Gemischtes Los mit u.a. Deutsches Reich und Weiteres enthält u.a. BRD - 2x 5 DM (bis '79) / 28x 10 DM / 1x 10€, diverse Jahrgänge, unterschiedlich erhalten. USA - 2x 1/2 Dollar 1951/1964 und 1x 1 Morgan Dollar 1885. Österreich - Maria-Theresien-Taler 1780/NP. Drittes Reich - 2x 5 Reichsmark 1939, ss+ teils mit Tönung. Dt. Kaiserreich - 1x 1/2 Mark 1906-A, s-ss und 1x 1 Mark 1905-A, fast ss mit Patina wie auch Weiteres. Bitte das Los ansehen.| Mixed lot with i.a. German Reich and more contains among others FRG - 2x 5 DM (until '79) / 28x 10 DM / 1x 10€, various years, different condition. U.S. - 2x 1/2 Dollar 1951/1964 and 1x 1 Morgan Dollar 1885. Austria - Maria-Theresien-Taler 1780/restrike. Third Reich - 2x 5 Reichsmark 1939, VF+ partly with toning. German Empire - 1x 1/2 Mark 1906-A, F-VF and 1x 1 Mark 1905-A, almost VF with patina as well as others. Please have a look at the lot.
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5 x USA/Silber - 1 Morgan Dollar 1890/S, s-ss, stets starke Kratzer, berieben, Randkerben, partiell leicht verschmutzt, Randkerben, je ca. 24g Ag fein.| 5 x USA/Silver - 1 Morgan Dollar 1890/S, F-VF, always heavily scratched, rubbed, rim nicks, partially slightly soiled, rim nicks, each approx. 24g Ag fine.
HIRST DAMIEN (° 1965) Damien Hirst signed felt-tip pen drawing made during an exhibition in 2008 - with a hologram as authentication with a certificate on the back a certificate signed by Jonathan Morgan - Cardiff will be given to the buyer || HIRST DAMIEN (° 1965) tekening in viltstift gerealiseerd tijdens een expo in 2008: "Haai" - 20 x 30 getekend met op verso een hologram als authenticatie met certificaat (op verso) - een certificaat van Jonathan Morgan - Cardiff zal aan de koper worden overhandigd
Tray of controllers. These are all unchecked and offered with the usual caveat that they should be electronically checked. They all appear clean and tidy. Hammant & Morgan Duette; Hornby 900; H&M Clipper; Hornby HM2000; Power Supply model S-150-12; Cobalt Cdu2+ solenoid power supply; HM2000+ controller.
Baxter - Wray. Chess at odds of pawn and move. A Complete Analysis of the Opening; exemplified in two hundred and fifty games, from actual play, contested between some of the best exponents of the last 50 years ... 2. Auflage. London, Morgan etc., 1891. 8°. 1 Bl., 85 Seiten, 7 Bll. Anzeigen. Originaler illustrierter Leinenband. (45) * Vergl. Linde - N. 1844; Betts 13 - 32: "250 games arranged in tabulated form, illustrating openings used in 'pawn and move' odds games." Zustand: Innen gebräunt, Vorsätze stärker. Einband angestaubt, an Ecken und Kanten bestoßen. Bei den Anzeigenseiten sind 5 Bll. mit Auszügen von No. 406 des "Chess Player's Chronicle". Beiliegt: Emery, A. A Supplement to Cook’s Chess Players‘ Compendium. London, Hollings, 1910. 8°. 2 Bll. Anz., 31 Seiten, 2 Bll. Anz. Orig. Leinenband. Linde – N. 1261; Betts 13 - 71. Zustand: Innen etwas gebräunt. Einband etwas angestaubt.
Foto. Originale Film – und Aushangfotos mit Schachspielszenen. Private Sammlung von 11 schwarzweißen Film– und Aushangfotos aus den 1960er bis 1990er Jahren. Verschiedene Größen. (15) * Enthalten sind 11 Fotos mit Schachspielszenen (die meist in einem Raum stattfinden) aus den Filmen: Im Reich des Kublai Khan … Szene mit Horst Buchholz (als Marco Polo), Gille Lator, Mirca Orvolic, F. Lulli. / In Ketten zum Schafott. Szene mit Michèle Morgan. / Herr der 3 Welten (The 3 Worlds of Gulliver). 5 Szenen mit Kerwin Mathews und June Thorburn auf einem Schachbrett mit lebensgroßen Figuren. / Eine Tür fällt zu. Szene mit Maximilian Schell. / Addams Family. Szene mit Anjelina Huston und Christopher Hart. / Der Alte. Szene mit Siegfried Lowitz und Bernd Herzsprung. / Projection Privée. Szene mit Francoise Fabian. Zustand: Alle Teile etwas gebräunt und haben Benutzungsspuren. Auf der Rückseite meist mit montiertem Erläuterungstext, Stempel oder Etikett.
* American playing cards. A group of 35 decks of American playing cards, late 19th - 20th century, including: Columbian Exposition Souvenir pack (SX7), Winters Art Litho, 1893, and another similar by G.W. Clark (SX6); Amalgamated Meat Cutters & Butcher Workmen of North America, probably Brown & Biglow, circa 1952; standard pack (no.188), The Russell & Morgan Printing Co., circa 1886; Currier & Ives lithographs (oversize cards), Merrimack, 1960s; Man From U.N.C.L.E. deck, Ed-U-Cards, 1965, including U.N.C.L.E. 'membership card' for Dudley Ollis; Western Playing Cards, published Marlboro Cigarettes, 1973; Jack Daniel Distillery, Lem Motlow, 1972; Reagan's Rogues Gallery, R. Billingsley, 1987 (limited edition no.169 of 350); Hawaiian Heritage Playing Cards (printed in Belgium), 1982, and others, all believed complete, a quantity of cards from each deck mounted with photo corners onto display boards (52 x 39 cm and smaller), the remainder in plastic bags, many with original boxQTY: (35)NOTE:Provenance: Collection of Dudley Ollis.
Wood Lea Press. Edward Bawden Editioned Prints, by Jeremy Greenwood, Wood Lea Press, 2005, colour and monochrome illustrations, original cloth-backed patterned boards, slipcase, oblong folio, limited edition of 450, together with The Wood-Engravings of John Nash, compiled by Jeremy Greenwood, Wood Lea Press, 1987, colour and monochrome illustrations, signed to title by Jeremy Greenwood with loose letter and prospectus, original cloth-backed patterned boards, slipcase, folio, limited edition of 750, plus Whittington Press. Gwenda Morgan. The Diary of a Land Girl 1939-1945, Whittington Press, 2002, wood-engraved illustrations, original half cloth, slipcase, folio, limited edition 217/300, with 5 others including The Country of the Blind 1939, by H. G. Wells, Golden Cockerel Press, 1939, limited edition, 195/280, The Wood-Engravings of Paul Nash, Wood Lea Press, 1997, limited edition of 490, Margaret Bruce Wells, the complete wood-engravings and linocuts, 2000, limited edition of 300, and Alan Powers. The Art of an Art Historian, Inky Parrot Press, 2018, limited signed edition 8/36QTY: (8)
* JONATHAN HOOD (SCOTTISH b. 1957), PEACE OFFERING oil on board, signed, titled versoframedimage size 44cm x 44cm, overall size 56cm x 56cm Note: Jonathan Hood was born in 1957 in Edinburgh, and grew up in Fife and Tayside. He was artistically trained at Duncan of Jordanstone College of Art, Dundee and at the Ecole des Beaux Arts, Paris. Jonathan became a full time painter in 1986, mostly working in watercolour and collage. He is a keen art teacher, regularly running children’s workshops as well as adult night-classes. In 2006, he conducted a collage and painting workshop in Morgan Academy, Dundee for the Racial Equality Commission enabling 2 school pupils to reach the final. Since 2006, Jonathan has also run the WASPS studio open weekend in Dundee. Currently, Jonathan is working mostly in oil, using bright colours and painting on board. He has been exhibiting regularly in galleries around the UK, and in Holland, France and Italy. Jonathan uses dramatic blocks of colour to create depth and texture within his works. His clever compositions create narratives through the interaction between figures, and the addition of carefully selected props to be interpreted by the viewer. It is a testament to his artistic skill that he can convey strong emotion with only the simplest of brushstrokes to represent facial features.
* JONATHAN HOOD (SCOTTISH b. 1957), BUSKER oil on board, signed and titled versoframedimage size 44cm x 44cm, overall size 56cm x 56cm Note: Jonathan Hood was born in 1957 in Edinburgh, and grew up in Fife and Tayside. He was artistically trained at Duncan of Jordanstone College of Art, Dundee and at the Ecole des Beaux Arts, Paris. Jonathan became a full time painter in 1986, mostly working in watercolour and collage. He is a keen art teacher, regularly running children’s workshops as well as adult night-classes. In 2006, he conducted a collage and painting workshop in Morgan Academy, Dundee for the Racial Equality Commission enabling 2 school pupils to reach the final. Since 2006, Jonathan has also run the WASPS studio open weekend in Dundee. Currently, Jonathan is working mostly in oil, using bright colours and painting on board. He has been exhibiting regularly in galleries around the UK, and in Holland, France and Italy. Jonathan uses dramatic blocks of colour to create depth and texture within his works. His clever compositions create narratives through the interaction between figures, and the addition of carefully selected props to be interpreted by the viewer. It is a testament to his artistic skill that he can convey strong emotion with only the simplest of brushstrokes to represent facial features.
* JONATHAN HOOD (SCOTTISH b. 1957), WEDDING FEAST oil on board, signed and titled versoframedimage size 76cm x 98cm, overall size 88cm x 112cm Note: Jonathan Hood was born in 1957 in Edinburgh, and grew up in Fife and Tayside. He was artistically trained at Duncan of Jordanstone College of Art, Dundee and at the Ecole des Beaux Arts, Paris. Jonathan became a full time painter in 1986, mostly working in watercolour and collage. He is a keen art teacher, regularly running children’s workshops as well as adult night-classes. In 2006, he conducted a collage and painting workshop in Morgan Academy, Dundee for the Racial Equality Commission enabling 2 school pupils to reach the final. Since 2006, Jonathan has also run the WASPS studio open weekend in Dundee. Currently, Jonathan is working mostly in oil, using bright colours and painting on board. He has been exhibiting regularly in galleries around the UK, and in Holland, France and Italy. Jonathan uses dramatic blocks of colour to create depth and texture within his works. His clever compositions create narratives through the interaction between figures, and the addition of carefully selected props to be interpreted by the viewer. It is a testament to his artistic skill that he can convey strong emotion with only the simplest of brushstrokes to represent facial features.
Collection of around 50 boxed / carded diecast models to include Lledo Days Gone, AutoArt Lamborghini, Brumm Limited Edition Morgan MX-4 Super Sport 1935 Barrelback, Corgi Detail Cars Platinum 322 Ferrari 512M, Cararama, Burago, Matchbox, etc, all diecast ex overall, boxes / card vg overall
Collection of boxed Triang Scalextric to include 5 x slot cars featuring C68 Aston Martin in green, MM/C62 Ferrari With Rear Engine in blue, MM/C63 Lotus With Rear Engine in red, C17 Race Tuned Lamborghini in yellow and C74 Race Tuned Austin Healey in green, A212 Start And Finish Banner, A265 Hand Throttle, 2 x A256 Hand Throttle (1 x in red and 1 x in blue), etc, together with a Hammant & Morgan Ltd Powapack, 2 x loose slot cars including C75 Mercedes 190SL in white and Austin Healey 3000 in red, etc
17 Boxed Triang OO gauge items to include locomotives, items of rolling stock, track, etc featuring R855N LNER Flying Scotsman with steam exhaust noise, R861 BR 2-10-0 Locomotive Evening Star, R382 Pair of Composite Coaches Maroon Livery, R228 Pullman 1st Class (Jane) With Seats, R402 Operating Royal Mail Coach Set, R497 Isolating Track, R35 Tender For R259 & R2598 Locos, R21 Refrigerator Van, R328A Pullman Brake 2nd OAR, R746 L.N.E.R. Brake 3rd Coach, R745A L.N.E.R. Full Third Coach, etc, together with a boxed Hornby Dublo Set 2023 The Caledonian Passenger Train, boxed Hammant and Morgan Duette Dual Control Unit and quantity of OO gauge track and unboxed R408U Turntable (2 Boxes)
Twelve plays - eleven in hardback, 1925-1959, mostly 1950s: OSBORNE, John - Look Back in Anger (Faber & Faber sixth impression 1959) RATTIGAN, Terence - The Deep Blue Sea (Hamish Hamilton 1952) RATTIGAN, Terence - Separate Tables (third impression Hamish Hamilton 1957) BECKETT, Samuel - Waiting for Godot (1957 third impression Faber & Faber) MORTIMER, John - The Dock Brief (Samuel French 1958 booklet) SHAW, George Bernard - Caesar and Cleopatra (Constable & Co. 1931) FRY, Christopher - A Sleep of Prisoners (OUP third impression 1951) FRY, Christopher - The Lady's not for Burning (OUP fifth impression 1949) LONSDALE, Frederick - The Last of Mrs Cheyney (W. Collins 1925) MORGAN, Charles Langbridge - The Flashing Stream (Macmillan 1948 revised edition) MORGAN, Charles Langbridge - The River Line (Macmillan 1952) MORGAN, Charles Langbridge - The Burning Glass (Macmillan 1953)
Registration No: OSU 688 Chassis No: D927 MOT: ExemptMatchless-engined V-twin MorganPurchased for display by the National Motorcycle Museum in 1989Previously restored by The Light Car and Cyclecar Restoration Co of BirminghamAn ingenious concept, HFS Morgan built his first three-wheeler in 1909. Based around a tubular steel frame, its low centre of gravity and advanced 'sliding pillar' independent front suspension endowed it with excellent roadholding. Progressively developed, the single rear-wheel-driven platform played host to a variety of JAP, Matchless, Blackburne, Anzani and Ford powerplants over the years (though, the prototype used a Peugeot unit). Fearsome competition cars, Morgan three wheelers driven by the likes of HFS himself, Clive Lones and Harold Beart acquitted themselves well on race circuits and trial stages alike (Mrs Gwenda Stewart recorded 115.66mph during a record run at Montlhery in 1930). An evolution of the JAP powered Aero model, the Super Sports appeared in 1927. By 1933 Morgan's three-wheeler chassis could be ordered with four types of body, namely: Super Sports, Sports Two-Seater, Sports Family and Family. The Super Sports was notable for its chromium-plated exhaust pipes that run the length of the body. Interest in Morgans of this period has never waned and, if anything, increased in recent times - the company's inspired decision to create a modern three-wheeler having brought the early cars to the attention of a new audience.Attractively finished in Green with a Black interior, this Matchless-engined Morgan Super Sports was purchased by the National Motorcycle Museum from Brian Verrall in April 1989 having been previously restored by The Light Car and Cyclecar Restoration Co of Birmingham. Acquired by the vendor at auction when sold by the museum in 2020, it has continued to be displayed and not been used. Having been on museum display since completion, we suggest this ultimate three-wheeler Moggy will require careful recommissioning prior to use. The restoration was obviously to a high standard and the car appears to be in “excellent” cosmetic condition. For more information, please contact: John Markey john.markey@handh.co.uk 01428 607899
Registration No: P522 NOE Chassis No: SA94418004D09834 MOT: June 2025Finished in Indigo Blue complemented to a Tan interior1 owner & just c.2,080 miles from newOffered with original order form, handbook and sales brochureStill retaining the factory chalk marks on the hoodThe Morgan 4/4 was in production for an amazing eighty-three years (1936-2019), a fact that earned both manufacturer and model a place in the Guinness Book of Records. The Malvern Company’s first four-wheeled / four-cylindered design (hence the name), it stayed true to the same tried and tested formula for generations. Unveiled in 1993, the Morgan 4/4 1800 was faster, cleaner and more frugal than many of its predecessors. Based around a box-section ladder-frame chassis equipped with independent 'sliding pillar' front suspension, a leaf-sprung 'live' rear axle and disc / drum hydraulic brakes, the aluminium over ash construction of its bodywork contributed towards a commendably low kerb weight (circa 868kg). Embracing the marque tradition of using proprietary running gear, the newcomer was powered by a Ford-sourced 1796cc four-cylinder ‘Zetec’ engine (complete with fuel-injection and double-overhead camshafts) allied to five-speed manual transmission. Impractical yet beguiling, the 4/4 1800 sported a basic interior, minimal luggage space and potentially argumentative hood offset by a singularly involving driving experience and vivid acceleration.Finished in Indigo Blue complemented to a Tan interior, the 4/4 is a one owner example with just c.2,080 miles from new and still retaining factory chalk marks on the hood. The vendor had to wait nearly a decade for the Ford powered Morgan once the order form had been submitted. Offered with that original order form through Mike Duncan Morgan agents, it is evident that 'P522 NOE' was ordered in Indigo Blue with Stone trim piped with Blue, featuring Blue carpet with Stone piping and a walnut dashboard; the vendor collected the car from the factory. Accompanied by a collection of old MOT paperwork, the aforementioned original order form, handbook and sales brochure, it is offered with the current V5C Registration Document. For more information, please contact: James McWilliam james.mcwilliam@handh.co.uk 07943 584760
Corgi Rockets 910 G.P. Beach Buggy bright orange body, black interior, clear glass, with golden tune up key, in mint original condition, header card with bubble in excellent original condition, tiny veining to card top left hand corner and 921 Morgan Plus 8 plated red body, black interior, clear glass, with golden tune up key, in mint original condition, punched header card with bubble in excellent original condition, factory sealed bubble has tiny split to top of bubble and dent to base. (2 items)
A William De Morgan Early Fulham period Galleon two tile panel, painted with a manned galleon rowing past a classical landscape, whilst the sails are raised, in shades of green on a white ground, impressed factory marks, 15.3cm. square (2) ProvenanceThe Nick King collectionThe David Sheard collection. LiteratureMartin Greenwood The Designs of William De Morgan, Richard Dennis, page 176 figure 470. for a comparable panel.
A William De Morgan Sunset and Moonlight suite lustre wall plate by Charles Passenger, painted with an eagle attacking a smaller raptor to the centre, the large bird with wings stretched around the rim, in blue and pink triple lustre, painted CP monogram, 25cm. diam. LiteratureMartin Greenwood, The Designs of William De Morgan, Richard Dennis Publications, page 45 catalogue number 1244 for the original design illustrated.
A William De Morgan Gillow three tile panel, painted in shades of yellow and green on a cream ground with two carnation flowers, framed, marks concealed, 52 x 22cm. LiteratureMartin Greenwood The Designs of William De Morgan Richard Dennis, page 133 catalogue number 719 for the original design illustrated.
A William De Morgan Early Fulham Period Mongolian two tile panel, painted with Persian flowers in shades of blue, aubergine and green on a white ground, impressed factory marks, minor chips, 15.5cm. square (2) LiteratureMartin Greenwood The Designs of William De Morgan, Richard Dennis, page 149 catalogue number 592 for the original drawing illustrated.
Stewart (Charles). The History of Bengal, from the First Mohammedan invasion until the virtual conquest of that country by the English A. D. 1757, 1st edition, London: Sold by Black, Parry, and Co., Leadenhall Street, Booksellers to the Hon. East-India Company. Watts, Printer, Broxbourne, 1813, folding engraved map frontispiece with outline hand-colouring (short closed tear to right hand and light fraying to lower right corner), scattered spotting and some toning, top edge gilt, 20th-century dark blue half morocco by Henderson and Bisset, spine lightly faded to bottle green, 4to, together with:Freire de Andrade (Jacinto). The Life of Dom John de Castro, the Fourth Vice-Roy of India, 2nd edition in English, translated by Sir Peter Wyche, London: Henry Herringman, 1693, early owners ship inscription at head of title of Fran: Morgan of London, lacking both engraved folding plate and portrait plate, some damp and ink staining to first and last leaves, endpapers renewed, contemporary calf, rebacked, boards rubbed and corners worn, folio (Wing F2156) QTY: (2)
A good Second War 1941 ‘immediate’ Coastal Command D.F.M. group of five awarded to Beaufort and Mosquito pilot Sergeant L. H. Morgan, 217 Squadron, Royal Air Force, a highly skilled pilot whose ability to press home an attack, regardless of enemy night fighter attack and a need for low level flying, was repeatedly illustrated in the attacks on the Oil Refineries at Donges, and the Kuhlmann Chemical Works at Nantes, in September 1941. During the course of both of these actions, Morgan had to descend his Beaufort to between 100-150 feet, in the face of searchlights, anti-aircraft fire, and enemy fighters. He was later commissioned, advanced to Flight Lieutenant, and served as a photo reconnaissance pilot with 684 Squadron, flying long-rang Mosquitos over Burma Distinguished Flying Medal, G.VI.R. (916994. Sgt. L. H. Morgan. R.A.F.); 1939-45 Star; Air Crew Europe Star, 1 clasp, France and Germany; Burma Star; War Medal 1939-45, generally very fine or better (5) £1,600-£2,000 --- Provenance: Spink, 1962. £32 10/- D.F.M. London Gazette 21 October 1941. The official recommendation states: ‘Sergeant Morgan, the pilot of Beaufort aircraft "G" was ordered on 28th September, 1941, to carry out a night attack in company with four other aircraft on docks and shipping at St. Nazaire with the Oil Refineries at Donges as the alternative target. Because of haze and low cloud, the primary target could not be located. The pilot therefore continued along the coast and approached the secondary target from the North when the pilot obtained a clear view of several large storage tanks at Donges. The aircraft was then approached by an enemy fighter but Sergeant Morgan took evasive action by diving to 100 feet, enabling the rear gunner to fire a burst of 50 rounds at the enemy aircraft and to extinguish a challenging searchlight with 150 rounds. Proceeding across the target at 700 feet, the bombs, two 500lb. G.P., three 250lb. G.P., instantaneous fusing, and one 25lb. canister of incendiary bombs were released in a 30 foot stick directly among the tanks. All five were seen to burst and their explosion shook the aircraft. A large fire was also immediately observed which was still seen to be burning fiercely when the aircraft was 25 miles from the target. On 30th September, 1941, Sergeant Morgan was the pilot of Beaufort aircraft "Z" detailed to carry out a night attack on the Kuhlmann Chemical Works at Nantes. When the target area was in sight, an enemy fighter was observed dead ahead which the pilot avoided by diving to 150 feet and proceeding out to sea. Returning landwards, the pilot approached the target along the River Loire but the shipyards were not seen until the aircraft was directly overhead because of ground haze. The pilot prepared to make another run from the North East and then encountered intense machine gun tracer fire and searchlights. After climbing, the haze still obscured the target and the pilot therefore made his run at 700 feet and the stick of bombs, two 500lb. G.P.s and three 250lb. G.P.s, instantaneous fusing, and one canister of incendiaries was aimed at rectangular buildings and chimneys in the target area. The bursts were observed by the crew and the explosion violently rocked the aircraft. The fire that was started could still be seen 20 miles away on the homeward journey. The persistence and skill with which Sergeant Morgan carried out theses attacks enabled the targets to be effectively bombed and ensured the safety of his aircraft. Since joining No. 217 Squadron, Sergeant Morgan has carried out 26 operational sorties and has always displayed skill and resolution of a high standard. 4th October, 1941.’ Lloyd Hollister Morgan was born in Croydon in January 1920, and was ‘educated at Maidstone Grammar School. He became a clerk with Kent county council before, in March 1940, enlisting in the RAF and training as a pilot. He joined No 217 Squadron [Coastal Command, St. Eval and Thorney Island] in April 1941 and flew anti-shipping patrols in the North Sea and in the Bay of Biscay, as well as carrying out bombing raids near the French Biscay ports... Morgan was the pilot of one of three Beauforts of No 217 Squadron which were sent to bomb docks and shipping at St Nazaire on the night of September 28 1941. Poor weather thwarted the attack, so Morgan and his crew headed for their alternative target, the oil refinery at nearby Donge. On the Beaufort’s approach, a night fighter attacked. As Morgan dived to 100ft, his gunner opened fire and the enemy fighter sheered off. The gunner then destroyed a threatening searchlight. The Beaufort pressed on, and was able to obtain a direct hit with its bombs, causing an explosion that shook the low-flying bomber in the sky. A large fire could still be seen burning fiercely when the aircraft was fully 25 miles from the target. Two nights later Morgan was detailed to carry out a night attack on a chemical works at Nantes. The observer fixed their position in hazy conditions and released the bombs from 700ft. Again, the explosion rocked the aircraft — the crew watched as a tall chimney collapsed, to be followed by another enormous fire. As they headed for the coast, they saw below them torch flashes from locals which signalled “dit-dit-dit-dah” (“V” – for “Victory”). The event received wide coverage in the British national press and Morgan’s DFM was announced three weeks later.... By the end of September he had completed 26 patrols.... After training as a flying instructor, Morgan was commissioned [Pilot Officer in March 1942] and spent a year teaching pilots to fly the Beaufort. In June 1943 he trained as a photographic reconnaissance pilot, leaving four months later for India, where he joined the newly formed No 684 Squadron, flying the long-range Mosquito from airfields near Calcutta [advanced to Flying Officer in October 1943, and to Flight Lieutenant in March 1944]. From an advanced base, the squadron photographed most of Burma and northern Thailand before detachments were sent to Ceylon to photograph northern Sumatra. After almost a year of continuous operations Morgan was rested and instructed at a flying school at Poona before returning to Britain. He was released from the Service in May 1946. Morgan then joined BEA and flew the Dakota, Viscount and Vanguard. He continued flying when BOAC and BEA merged to form British Airways, converting to jets and becoming the senior training captain on the BAC-111 fleet. After retiring from BA he spent five years flying the BAC-111 with Air Malawi, finally retiring at the age of 60.’ (Telegraph Obituary refers) Flight Lieutenant Morgan died in April 2013. Sold with copied research.
Collection of American coinage, much in silver, including a range of 1oz $1 coins (Morgan Dollars, Peace Dollars and American Silver Eagles); United States Mint 50 State Quarters silver proof sets from 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007 and 2008; 1936 US Government tripute proof set, marked as 'COPY'; 1976 United States Bicentennial three-coin set; 1996 silver proof 1oz American Eagle (x2); a collection of Quarter Dollars and Dimes, including proof issues.
Having a straight-sided drum, open chairback thumbpiece and single-curve handle with flush terminal, touchmark of Joseph Morgan, (fl.1825-1882), (PS6542), William IV verification mark to centre of drum, drum also engraved with the names 'MARY ELLEN SUGGETT’ and 'MARY HADFIELD', 20.5cm high Provenance: Former Sandy Law Collection. Sold Phillips Chester, September 1997, Lot 292 Literature: Illustrated P. Hornsby, ‘Pewter of the Western World’, p.48, fig. 64.
Whittington Press Two extra-limited editions The Wood-Engravings of Gwenda Morgan. With an Introduction by John Randle. Andoversford: Whittington Press, 1985. Number IX of 35 copies specially bound, signed by the artist and including an additional suite of prints, 4to, original orange quarter goatskin, marbled paper boards, tipped-in wood-engraved frontispiece, 15 wood-engravings loose in marbled portfolio as issued, original slipcase (with a few trivial marks);Diary of an Apple Tree. Miriam Macgregor. Risbury: Whittington Press, 1997. Number IV of 20 copies specially bound, signed by the artist and including an additional suite of prints, oblong 4to, original maroon goatskin with multicoloured goatskin inlays, top edge gilt, suede doublures, 13 wood-engravings (one in colour), all signed by the artist in pencil and housed loose in thick card portfolio as issued, original orange cloth solander box with goatskin spine-label (2) The Wood-Engravings of Gwenda Morgan was printed in an edition of 335 copies (300 standard and 35 special copies), and Diary of an Apple Tree comprised in an edition of 385 copies (300 standard copies in printed boards, 65 in quarter leather with a set of prints, and 20 special copies).
Robinson, Ivor (1924-2014) 'The Lamentations of Jeremiah', design for book cover, 1981 Inscribed and dated (to back board), pencil, gold pen and gouache, 11 x 15.5cm (framed 30 x 28cm) Robinson was considered a master craftsman and one of the finest artist bookbinders of his generation. Robinson's bindings are held in private and public collections worldwide including the British Library, the Bodleian Library, Oxford and the Morgan Library, New York.
Gregynog Press 5 limited editions Newtown: Gregynog Press, 1925-40. Comprising:Psalmau Dafydd yn ol William Morgan, 1588, 1929. One of 225 copies, 4to, original orange quarter morocco, patterned paper sides, top edge gilt, others untrimmed, decorative title page printed in red and black, initials printed in red and blue, several with foliate flourishes;Gweledigaethau y Bardd Cwsc. Ellis Wynne. Visions of the Sleeping Bard. Translated by T. Gwynn Jones, 1940. One of 175 copies, 4to, original red quarter morocco, spine lettered and decorated in gilt, red cloth sides printed with geometric pattern in gilt, bevelled edges, fore and bottom edges of textblock untrimmed, wood-engraved frontispiece by Blair Hughes-Stanton, spotting to edges of textblock;Llyfr y Pregeth-wr [The Book of Ecclesiastes], 1927. One of 250 copies, 4to, original limp blue buckram, headings, side-notes and publisher's device to colophon all printed in red, wood-engraved title-device and plate by David Jones, partly unopened, spine sunned, 2 limited editions prints after David Jones laid in (each ‘one of an edition of sixty impressions printed from the original block by Alan Bultitude for the Gillian Jason Gallery by permission of the David Jones Estate, 1989’);Caneuon Ceiriog Detholiad, 1925. One of 400 copies, 4to, original holland-backed patterned paper boards, fore and bottom edges untrimmed, woodcut frontispiece and pictorial head- and tailpieces, initials printed in red, spine-label browned, rubbing to extremities, tips slightly bumped and worn;The Misfortunes of Elphin by Thomas Love Peacock, 1928. One of 250 copies, 8vo, original cloth, wood-engraved illustrations in text, spine slightly toned and marked (5)
A very large collection of mostly commercially purchased legal tender coins, collector coins and medallion sets from private mints and medallists including Danbury, Windsor/HMK and Westminster. Most are in their original capsules and display cases, boxes and folders, but some sets are dispersed and some items are still in unopened envelopes. The collection includes a US cased silver coin set (partial) which includes four Peace and Morgan dollars with a further silver eagle dollar and six half dollars, a US set of 56 State quarters gold-plated and cased, a US cased complete set of 11 uncirculated nickels 1942-1945 of different dates and mints being the 35% silver war-time issues, a US buffalo nickels complete set in an album by PCS, a US $1 1889 uncirculated and slabbed by PCS, a US 1 ounce silver eagle 2020 slabbed and graded MS69 by PCGS, a similar graded MS70, another silver eagle in a case for two such coins, four further US silver eagles 2018-2022 each slabbed, a cased set of twenty-five (25) circulated US Walking Liberty silver half dollars of different dates 1916-1947, a silver proof £2 coin 2009 (Darwin) cased with certificate, a silver proof £5 2011 (Royal wedding) cased with certificate, a silver proof £5 2007 with case and certificate, four Olympic 50 pence coins 2011 cased with certificates, a Jersey set of five gold-plated 50 pence pieces 2012, a Gibraltar silver sovereign 2019 (0.999 fine silver) cased with certificate and another 2021 lacking a certificate, seven (7) cased silver 1-ounce coins all 2012 comprising a New Zealand kiwi, two China 10-yuan pandas, two British £2 Britannias, an Australian koala and a US silver eagle, various Channel Island £5 coins some silver, silver- or gold-plated and mostly with cases and certificates, a Famous Artworks set from Togo of five gold foil 1500 franc coins each 1/200 oz of fine gold and a further similar-specification Niger set of four gold foil coins and a further similar-specification set of six gold foil coins of the Queens Jubilee and a further set of 6 gold foil coins illustrating famous coins each 1/100 oz of fine gold, two (2) Fabula Aurum gold Tristan da Cunha half crowns 2009, a Tristan da Cunha gold eighth (1/8) sovereign 2022, two (2) sterling silver Tristan da Cunha £1 coins 2015 each 10.0g, a set of six (6) miniature 14 ct gold coins each 0.5 g celebrating Queen Elizabeth II, several boxed or displayed collections of British 20th C halfpennies, pennies, sixpences and florins (the last being only a partial set in two cases), a 1 ounce silver round copying the pre-decimal penny and another of the Great Fire of London without certificate and 2 other similar uncertificated white metal rounds, a white metal copy of a US $1 coin 1840, a 2012 Royal Lifetime of Service coin cover collection of 16 crown-size Commonwealth coins, a set of twenty-five (25) Masterpieces of American Currency US legal tender bank notes in an album, a miniature 14 carat gold copy of a US double eagle coin weighing 0.5 g, a giant gold-plated copper copy of a US double eagle coin, two (2) identical Battle of Hastings medal sets each of 6 gold-plated medals with a copper medal and a Gibraltar 9 ct gold double crown 2016 weighing 10 g, a Chinese porcelain bowl from the 1822 wreck of the Tek Sing boxed with certificate, a 2018 football World Cup set of 32 medallions with a Russian silver coin and a 14 ct 0.5 g gold medallion, the Titanic centenary album of 3 coin covers and 5 stamp sheets, and boxed or cased medallion sets mostly complete including Captain Cook coloured 6-medallion set, Rule Britannia gold-plated 6-medallion set, Queen Elizabeth II history 6-medallion set, Queens Beasts gold- and silver-plated 10 medallion set, Famous Ships of the World gold-plated and coloured 24-medallion set and another Famous Ships of the World 24-medallion set with a 14 carat gold 0.5 g medallion of Columbus, Saint George set of 4 giant medallions each 376 g of copper gold-plated and coloured, HMS Victory set of 6 plated medallions with a separate 250th anniversary medal and a Tristan da Cunha crown 2015 showing HMS Victory, Railways 24-medallion set gold-plated, Seafarers and Explorers 24-medallion set gold-plated, Queen Elizabeth II 24-medallion set gold-plated, Ships of the Royal Navy 24-medallion set gold-plated, 50 Years of Decimalisation 9-medallion set gold-plated, Royal Family 4-medallion set gold-plated, Royal Wedding 2011 5-medallion set with a ½ oz silver £1 Britannia coin, three various Numisproof medallions and other items including further single and partial sets of medallions.6 boxes (four clear crates with blue lids and two cardboard boxes) of coins
A mixed collection of British and foreign coins mostly as taken from circulation, including a US Morgan dollar 1889 in a pendant holder stamped silver, 20 modern British crowns mostly 1965, a silver proof crown 1972 sealed and in its case but lacking a certificate, four (4) £5 coins and five (5) old-style £2 coins 1989 and 1995, a small bag of decimal halfpenny coins with some Channel Islands issues, some minor post-1946 pre-decimal British coinage, and foreign coins including various African pre-and post-Independence issues, some silver including a Germany 5 marks 1936, and over 250 India one twelfth (1/12) anna coins from circulation of various reigns.
Includes rare photographs and new interviews. Written with the intention of bringing to light the true essence of the human being behind the icon, the legend, the sex symbol. First published in the UK. Printed and bound in Italy. Artist: MIchelle MorganIssued: 2007Dimensions: 7.75"W x 10.25"HManufacturer: Carroll and Graf PublishersCountry of Origin: New York, United StatesCondition: Age related wear.
This extensive collection features patriotic World War I sheet music, including pre-war compositions like I Didn't Raise My Boy to be a Soldier, nationalistic tunes from the war era, and victory songs afterward. Reflecting the era's sentiments, these pieces capture themes of farewell between mothers and sons and soldiers' promises to return. They serve as poignant reminders of the era's changing public mood and are valuable artifacts of cultural significance. Additional titles include We're Going Over by Andrew B. Sterling, Bernie Grossman, and Arthur Lange. I'm Glad I Can Make You Cry by Chas R. McCarron and Carey Morgan. Just a Baby's Prayer at Twilight for Her Daddy Over There, by Sam Lewis and Joe Young, cover art by Barbelle. When You Kiss Your Dear Mother Good-bye by John J. Winslow and Chas H. Roth. Just for Tonight by Frank O. French. Over There by Geo M. Cohen. Fall in Love for Your Motherland, the Words of Woodrow Wilson. Marching Through Georgia, March and Two-Step by Rudolf Thaler, c. 1908. Is That You O'Reilly? by Ballard Macdonald. When Yankee Doodle Learns to Parlez Vous Francais by Will Hart and Ed Nelson, cover art by Barbelle. Bring Back My Daddy to Me by William Tracey and Howard Johnson with music by George W. Meyer. It's a Long Way to Berlin, But We'll Get There by Arthur Fields and Leon Flatow. Break the News to Mother by Chas K. Harris, cover art by Starmer. America Forever! March by E.T. Paull, C. 1898. Dear Old Virginia Just Before the War by Harry P. Diggs and Otto E. Standhardt. The Union Forever, The Star-Spangled Banner with words by Francis S. Key, c. 1876. Issued: Late 19th to early 20th centuryDimensions: 10.5"W x 13.5"HCondition: Age related wear. Conditions range from good to fair.
MIXED BOOKS - CALIFORNIA INTERIORS AND ARCHITECTURE (1/2) Comprising; Paul R. Williams: Classic Hollywood Style, Karen E. Hudson, Rizzoli, 2012 Hollywood Interiors, Anthony Iannacci, Monacelli Press, 2016 Inventing the California Look: Through the Lens of Fred Lyon, Philip E. Meza, Rizzoli, 2017 Architectural Digest: Hollywood at Home, Paige Rense, Abrams, 2005 Santa Barbara Living, Diane Dorrans Saeks, Rizzoli, 2017 Julia Morgan: The Road to San Simeon, Fugile, Rizzoli, 2022 Classic Homes of Los Angeles, Douglas Woods, Rizzoli, 2010 California Luxury Living: A Private Tour, John Finton, Images Publishing, 2014 California Splendors, Kathryn Masson, Photography by David Glomb, Rizzoli, 2013 Nathan Turner's I Love California: Live, Eat, and Entertain the West Coast Way, Nathan Turner, Abrams, 2018 L.A. Modern, Tim Street-Porter, Rizzoli, 2008 Santa Barbara Style, Kathryn Masson, Rizzoli, 2001 Dream Palaces of Hollywood's Golden Age, David Wallace, Abrams, 2014 (13) Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A rare Lambeth (Thomas Morgan and Abigail Griffith) delftware ballooning charger, circa 1785With the ascent of Vincenzo Lunardi's balloon painted in blue, green and manganese, a building with a fence and trees in the foreground, a swagged border within the blue feathered rim, 34.5cm diamFootnotes:Vincenzo Lunardi, 'The Daredevil Aeronaut' first demonstrated his hot air balloon in London on 15 September 1784, accompanied by a dog, a cat and a caged pigeon. Setting off from Artillery Ground in Finsbury, the Morning Chronicle reported that 'the general attention of the town and its inhabitants of all ranks, from the Countess to the Cobler's Wife, and from my Lady in St. James' square to my Lord. The little crooked shoe-shiner in an alley in Shoreditch, has been for some days past engrossed by Mr. Lunardi and his Balloon'. Spectators were estimated between 150,000 and 200,000 strong, including the Prince of Wales himself. The nearby pottery at Lambeth joined other tradesmen and artists in creating a memento of the day and of the new and exciting 'Balloon-mania', which had gripped the population. It is very rare to find a charger decorated with this subject, with plates being more common. For a plate with the same subject, see lot 245 in this sale.For further information on this lot please visit Bonhams.com
A Lambeth (Thomas Morgan and Abigail Griffith) delftware ballooning plate, circa 1785Painted in blue, green, yellow and manganese with the ascent of Vincenzo Lunardi's balloon, a building with a fence and trees in the foreground, a border of floral festoons suspended from the feathered rim, 23.1cm diamFootnotes:ProvenanceWith Alistair Sampson AntiquesFor a similar ballooning plate of much larger size and the history behind the scene, see lot 244 in this sale.For further information on this lot please visit Bonhams.com
(1) Allan Kaprow, On Time. Paris, Galerie Gerald Piltzer, 1974. Artists’ book documenting a happening that took place in an apartment on 64 rue de Turenne in Paris, and on a neighbouring street. Staple-bound, 29.5 x 21 cm, 16 pp. Fantastic b/w images with storyline in French. Copy with considerate age wear. Scarce. (2) Allan Kaprow. Bremen, Kunsthalle Bremen, 1976. Staple-bound, 21 x 15 cm, 28 pp. Exhibition catalogue for a show featuring Kaprow’s Happenings from 1968 – 1976. Text in German. Very good copy. (3) Allan Kaprow. Collagen, Environments, Videos, Broschüren, Geschichten, Happening- und Activity-Dokumente 1956-1986. Dortmund, Museum am Ostwall, 1986. Printed corrugated cardboard covers with 2 brass screws, 27.5 x 17 cm, approx. 150 pp. Artists’ book exquisitely designed by the artist, in conjunction with a retrospective exhibition. Features documentation of works and texts by befriended artists, gallerists and critics such as Wolfgang Feelisch, Inge Baecker, Robert C. Morgan, Milan Knizák, Barbara Smith and Wolf Vostell. Near mint copy. (total 3)
FOUR BOXES AND LOOSE TOYS, GAMES AND PUZZLES, to include Hasbro Transformers Ultra Magnus, Nintendo Wii Fit Plus and Family Trainer, DJ Hero, Grandstand Match of the Day 2000, electronic 'Name that Tune' game, Merlin, Major Morgan, boxed Galt Toys Snakes & Ladders game, assorted board games including Blockbusters, Monopoly, Game of Life, Boggle, The Simpsons, Spears Games Compendium etc., none tested, contents of boxes and sets not checked, many boxes with damage and wear, with a play worn Chicco plastic scooter and folding metal dolls pram frame (s.d) (4 boxes and loose)
WW2 Print titled Return of the Belle, by Robert Taylor. Limited 963/1250. Multi signed by The artist and veterans, Morgan, Bob, Hanson, Robert, Leighton, Charles, Loch, Harold, Nastal, Casmir, Quinlan, Johnny, Verinis, Jim, Winchell, Bill. Framed print measures 40 inch by 30 inch appx. Good condition. Good condition Est.
A 1972 Morgan 4/4 Four-Seater.Reg No. UFY 738L, 1599ccChassis No. B2836Engine No. 2C10-A1237Red, Burgundy Red leather interior.From a deceased estate, this Morgan Four-seater sports is powered by the robust Ford Kent 1598cc engine (which we believe may be in GT form) attached to a Ford 4-speed gearbox. This car has been in very long term ownership however, has been left standing under a cover for the last 4 years, as a result, this offers an inexpensive entry into Morgan ownership. The structure appears to be sound, brakes require attention, paintwork has some blistering and has evidence of over-spray on the scuttle, the interior appears sound and undamaged but would benefit from some TLC. The front bumper has sustained damage, the car has side screens and a tonneau. The last MOT expired on 27th May 2020. It is sold with V5 and folder of history/receipts. Appears very sound.Has been heavily under sealed.Most restoration work will be limited to front cowl.Panels below drivers door where it meets running board.
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