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COINS: 1885 USA Morgan Silver Dollar in good to fine condition

James Morgan - Acrylic paint with black pen on watercolour paper, 26cm x 34cm. Framed and glazed. Drawing has been an important part of James Morgan?s career as a designer-artist since his studies at the Royal College of Art. James has produced many graphic and textile pattern artworks throughout his career. Provenance: Acquired by Gwen McQuay for Dorothy Claxton on 29th February 2019.

James Morgan - Acrylic paint with black pen on watercolour paper, 29cm x 29cm. Framed and glazed. Drawing has been an important part of James Morgan?s career as a designer-artist since his studies at the Royal College of Art. James has produced many graphic and textile pattern artworks throughout his career. Provenance: Acquired by Gwen McQuay for Dorothy Claxton on 25th February 2019.

James Morgan - Pencil, 25cm x 25cm. Framed and glazed. Drawing has been an important part of James Morgan?s career as a designer-artist since his studies at the Royal College of Art. James has produced many graphic and textile pattern artworks throughout his career. Provenance: Acquired by Gwen McQuay for Dorothy Claxton on 21st February 2019.

James Morgan - Black pen, 19cm x 14cm. Framed and glazed. Drawing has been an important part of James Morgan?s career as a designer-artist since his studies at the Royal College of Art. James has produced many graphic and textile pattern artworks throughout his career. Provenance: Acquired by Gwen McQuay for Dorothy Claxton in February 2019.

James Morgan - Acrylic paint with black pen on brown card, 33cm x 28cm. Framed and glazed. Drawing has been an important part of James Morgan?s career as a designer-artist since his studies at the Royal College of Art. James has produced many graphic and textile pattern artworks throughout his career. Provenance: Acquired by Gwen McQuay for Dorothy Claxton on 22nd February 2019.

James Morgan - Acrylic paint with black pen on watercolour paper, 24cm x 23cm. Framed and glazed. Drawing has been an important part of James Morgan?s career as a designer-artist since his studies at the Royal College of Art. James has produced many graphic and textile pattern artworks throughout his career. Provenance: Acquired by Gwen McQuay for Dorothy Claxton on 1st March 2019.

19th century  'Persian' pattern thrown pottery ewer possibly by William de Morgan, with all over floral decoration in turquoise, blues and green, 32cm tall

Allan Morgan (British, b.1952), Calm Conditions, oil on canvas, signed to lower left, 77cm x 51cm..

After Fred Morgan, a reverse glass print (A/F)

An Ordnance Survey map of theEngland, by John Bartholomew, scale inch-mile, fitted with five interchangable rolls, in an ebonised rotary scroll, in original leather case inscribed 'Lady Armstrong, Cragside, Rothbury' retailed by Mawson Swan and Morgan, Newcastle upon Tyne, the scroll 43cms wide.

Technique (1273) V.6 red Morgan convertible, complete with box. Condition reports are not available for our Interiors Sales

Five boxed 007 vehicles (shell), four Vitesse Portuguese vehicles, Days Gone "Spirit of America", four Fina Classic Motors, Corgi Mercedes 300S, three Majorette blazers, six Hot Wheels etc. and Bars Porsche and Morgan shaped soap. Condition reports are not available for our Interiors Sales

19TH CENTURY ENGLISH SCHOOL A figure in classical dress with putti representing Music and the Arts, a pair, sepia drawings, 19 x 14cm oval; L Morgan - River landscapes, a pair, signed, watercolours, 33 x 21cm; and a hand-coloured engraving (5)

WILLIAM DE MORGAN (1839-1917) 'JERBOAS' RUBY LUSTRE TILE, CIRCA 1890 with stamped marks for Sand's End pottery (Dimensions: 15.5cm square)(15.5cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.127, pl.1016Condition report: No apparent restoration under UV

WILLIAM DE MORGAN (1839-1917) TRIPLE LUSTRE EARTHENWARE BOWL, LATE 19TH/ EARLY 20TH CENTURY decorated by Fred Passenger in blue and red glazes, the interior decorated with a goose within repeating pattern of berries and seed heads, with stylised foliage to the exterior, painted initials F. P. (Dimensions: 14.3cm diameter)(14.3cm diameter)Condition report: No apparent restoration under UV Small chip to foot rim

WILLIAM DE MORGAN (1839-1917) RARE SGRAFITTO TILE, EARLY FULHAM PERIOD, 1888-1897 depicting a seated beast with crescent moon and geometric patterning to the right hand side, impressed Sands End maker's mark; and a MAW & CO. TILE, printed with the figure of a seated ram, turquoise glaze, moulded maker's marks (Dimensions: each 15.5cm square) (Qty: (2))(each 15.5cm square)Footnote: Literature: Catleugh, Jon William de Morgan Tiles , Richard Dennis 2002, p.145, pl. 237 illus.

WILLIAM DE MORGAN (1839-1917) PAIR OF 'BERRIES & LEAVES' GREEN-GLAZED TILES, 1872-1881 one with marks for Poole pottery, 15.2cm square; together with a GREEN GLAZED TILE, decorated with an allover leafy design, stamped Sands End marks, 15.5cm square (Qty: (3))Footnote: Literature: Greenwood, M. The Designs of William de Morgan , Richard Dennis 2007, p.139, pl.668 where a similar 'Berries & Leaves' tile is illustratedCondition report: No apparent restoration under UV

WILLIAM DE MORGAN (1839-1917) RUBY LUSTRE TILE, 1882-1888 depicting a large bird, stamped marks for Merton Abbey (Dimensions: 15.2cm square)(15.2cm square)Condition report: No apparent restoration under UV

WILLIAM DE MORGAN (1839-1917) 'EAGLE & SNAKE' RUBY LUSTRE TILE, 1882-1888 decorated in red, impressed marks for Merton Abbey (Dimensions: 15.2cm square)(15.2cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.130, pl.968 where a similar tile is illustratedCondition report: No apparent restoration under UV

WILLIAM DE MORGAN (1839-1917) 'DODO' RUBY LUSTRE TILE, CIRCA 1890 impressed marks for Sand's End pottery (Dimensions: 15.6cm square)(15.6cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.129, pl.1019Condition report: No apparent restoration under UV

WILLIAM DE MORGAN (1839-1917) IZNIK VASE, EARLY FULHAM PERIOD CIRCA 1890 of baluster form with swollen neck, decorated in blue on a white ground with fronds, flowers and leaves, impressed pottery mark, painted artist's initials J.H./ 15 for James Hersey (Dimensions: 24cm high)(24cm high)

WILLIAM DE MORGAN (1839-1917) 'HIPPOCAMP' RUBY LUSTRE TILE, CIRCA 1890 stamped marks for Sand's End pottery (Dimensions: 15.6cm square)(15.6cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.125, pl.909Condition report: No apparent restoration under UV

WILLIAM DE MORGAN (1839-1917) 'HOOPOE' RUBY LUSTRE GLAZED TILE, 1881-1887 stamped marks for Merton Abbey (Dimensions: 15.6cm square)(15.6cm square)Condition report: No apparent restoration under UV

WILLIAM DE MORGAN (1839-1917) 'HOOPOE' RUBY LUSTRE TILE, 1881-1887 stamped marks for Merton Abbey (Dimensions: 15.6cm square)(15.6cm square)Condition report: No apparent restoration under UV

THE BAYNARD PRESS FOR LONDON TRANSPORT GROUP OF THREE POSTERS comprising 'UNDERGROUND TO BETHNAL GREEN' by Laurence Scarf, 101cm x 63cm; 'WEEKEND WALKS' by Clare Leighton, 102cm x 63.5cm; 'THE COUNTRY NOW' by Clare Leighton, 101cm x 63cm; together with 'SHELTER SCENE' by Edward Ardizzone, published by The Baynard Press for The National Gallery, 76cm x 101cm; 'CHINGFORD' by Tony Sarg, root number 35, printed by Johnson, Riddle & Co. Ltd, London, 75cm x 50.5cm; and 'CROCUS TIME' by Hawley Morgan, 75.5cm x 50.5cm (Qty: (6))

JOHN PEARSON (1859-1930) AFTER WILLIAM DE MORGAN THREE ARTS & CRAFTS PAINTED TILES, CIRCA 1900 painted with a Dragon and its Young; Bird with Serpent; and Griffin, each painted blue on a glazed Minton blank, later framed (Dimensions: 20cm square) (Qty: (3))(20cm square)

WILLIAM DE MORGAN (1839-1917) RUBY LUSTRE TILE, CIRCA 1890 depicting a seated peacock, stamped marks for Sand's End pottery (Dimensions: 15.4cm square)(15.4cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.128, pl.965Condition report: No apparent restoration under UV

WILLIAM DE MORGAN (1839-1917) 'EAGLE & SNAKE' RUBY LUSTRE TILE, CIRCA 1890 stamped marks for Sand's End pottery (Dimensions: 15.2cm square)(15.2cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.130, pl.968Condition report: No apparent restoration under UV

WILLIAM DE MORGAN (1839-1917) 'KINGFISHER SPEARING FISH' RUBY LUSTRE TILE, CIRCA 1890 stamped marks for Sand's End pottery (Dimensions: 15.7cm square)(15.7cm square)Footnote: Literature: Greenwood, M. 'The Designs of William de Morgan', Richard Dennis 2007, p.125, pl.1057Condition report: No apparent restoration under UV

WILLIAM DE MORGAN (1839-1917) RUBY LUSTRE GLAZED TILE, CIRCA 1890 depicting a serpent with an apple branch, stamped marks for Sand's End pottery (Dimensions: 15.6cm square)(15.6cm square)Condition report: No apparent restoration under UV

WILLIAM DE MORGAN (1839-1917) PERSIAN TILE, 1872-1881 decorated in yellow and green, with stamped marks for Chelsea Period (Dimensions: 15cm square)(15cm square)Condition report: No apparent restoration under UV Score, approximately 8cm long, running horizontally along bottom edge

U.S.A., 1921 Morgan dollar, Liberty head above date, rev; spread eagle with arrows within wreath, together with a 1928 San Francisco Mint peace dollar. (2)

U.S.A., 1887 silver Morgan dollar, obv; Liberty head above date, rev; spread-eagle with crossed arrows within wreath, New Orleans mint mark below. (1)

USA, 1883 Morgan dollar, obv; Liberty head above date, rev; spreadeagle with arrows within wreath and legend, together with three 1921 dollars and a 1991 1oz fine silver dollar. (4)

Great Britain and U.S.A., an 1889 silver crown and a 1935 rocking horse crown, together with an 1887 Morgan dollar and a 1926 Liberty dollar. (4)

THREE BALUSTER SHAPED JERSEY PEWTER MEASURES, graduated and a mug engraved "W Morgan Perseverance in Jersey" (4)

*Glyn Morgan (1926-2015) STILL LIFE OF SEASHELLS Signed and dated '88 l.r., watercolour 10 x 29cm, together with the actual seashells illustrated When Morris came to judge a show at Pontypridd, the 17-year-old Morgan entered two pictures. Morris thought his work promising and invited him to his school in Suffolk. In the summer of 1944, the year he left Cardiff College of Art, Morgan booked a week at Benton End, formerly known as The East Anglian School of Drawing and Painting. Morgan was a frequent visitor to Benton End over the following years and Morris provided Morgan with artistic inspiration for the rest of his life. He had numerous solo exhibitions, including seven retrospectives, one at the National Library of Wales, Aberystwyth. *Artist's Resale Right may apply to this lot.

9 boxed SCX slot cars, which includes; #64320 Ford Escort MKII, #64000 Morgan Aero 8 etc (9)

* De Morgan (Evelyn, 1855-1919). Head of a young woman, fine pencil study on heavy paper, left-hand margin uneven, sheet size 19 x 17.5 cm (7.5 x 7 ins) (Qty: 1)NOTESProvenance: Collection of M.D.E. Clayton-Stamm; thence by descent to the present owner.

* Panfili (Pio, 1712-1812) . Designs for ceiling, four pen, ink & watercolour drawings on laid paper, one signed and another with artist's initials, some spotting and toning, larger study with central fold, 32 x 24 cm (12.5 x 9.5 ins) and smaller, all in modern matching frames, glazed (Qty: 4)NOTESPio Panfili (1712-1812), was a Bolognese painter and engraver. He painted the staircase ceiling of the Monastery of Padri Conventuali of Montegiorgio, the Refectory of the Franciscans in Rimini, and also the ceiling of the Cathedral of Fermo. His drawings are held by the Morgan Library and Museum of Modern Art in New York.

A Boxed Rare and Vintage Hammant and Morgan HM5000 Digital Controller with Booklets (Untested)

A collection of model railway to include Triang oo gauge track rolling stock Diesel T.C series loco and a Hammant & Morgan power supply.

FLEXFORM MORGAN BAR STOOLS, a set of five, by Antonio Citterio, 107cm H. (5) (slight faults)

A George III Pewter Goblet with touchmarks for Joseph Morgan, Bristol 1807

GLYN MORGAN oil on board - abstract, entitled 'Flower', signed and dated '73, 60 x 73cms

Style of Glyn Morgan, a folio of drawings, together with two sketch books

US 1884 Morgan silver one dollar & 2 others an Ireland 5 Pence Bank Token 1805 and a Roman Constantius II 337-361 AD bronze coin

William Kerr-Morgan (Australia) Boatsheds oil on board, signed lower left, (33cm X 47cm approx).

An American Commemorative half dollar coin. The 1924 Huguenot-Walloon Tercentenary designed by George T Morgan.

A Morgan Dollar Silver Date Set. 1878 - onwards. Full date set. Including 1895 and 1890. Mint Marks Of Carson City. New Orleans. SAN Francisco Denver.Total coins 55. The majority of these coins are AU to XF Quality.

MANCHESTER UTD - GEORGE BEST Six signed Commemorative covers, entitled 'A Tribute to George Best' individually signed by his former team mates from 1968 including Foulkes, Aston, Stepney, Morgan etc. Good

A collection of small Royal Doulton character jugs comprising "Athos" (D6452), "Porthos" (D6453) and "Aramis" (D6454), "Capt Henry Morgan" (D6469), "Sir Henry Doulton" (D6703), "John Doulton" (D6656) and "Hampshire Cricketer" (D6739) (7)

James Morgan - Acrylic paint with black pen on brown card, 26cm x 24cm. Framed and glazed.James Morgan is a designer and artist and former student of the Royal College of Art who produces graphic and textile pattern artworks.Provenance: Acquired for Dorothy Claxton by Gwen McQuay on 20th February 2019.

1889 Unites States Morgan silver dollar loose set in a pendant mount

MORGAN FRANK: (1890-1949) American Actor, famous for his portrayal of the title character in the film The Wizard of Oz (1939). An unusual vintage signed sepia 8 x 10 photograph of Morgan seated in a full length pose opposite the film director George Fitzmaurice. Morgan has signed the image twice, once in white fountain pen ink and again in black fountain pen ink, adding two almost identical, lengthy sentiments in his hand, presumably to Fitzmaurice, 'This is just in case you can't read the opposite. Does your expression signify that I'm just a shade in the - a - wrong side or do you mean “it's a problem on my hands” - anyway you make work such a pleasure that I would like to sneak out with you some night & burn the candle at both ends - Frank Morgan'. About EX George Fitzmaurice (1885-1940) French-born American Film Director & Producer whose most famous work was The Son of the Sheik (1926) starring Rudolph Valentino. Fitzmaurice directed Morgan in The Emperor's Candlesticks (1937).

A Beswick Connoisseur horse, Morgan Stallion Tarryall Maestro, 2605

A Beswick Connoisseur horse, Grundy, 2558, and two others, Morgan Horse, 2605, and Arkle, A2065 (3)

Beswick Connoisseur Black Beauty and foal with Morgan Horse and Spirit of the Wind

**AWAY** Map of Essex by John Ogilby and William Morgan, 1678