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Click here to subscribeAttributed to Gennaro Greco, called Il Mascacotta (Naples 1663-1714 Nola)An architectural capriccio with figures before a harbour oil on canvas48.5 x 63.7cm (19 1/8 x 25 1/16in).Footnotes:ProvenanceThe Collection of Mrs Gordon, 1925 (according to a label on the reverse)Private Collection, UKFor further information on this lot please visit Bonhams.com
Jacob van der Croos (The Hague 1632-circa 1690 Middelburg or Amsterdam)A landscape with ruins and two figures resting in the foreground signed and dated 'IVCROOS/ 1655' (lower right) oil on panel48 x 64.7cm (18 7/8 x 25 1/2in).Footnotes:ProvenanceThe Collection of Lucius O'Callaghan by whom offeredSale, Christie's, London, 12 October 1956, lot 20 (bt Vanderkar £55.8.0) Sale, Van Ham, Cologne, 23 October 1968, lot 20 (as A.J v.d. Croos)LiteratureH-U. Beck, Künstler um Jan van Goyen: Maler und Zeichner, Doornspijk, 1991, p 112, cat. no. 286, ill. p. 112This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Florentine School, late 17th CenturyThe Triumph of Pulcinella with other figures from the Commedia dell'arte oil on canvas50.7 x 90.7cm (19 15/16 x 35 11/16in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Attributed to Felice Torelli (Verona 1667-1748 Bologna)A woman and a lion with a group of other figures (recto); and Seventeen figure studies (verso) bears inscription 'Felice Torelli fece' (lower centre) and bears inscription 'Federico da Urbino' (verso)pen and brown ink over red chalk with red wash, watermark crossed arrows, on laid paper28.2 x 27cm (11 1/8 x 10 5/8in).unframedFootnotes:ProvenanceTerence MullalyExhibitedVenice, Fondazione Cini, Disegni Veronesi del Cinquecento, 1971, no. 101At the time of the Venice exhibition an alternative attribution to Brusasorci was suggested.Terence Mullaly (1927-2020) was an art historian, journalist, lecturer and broadcaster who specialised in Italian art with a particular interest in the Veronese and Venetian schools, but whose collecting taste was wide-ranging. He was art critic for the Daily Telegraph 1958-1986 as well as contributing to Apollo and Burlington Magazine.For further information on this lot please visit Bonhams.com
John Martin (Haydon Bridge 1789-1854 Isle of Man)Classical figures near a temple signed and dated 'J.Martin 1812' (lower left)watercolour on paper12.8 x 18.6cm (5 1/16 x 7 5/16in).Footnotes:ProvenanceSale, Christie's, South Kensington, 18 July 2012, lot 875 (with two other works)For further information on this lot please visit Bonhams.com
After Abraham Jansz. Storck, early 18th CenturyAn Italianate harbour with figures on the quay oil on canvas100.2 x 101.9cm (39 7/16 x 40 1/8in).Footnotes:ProvenancePrivate Collection, UK since 1950sThe present work is derived from Storck's original, offered at Sotheby's, London, 24 April 2008, lot 102.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Attributed to Giovanni Domenico Ferretti (Florence 1692-1768)Figures on a nimbus black chalk with grey and brown wash heightened with white on laid paper17.4 x 21.3cm (6 7/8 x 8 3/8in).unframedFootnotes:ProvenanceTerence MullalyTerence Mullaly (1927-2020) was an art historian, journalist, lecturer and broadcaster who specialised in Italian art with a particular interest in the Veronese and Venetian schools, but whose collecting taste was wide-ranging. He was art critic for the Daily Telegraph 1958-1986 as well as contributing to Apollo and Burlington Magazine.For further information on this lot please visit Bonhams.com
Paolo Farinati (Verona 1524-1606)Study of a woman and a child bears inscription 'Paulo Farinato' (lower left) pen and brown ink on blue laid paper, verso studies of a vase and figures in black chalk13.5 x 7.4cm (5 5/16 x 2 15/16in).Footnotes:ProvenanceWith Brod Gallery, 1972 from whom acquired byTerence MullalyTerence Mullaly (1927-2020) was an art historian, journalist, lecturer and broadcaster who specialised in Italian art with a particular interest in the Veronese and Venetian schools, but whose collecting taste was wide-ranging. He was art critic for the Daily Telegraph 1958-1986 as well as contributing to Apollo and Burlington Magazine.For further information on this lot please visit Bonhams.com
Attributed to Isaac Willaerts (Utrecht 1620-1693)Shipping in rough seas with figures in a coastal town oil on canvas65.5 x 98.4cm (25 13/16 x 38 3/4in).Footnotes:ProvenancePrivate Collection, The Netherlands for at least 70 yearsThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A GROUP OF SEVEN SUNDERLAND LUSTRE WALL PLAQUES MID 19TH CENTURY Typically modelled as picture frames and variously printed and over painted One with printed mark for S. MOORE & Co. Sunderland All approximately 19 x 22cm Condition Report: Some rubbing and wear generally, some crazing, figures before Italianate building restored, exotic birds with cracks Condition Report Disclaimer
A MEISSEN PORCELAIN (OUTSIDE DECORATED) CLOCK CASE, SURMOUNTED WITH FIGURES LATE 19TH CENTURY Emblematic of the Arts, blue crossed swords with cancellation mark 47cm high Provenance: From a Private Collection in Northamptonshire Condition Report: Some small chips and losses. Please see additional images for a visual reference to condition.Condition Report Disclaimer
AN ITALIAN 'TERRAGLIA' ALLEGORICAL FIGURAL GROUP, PROBABLY LE NOVE OR POSSIBLY ESTE, VENETO, REPUBLIC OF VENICE LATE 18TH CENTURY Modelled en rocaille with three classical figures before tree, 16cm highAn almost identical porcelain group can be seen in the Museo delle porcellane in the Boboli Gardens of the Palazzo Pitti in Florence. (https://commons.wikimedia.org/wiki/File:Este_o_le_nove,_statuietta_in_porcellana_del_1785_ca..JPG) Condition Report: Small chips and losses, for example see shell losses at front of base, fingers of goddess, sword hilt etc.Condition Report Disclaimer
A Chinese carved soapstone table, landscape, 7 1/2" high, three similar figures, a brush washer and other carved stoneCondition:The male figure on the most right hand side of the primary image has a section missing around his hands.Some possible small losses to the other pieces but no great losses or damages.
A Chinese jardiniere with figures in a landscape decoration and seal mark to base, 3 1/2" high x 5 3/4" dia, a similar bowl (chipped) and three other pieces of chinaCondition:Jardiniere has some rubbing to the gilt rim but no other visible issues.Other pieces have various degrees of damages including small chips, wear to decoration etc.
A Chinese blue and white jardiniere with figures in a landscape, 9 1/2" dia x 5 1/2" high, a similar dish, 10 3/4" dia, and other items (damages)Condition:Larger Blue and white circular dish: Restored and chipped.Platter: RestoredBoth vases: similar damages, both with top rims cracked and restored.Blue and white tea cup is fine, the saucer has had its rim restored.Jardinière has no apparent damages.
Victorian silver four-piece tea and coffee service, of matching Etruscan revival design, the classical helmet shape finial over hinged shaped lid, etched loop handle with ivory insulators on an ovoid body, engraved with a frieze of Greek mythological figures, soldiers and war maidens with blank cartouche, between ribbon and band borders, on a round pedestal foot. Samuel Roberts & Charles Belk, Sheffield 1878, max H33cm, gross 2.23kg Ivory exemption code - SPUARPDX
An Art Deco patinated spelter table lamp, c1930s, the marbled glass globe shade supported by three figures of ladies on a stepped base with presentation plaque to the foot, max H41cm, shade diameter 18cm. Condition - Touch of minor scratching to the ladies and one rubbed spot on the base, light wear throughout.
A pair of Japanese 19th century octagonal plates, the border decorated with panels of butterflies and exotic birds, the centre decorated with figures within a garden, each 29 x 29 cm. Chip to corner of one plate, otherwise in good condition. UK P&P Group 2 (£20+VAT for the first lot and £4+VAT for subsequent lots)
An interesting 19th Century folio containing small Norwich school oil on panel of a windmill; oil on panel study of a harvesting scene at Arundel; Edward Hardwick 1828, small watercolour study of figures and a dog; various 19th Century pencil drawings, watercolours, prints and caricatures etc. all unframed
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