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Two late 19th/early 20th century Chinese ivory figures comprising: Guanyin as a standing figure with flowing drapery and hands crossed, 13.5cm high (damages); and a figure of a man with a goatee beard, holding a peach in his right hand and with a small deer on his left side, 10cm high (damages) (2)
A Scottish pottery figure of a kilted Scotsman with a sporting gun and his dog, standing on a naturalistic base, 18cm high (damages); a Prestonpans pottery figure group flat back of fishwives, 22cm high; and a pair of pottery seated figures of a man and a woman clad in tartan, each 19cm high (4)
SUBBUTEO A Subbuteo miscellany containing unboxed players, referees, linesmen, other figures, goalkeeper rods, specialist accessories, World Cup trophy, balls, scoreboard, pitch fence , teams for scoreboard, corner flags etc, no boxes. Condition varies, some players are without bases, but probably ideal for "spares" and well worth a look for the Subbuteo enthusiast. As described
A Victorian snuff box Nathaniel Mills, Birmingham 1842, of simple rectangular form with all over engine decoration, the cover with circular cartouche with crest engraved; together with an Edwardian card by W Comyns, with embossed scene of figures within a landscape in scroll cartouches (2) Mills example 8cm x 3cm x 2.5cm
A group of Indian silver to include a tapered beaker with all over design of animals and figures within a heavily scrolled background; together with a group of matched cruets with similar heavily embossed scroll and figural decorations and an `Alladdins lamp` table lighter Birmingham 1942 (qty) beaker 11.5cm high
A Siamese cigarette box apparently unmarked, the cylindrical body with pull off sleeve cover with embossed floral swags and flower head border, the cover with pull off section with cat and kitten finials, the base with floral border with swag pendants and three reclining figures as feet 14cm high
Benjamin Robert Haydon (1786-1846). Romeo and Juliet. Pen and ink drawing. Manuscript extract from Shakespeare’s play, in Haydon’s hand, on the verso. 23 x 18.5cm (9 x 7 1/4 in). Standing male nude figure study, with inset study of an arm. Pen and ink drawing. Signed in ink at lower right. 22.5 x 18cm (8 7/8 x 7 in). Sir William Allan PRSA (1782-1850). Pencil drawing inscribed The Regent Murray shot by Hamilton of Bothwellhaugh. Signed with initials at upper right, the sheet addressed to Madame Dufresne in Paris, and postmarked 1825, on the verso. 20 x 25cm (8 x 9 3/4 in); and with 3 portrait studies of male heads, 2 in pencil, 1 in charcoal, by various hands, all unframed (6). These 6 drawings, and the following 2 lots, were extracted from an album originally belonging to Elizabeth Dufresne, a neighbour of Sir David Wilkie in Rathbone Place, London, whose circle of mainly Scottish friends included William Allan. She modelled as the mother in Wilkie’s famous work, The Blind Fiddler. Benjamin Haydon was also associated with this group, as was the French emigré artist, Dufresne, whose marriage to Liz was short-lived, ending with her departure for France. Haydon wrote affectionately of her and this period of their association in his autobiography, where he even refers to them reading Shakespeare together. “Liz was as interesting a girl as you would wish to see and very likely to make a strong impression on any one who knew her: however, I kept clear, and she ultimately married the Frenchman”. It is probable the three portraits included in this lot are of related figures, and two have been tentatively identified as Wilkie and William Hazlitt.

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