We found 42329 price guide item(s) matching your search

9ct Gold Smoky Quartz Single Stone Cocktail Ring (3.3g)

Four Silver Statement Dress/Cocktail Rings (38g)

Five Silver Gemstone Set Cocktail Rings Including Moonstone (56g)

Cocktail-Armband der 1950er Jahre Neapel. Gelbgold, gest. 750. 11 Stränge aus mattierten, zylinderförmigen Gliedern. Vegetabil gestaltete Steckschließe mit zwei Sicherheitsbügeln. Gew. ca. 66,34 g.; L. ca. 18 cm. Italian bracelet in 18 k gold.

Cocktail-Armband Gelbgold, gest. 585. Breites Armband mit schräg gestellten Gliedern. Steckverschluss mit zwei Sicherheitsösen. Gew. ca. 62,52 g. L. ca. 20 cm. Bracelet in 14 k gold.

Prachtvolles hochfeines Cocktail-Brillantarmband Weißgold, 18 ct.; Schauseitig linear besetzt mit 30 Brillanten von zus. ca. 10,25 ct. (H/vvs-vs) sowie 60 Brillanten von zus. ca. 4,20 ct. (H/vvs-vs), insges. 14,45 ct.; Gew. ca. 30,52 g.Beiliegend Expertise vom Gemmologischen Institut Hamburg.Wiederbeschaffungswert ca. € 51.000,-.Bracelet set with brilliants total approx. 14,45 ct. (H/vvs-vs), in 18 k white gold. Certificate included.

A quantity of pen nibs, cocktail shaker, hors d'oeuvre's dish.

A small 'Le Creuset' pan and cocktail set.

ELIOT (T S): 'The Cocktail Party': London, Faber, 1950: FIRST EDITION. Dustjacket, spine sunned and chipped to ends: together with NABOKOV (Vladimir, translator) 'Eugene Onegin...a Novel in Verse by Aleksandr Pushkin': London, Routledge, 1964: 4 vols, publishers cloth with dustjackets, VG. For sale on behalf of St Wilfrid's Hospice. (5)

A boxed set of six Philippe Deshoulieres cocktail plates

A 9ct gold cased ladies cocktail watch; together with a ladies Rotary 21 Jewels automatic cocktail watch; with a quantity of costume jewellery, mainly faux pearls, one string with a silver clasp

Mary Anne Rogers(Contemporary)"Outnumbered",signed,limited-edition photolithograph, 331/500,15 x 68cms, in frame.together with;"Cocktail",signed,limited-edition photolithograph, 137/500,34 x 14.5cms, in frame. (2)

Two lady's 9ct gold watches, a base metal trench watch, a lady's cocktail watch and four pocket watches, together with two base metal vesta cases, two cigarette lighters (one marked Dunhill) and a base metal propelling pencil

TIFFANY STYLE TABLE LAMP ALONG WITH A CANDELABRUM AND OTHER ITEMS the lamp with leaded glass shade, the decanter with stopper, also a silver plated tray and a Royal Worcester set comprising two pin dishes and a cocktail stick holder

A pair of Art Deco shell back cocktail armchairs.

An coopered oak barrel cocktail cabinet, with lifting lid, fitted interior and raised on Dansette legs, with label for Guinness Coopers of Ireland. 52x73cm.

A fully beaded-ivory-cocktail-length-dress worn by Jamie Lee Curtis at the 55th Academy Awards ceremony (ABC, 1983).Hollywood glamour defines this garment, composed of an ivory chiffon, fully embellished with pearlized-glass-bugle-beads, which catch and glisten in the light. The dress is cut on the bias; the dolman sleeves create a loose bodice (34" inch bust); the waistline (24.5" inches) is gathered and cinched; and the skirt is open and hits below the knee. The garment construction features center seams at the front and back of the bodice. The beading is sewn on the diagonal, creating a subtle chevron pattern on the bodice. Two darts extend from the waist to the bust, which creates a defined V-shape, creating a diamond shape that extends the length of the bodice. The fabric looks like it was cut with a pattern then beaded and assembled. Only the skirt is handsewn and lined with blush-colored acetate at the internal waistline. A Petersham is tacked at the waistband to help shape the garment due to the weight of the embellishment. There is no label or size marker present. The dress was worn by Jamie Lee Curtis to the 55th Academy Awards. She presented the Oscar for Best Sound Effects Editing alongside Carl Weathers. Weathers, who presented with Curtis, commented on how lovely her dress was before presenting the award. Marlene Dietrich originally owned the gown and wore a similar version in the 1942 film The Lady Is Willing (Columbia Pictures, 1942), Dietrich's gowns were designed by Irene Lantz, whose clothing line was featured in premier retailers and department stores. PROVENANCE Lot 8 "Unforgettable: Fashion of the Oscars," Christie's Auction House (Sale #9074) March 19, 1999.

A costume design by Edith Head for Audrey Hepburn as Holly Golightly in Breakfast at Tiffany's (Paramount 1961). A mixed medium costume design for Audrey Hepburn by Edith Head. The sketch features a full-length Audrey-like figure in a light pink full-length gown with a full skirt and fitted bodice, similar in likeness to the cocktail dress Audrey wears in the film. The figure wears a tiara, earrings, and elbow-length gloves, and holds a cover-up in her right hand. The dress is drawn with glittering surface embellishment on the bodice and skirt; however, this design differs from the scoop neckline and calf-length hemline worn in the film. Edith's design is a sophisticated evening gown, featuring a bateau neckline with an ankle-length hem. The sketch is signed by Edith Head at the bottom left corner. Audrey wears a pink dress upon returning from an evening with José, soon to find out her brother Fred is dead and going into a traumatic physical fit of grief. The bright color and embellished design was a contrast to her character’s previous outfits of understated elegance.This sketch was likely a conceptual sketch for Audrey as Holly Golightly, the dress in the film is cocktail length and designed by French couturier Hubert de Givenchy. Breakfast at Tiffany’s was a film that defined Audrey’s timeless style and the refined elegance that was Givenchy’s signature. The pink dress showcases architectural construction with a fitted princess-seamed bodice and a gathered skirt that is as buoyant as Audrey’s charming smile. The facet foil back crystals, the guipure fan tassels, and the vibrant pink add up to a defining moment in fashion where women were feminine, sleek, distinct, and articulate in how they dressed.The design worn in the film was a part of Givenchy’s 1960 fall show with well-known clientele Lee Radziwill and model Capucine wearing the embellished design in black. Audrey asked if the design could be made in pink specifically for the film, only two of these pink design confections were made. A rare design that showcases the artistry of French haute couture and the beautiful Audrey Hepburn as Holly Golightly. Audrey’s Givenchy wardrobes while they evolved in each film collaboration have become a timeless reference to elegance and glamour in both film and fashion. This lot comes with a DVD/Blu-Ray of the film. 

A cocktail dress as seen worn by Barbara Hershey as "Duchess Lucinda" in the comedy Splitting Heirs (Prominent Features, 1993). An emerald green, fitted mini cocktail dress with chiffon/mesh, leaf-shaped panels along the trim features an off-the-shoulder neckline and back zipper. Angels Costumiers costume tag is present and reads "840, 1992." No size present. Together with a costume tag. Splitting Heirs follows the son of a recently deceased duke and a man claiming to be his long-lost son as they fight for the inheritance.

A silver-grey silk duchess satin dress attributed to designer Valentina for Greta Garbo.A sleek iridescent slate grey cocktail dress with a blouson bodice, three-quarter-length sleeves, and box pleated skirt with pockets. Accompanied by a dove grey silk chiffon scarf and matching Salvatore Ferragamo belt (the belt measures 31.75 inches). There is no label present for the dress or scarf and no marked size.This dress is documented in the book Greta Garbo: The Mystery of Style edited by Stefania Ricci (Milan: Skira, 2010) and previously exhibited at the Museo Salvatore Ferragamo exhibition Greta Garbo: The Mystery of Style in 2010.The lot comes with a copy of Greta Garbo: The Mystery of Style edited by Stefania Ricci (Milan: Skira, 2010). PROVENANCE Lot 83 "Property from the Estate of Greta Garbo," Juliens (Sale 52) December 14, 2012

A costume design by Edith Head for Audrey Hepburn as Holly Golightly in Breakfast at Tiffany's (Paramount 1961).A mixed medium costume design for Audrey Hepburn by Edith Head. The sketch features a full-length Audrey-like figure in a light pink full-length gown with a full skirt and fitted bodice, similar in likeness to the pink cocktail dress Audrey wears in the film. The figure wears a tiara, earrings, and elbow-length gloves, and holds a cover-up in her right hand. The dress is drawn with glittering surface embellishment on the bodice and skirt; however, this design differs from the scoop neckline and calf-length hemline worn in the film. Edith's design is a sophisticated evening gown, featuring a bateau neckline with an ankle-length hem. The sketch is signed by Edith Head at the bottom left corner.Audrey as Holly Golightly wears a pink dress upon returning from an evening with José, soon to find out her brother Fred is dead and going into a traumatic physical fit of grief. The bright color and embellished design was a contrast to her character’s previous outfits of understated elegance.This sketch was likely a conceptual sketch for Audrey as Holly Golightly, the dress in the film is cocktail length and designed by French couturier Hubert de Givenchy. Breakfast at Tiffany’s was a film that defined Audrey’s timeless style and the refined elegance that was Givenchy’s signature. The pink dress showcases architectural construction with a fitted princess-seamed bodice and a gathered skirt that is as buoyant as Audrey’s charming smile. The facet foil back crystals, the guipure fan tassels, and the vibrant pink add up to a defining moment in fashion where women were feminine, sleek, distinct, and articulate in how they dressed.The design worn in the film was a part of Givenchy’s 1960 fall show with well-known clientele Lee Radziwill and model Capucine wearing the embellished design in black. Audrey asked if the design could be made in pink specifically for the film, only two of these pink design confections were made. A rare design that showcases the artistry of French haute couture and the beautiful Audrey Hepburn as Holly Golightly. Audrey’s Givenchy wardrobes while they evolved in each film collaboration have become a timeless reference to elegance and glamour in both film and fashion.This lot comes with a DVD/Blu-Ray of the film.

A lavender organdy cocktail dress worn by Grace Kelly in her Golden Globe-winning and Oscar-nominated role as the prim "Linda Nordley" in Mogambo (MGM, 1953).The custom-made garment, by legendary costume designer Helen Rose, has a fitted boned bodice with a sweetheart neckline, decorative fabric-covered buttons, and three-quarter sleeves with a full multi-layer skirt. The dress is cut on the bias, and the outer shell is a lovely lilac seersucker-silk-organza that references Dior's 1947 "New Look." A beautiful basque waistline emphasizes the volume of the four-layered skirt. The dress has two tiered-ruffled petticoats, with outer layers of dupioni silk and organza. The fitted under-bodice complements the draped neckline and sheer blouson outer layer. The dress has a zip closure and a button placket with blind snaps and hook-and-eyes to conceal the closure. Rose's design encapsulates elegance, femininity, and sophisticated glamour, which Grace Kelly was known for in Hollywood. A bias label typed “Grace Kelly P-777-2636” is present.Kelly as Linda Nordley wears the dress while at an uneasy dinner at the African base camp alongside her husband, Donald (Donald Sinden). At the dinner, Linda must navigate Eloise "Honey Bear" Kelly's verbal digs aimed at the secretive relationship forming between Linda and the group's leader, Victor Marswell (Clark Gable), whom Honey Bear still has feelings for.As the film is set on an African safari, this is the most elaborate costume worn by Kelly. Costume design by Helen Rose, who also designed Kelly’s wedding gown for the church ceremony at Monaco's Saint Nicholas Cathedral when she wed Prince Rainier III. The dress had professional conservation work performed by Museo de la Moda in Santiago, Chile.Includes a DVD of the film. PROVENANCE Lot 48, "TCM Presents... There's No Place Like Hollywood" Bonham's, New York, November 24, 2014

An antique 18ct yellow gold ring set with two rubies, one red stone (has been replaced) & old cut diamonds, 2.54gm, size O, an 18ct yellow & white gold cluster ring set dark blue sapphire and small round single cut diamonds, 4.85gm, size P and a yellow gold cocktail style ring set with an emerald cut yellow quartz stone, 9.34gm, size J 1/2, (3).

Interior design - a pair of large decorative cocktail glasses, 70cm high; etc (4)

Various mixed collectibles to include a pair of faux tortoiseshell racing binoculars in a leather pouch, an artillery shell timer, a plate bell, cocktail sticks in the form of swords, spectacles, lighter, corkscrew, trinket boxes and a brooch, also a Roman era small glass vessel, etc.

A reproduction walnut veneered cocktail cabinet with mirrored back and fitted interior, raised on cabriole supports, with glass top, 103 x 96 x 48cm.

Two Japanese 1980s wind-up toys, comprising a dressed and lithograph printed clockwork bartender, with cocktail shaker and glass, boxed and a felt and printed tinplate balloon vendor, boxed, also a soldier puppet made by Gordon Murray c.1967, length 17cm (3).

Ten etched champagne cocktail glasses, together with Edinburgh crystal drinking glasses and other items etc Condition Report:No condition report available.

A Victorian silver goblet (af) by Martin Hall U Co, Sheffield 1866, with repousse decoration of scrolling foliate vignettes, a silver bonbon dish, Birmingham, a novelty silver cocktail twizzler in the form of a gold club, Birmingham, a silver nail brush, London marks, and a miniature white metal model of a dog under a palm tree, weighable silver 230gms (5) Condition Report:Available upon request

Two boxes of glass ware including cocktail glasses, sundae glasses, drinking glasses etc

A mid 20th century burr walnut drinks/cocktail cabinet with carved frieze, mirrored interior and slide out serving tray, the interior being lined with sycamore.Condition:- General wear throughout with light scratches, middle glass shelf missing, some nibbles to edges of glass throughout, no sign of any major damage or repair, with 2 keys.Dimensions:- max height 172cm, max width 104cm and max depth 49cm

A carved wood fish, a copper tea kettle, H21cm, cinnabar box (A/F), bell, cocktail shaker, ceramic horse sculpture etc

A group of interesting items, including a cocktail shaker in leather case, a group of wicker wrapped preserve jars, a quantity of modified shell casings, pewter and plated tankards etc

A DIAMOND COCKTAIL WATCH, the silvered dial with black Arabic numerals, the un-numbered jewelled movement in a plain oblong case engraved "All Platinum", pave set with numerous small diamonds to open angular shoulders, on a woven strap with ladder fastener, stamped 9ct (Est. plus 24% premium inc. VAT)Condition Report: Does not work. Dial 1.2 x 0.8cm. Case, strap and glass 14.8g gross. Shoulder to shoulder 5cm long

A BLUE TOPAZ COCKTAIL RING, the oval facet cut stone horizontally claw set to open bead shoulders point set with a small diamond to a plain 18ct gold shank, sponsor's mark R&C, size S 1/2 (Est. plus 24% premium inc. VAT)Condition Report: 6.5g gross, new?

EP COCKTAIL SHAKER

SELTENES DUNHILL-COCKTAIL-SET IM ORIGINALEN LEDERKOFFER MIT SCHLÜSSEL England, Birmingham, P. H. Vogel & Co. für Alfred Dunhill, Ltd., London, 3. Viertel 20. Jh. Versilbert, teils innen vergoldet, Leder, Glas. 22,2 x 31,5 x 11,3 cm (Koffer). Punziert mit 'P.H.V & Co SILVER PLATED MADE IN ENGLAND'. Das Set enthält vier Flaschen, einen Doppel-Jigger, einen Trichter und einen Cocktail-Shaker mit acht Bechern und einer Bitterflasche, alles präsentiert in einem passenden hellbraunen Lederetui mit Trageriemen. Min. Oberflächenkratzer, Trageriemen an einer Seite lose.

THREE GOLD GEMSET RINGSA blue sapphire half eternity, ring size M, an amethyst and diamond three stone ring, ring size N and a synthetic sapphire cocktail ring, ring size P 1/2, all in 9ct gold, gross weight 11.8 grams.

FEDERAL; a white metal diamond and emerald cocktail watch head, 3 x 1.5cm.

An assortment of silver plate and metalware. Comprising a four piece Australian paramount plate tea set, four pieces of craftsman pewter, Sheffield tea set, bottle coaster, wine pourer in shape of basket, 3 bon-bon dishes, pickle fork and cocktail stirrer

Harry Craddock: 'The Savoy Cocktail Book', London, Constable and Company, 1930, 1st edition, 1st issue (paginated to title), 287pp, illustrations and decorations printed in black and colours throughout by Gilbert Rumbold, original cloth backed art deco texturized boards in black, gold and green (rubbed/slightly worn, backstrip detached but present)

A collection of poetry, mainly John Betjeman and T.S. Eliot, including John Betjeman: 'Slick but not Streamlined', edited W.H. Auden, New York, Doubleday, 1947, 1st edition, original cloth, dust wrapper, 'Summoned by Bells', London, Murray, 1960, 1st edition, orig. cloth, dust wrapper, 'Ghastly Good Taste', Anthony Blond, 1970, orig. cloth, d/w, 'Church Poems', ill. John Piper, 1981, 1st edition, orig. cloth, d/w, 'Continual Dew', L, Murray, 1977, facs reissue, orig. cloth gilt, d/w by E. McKnight Kauffer, T.S. Eliot: 'The Cocktail Party', L, Faber, 1950, 1st edition, 'The Confidential Clerk', L, Faber, 1954, 1st edition, each original cloth, each in dust wrappers, plus several others Betjeman and Eliot; together with Antoine de Saint-Exupery: 'Letter to a Hostage', L, Heinemann, 1950, 1st edition, orig. cloth, d/w, W.H. Davies: 'Poems 1930-31', L, Cape, 1932, 1st edition, orig. cloth, Doris Pocock: 'Bird Chorus', Guild Press, 1962, signed & inscribed, original wraps, etc etc (20)

1940 walnut cocktail cabinet.

A 1970's Sideboard with Three Side Short Drawers, Central Shelved Cupboard and End Cocktail Cabinet with Pull-Down Door, 184cm wide

A selection of costume jewellery, including: a cocktail watch and bead necklaces.

A 19th Century mourning ring, with scrolling design, a gold cased cocktail watch; an 18ct white gold wedding band; and a 9ct gold bangle.

A 9ct yellow gold cocktail watch, by Leda; and a gilt cased open faced pocket watch.

A blood stone set swivel watch key; an amethyst and seed pearl gold bar brooch; a selection of silver coloured metal brooches; and a cocktail watch.

A cased mineral specimen set, comprising rough crystals and cut stones; together with a set of cocktail sticks with mineral specimen finials.

A selection of 19th Century and later silver plated drinking accessories, including: silver plated cocktail shaker, in case; silver plated wine funnel; silver plated champagne pourer, by Elkington & Co; set of five cherry top cocktail sticks; and an oak ice bucket, with silver plated mounts (lacking base).

A collection of drinking accessories and other collectibles, including: pair of silver plated wine slides or coasters; pair of lacquered wood wine slides; vintage cork screws; bottle stopper with art glass top; art glass cocktail stick set, in box; and other items, including three glass door knobs.

Susan Small of London, 1950's / 60's sleeveless dress with belt, a Bernard Freres, London and Paris, cocktail dress, size 14, together with four other 1960's dresses

9ct Gold cocktail swizzle stick, 6.2gSlightly bent arms but generally in good condition

Ladies Rolex 18ct white gold cocktail wristwatch set with multiple brilliant and baguette cut diamondsMovement, dial, case back & winder button are signed/marked with logo.Winds, runs and sets

1950's Yellow metal cocktail ring set three brilliant cut diamonds and six baguette cut rubies

TEN MINIATURES INCLUDING ABADITINE LIQUER, BORGES COCKTAIL PORT, M.S.R. GINJA, MADEIRA AND CHERRY COGNAC

A collection of vintage late 20th century womenswear cocktail dresses / evening gowns, used in theatrical productions & stage performances. The lot to include a yellow sleeveless short dress by Wallis, an electric blue long sleeved sequined dress, a chocolate coloured dress with black straps and embroidered chest, and others. Approx. 12 in lot, various sizes (generally around size L as befitting stage / pantomime productions).

A collection of four vintage late 20th century ladies cocktail evening gowns for theatrical performances. To include a houndstooth Cruella Devil (101 Dalmatians) style dress with wig, a late 19th century style Wild West American burlesque feathered velvet burgundy dress, together with two feathered gowns in black & red. Approx. 4, various sizes (generally around size L as befitting stage / pantomime productions).

A collection of four vintage late 20th century men's complete matching suit costumes. The lot to include a Burberry pattern Sherlock Holmes style jacket, trousers & hat, a houndstooth tan & cream hunting jacket & trousers by Simpson Ltd, a red & black Casino style suit with diamond pattern, & a cocktail jacket & trousers in black. Four items, various sizes (generally around size L as befitting stage / pantomime productions).

GOLFING COCKTAIL SHAKER 30CMS (H) APPROX A/F