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19771 item(s)/page
Gwenda Morgan (1908-1991)The Four Elements, The Water Pause signed by Seamus Heaney, Upside Down signed by Jenny Joseph, Fire signed by Lawrence Sail and Equinox signed by Laurie Lee,wood engravings, each numbered 121/125, printed at the Whittington Press, printed for the Friends of The Cheltenham Festival of Literature 1991 (4)
CAPTAIN SCARLET - an Engale Marketing still featuring a briefing from Captain Scarlet & the Mysterons signed by Francis Matthews, Gerry Anderson, Sylvia Anderson, Cy Grant, Shane Rimmer, Ed Bishop, Jeremy Wilkins, Gary Files and Liz Morgan. Measuring 31x28cm. Includes certificate of authenticity from Garry King at Autografica.
3rd-6th century AD. A silver-gilt discoid plaque with border of raised domes, central feline mask with fluted border, rectangular mouth with four large teeth, pointillé whiskers, raised muzzle with nostrils, lentoid eyes with pointillé pupils, D-shaped ears, extensive incised detailing; pierced in four places for attachment, one rivet remaining. For a similar example, but a silver-gilt shield boss, see The British Museum, accession number 134358; cf. Grabar, O. Sasanian Silver: Late Antique and Early Mediaeval Arts of Luxury From Iran, Michigan, 1967, p.129, no.46. 121 grams, 12.5cm (5"). Property of a North West London gentleman; ex Bonhams sale 20668, London, 1 May 2013; formerly with a central London gallery in 1990. The lion was a popular image in the Sassanian period and is frequently depicted upon coinage and seals of the time, as well as, in this example, as a shield boss. It is associated with Sassanian royal power, as well as being a symbol of the god Mithras, a deity popular in the Roman empire and who originally came from Persia. A silver plate that is believed to have been commissioned by the Byzantine emperor Heraclius, (575-641 AD), to celebrate his victory over the Sassanian army, depicts the Biblical scene of the battle between David and Goliath, but here Goliath is shown as a Sassanian warrior holding a shield decorated with a lion boss; the plate is now in The Metropolitan Museum of Art, New York, Gift of J. Pierpont Morgan, 1917, accession number 17.190.396. . Fine condition, usage wear.
1. Foden (Peter) The Fell Imperial quarto Book of Common Prayer: an account of its production by Peter Foden formerly archivist, Oxford University Press, no 121 of 150 bound in half red buckram, boards covered with red paper printed with a variety of Fell ornaments, spine titled in gilt, 5 plates including 4 pages from the Prayer book of 1913. Slipcase. Whittington Press, 1998 2. Morgan (Gwenda) The diary of a land girl 1939-1945: illustrated with her wood-engravings, no 75 of 300 copies containing the diary and thirty-one engravings of Gwenda Morgan. Whittington Press, 2002
GLENLIVET 27YO 1973 - WILSON & MORGANA rare bottle of Glenlivet 27 Year Old Single Malt Scotch Whisky bottled by Wilson & Morgan as part of their Barrel Selection range. 70cl. 46% abv. Cask No: Butt 3098. Distilled 1973. Bottled 2000. In original wooden case. Level low neck. Stain on left side of label. 1 bottle.
Frederick Morgan (attrib) (British, 1847-1927) Revelers in a wooded landscape oil on canvas, bears label verso inscribed 'Being painted for the Royal Academy by F. Morgan R.A. but died before he finished it.' 25in x 32in (63.5cm x 81cm), framed. Provenance: From Joan Collard, daughter of Charles Collard (1874-1969) master potter and owner of the Honiton Art Pottery 1918-1947.
A collection of eight silver 'Morgan' Dollars, 1884, 1890,1891 and 1921 struck in Philadelphia, 1886, 1890, 1896 and 1900 bearing the 'O' New Orleans mintmark, together with a 1922 silver 'Peace dollar' and a Queen Victorian bronze diamond jubilee medallion, in original velvet lined presentation case (10)
ASSORTED SILVER COINAGE comprising an Alderney two pounds, 1993 (28.28g); Seychelles twenty-five rupees, 1994 (31.47g); Solomon Islands ten dollars, 1992 (31.47g); Vanuatu fifty vatu, 1993 (31.47g); Barbados five dollars, 1994 (28.28g); U.S. Morgan dollar, 1882; U.S. peace dollar, 1923; U.S. silver eagle, 1989; U.S. silver eagle, 1993; and four others, the latter including non-silver.
[Battle of New Orleans], 3 manuscripts incl. autographed document signed Gen. David B. Morgan, general orders to "keep every commissioned officer and soldier at his quarters during this present alarm", Dec. 24, 1814, 10 in. x 8 in.; autograph letter signed Genera David B. Morgan, to Major M. Reynolds, order for "constant communication", Jan. 4, 1815, 8 in. x 6 1/2 in.; autographed letter signed Gen. David B. Morgan to Andrew Jackson, acknowledging receipt of order to destroy buildings that could could interfere with the defense, Jan. 10, 1815, 9 1/2 in. x 7 3/4 in. Provenance: Gaspar Cusachs, entrepreneur, historian and collector, (1855-1929); The Gaspar Cusachs Collection, loaned to the Louisiana State Museum, New Orleans, LA (c. 1909-2016).
[Battle of New Orleans], 6 manuscripts, incl. autographed letter signed Major James H. Gordon to Gen. David B. Morgan, giving news of change in position of British troops, Jan. 9, 1815, 10 in. x 8 in.; autographed letter signed James H. Gordon to Gen. David B. Morgan, report of unsanctioned firing upon small raft in river, request to ask Andrew Jackson to send artillery and reliable officers, Jan. 12, 1815, 8 in. x 6 in.; autographed letter signed Major Michael Reynolds to Gen. David B. Morgan, regarding the transport of four Spaniards captured by the British, Jan. 13, 1815, 9 1/2 in. x 8 in.; together with 3 additional autographed letters pertaining to Camp Morgan. Provenance: Gaspar Cusachs, entrepreneur, historian and collector, (1855-1929); The Gaspar Cusachs Collection, loaned to the Louisiana State Museum, New Orleans, LA (c. 1909-2016).
[Battle of New Orleans], 4 Camp Morgan manuscripts, incl. "Report of Strength of Troops at Camp Morgan", Jan. 17, 1815, 7 1/2 in. x 13 in.; detail of Camp Morgan Guard, Jan. 20, 1815, 12 in. x 8 in.; receipt for clothing for Captain Scotts Company, Feb. 15, 1815, 7 1/2 in. x 8 in.; Committee of Clothing receipt, signed Isaac Roberts, Feb. 13, 1815, 6 1/2 in. x 8 1/2 in. Provenance: Gaspar Cusachs, entrepreneur, historian and collector, (1855-1929); The Gaspar Cusachs Collection, loaned to the Louisiana State Museum, New Orleans, LA (c. 1909-2016).
[Battle of New Orleans], incl. autographed letter signed M. Stanley, 1st Mate of Gen. David B. Morgan, Dec. 22, 1814, request for medical leave, 8 1/2 in. x 12 in.; autographed letter signed Gen. S. Hopkins, to Gen. David B. Morgan, request for provisions, Jan. 15, 1815, 8 in. x 6 in.; letter to Gen. David B. Morgan regarding flood damage, Jan. 23, 1815, 2 sheets, 8 in. x 5 in.; autographed letter signed Gen. William Carroll, to Gen. David B. Morgan, Jan. 13, 1815, request to send men across river to Carroll's company, 10 in. x 8 1/4 in. (4 pcs.) Provenance: Gaspar Cusachs, entrepreneur, historian and collector, (1855-1929); The Gaspar Cusachs Collection, loaned to the Louisiana State Museum, New Orleans, LA (c. 1909-2016).
[Slavery Documents], incl. partial printed document, passport to cross Lake Pontchartrain issued by the City of New Orleans to Madame Osorno, for self and slaves, Mar. 14, 1817, 13 in. x 8 in.; partial printed document, emancipation of slave named Rosalie, dated Aug. 9, 1821, Parish of Orleans, signed G.W. Morgan, Sheriff, 9 in. x 14 in.; autographed letter signed Thomas Dunlap, Philadelphia, to Dona Isabel de Osorno, Havana, regarding payment of goods transported by ship carrying slaves, Dec. 31, 1824, 2 sheets, 13 1/4 in. x 8 in.; 3 manuscripts, petitions of Joseph Martin for emancipation of slave named Marie Antoinette and her four children, Sept. 16, 1847, 13 in. x 8 in.; autographed document signed Deriocourt, notary public, petition by Pauline Toussaint for emancipation of her sons, Jan. 29, 1850, 12 1/2 in. x 8 in.; partial printed document, City of New Orleans, mortgage note for slave named Rosa, Aug. 12, 1850, 6 1/2 in. x 7 1/2 in. (6 pcs.) Provenance: Gaspar Cusachs, entrepreneur, historian and collector, (1855-1929); The Gaspar Cusachs Collection, loaned to the Louisiana State Museum, New Orleans, LA (c. 1909-2016).
[Battle of New Orleans], incl. manuscript requisition for stationery for General David B. Morgan, Jan. 1815, 13 1/2 in. x 8 1/4 in.; autographed document signed Capt. David C. Hatch, Jan. 14, 1815, request for provisions at Camp Morgan, 6 1/2 in. x 8 in.; manuscript report of Captain Debucht, Jan. 16, 1815, 4 1/4 in. x 8 1/2 in.; printed broadside, "Head Quarters, Division of the South, General Orders", July 3, 1815, 13 1/4 in. x 8 in. (4 pcs.) Provenance: Gaspar Cusachs, entrepreneur, historian and collector, (1855-1929); The Gaspar Cusachs Collection, loaned to the Louisiana State Museum, New Orleans, LA (c. 1909-2016).
[Battle of New Orleans], 4 manuscripts incl. chart of companies and divisions of British 85th Infantry, c. 1814, 8 1/2 in. x 12 1/4 in.; autograph document signed James H. Gordon, Brigade Major, orders to commanding officers to put troops in order, Dec. 23, 1814, 10 in. x 8 in.; autographed letter signed by secretary of Gov. Claiborne, to David B. Morgan, granting leave of absence to Col. de Jean, Jan. 11, 1815, 12 1/2 in. x 8 1/2 in.; autographed document signed Gen. Robert Butler, general orders to ready troops for possible attack by the British, Feb. 13, 1815; 10 in. x 8 in.; together with engraved invitation to ball celebrating "peace between the United States and Great Britain", c. 1815, 3 1/2 in. x 5 in. Provenance: Gaspar Cusachs, entrepreneur, historian and collector, (1855-1929); The Gaspar Cusachs Collection, loaned to the Louisiana State Museum, New Orleans, LA (c. 1909-2016).
[Battle of New Orleans], autographed letter signed General David B. Morgan, dated Jan. 19, 1815, to Dr. William Goforth, order to return to Camp Morgan with medicine and supplies to treat the sick, sheet 6 3/4 in. x 8 1/2 in. Provenance: Gaspar Cusachs, entrepreneur, historian and collector, (1855-1929); The Gaspar Cusachs Collection, loaned to the Louisiana State Museum, New Orleans, LA (c. 1909-2016).
Hornby railways OO gauge model railways including 12309 4-6-2 Mallard locomotive and tender 60022 BR; R380 4-4-0 Stowe locomotive and tender 928 Southern, 2-10-0 Evening Star locomotive and tender 92220 BR, each boxed, 4-6-2 Duchess of Sutherland locomotive and tender 623.3 LMS, Hammant & Morgan Duette transformer controller boxed and other accessories.
WILLIAM NORWOOD POTTER (EDITED): THE CITY OF LONDON CHESS MAGAZINE, London, W W Morgan, 1875, volume 1, ppi-iv, 1-314 plus 2pp adverts at end, original cloth gilt with decorative vignette and text to top board, this copy awarded as 3rd prize to Mr Theodore Block in the "5th Class Even Tourney 1885 at The City of London Chess Club", presented by the editor and gilt stamped as such to the upper boards, further signed and inscribed by the editor, W N Potter (a leading English player and talented chess writer) to the front end paper, later engraving of "The Late Mr N Potter" to front paste down
A William De Morgan Cavendish two tile panel, painted in shades of blue and green on a white ground, set inside turquoise border tiles, framed 16cm square (tiles) panel 53 x 38cm. Literature Martin Greenwood The Designs of William De Morgan Richard Dennis Publications, page 135 catalogue number 679 for the original drawing illustrated.
A William De Morgan Sunset and Moonlight Suite vase by Fred Passenger, shouldered form, the octagonal faceted body painted with columns of alternating grape vine and berried foliate panels, in shades of silver and ruby lustre on a midnight blue lustre ground, the neck with simple flower stem and bud motif, painted FP monogram, 25.5cm. high
A William De Morgan Pottery vase, ovoid with knopped cylindrical neck, painted with flower and foliage, the knop with a frieze of birds, in ruby and sand lustre on a white ground, unmarked, restoration to top rim, 34cm. high Provenance Arts and Crafts, Woolley and Wallis Auctioneer's, 20th June 2012 lot 73. Private collection.
Gerard Dillon (1916-1971) HANDS ACROSS THE BORDER woolen tapestry mounted on raw linen 62 x 44in. (157.48 x 111.76cm) The artist's family by descent; deVere's, 30 March 2004, lot 168; Private collection; Morgan O'Driscoll, 28 Aptil 2014, lot 44; Private collection 'Nano Reid & Gerard Dillon', Highlanes Gallery, Drogheda, 6 November 2009 to 10 January 2010 Framed in pitch pine recycled from the pews of Burnfoot Presbyterian Church, Co. Donegal. The earliest documented tapestry of Dillon's is the large work titled Gentle Breeze, now in the collection of Bord Fáilte. Gentle Breeze was begun in 1950 and exhibited three years later at the Irish Exhibition of Living Art (no. 61), where it was widely recognised as the outstanding entry in that year's show. James White discusses the piece at some length in his monograph on Dillon, drawing attention in particular to the element of painstaking manual labour involved in such a project: "Most modern painters and tapestry designers send their cartoons to the great tapestry factories to be woven there, but Gerard started his own in Roundstone, at a time when he ran out of painting materials and perhaps adequate cash; obtaining a large canvas base and able to acquire wool ends in different colours locally, he set out to master the handcraft practised in cottages around the world for many hundreds of years" (James White, Gerard Dillon: An Illustrated Biography, Wolfhound Press, 1994, page 61). Dillon evidently enjoyed the work, for he is known to have executed at least two other tapestries: Island Tapestry (IELA, 1953, no. 9) and the present work, Hands Across the Border. In subject and composition Hands Across the Border is typical of Dillon's consummate creativity; the flattened shapes of the two figures at once intertwine and flare outwards in a decorative design redolent of folk art. White considered the work to "represent Dillon's feeling for his country, a man born and brought up in Ulster yet totally at home in the West of Ireland"
50s/60s SOLO FEMALE FACTORY SAMPLES - A unique pack of 7 x factory sample demonstration LPs. Titles are Brenda Lee (x2) - Let Me Sing (pink/white label stereo STA 8548 with mono UK sleeve) and Sings Top Teen Hits (pink/white stereo STA 8603 with mono sleeve), Julie Felix - The Second Album (both UK mono copies; one is a single sided sample, LK 4724/LL3442), Jane Morgan - Jane In Spain (HAR 2244 cream/red label, 2 single sided LPs), Julie London - Your Number Please (HAW 2229 cream/red, 2 single sided LPs) and Peggy Lee - The Fabulous Peggy Lee (AH 107 blue/black text AH 107). Condition is generally VG.
REGGAE - An absolutely killer collection of around 300 x 7" cuts! Expect fab sides from the likes of Derrick Morgan (JP 797), Tony Rebel, Judge Dread, The Pioneers, Gregory Isaacs, Marcia Griffiths, Barrington Levy, The Diamonds, Yellowman & Fathead, Shinehead, Little John, Errol Dunkley, Byron Lee, Barbara George, Ruddy Thomas, Buster Pearson, The Charmers and Jimmy Burke. Condition varies.
Dell Four-Colour Movie Classics (1950s). David and Goliath, The Dirty Dozen, Lancelot and Guinevere, Master of the World, Morgan the Pirate, North to Alaska starring John Wayne, Operation Crossbow, Prince Valiant, Spartacus, Santiago, The War Wagon (John Wayne) and Zulu [vg/fn] (12). No Reserve

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19771 item(s)/page