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A collection of cameras, lenses, and associated equipment, including a Minolta X-300 camera, a Pentax ME F camera, an RMC Tokina 80-200mm 1:4.5 52mm zoom lens, serial 8237305, with Bell & Howell 52mm Skylight (1B) filter lens, in carry case, a Tamron Adaptall 2 BBar MC 1:2.5 49mm lens, serial 425438, in carry case, a tripod, and flash units. (1 box)
19th Century bronze ormolu ship's wheel timepiece with 2.5in silvered dial with black Roman Numerals and with a pocket watch movement, the wheel with eight banded agate spokes (one in wood as replacement) with a tablet inscribed Howell James & Co, Regent St.W. and on an oval base with rope twist border, height 24cm
Cine and Video Equipment, a Canon 514XL-S Super 8 sound camera in maker's box, a Paillard Bolex B8SL 8mm camera with two Yvar lenses, a Bolex DECLIC handle, an 8mm Cine Viewer in maker's box, a Bell & Howell Filmo 16mm twin chamber film magazine, a Watsofilms 16mm library catalogue, circa 1950, six Pathescope 9.5mm films and some 35mm cinema film offcuts, together with a Panasonic portable VHS VCR and a JVC TM-41EK colour monitor, A/F
Four Slide Projectors, a Bell & Howell TDC Headliner 303, with Trionar 4in f/3.5 Anastigmat lens, in original fitted case, with cartrages and slide slector, a Kodak Carousel S-AV 2020, with Vario Retinar 70-120mm lens, a Hanimex Rondette 1000 S, with 85mm f/2.8 Hanimar lens, a Hanimex La Ronde eft, no lens and a Kodaslide home projector, with 4in f/3.5 Ektanon lens, in makers case
* Pavarotti (Luciano, 1935-2007). Operatic Tenor. A programme for the Royal Gala Performance of Verdi's Un ballo in maschera at the Royal Opera House, Covent Garden, London, 23 June 1976, signed in red pen next to their printed names by each of the soloists on centre spread, signatories are Luciano Pavarotti, Gwynne Howell, Joseph Rullo, Reri Grist, Renato Bruson, Francis Egerton, Patricia Pyne, William Elvin and Martina Arroyo, additionally signed by the conductor Edward Downs, opera director Michael Rennison, singer John Carr and the chorus master Robin Stapleton, printed on card with advert leaf pasted to verso, vertical mark to upper board, 4 pp., 4toQty: (1)NOTESThis cast list has been extracted from a larger programme.
FILM/CINEMA & PROJECTION INTEREST; five Bell & Howell projectors comprising models 613H, 606H, Autoload, 642 and 613, also a Bell & Howell-Gaumont power unit/transformer, three projectors cased and the remaining with covers (6).PROVENANCE: The private single owner collection of Trevor Charles Thomas of Stoke on Trent, all his projectors were well cared for although we have not tested them and can offer no guarantee of working order.Additional InformationCases generally worn condition, some light scuffs to bodies in parts.
FILM/CINEMA & PROJECTION INTEREST; fiveBell & Howell projectors comprising models Filmo Showmaster, a Filmo-Master, Filmo-Master 400, 606H and Moviemaster, also a Bell & Howell Filmosound unit and power unit/transformer (7).PROVENANCE: The private single owner collection of Trevor Charles Thomas of Stoke on Trent, all his projectors were well cared for although we have not tested them and can offer no guarantee of working order.Additional InformationCases generally worn condition, some light scuffs to bodies in parts.
FILM/CINEMA & PROJECTION INTEREST; five Bell & Howell projectors comprising model 606, TQIII, 173 Filmosonic, 613, etc, also a Filmosound unit, the projectors cased (8).PROVENANCE: The private single owner collection of Trevor Charles Thomas of Stoke on Trent, all his projectors were well cared for although we have not tested them and can offer no guarantee of working order.Additional InformationCases generally worn condition, some light scuffs to bodies in parts.
FILM/CINEMA & PROJECTION INTEREST; a group of projector equipment including numerous film splicers, empty reels of various formats including Bolex and Pathé examples, Minette standard 8mm editor, Minolta movie editor, Bell & Howell TG2 16mm Filmosound, transformers/power units, projection screens, a small group of 16mm reels and over forty Super and standar 8mm reels including Women Wrestlers, Herbie Goes to Monte Carlo, Bandolero, The Tiger Hunters, Donald Duck in the High Andes, White Rabbit, Monster from Under the Sea, Coyote goes Hollywood, Charlie Chaplain in Fire Alarm, Clock Cleaners, The Olympic Champ, Cinderella’s Fairy Godmother and further Disney etc, A Windmill Restored, The Raleigh Cycle Race, Stock Car Racing, Micky Mouse (Ensigna Reel), Silverdale Colliery etc, and a group of lenses including Specto 2” (numerous), Pathé 200B.H. Filmovara, Pathé ‘S’, Dallmeyer Super-Six F=38mm F/1.9, Bell & Howell (numerous) and further similar, majority in cases/boxes.PROVENANCE: The private single owner collection of Trevor Charles Thomas of Stoke on Trent.Additional InformationCases/boxes in worn condition, none of the reels have been tested by us but are from a single owner private collection who took good care. No guarantee of working order, packing where applicable is in worn condition. 4x Specto 2" lenses, Dallmeyer 2 1/2", Pathé, Pathé S, Paillard Bolex, Taylor-Hobson 2", and approx twenty further miscellaneous lenses.
* Heath (William). Four caricatures: The Guard wot Looks after the Sovereign, The Slap Up Swell wot Drives when Hever he Likes, The Cad to the Man wot drives the Opposition [and] Old Nic The Covey wot drives the Bexley Van, Thomas McLean, 1829, together four etched caricatures with bright contemporary hand colouring, each approximately 370 x 255 mm, framed and glazed, together with Jones (Thomas Howell). The Extinguisher,- or putting out the great law-luminary, S. W. Fores, 1829 & The Man wot's been made Foreman to the British !!! N. B. He is perfectly Fire-proof having been engaged in Hot work all his life, S. W. Fores, 1829, two etched caricatures with bright contemporary hand colouring, each approximately 350 x 250 mm, framed and glazed, with Cruickshank (Robert). The Gemman as pays the Regular Out-an-Outer vot drives the Hero, The Regular Out-an-Outer vot drives the Hero [and] The Gemman vot pays the Man vot drives the Sovereign, G. Tregear, 1829, together three etchings with bright contemporary hand colouring, each approximately 340 x 245 mm, framed and glazed, plus Phillips (John, pseud. A. Sharpshooter). The Man wot could not Drive as he Liked, The Man wot can change the Sovereign [and] The Nurse, Child and Plaything, 1829, three caricatures with bright contemporary hand colouring, each approximately 345 x 250 mm, framed and glazedQty: (12)NOTESOriginally purchased from Schloss Marienburg, Hanover, and believed to be part of a collection originally assembled by George IV.
Agriculture - Loudon (J.C.), An Encyclopædia of Agriculture [...], second edition, London: Longman [...], 1831, in-text illustrations, 20th century three-quarter brown calf over marbled boards, 20th century pictorial bookplate: Ex Libris R. Owen Wood, 21.3.33, 8vo, (1); [Horne (Thomas Hartwell)], The Complete Grazier [...], fifth edition, London: Baldwin and Cradock, 1830, frontispiece, full-page plates, in-text illustrations, contemporary quarter-calf over marbled boards, 8vo, (1); Clater (Francis), Every Man His Own Farrier [...], twenty-first edition, London: W. Lewis, 1811, portrait frontispiece, contemporary calf, with Sandford & Howell, Shrewsbury, their ticket, slightly later ink MS ownership inscription: John Harris [...] 1844, tipped-in MS receipt by the same hand, 8vo, (1); The Farmer's Magazine, Second Series: Volume the Third/January to June 1841, [&] Volume the Eleventh/January to June 1845, printed in parallel columns, illustrated, uniformly bound in contemporary calf over marbled boards, speckled edges, 8vo, (2); [Youatt (William)], Sheep: Their Breeds, Management, and Diseases, to which is added The Mountain Shepherd's Manual, London: Baldwin and Cradock, 1837, contemporary half-calf over marbled boards, endpapers marbled en suite, speckled edges, 8vo, (1); Boussingault (J.B.) & Law (George, translator), Rural Economy [...], London: H. Bailliere, 1845, contemporary half-calf over marbled boards, red-speckled edges, contemporary pencil presentation inscription, 20th century pictorial bookplate: Ex Libris R. Owen Wood, 11.12.33, 8vo, (1), [7]
Photography Interest - Box of Cameras & Accessories, including boxed Guardian Exposure Meter, Bauer Autoblitz flash gun in case, boxed SGB Exposure Meter, boxed Woollensar Telephoto Lens, Olympus Promaster Zoom Camera in case, Bell & Howell Cine Camera, Canon AE-1 Camera in case, along with various other lenses and accessories.
A rare mid 19th century French malachite-mounted gilt brass repeating carriage clockHowell James & Co., To the Queen, London & ParisThe highly elaborate case with ribbed handle over applied Gothic-style cast and engraved motifs centred by circular malachite inserts, the signed rectangular white enamel Roman dial with blued-steel Breguet style hands over a subsidiary alarm dial, the twin train movement with lever platform escapement, striking the hours, half hours and repeating on a bell, stamped with the 'Encircled B' trademark. Striking but not ticking. 18cms (7ins) high (1)Footnotes:Howell James & Co. was a firm of jewellers and silversmiths based in London's Regent Street for almost a century, from 1819 to 1911. The firm exhibited at the Great Exhibition in London in 1851 and at the 1862 International Exhibition. It sold items by students and designers of the South Kensington School and in 1884 it became a Limited Company. The current lot probably dates to the time of the early Exhibitions and in the decorative treatment of the gilt brass case shows the influence of another of the great London clockmakers, Thomas Cole.For further information on this lot please visit Bonhams.com
E.V. Howell (English School, early 20th century)A pair of Military Uniform Studies, Office, Pte & Sergt of the Grenadier Company and Pte, Drummer & Officer of Battalion Company, 1759signed, titled and dated 1929, conforming artist's stamp to verso, watercolour and gouache on paper, 32.5cm x 20.5cm, [2]
Herbert J. Butler - Motor Bodywork: The Design & Construction of Private, Commercial and Passenger Types. A better than usual hardback copy of the First edition, original dark blue cloth with gilt lettering plus gilt panelling to the spine, front and rear hinges re-enforced with cloth (as pub), the cover edges a little rubbed, and lower corners slightly worn and with a short split, but internally clean and quite sound. 10½ x 7¾-inches, pp xxiv, 492, plus 245 illustrations and 50 working drawings (many folding). Foreword by Sir Herbert Austin, published by W. R. Howell & Co, 1924.
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4782 item(s)/page