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A George III hallmarked silver toddy ladle with oval single lipped bead decorated bowl, 32.5cm, and a further similar plain example engraved "R Morgan Angel Inn" to the base, both with wrythen baleen handles, possibly Thomas Morley, London c.1780 (2). CONDITION REPORT: Bead decorated ladle is in general good condition with just some minor surface scratches and dents commensurate with age. Lip is slightly misshapen. Area where stem meets bowl appears to have been professionally resoldered. The other bowl is also in similar good condition, also appears to have a repair to the central section of the silver part of the stem. Also has some areas of tarnish.
*Walking stick. A late 20th-century rustic walking stick, with deer antler handle carved with a Gold Finch nestling within the antler signed 'GL Morgan' mounted on a hazelwood shaft with horn ferrule, 89.5cm long together with another stick carved with a parrot handle and hazelwood shaft, 91cm long G.L. Morgan was an Oxfordshire artist who specialised in birds. (2)
Two framed WW1 Carmarthenshire Battalion promotion warrants named to a Military Cross recipient. The first dated 1916 promoting Jenkin Rees Gwynn Morgan to the rank of Quartermaster whilst the second one promotes him in 1920 to the rank of Captain at which time he has the initials M.C. after his name
A William De Morgan Sunset and Moonlight suite tazza by Fred Passenger, painted to the well with a grotesque creature, with young resting on its back, its tail rising to form an attacking serpent, inside scrolling border, in ruby and silver lustre on a blue lustre ground painted FP monogram, small chip to rim, 23cm. diam. Literature William De Morgan Richard Dennis Exhibition, June 2004 catalogue number 8 for a red lustre charger with a comparable group of animals painted by Charles Passenger.
A William De Morgan Sunset and Moonlight pedestal bowl by Fred Passenger, the well painted with a mythical crested bird inside a border of clawed creatures on a scrolled foliate ground, the rim a border of carnation, the exterior borders of flowers and foliage in blue and sand lustre painted FP monogram, paper collector's label, 22cm. diam.
A William De Morgan Sunset and Moonlight Suite roundel by Fred Passenger, dated 1902, circular, painted with a central flower roundel inside stylised tulip flower border, in shades of ruby and gold lustre on a blue lustre ground painted monogram and date, applied paper label 'given to me by Frederick Passenger 29.4.21 this experiment was adopted and a large amount of similar pottery followed', 18cm. diam. Provenance Applied Arts from 1880 Sotheby's London 19th December 1986 page 58 lot 313. Private collection. Catalogue Notes This roundel is a trial development of the triple lustre glazes developed by William De Morgan.
A William De Morgan Sunset and Moonlight Suite triple lustre bowl by Fred Passenger, painted to the exterior with a frieze of fruiting grape vine, the interior with stylised flower border and central flower roundel, in gold and ruby lustre on a blue lustre ground, and William De Morgan Arts and Crafts Potter a reference book by Rob Higgins and Christopher Stolbert Robinson painted FP monogram, fine firing crack to rim 19cm. diam. (2) Literature Rob Higgins & Christopher Stolbert Robinson William De Morgan Arts and Crafts Potter, Shire Publications, page 44 this actual bowl illustrated.
A William De Morgan Farini plate, moulded in low relief with inter-linking circle border, the well with similar raised decoration, glazed in ruby and sand lustre impressed tulip mark, chipped section to rim, 28.5cm. diam. Literature William Gaunt & M D E Clayton Stamm, page 125 plate 119 for a comparable charger.
A Dutch Sunflower tin glaze tile designed by William Morris or William De Morgan, painted in shades of blue on an off white ground, and two Maw & Co tiles moulded in relief with radiating oak leaf and acorn design, and a slate panel, impressed marks to Maw tiles, glaze chips, 15.5cm. square (4) Provenance private collection Literature Richard & Hilary Myers William Morris Tiles, Richard Dennis Publications, page 105 figure 165 for comparable tiles illustrated.
A Good William De Morgan Sunset and Moonlight Suite vase by Fred Passenger, shouldered octagonal section, painted with columns of alternating scaly fish amongst waterweed and flowers, between stylised foliate bands, in golden lustre on a midnight blue lustre ground painted FP monogram 25.5cm. high
Concorde Aviation Interest - British Airways news, Concorde special edition 2003, five copies; Concorde gilt metal cufflinks; two Geneiva chocolate boxes for Concorde; Concorde cheque book cover, papers and box; Concorde cabin baggage label; Morgan Mint final flight of Concorde coin; Dan Air playing cards; Peter McNeil aviation prints; and other items (qty)
A good ruby lustre earthenware dish attributed to William De Morgan, late 19th century, painted with a prowling lioness against a ground of swirling foliate scrolls, faint impressed numeral, 37cm.diameter. Footnote: A De Morgan ruby lustre dish painted with two felines against a similar foliate background is in The De Morgan Foundation, Museum number C-WDM- 0198. Illustrated
SELECTION OF TRI-ANG HORNBY MODEL RAILWAY SETS to include The Blue Pullman and track set; The Freight Line and track set; LNER Coach; a Siding Set R.454; a Track Pack R.429; The LNER Flying Scotsman with steam exhaust noise, R.855N, all boxed, together with an LNER coack R.746 (without box), and a Hammant & Morgan Ltd Clipper power control unit (boxed)
William De Morgan Floral Tile, the square divided into four panels, two opposing diagonally hand decorated with five cornflowers each, the other two with green foliage, all on an off-white ground; impressed W.D.E(sic) MORGAN in a cartouche to the back; 6+ inches square (restoration to a crack across two panels including re-painting to the surface)
Henry J Morgan (British, 19th Century) HMS Revenge, 1859 - the last wooden battleship to serve in the Channel Fleet signed lower right "H J Morgan" oil on canvas 36 x 27cm (14 x 11in) HMS Revenge was a 90 single screw wood, built at Pembroke and launched 16th April 1859Very dirty. Vertical strectcher bar mark visible down right hand edge. tear to canvas to right of ship's mast, and a scratch in the sea along the bottom edge. Very yellow varnish and modern gilt frame.
A Kirby Morgan Band Mask 10:, internal oral/ nasal mask with microphone, drain valve and nose clearing device, chrome frame and regulator, side valve and 'bail out' valve, contained within an orange face mask with neoprene head covering fitted internal speakers and rubber spider support. * see page 229, vol 1, 'Diving Helmets and Equipment Through The Ages'.
A Kirby Morgan 'Superlite 17' diving helmet by Diving Systems International, Santa-Barbara, California:, yellow fibreglass body with brass handle, side and rear balance weights, camera mount to handle, plated window frame with fold down welding visor, adjustable demand valve with exhaust deflector, comms cable and hose shoe yoke, maker's labels to either side, 33cm high. * see page 231, vol 1, 'Diving Helmets and Equipment Through The Ages'.
'Fred The Head', A 6-bolt commercial diving helmet by Siebe Gorman & Co, London:, number '17302', oval side windows with guards, circular front window with lashing eyes above, spitcock lower right, side outlet with cog rear air intake, the corselet with makers plate (worn), front and rear hanging posts, mounted on an oak stand, 53cm high, together with a brass mounted pewter tankard with Assay stamps to rim. *Note- This helmet was formerly used at the Hall Russell Shipyards in Aberdeen by their maintenance repair crews. It was then reassigned to the John Morgan Company, who specialized in Civil Engineering projects all over Scotland. The principal Diver was a man named Frederick Smith (Fred the Head) and the tankard belonged to him. * see pages 32-33, vol 1, 'Diving Helmets and Equipment Through The Ages'.
Bremer Press. Ilias/Odyssee, 2 volumes, edited by Eduard Schwartz, Bremer Press, Munich, 1923, titles designed by Anna Simons, printed in Greek type on Zanders handmade paper, original pale blue boards, paper label to spines (spines dulled), slipcases (a couple of folds splitting, abrasions), folio Limited edition of 615 copies, numbered 71 & 407 respectively. Provenance: Robert Elwell, his bookplates. These copies were displayed in the Pierpoint Morgan Library exhibition, The Art of the Printed Book, 1973. (2)

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19768 item(s)/page