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HAYDN (Joseph) Die Jahreszeiten nach Thomson, Leipzig: Breitkopf and Haertel [no date, c.1801], Novello stamp to foot of engraved title, in 2 vols, some age staining, rebound in modern blue cloth; A Complete Collection of Quartets, being a Corrected Copy of the Paris Edition, London; Collard and Collard [no date], 4 vols comprising Violino I & II, Viola and Violoncello, in damaged half bindings (6)
A German viola, circa 1972, the interior bearing label inscribed 'Klaus Schlegel, Geigenbaumeister, Earlbach i.V.1972', with two-piece back, length of back excluding button approx 40cm, together with a violin by the same maker, circa 1970, length of back excluding button approx 36.2cm, and another violin, all cased, with a single bow and a double viola and violin case.
A set of twelve Limited Edition Royal Doulton 'Lady Musician' figurines, modelled by Peggy Davies, comprising of 'Dulcimer' HN 2798, No. 660; 'Lute' HN 2431, No. 147; 'Harp' HN 2482, No. 663; 'Flute' HN 2483, No. 674; 'Cymbals' HN 2699, No. 638; 'Cello' HN 2331, No. 728; 'Viola D'Amore' HN 2797, No. 407; 'Violin' HN 2432, No. 613; 'Virginals' HN 2427, No. 708; 'Hurdy-Gurdy' HN 2796, No. 647; 'French Horn' HN 2795, No. 601; 'Chitarrone' HN 2700, No. 496, green factory marks to bases, together with individual certificates, (12).
Mary Viola Paterson 1899-1981 exh 1920-1940- "Ceres, Jupiter and June"; watercolours, original costume designs, each titled and bearing stamped monogram verso, 37x22cm., ea: Winifred Mary Ackroyd early 20th century- "Beauty's Mirror and The Bookworm"; watercolour, original artwork for illustration, both signed, (5)
Zarlino, Gioseffo Dimostrationi harmoniche: nelle quali realmente si trattano le cose della musica ... opera. Venice: Francesco dei Franceschi, 1571. First edition, folio, mostly italic letter, some Roman, occasional Greek, printer's allegorical device of 'Peace' on title-page, woodcut initials and decorations, diagrams throughout, modern vellum, all edges blue, marbled slipcase, light discoluration, occasional browning, a few leaves oxidized, several pages misnumbered [Zarlino himself apologises for this and gives an 'errata corrige' on p. vii] Note: BM STC Italian Books. p. 742; Adams Z 67; Brunet V p. 1528; Graesse VI p. 508; New York Public Library, Catalogue of the Music Collection Vol. 45 p. 553. Gaetano Gaspari, Catalogo della biblioteca del liceo musicale di Bologna (Bologna 1890) Vol. I pp. 267-68. Pietro Lichtental, Dizionario e bibliografia della Musica' (Milano, 1826) Vol. 4 pp. 276-87. See also Printing and the Mind of Man 81. First edition of Zarlino's second main treatise of music theory. The first was Le institutioni harmoniche (Venice 1558), a landmark in the history of music theory (New Grove). Dimostrationi harmoniche is of a highly speculative and scientific nature. It is in the form of a dialogue between Zarlino himself; three well-known musicians of the times (Franceso Viola, Choir Master of Alfonso d'Este, Duke of Ferrara; Claudio Merulo, organist of St. Mark's in Venice; and Adrian Willaert, Choir Master of the Venetian Republic and Zarlino's teacher); and a fourth, probably fictional, character, the philosopher Desiderio from Pavia. 1519-1590), Zarlino, theorist and composer, typifies the Venetian intellectual world of the 16th century. Ordained in 1541, he had a wide linguistic, philosophical, scientific and artistic culture. The publication of his first music treatise Le institutioni harmoniche earned him high praises and, in 1565, appointment as Choir Master of St. Mark's. Not a prolific composer (his only practical work is the learned and polished 'Modulationes VI Vocum' 1566), he was however the leading counterpoint theorist of the 16th century.
A Viola, 20th century, two piece back, 39.4cm long; A Violin, bearing label "Produktiv-Genossenschaft", one piece back, 35.7cm long; A Violin 20th century bearing label "manufactured in germany", two piece back, 35.8cm long also a violin 2/4 size bearing label "F.Breton ", two piece back, 31.2cm long.(4)
Mozart (Wolfgang Amadeus). Quintetti pour Deux Violins, Deux Violes & Violincelle, 4 vols. only (of 5), pub. Jean Andre, Offenbach, Germany, c.1825, parts for 1st and 2nd violin, cello, and 2nd viola, lacking part for 1st viola, all eng. throughout, with musical notation, contemp. paste-paper card covers, rubbed, with some wear to extrems., upper covers with ms. label, slim folio, together with other various eng. music similar, mostly odd parts, continental, incl. Haydn, Mendelssohn, Pieltain (carton)
Pleyel (Ignace Joseph). Three Trios for Two Violins and a Violincello, 3 vols., printed by Longman and Broderip, c.1790, eng. musical notation throughout, a few repaired tears to fore-margins, contemp. reversed calf, worn, with spines torn and frayed, and bindings detached or becoming detached, upper covers with gilt lettered leather label, 4to, together with Handel (George Frideric), Parthenope an Opera as it was Performd at the Kings Theatre for the Royal Accademy, printed for J. Walsh and Joseph Hare, [1730], eng. title, contents leaf, and musical notation, lacking final leaf, contemp. blind-panelled reversed calf, extrems. rubbed, lettered in ms. to darkened spine and covers, slim folio, plus Corelli (Arcangelo), Concerti Grossi con duoi Violini e Violoncello di Concerto Obligati e duoi altra Violini e Basso di Concerto Grosso ad Arbitrio che si Potranno Radoppiare, 3 parts only (of 7), printed for John Johnson, c.1760, 2nd violin, alto viola, and bass parts only, all with eng. musical notation throughout, disbound, slim folio, plus another two (of 7) Corelli parts similar (for 1st and 2nd violin), and other various eng. music, mostly odd parts, 18th c., incl. Handel, Pellegrino, Sardi, Haydn, Beethoven, Cramer (carton)
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2912 item(s)/page