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An Art Deco Austrian chrome plated and ebonized 'bar tender' cigarette dispenser, width 14.5cm, together with three other novelty cigarette dispensers and two Art Deco cocktail stick holders.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A jade and diamond cocktail ring, featuring a green jadeite of saddle shape, approximately measures 21.3 x 9.8 x 3.2 mm, mounted in a diamond-set basket, flanked by shoulders of gate link design, with millgrained edges and embellished with diamonds, to a wide tapering flat shank, white metal stamped '750', size Q½, total weight of item 13.7 grams.
Bentima- a ladies vintage 9ct gold Bentima Star cocktail watch, comprising a round silvered dial with gilt baton hour markers, case approx 16mm, to an integral 9ct gold fancy link bracelet strap, fold over clasp, total gross weight approx 14gms in original caseNote: regarding watches/pocket watches please note movements untested, functionality untested, for more information request a condition report with specific questions or please view in personGeneral condition- replacement crown, winds and ticking at time of report wear and tear commensurate with age
A collection of silver to include; five sterling silver gilt cocktail designed cocktail sticks with case (missing one), a pair of James Dixon & Sons Sheffield silver table spoons, a London silver gilt Egyptian designed tourist spoon, an Indian/Burmese white metal handled drinks cup/measure with embossed decoration, and a collection of various silver spoons, a button hook, a pair of Art Nouveau style Scandinavian small condiment spoons, and two silver knives. Various makers and dates to include Kirby Beard Ltd and Charles Usher.Weighable silver: Approx. 310 grams (10ozt)Further Details: Some wear, tarnishing, slight denting and staining in parts.
OMEGA DIAMOND SET EIGHTEEN CARAT GOLD MANUAL WIND COCKTAIL WATCH the round dial with baton hour markers, 14mm case, on a herringbone strap stamped to the clasp, in a generic box, lacking papersQty: 23.2gMOVEMENT: Ticking at present. WEAR: Worn. DIAL: Marks visible. CRYSTAL/ACRYLIC: Scuffed, scratched. HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Worn.
CYMA DIAMOND SET QUARTZ COCKTAIL WATCH the mother of pearl oval dial with diamond dot hour markers, diamond bezel, fourteen carat gold bracelet, lacking box and papersQty: 42g MOVEMENT: Not ticking at present. WEAR: Generally worn. DIAL: Fair condition.CRYSTAL/ACRYLIC: Fair condition.HANDS & MARKERS: Intact. CROWN: Intact. BRACELET/STRAP: Well worn.
Paar Cocktail-Ohrgehänge mit Smaragden18 kt Weißgold. Dreiteilig. Offene bombierte Stecker-Brisuren und variabel abnehmbare Entourage-Anhänger an beweglichen Leisten, jeweils gefasst mit 23 Diamanten im Brillantschliff, 11 Diamanten im Navetteschliff und 20 Diamanten im Baguetteschliff sowie einem rechteckigen Smaragd von ca. 3,87 ct (ca. 8,97 x 9,67 x 6,43 mm). Diamanten zus. ca. 12,60 ct; H/I, vvs-vs). Gestempelt: Feingehalt 750. Schrauben verloren. H 5,5 cm. Gewicht 24,05 g.Um 1970.
Cocktail-Ring mit großem Diamantsolitär18 kt Weißgold. Blütenförmiger Ringkopf in Entourageform krappengefasst mit einem Diamant im Brillantschliff 6,89 ct (12,65 - 12,72 mm x 7,17 mm, N/O, vvs2, keine Fluoreszenz), carmoisiert mit elf getreppt angeordneten Diamanten (zus. ca. 1,10 ct, G/H, vs-si), zwölf Smaragden (zus. ca. 0,90 ct) und dreizehn Saphiren (zus. ca. 1,40 ct) im Navette-Schliff. Gestempelt: Feingehalt 750. RW 53. Gewicht 10,27 g.Um 1975.GutachtenDiamant-Befundbericht Nr. TJ 996 des DPL, Idar Oberstein, vom 02.02.2017.
Paar Cocktail-Ohrclips mit Diamanten18 kt Weißgold. Massive bombierte Ohrclips in ovaler Creolenform voll ausgefasst mit 258 Diamanten im Brillantschliff (zus. 13,97 ct; G/H, vvs). Gestempelt: Feingehalt 750, nicht signiert. 2,9 x 1,5 cm. Gesamtgewicht 34,65 g. Originales Lederetui.Georg Hornemann, Düsseldorf, 1990er Jahre.GutachtenSteinangaben laut Schmuckexpertise von Georg Hornemann vom 14.1.1999, die in Kopie beigegeben ist.
Paar Cocktail-Ohrclips mit Smaragden18 kt Weißgold. Clips geometrisch ausgefasst mit Smaragden und Diamanten: zwei zentral gefasste Smaragde im Octogonal-Schliff (zus. ca. 1,95 ct), carmoisiert mit 48 Diamanten im Baguetteschliff (zus. 4,29 ct; G/H, vvs) sowie mit 38 Smaragden im Baguetteschliff (zus. 3,96 ct). Gestempelt: Feingehalt 750, "Hornemann". 2,2 x 1,5 cm. Gewicht 26,65 g. Originaletui.Georg Hornemann, Düsseldorf 1980er Jahre.GutachtenSteinangaben laut Schmuckexpertise von Georg Hornemann vom 9.7.2004, die in Kopie beigegeben ist.ProvenienzErworben bei Juwelier Weyersberg, Düsseldorf am 5.10.1987.
A quantity of vintage costume jewellery to include a Reitter Mittenwald white metal and red enamelled brooch in the form of a cello, two reproduction Medieval arrow badges designed by Fr Patten, made by Thomas Pattorini, various school and enamelled badges, white metal and silver items, ladies cocktail watches to include Timex and Hamilton and other items all housed in a late 19th Century leather travel jewellery case with key. Location;R2.3
KM/Victor B Wilkins - a G Plan vintage teak wooden Danish/Scandinavian influence coffee table /side occasional table/ low cocktail drinks trolley having shaped ' tulip sides with long inset glass panel top over teak base with large chrome Magnum Orbit castor wheels, chrome button detailing to sides, 50cm high, 122cm long, 49cm wide
A collection of watches: Rolex Oyster wristwatch, a gentleman's Seiko automatic wristwatch, a lady's Tudor on bracelet circa 1950, a lady's Grand Prix Cocktail watch, a Novoris fob watch, a lady's Seiko cocktail watch circa 1970, a lady's Majex watch circa 1950, a lady's Tressa cocktail watch, a fob watch circa 1910, a lady's Emka watch without strap, and a Marvin watch circa 1930 without strap. (a lot)
A group of plated items, including a 'Bonzer' cocktail shaker, two-handled trophy cup, sugar basket, tankard and sugar skuttle and scoop.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An Elizabeth II silver long-handled cocktail fork and matching spoon, each square handle with oval terminal, London 1978 by James W. Potter & Sons, weight 88.3g, length 23.8cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A set of six late Victorian silver Hanoverian pattern dessert forks, London 1894 by Josiah Williams & Co, length 17cm, and two other matched silver dessert forks, various dates and makers, together with a group of other silver, including a set of six cocktail sticks, each with a cockerel finial, Birmingham 1929 by Adolph Scott, cased, a set of five coffee spoons and a rectangular photograph frame, Sheffield 2010, height 21cm, weighable items 524.6g.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Wallace, United States. 126 piece sterling silver serving flatware set in the "Grand Baroque" pattern, introduced in 1941, all marked. This set includes the following: 12 dinner knives, 12 forks, 12 salad forks, 18 teaspoons, 12 butter knives (eight paddle blade and four common blade), 12 ice tea spoons, 12 cocktail forks, 12 ice creams forks, three demitasse spoons, one butter serving knife, two youth size forks, two youth size knives, two tablespoons, one pierced tablespoon, one carving fork, one carving knife, one cream sauce ladle, two cream soup spoons, one large serving fork, one large serving spoon, one nut spoon, one sugar tong, one lemon fork, one pickle fork, one pie or cake server, and one cake breaker with prongs.Gross weight of sterling (not including 31 stainless handled items): 127.23 Troy oz.Condition: The set is in excellent condition with no bends, breaks, or losses. Light scratches throughout consistent with age and use. The carving knife and fork are monogrammed. No other monograms. Wear to the storage box.
A GEM-SET COCKTAIL RING, BY GEORLANDModelled as a stylised tree frog, the body pavé-set with circular-cut tsavorite garnets highlighted with a line of brilliant-cut diamonds, accented with orange cabochons for eyes and webbed feet, mounted in 18K gold, signed Georland, numbered, French assay mark, ring size K½Georges Richard and Roland Bouder founded their atelier, Georland – an amalgamation of their first names, in Paris in 1954. Both skilled craftsmen, their venture was immediately successful and by 1958 they had already set up a second workshop in New York.In the early stage of the ateliers’ career, Georland attracted the commissions of many fine jewellery maisons, most notably those at the Place Vendôme in Paris, such as Cartier, Boucheron, and Van Cleef & Arpels.During the 1960s and 70s, the company expanded into Europe with commissions from Geneva and the UK for rings, necklaces, and entire sets of jewellery. The workshop’s attention to detail, and especially their ability to set gems beautifully such as in Lots (43068-5) and (43068-28), was evident from the beginning and allowed them to make connections with customers such as Queen Sophie of Spain, Queen Elizabeth II, and Princess Lady Diana who owned a platinum, sapphire and diamond necklace by Georland.Over time, Georland’s reputation expanded to the Middle and Far East and many exceptional pieces were created in the workshop, which became owned by Henry Marteau. The talent held in the atelier meant commissions were received not only for jewellery but also object d’art and even gem-set chandeliers. Henry's sons Stéphane and Jean-Gabriel joined the company in the 1990’s, bringing with them the vibrancy and drive to propel the business into the future. A renewed focus on sourcing the finest materials and increasing the use of new technology allowed the House to double their client numbers in less than ten years. As Georland went into liquidation in 2013 and no longer create pieces under their own brand, pieces available at auction are a rare and prized findCondition Report: Normal signs of wear, overall in good conditionTotal gross weight approx. 10.80g
A JET 'VICTORIA' COCKTAIL RING, BY POMELLATOComposed of a large cushion-shaped jet within collet-setting, mounted in 18K rose gold, signed Pomellato, Italian registry mark, numbered, French assay mark, ring size LCondition Report:Retail price found on Pomellato website: €6,600Minor pits on jet due to normal wear - hardly noticeableOverall normal signs of wear, in good conditionMounted in 18K rose goldNumbered P100018764Total gross weight approx. 35.1g
A GEM-SET COCKTAIL RING, BY GARRARD, 2005Of bombé design, set with fancy-cut amethysts centring a cross set with square-cut peridots, the belt pavé-set with brilliant-cut diamonds, signed Garrard, with maker's mark, English hallmarks for London, 2005, ring size LCondition Report: Minor signs of wear, overall in good conditionTotal gross weight approx. 13.20g
A DIAMOND 'GOCCE' COCKTAIL RING, BY DE GRISOGONOOf bi-coloured design, composed of teardrop motifs alternately set with graduated brilliant-cut diamonds, mounted in 18K gold, signed de Grisogono, Swiss assay mark, French assay mark, numbered, size J½ Condition Report: Diamonds: Bright and well matchedSwiss assay mark + signature located inside hoopFrench assay mark for 18K gold located on the outside of the hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 37.10g
A Gemset 'PASHA' COCKTAIL RING, BY CARTIEROf circular bombé grid design, set with pink tourmalines, yellow and orange citrines and amethysts, mounted in 18K gold, signed Cartier, numbered, with maker's case and outer box, ring size J½ (50)Condition Report: Numbered: NM0133Minor signs of wear, overall in good conditionTotal gross weight approx. 24.6g
A DIAMOND COCKTAIL RING, BY KUTCHINSKY, CIRCA 1965Of bombé design, pavé-set with brilliant-cut diamonds within textured gold foliate detailing, mounted in 18K gold, signed Kutchinsky, with maker's mark for Kutchinsky, partial London hallmarks, ring size KKutchinsky is an admired, collectable, and highly respected brand whose 20th century pieces have been said to represent the interesting intersection of war and beauty.According to historian Mary Ann Wingfield, Hirsch Kutchinsky, having fled Poland with his son Morris and their family, founded the business on Commercial Road, London in 1893, girded with the experience of serving as jeweller to the court of Ludwig of Bavaria. By 1930 the business was well-respected and multigenerational with Morris’ son Joseph working his way up, learning the importance of craftsmanship and customer service. Joseph quickly rose to head the firm’s production of platinum and diamond watches. His natural salesmanship, charisma, and seemingly endless energy ensured the company’s continuing success.Joseph Kutchinsky married in 1940, just before he was called to serve in the Second World War. After his service, he returned to lead the family firm.Jewellery created by Kutchinsky during the late 1940s and the 1950s were striking and ostentatious, celebrating the end of wartime restrictions and the ability to once again have access to luxury items. Marquise and baguette diamonds adorned rings, bangles, brooches and earrings, many pieces also used beautiful gemstones and natural materials like coral and turquoise. Kutchinsky was especially known at this time for their stone-cutting technique and for their oftentimes whimsical designs including animal and floral pieces.From 1960 to 1991 Sannit & Stein was the main workshop for Kutchinsky. This workshop, along with Joseph’s sons Paul and Roger Kutchinsky (who took over leadership in 1989), shared an obsession with Fabergé. This interest can clearly be seen in Kutchinsky’s employment of flashy designs and a mission to use only the highest quality materials. This obsession has become a cornerstone of the Kutchinsky story, inspiring Paul’s daughter Serena, a journalist, to write many articles about this era of the House’s history.London’s high society, as well as customers from as far afield as the Middle East, sought out the designs created by the House of Kutchinsky. The Middle East proved particularly lucrative, until the invasion of Kuwait and the war that followed.Kutchinsky jewellery at auction now distinguishes itself from a backdrop of mass-produced items. Its uniqueness is a leading factor in the brand’s timeless and iconic status and has contributed significantly to the demand for and value of the jewellery.Lot 72 and Lot 73 certainly capture the lustre and magnificence expected from Kutchinsky. The repeating floral patterns in both diamonds and gold in Lot 72 exudes a celebration of nature and of the beautiful, glistening gems and gold that make up the piece. Similarly, Lot 73 centres the dynamism of diamonds and gold with a delicate and fanciful leaf motif while Lot 75 is both refined and playful with the use of onyx and coral. These pieces, which are from the 1960s and 1980s, are a wonderful example of the work of Kutchinsky from this time. They reflect the zeitgeist, as jewellery historian Alba Cappellieri explains, “This was indubitably the decade of art jewellery and experimental jewellery … making it instead a form of research of experimentation unlinked to manufacturing logics and marketing demands.”Condition Report: Diamonds: bright and livelyPartial London hallmarks, unable to read letter for dateNormal signs of wear, overall in good conditionTotal gross weight approx. 12.6g
A LADY'S 18K GOLD AND GEM-SET COCKTAIL WATCH, BY KUTCHINSKY & DELANEAU, CIRCA 1974Of manual wind movement, the oval dial pavé-set with single-cut diamonds throughout and sword hands, case with polished applied bombé onyx and coral with reeded gold connectors, with snap on back, to a mesh-link bracelet and black cabochon crown, with maker's mark for Kutchinsky, English import mark for 1974, movement signed Delaneau, mounted in 18K gold, case no. 1645*, with Delaneau case and copy of insurance valuation from Kutchinsky jewellers in London dating from 2005, case 4cm, length 18.3cmKutchinsky is an admired, collectable, and highly respected brand whose 20th century pieces have been said to represent the interesting intersection of war and beauty.According to historian Mary Ann Wingfield, Hirsch Kutchinsky, having fled Poland with his son Morris and their family, founded the business on Commercial Road, London in 1893, girded with the experience of serving as jeweller to the court of Ludwig of Bavaria. By 1930 the business was well-respected and multigenerational with Morris’ son Joseph working his way up, learning the importance of craftsmanship and customer service. Joseph quickly rose to head the firm’s production of platinum and diamond watches. His natural salesmanship, charisma, and seemingly endless energy ensured the company’s continuing success.Joseph Kutchinsky married in 1940, just before he was called to serve in the Second World War. After his service, he returned to lead the family firm.Jewellery created by Kutchinsky during the late 1940s and the 1950s were striking and ostentatious, celebrating the end of wartime restrictions and the ability to once again have access to luxury items. Marquise and baguette diamonds adorned rings, bangles, brooches and earrings, many pieces also used beautiful gemstones and natural materials like coral and turquoise. Kutchinsky was especially known at this time for their stone-cutting technique and for their oftentimes whimsical designs including animal and floral pieces.From 1960 to 1991 Sannit & Stein was the main workshop for Kutchinsky. This workshop, along with Joseph’s sons Paul and Roger Kutchinsky (who took over leadership in 1989), shared an obsession with Fabergé. This interest can clearly be seen in Kutchinsky’s employment of flashy designs and a mission to use only the highest quality materials. This obsession has become a cornerstone of the Kutchinsky story, inspiring Paul’s daughter Serena, a journalist, to write many articles about this era of the House’s history.London’s high society, as well as customers from as far afield as the Middle East, sought out the designs created by the House of Kutchinsky. The Middle East proved particularly lucrative, until the invasion of Kuwait and the war that followed.Kutchinsky jewellery at auction now distinguishes itself from a backdrop of mass-produced items. Its uniqueness is a leading factor in the brand’s timeless and iconic status and has contributed significantly to the demand for and value of the jewellery.Lot 72 and Lot 73 certainly capture the lustre and magnificence expected from Kutchinsky. The repeating floral patterns in both diamonds and gold in Lot 72 exudes a celebration of nature and of the beautiful, glistening gems and gold that make up the piece. Similarly, Lot 73 centres the dynamism of diamonds and gold with a delicate and fanciful leaf motif while Lot 75 is both refined and playful with the use of onyx and coral. These pieces, which are from the 1960s and 1980s, are a wonderful example of the work of Kutchinsky from this time. They reflect the zeitgeist, as jewellery historian Alba Cappellieri explains, “This was indubitably the decade of art jewellery and experimental jewellery … making it instead a form of research of experimentation unlinked to manufacturing logics and marketing demands.”Condition Report: Glass: no scratches observedBracelet: some dents due to wear - the bracelet can be replaced, screws inCase no. 1645HIn running condition at the time of inspectionTotal gross weight approx. 77.1gCopy of insurance valuation from Kutchinsky jewellers in London dating from 2005 - insurance value: £15,750.-An external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...The movement is running at the time of cataloguing, however, it was not tested for the accuracy of time or duration of the power reserve and may need service at the buyer's discretion. Please note that Adam's does not guarantee the future working of the movement. For any additional assistance, please refer to the department.
A LADY'S 18K GOLD AND DIAMOND MANUAL WIND COCKTAIL WATCH, BY PIAGET, CIRCA 198019-jewel 4P1-Cal manual wind movement, sunburst champagne dial and dagger hands, polished gold case with snap on back, bezel set with single-cut diamonds, fitted 18K gold mesh-link bracelet with folding clasp, dial and movement signed, case no. 41545*** & 55437*, maker's marks 'PZ' on clasp (both ends), French assay marks on case and clasp (both ends), with case, case 1.9cm, length 18.3cmCondition Report: Diamonds: bright and livelyGlass: No scratches observedDial: Three minor scratches visible under a bright light sourceBracelet: in 18K gold, with eagle's head for French 18K gold. Minor signs of wear - some gold oxidisation found inside the folding clasp In running condition at the time of inspectionCase no. 41545F12 & 554374Total gross weight approx. 51.50g(case, non original)An external watch specialist who verifies each watch prior to each auction in order to open them, checks their working condition, mentions any potential damage, mentions any movement ref numbers etc...For any additional assistance, please refer to the department.The movement is running at the time of inspection, however, it was not tested for the accuracy of time or duration of the power reserve and may need service at the buyer's discretion. Please note that Adam's does not guarantee the future working of the movement.
AN EMERALD AND DIAMOND COCKTAIL RING, CIRCA 1965Of abstract design, highlighted with circular-cut emeralds between two brilliant-cut diamond accents on textured gold to a trifucated hoop, mounted in 14K gold, ring size K½Condition Report: Emeralds: of bluish-green hue, medium tone, overall well matched in colourDiamonds: bright and livelyStamped 14K inside hoopNormal signs of wear, overall in good conditionTotal gross weight approx. 9.4g
An Art Deco lady's 9ct white gold and diamond set cocktail watch, having a boat shaped Arabic dial within a round cut diamond set surround, further set with single square cut sapphires at 3 and 9 o'clock, the hinged lugs further set with diamonds and a single sapphire, manual wind movement with cabochon sapphire set crown, all to an integral 9ct white gold bricklink bracelet with ladder snap clasp, 16.8g, case w.16mm
A lady's Vertex Revue 9ct white gold cased and diamond set cocktail watch, the signed silvered dial with baton markers within round cut diamond set bezel, the lugs each further set with three graduated round cut diamonds, the case with engraved sides, manual wind movement, case dia.19mm, on a 9ct white gold snakelink bracelet, 15.9g
A lady's Longines steel cased quartz cocktail watch, having a signed silver lozenge shaped dial, the bezel pavé set with small brilliant cut diamonds, quartz movement, back cover numbered 32698962, case dia.20mm, on Longines black alligator skin bracelet with steel clasp, with box, booklet and outer box (box distressed)Not running, presumably needs new battery.
An Art Deco lady's platinum and diamond set cocktail watch, having a signed silvered Arabic dial within a diamond set bezel, the fixed and hinged lugs being further diamond set, manual wind movement, the whole on a 9ct gold bracelet with hinge deployment clasp, gross weight 16.3g, case dia.17mmShortest length when closed 4.4cm, longest length when closed 16cm.All diamonds good and present.Not currently running.
A collection of four wristwatches to include an Edwardian 18ct gold half-hunter the dial with black Roman numerals and subsidiary seconds dial, the half-hunter case with gold Roman numerals, engraved decoration to the back and stamped 18K, 7773, repeated to the inner cuvee which is marked for the retailer T. Martin, 151 Regent St, London, Swiss Made, diameter 32mm, total weight ca. 34.55gms.A 9ct gold ladies wristwatch signed Avia, the case hallmarked for Birmingham and stamped ALD for the casemaker Dennison, diameter 20mm, total weight ca. 12.6gms.Two further ladies cocktail watches, one stainless-steel the other gold-plated.
Rolex, a lady's 18ct white gold diamond and sapphire-set cocktail watch with the cushion dial having Arabic numerals and blued steel Breguet hands on a two-strand leather strap, the movement stamped Rolex, Prima, the case stamped 18, .75, R.W.C. Ltd and numbered 36460 112,diameter 18mm, another white metal cocktail watch with the round dial having Arabic numerals and blued steel moon hands, on a mesh bracelet, diameter 15mm.
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42329 item(s)/page