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HOROLOGICAL AND OTHER TOOLS, WORKSHOP PRACTICES AND TURNINGThirteen volumes:Crom, Theodore R. Horological Shop Tools 1700 to 1900 two works published by the author, Melrose FL 1980 and 1987, each gilt titled brown cloth; Wyke, John A CATALOGUE OF TOOLS FOR WATCH AND CLOCK MAKERS facsimile reprint of the late 18th century catalogue published for The Henry Francis du Pont Winterthur Museum by the University Press of Virginia, Charlottesville 1978, dj; Dane, E. Surrey PETER STUBS and the LANCASHIRE HAND TOOL INDUSTRY John Sherratt and Son Limited, Altrincham 1973, dj; Walker, Philip THE VICTORIAN CATALOGUE OF TOOLS FOR TRADES AND CRAFTS Studio Editions, London 1994, dj; Rees, Jane (editor) The Tool Chest of Benjamin Seaton, 1797 second edition, The Tools and Trades History Society, Wakefield 2012, softbound; Hummel, Charles F. With Hammer in Hand, the Dominy Craftsmen of East Hampton, New York The University Press of Virginia, Charlottesville 1968, dj; Holtzapffel, Charles and John Jacob TURNING AND MECHANICAL MANIPULATION, five volume set, published by the authors, London dates ranging from 1843 to 1897, embossed brown cloth gilt title to spine (vol. III over two bindings); together with volumes 1 to 15 of TOOLS AND TRADES - THE JOURNAL OF THE TOOLS AND TRADES HISTORY SOCIETY 1983-2008, each softbound; and a quantity of related sundry publications, (qty). Provenance: The horological library of Lawrance Hurst.
PAAR KERAMIKFIGUREN: "ÄSENDES REH", Karlsruher Majolika, Modell-Nr. 5782, Entwurf BACH, ELSE (1899-1951), um 1937. Vollplastisches Rehkitz auf rechteckiger Plinthe. H. 21 x L. 24 x B. 7 cm. Die Malerin und Bildhauerin entwarf für die staatliche Majolika Manufaktur über 50 Tierfiguren und wurde vor allem durch ihren Entwurf des Bambis für den deutschen Fernseh- und Medienpreis bekannt. "FOHLEN", Karlsruher Majolika, Modell-Nr. 5934, Entwurf LILLI HUMMEL-KÖNIG (1901-1975). Vollplastisches Fohlen auf rechteckiger Plinthe. H. 11,5 x L. 11,5 x B. 6 cm.
A small watercolour painting, 14½” x 10”, of a building on a hill, signed and dated A Hitler 1935, with pencil inscription and signature below, which translates as “The Tea House on the Kehlstein. View from the footpath (including the new radio antenna which spoils the entire house). GC (staining overall); together with a typed description of the painting, on NSDAP headed notepaper, signed “Hummel” (staining overall) (2) £250-300
A collection of four Hummel figures, to include Appletree Boy, Feeding Time, Appletree Girl, and Little Goat-herder; together with a pair of continental figures; and a Herend porcelain campagna shaped urn, hand-painted with pink roses, having printed Herend mark verso and numbered 683/BSCondition report: Pair with small loss to umbrella ends (one to each figure).All others with no apparent faults.
* EUGEN DEKKERT (GERMAN 1865 - 1956), ST MONANS HARBOUR oil on canvas, signed image size 56cm x 78cm, overall size 84cm x 108cm Framed. Provenance: Sold by Christie's (Scottish Sale, Assembly Rooms, Edinburgh 27th October 2005 lot 41) for £6120 (premium) and with an estimate of £3000 - 5000. Anonymous sale; Christie's, London, 21 February 1958, lot 55. Note: Eugen Dekkert was generally known in Scotland as "Eugene" as the pronunciation of his name (Oigun) was a little unusual for some Scots. Dekkert was born in 1865 in Stettin, Germany aka Szczecin (and now part of Poland under the Potsdam Agreement of 1945) and he came to live in Scotland as a young man. He first lived in Glasgow and then settled in the East Neuk of Fife in the early 20th century. He and his wife Emma were living in St Monans at both the 1901 and 1911 census. The fact that he lived there explains why he often painted the harbour at St Monans. It was written in 1906 that "the sea is never absent from his work" and that his style was "strongly individual". He had studied at the Academy in Munich as a student of Theodor Hummel. Presumably, he returned to Germany at the time of the Great War. Eugen Dekkert participated in numerous prestigious art exhibitions in Berlin, Dresden and Munich. Many of his works are in international as well as German museums, such as the Neue Pinakothek in Munich. Eugen Dekkert died in 1956. Dekkert is often referred to in the UK as Scottish and sometimes as Dutch. His dates are also frequently recorded incorrectly and even his time in Scotland is misreported probably because his work continued to be exhibited at the Royal Scottish Academy and at other venues until at least 1938. However, after 1913 his address was listed (in RSA exhibiting records) as "c/o Messrs James McClure & Son, 130 Wellington Street, Glasgow", so one can reasonably conclude that he was selling through McClure as an agent and was no longer resident in Scotland.
Goebel limited edition cat vase, by Rosin Wachtmeister, limited edition 4474/5000, 15cms high; and a lidded trinket box of similar design; along with other ceramics and glassware including two Hummel figures of children; Lladro figure of a lady; glass eagle paperweight signed A. Capredoni; Selkirk glass paperweight and another.

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14720 item(s)/page