De Morgan, Dennis and Wiltshire, England, 1989, p. 128This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Galleon' charger, circa 1890Earthenware, ruby and gold lustre glazes. Galleon with three sails and pagoda type structure to the rear. Decorated by Charles Passenger.25 cm diameterPainted C.P to reverse.Footnotes:LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 168This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Strutting peacock (Omnia Vanitas)' tile, circa 1880Earthenware, ruby lustre on white glaze. Mounted within a black and gold frame.15.3 cm x 15.3 cm (6 x 6 in)On blank.Footnotes:LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 128This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Galleon' tile, circa 1880Earthenware, ruby lustre on white glaze. Mounted within a black and gold frame.15.4 cm x 15.4 cm (6 x 6 in)On blank.Footnotes:ProvenanceHarry Lyons, LondonLiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 120This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Galleon' tile panel, circa 1890Three eight-inch tiles forming the main panel, decorated in shades of blue and glazed with two galleons at full sail with the sun rising on the horizon between them. Mounted with De Morgan blue border tiles, within a black and gold frame.Tile panel: 27.4 cm x 69 cm (three 8 x 8 in tiles)With frame: 38.6 cm x 80 cmFootnotes:ProvenanceRichard Dennis Gallery, LondonThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Galley with flying fish' tile, circa 1890Ceramic, decorated in blue, black, green, and yellow with a dragon-head galley with five rowers and a man at the tiller, with fish leaping through the waves. Framed.Tile: 15.2 cm x 15 cm (6 x 6 in)With frame: 25.7 cm x 25.7 cmImpressed on reverse with circular winged mark W. De Morgan Sands End Pottery.Footnotes:ProvenancePurchased from Haslam & Whiteway, LondonLiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 120, no. 813 (design illustrated)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Fantastic bird' tile, circa 1880Earthenware, ruby lustre on white glaze. Mounted within a black and gold frame.15.4 cm x 15.4 cm (6 x 6 in)On blank.Footnotes:ProvenanceRichard Dennis Gallery, London, 5 June 2002LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 130This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Owl on back of mouse' bowl, circa 1890Earthenware, ruby and gold lustre glazes. Decorated by Fred Passenger.18 cm diameterPainted D.M./FULHAM./F.P.Footnotes:LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 125This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)Galleon dish, circa 1890Earthenware, ruby and gold lustre glaze. The galleon's sail decorated with lions and stars, two large fantastical fish swim in the water beneath the ship. Decorated by Charles Passenger.28.5 cm diameterPainted artist's mark C.P.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Running ostrich' tile, circa 1880Earthenware, ruby lustre on white glaze. Mounted within a black and gold frame.15.4 cm x 15.4 cm (6 x 6 in)On blank.Footnotes:ProvenanceRichard Dennis Gallery, London, 5 June 2002LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 128This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Chameleons' tile, circa 1890Ceramic, decorated in shades of green and brown with two lizards amidst foliage, glazed. Framed.Tile: 15.2 cm x 15.2 cm (6 x 6 in)With frame: 25.7 cm x 25.7 cmImpressed on reverse with circular rose mark Wm. De Morgan & Co Sands End Pottery Fulham, applied on reverse with a small collection label for The Harriman Judd Collection Sotheby's.Footnotes:LiteratureJon Catleugh, William De Morgan Tiles, Trefoil Books, London, 1983, p. 136, fig. 212 (design drawing illustrated)Martin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 126, no. 918 (design illustrated, 'Chameleons. Green & Brown. Pricked')This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)Winged creature tile, circa 1885Earthenware, ruby lustre on white glaze. Mounted with ruby lustre border tiles, within a gilded frame.15.3 cm x 15.3 cm (6 x 6 in)Footnotes:LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 207 (for a dish with a similar design)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Eagle and vine' tile panel, 1890Earthenware, polychrome glazes. Mounted with period turquoise border tiles, within a black frame.Tile panel: 41 cm x 20.5 cm (two 8 x 8 in tiles)Impressed Sand's End Pottery (Early Fulham Period) mark.Footnotes:ProvenanceRichard Dennis Gallery, LondonLiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 153This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)Small bird dish, circa 1890Earthenware, polychrome lustre glazes.16 cm diameterPainted W.D.M. FULHAM (Early Fulham Period) mark.Footnotes:ProvenanceSotheby's, New York, 'The Harriman Judd Collection: British Art Pottery', 22 January 2001, sale 7594, lot 183This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Antelope' tile, circa 1890Earthenware, blue glaze on a celadon ground. Mounted with blue border tiles, within a gilded wooden frame.15.3 cm x 15.3 cm (6 x 6 in)Impressed SANDS END (Early Fulham Period) mark.Footnotes:LiteratureMartin Greenwood, The Designs of William De Morgan, Dennis and Wiltshire, England, 1989, p. 122This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Otter with fish' tile, circa 1880Earthenware, ruby lustre on white glaze. Mounted within a black and gold frame.15 cm x 15 cm (6 x 6 in)Painted W. DE. MORGAN. & CO. FULHAM. LONDON and impressed No. 6. With The Harriman Judd Collection, Sotheby's paper label.Footnotes:LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 125This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Eagle and snake and foliage' tile, circa 1880Ceramic, decorated in turquoise, blue, and green with a bird of prey and a snake's head amidst foliage on an off-white ground, glazed. Framed.Tile: 15 cm x 15 cm (6 x 6 in)With frame: 25.7 cm x 25.7 cmOn blank.Footnotes:ProvenanceWoolley & Wallis, 'Arts & Crafts, including the Aesthetic Movement', 22 June 2011, lot 164LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 130, no. 968 (design illustrated)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Lynx' tile, circa 1890Earthenware, decorated in red lustre with paler highlights. Depicting a stylised animal with horns against an off-white ground with pale wavy lines. Mounted with De Morgan lustre border tiles, within a brown and gold frame.Tile: 27 cm x 27 cm (8 x 8 in)With frame: 33.3 cm x 33.3 cmFootnotes:LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 122, nos. 883 and 1065 (similar animal designs illustrated with different backgrounds and called 'LYNX')This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Sunset and Moonlight' baluster vase, 1895Earthenware, triple-lustre glaze, decorated with swimming fish with red fins and lips, against a swirling sea background. Decorated by Joe Juster.21 cm highPainted mark D.M. FULHAM/2263/J.J.8.Footnotes:ProvenanceHaslam & Whiteway, LondonThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
WILLIAM DE MORGAN (BRITISH, 1839-1917)'Galleon' charger, circa 1890Earthenware, ruby and gold lustre glazes. Galleon with three sails, central elaborate above deck cabin/fortress and two large fish beneath the ship. Decorated by Charles Passenger.25 cm diameterPainted C.P to reverse.Footnotes:LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis/William E. Wiltshire III, England, 1989, p. 168This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

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