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Wodehouse (P.G.) Ring for Jeeves first edition" jacket chipped with loss tears repaired with sticky tape 1953; Full Moon tape-marks on inner flaps of jacket and front paste-downs [1947]; Barmy in Wonderland 1952; Jeeves and the Feudal Spirit 1954; Cocktail Time1958 original cloth dust-jacket a few nicks and chips to extremities slightly rubbed; and c.25 others by or about Wodehouse" 8vo(c.30)
A lady`s diamond and platinum cocktail watch c1940/1950, white face, Arabic numerals, Swiss jewelled movement, bezel set with 32 small round old cut diamonds, a further 36 round old cut diamonds to four sectioned curved lugs, total diamond weight approximately one carat, fitted with later leather strap.
A lady`s cocktail wristwatch by Longines, the flip-over dial cover resembling a wooden fence, with applied wirework detail set with six brilliant-cut diamonds, the movement signed `Longines` and numbered 503G7724, 18 carat gold watch back, to the tapering bi-coloured textured strap with a deployant clasp
Vertex, a lady`s diamond and enamel cocktail watch, circa 1930, No 1110/8131, the hinged cover with a central blue guilloche enamel panel applied with a swag of old cut diamonds within an old cut diamond border and diamond trefoil shoulders, approximately 2.25 carats total, the silvered dial signed Garrard with black Arabic numerals and blued steel hands, the 17 jewel Swiss lever movement with rose cut diamond winding crown, on a mesh bracelet with a ladder clasp stamped `plat`, case 2.7cm long, 18cm long overall Visit www.dnfa.com for condition reports.
Wehmueller, a lady`s diamond set cocktail watch, circa 1980, Ref: Croton SD 33672, the oval case with old and eight cut diamond bezel, the silvered dial with raised markers and baton hands, the 17 jewel movement signed Ultramar Watch Co, cal: AS 1977-2, on an integral bracelet set with brilliant cut diamonds in individual collets, approximately 2.10 carats total, with a ladder clasp, 18.5cm long Visit www.dnfa.com for condition reports.
A lady`s Art Deco sapphire and diamond cocktail watch, circa 1930, the rectangular case millegrain set with rectangular and square fancy cut sapphires in an old cut diamond ground with similarly set shoulders, the silvered dial with black Arabic numerals and blued steel hands, with a 17 jewel Swiss movement, the inner case stamped `All Platinum`, case 3.7cm long including shoulders, on a later 9 carat white gold bracelet with a ladder clasp, Birmingham 1961 Visit www.dnfa.com for condition reports.
Zenith, a gentleman`s stainless steel rectangular wristwatch, circa 1950, No. 8428157, the two piece case with cocktail glass, the silvered dial with baton numerals and hands and subsidiary seconds dial, the 15 jewel Zenith tonneau movement with monometalic balance and overcoil balance spring, cal: 8 3/4 F no. 3474743, on a brown strap, case 4cm long including lugs Visit www.dnfa.com for condition reports.
* Eliot (Thomas Stearns, 1888-1965). Three typed letters signed “T.S. Eliot”, Faber & Faber Ltd., 20th March 1946, 7th December 1948 and 26th June 1959, all to Miss (Maud) Armstrong at Lee, Ilfracombe, Devon, each pasted or partly pasted to the front endpapers of three Eliot books, the first letter thanking Miss Armstrong for her kind comments about the broadcast, saying he has no news of either Margaret or the Mirrlees and hoping to return to Lee, “as most people seem to do”, the second letter writing that he has only just returned from the United States where he found her charming letter and the delightful birthday gift, “I fear it is more likely to be used as an ash-tray than for the purpose for which it was designed - yet it may be that we shall continue to have a little wine after we have ceased to have tobacco. The former is certainly more important for civilisation: and if I ever have the wine to be tasted, and the guests for whom to taste it, you may be sure that your taster will figure in the ceremony. I am most interested to know that some of your recipes have a place in ‘Wishful Cookery’ which we intend to publish”, and the third letter apologising for the delay in replying to her letter, “If it is not too late and if you”ll forgive me we should be very glad to inspect your friends “Bed Time” book of verses. I must say that juvenile literature is not my department and I have to accept the opinion of the experts, but I would certainly pass it on with my recommendations. In any case it was a great pleasure to hear from you, and I should like you to know that I remember you as clearly as you can possibly remember me. I wish that I might at some time revisit Lee and introduce my wife to you”, each a little creased, one page, 4to. The letters are pasted in to the following books, in order: Four Quartets, 3rd imp., 1945; T.S. Eliot, A Symposium, pub. Editions Poetry, 1948; T.S. Eliot, A Symposium, 1958, all orig. cloth, rubbed and soiled, 8vo. Also included is a damp-stained copy of “The Cocktail Party” and Christopher Armstrong, “Backalong, The Story of Lee Bay and Chapel Cottage”, 1972. One of the letters and the six Christmas cards in the adjoining lot are referred to on pp. 80-81. Provenance: From the family. (5)
Wooden nickel, 1967; Aruba, Winkel Saba, 50 Cents, wooden nickel; Caribbean Mint, brass jeton, 2006, 28mm; Barbados, Bridgetown, The Boatyard, Sharkey s, yellow plastic Dollar, 38mm; Worthing, Rockley Resort and Beach Club, brass Rum Punch and Cocktail tokens (Lyall 90-1); Transport Board, Bus Fare, brass, 22mm; Bermuda, Bermuda Passenger Transport Board, brass 3 Zones and 14 Zones (Lyall 99, 100); Bermuda Telephone Co Ltd, cupro-nickel Threepence (Lyall 101); Ferry tokens (8), all different, Paget-Warwick route (4, copper [2, one cancelled], nickel [2, one cancelled]), Somerset route (4, copper [2, one cancelled], nickel [2, one cancelled]) (Tankersley 195); CAYMAN IS., George Town, Cayman Islander Hotel, lead Dollar and 50 Cents (Lyall 137-8); Cayman National Bank and Trust Co Ltd, anodized aluminium Doubloons (5), 1981, 1983 (2), 1984, 1989 (Lyall 139, 141, 143, Ð); Pirates Week, 1980, brass (Lyall 145); red aluminium star-shaped dog tag, no. 862, 36 x 32mm; Christopher Columbus jetons (2), both 1992, silver and brass, both 23mm; Stingray City, 1993, bronze, 29mm; Orgy Island Yacht Club, aluminium, 32mm; JAMAICA, Kingston, Desnoes & Geddes, Red Stripe/Pepsi, cupro-nickel [1999], 22mm; Negril, Drumville Cove Bar, wooden nickel; Port Royal, lead 100, 10 and 5 Dollars [1990], 47, 33 and 24mm; St CROIX, Christiansted, Steele s Smokes & Sweets, wooden nickel [36]. Very fine and Description Footnote
An Agnes/Madame Havet golden velvet cocktail dress, circa 1927, labelled, with softly draped cross-over bodice, gold and silver beads and rhinestones to the dropped waist, the skirt with three dimensional flowerheads studded with pastes, bust 82cm, 32in; together with a silvery velvet cape with wired collar, (2)
A fine and rare Coco Chanel couture printed lace cocktail gown, Spring-Summer, 1928, narrow brown on beige woven label, no 77752, comprising: ivory crepe de chine slip with attached skirt panel of lace, the short over-bodice with scarf-like panel to one shoulder, the scarf and hem entirely edged in small lace flowers with tiered petals, bust 79cm, 21in; together with a copy of a Harper`s Bazaar sketch of a similar dress captioned ÒChanel Endorses Silken Lace`, April 1928, (2). Although Chanel often used lace in her gowns-this over-printed lace technique is very rarely seen.
A rare Agnes/Madame Havet orientalist brocaded silk cocktail dress, circa 1925, labelled `Agnes, Madame Havet, 7 Rue Auber, Made in France`, the ming-style brocade in blue, orange and green highlighted in gold, the black satin pagoda sleeves, hem and collar with blue and gold embroidery, bust 101cm, 40in
A group of Mainbocher clothing, mainly 1950s, labelled, Mainbocher Inc. comprising: a pink crepe evening cape 1940s with flamboyant sequined shoulders, tiers of fringes; black point d`esprit cocktail gown, mid 1950s; black wool jacket, late 50s; black silk overcoat lined in pink silk, late 1950s, various sizes, (4)
An Hubert de Givenchy couture black silk cocktail gown, Spring-Summer 1955, Model 1318, labelled and numbered 7:3811, with graduated horizontal pleats to bodice front which emphasize the small waist above the full skirt, bust 86cm, 34in, waist 6cm, 24in; together with a xerox from the Givenchy archive of this model, (2)
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42329 item(s)/page