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A Sound Post Prima Loreato viola, in a fitted case with two bows

Thomas Francis Dicksee (British, 1819-1895)Viola in Twelfth Night signed with monogram and dated '1866' (centre right), signed and inscribed (on the remnants of a label attached to the stretcher)oil on canvas54 x 36.4cm (21 1/4 x 14 1/4in).Footnotes:The partially legible inscription reads:'I'll do my best.To woo your lady: yetaside, a barful strife.Whoe'er I woo, myself would be his wife.'Twelfth Night, Act I, Scene IT.F. DickseeThe present work depicts Viola, the main protagonist of Shakespeare's play Twelfth Night. In this work, the female sitter is dressed in fine, decorative men's clothing as she has assumed her role as Cesario, a page working in the service of the Duke of Orsino.Dicksee exhibited seven portraits of Shakespearean heroines at the Royal Academy throughout his career. Often using the same models, a painting of Beatrice from Shakespeare's play Much Ado About Nothing, almost certainly shows the same sitter (see Christie's, London, 14 November 2013, lot 107).For further information on this lot please visit Bonhams.com

MASSIMO QUAGLINO, MANIFATTURA LENCI Torino, anni 30, "Coppia di innamorati". Terracotta maiolicata realizzata a colaggio e decorata in policromia sui toni del verde e viola pastello. Sotto la base reca iscrizione Lenci - Made in Italy - Torino - n.620. Cm 30x26x25. Pubblicata in A.Panzetta, Le ceramiche Lenci. Catalogo dell'archivio storico 1928-1964, Torino 1992, p. 228, n. 759 (cat. 620)

Viola by Gordon Harris, cased with bowCondition report: Total length 69cm. Width across lower bouts 26cm.

Royal Copenhagen Flora Danica Henkelkorb 3532, cutwork basket 1st choice,Porzellan, Dänemark, am Boden mit grüner Firmenmarke und blauen Wellen 1.Wahl, Dekor Flora Danica - Blumen mit Reliefdekor & Goldrand, Motiv Viola hirta - Raues Veilchen, Formnr. 3532, 1x H 8,5 cm x B 21,5 cm x D 18,5 cm

Royal Copenhagen Flora Danica 2 Lunch Teller 3550, dinner lunch plates 1st choice, Porzellan, Dänemark, am Boden mit grüner Firmenmarke und blauen Wellen 1.Wahl, Dekor Flora Danica - Blumen mit Reliefdekor & Goldrand, Motiv Viola odorata - Duftveilchen & Galanthus nivalis - Kleines Schneeglöckchen, Formnr. 3550, 2x D 22 cm

Royal Copenhagen Flora Danica 2 Suppentassen 3612, soup cups 1st choice,Porzellan, Dänemark, am Boden mit grüner Firmenmarke und blauen Wellen 1.Wahl, Dekor Flora Danica - Blumen mit Reliefdekor & Goldrand, Motiv Bartsia alpina - Alpenhelm & Viola tricolor - Wildes Stiefmütterchen, Formnr. 3612, 2x Suppentassen H 5,5 cm x B 15,5 cm x D 13 cm, 2x UT D 17 cm

Viola Paterson (1899 - 1981), wood engraving, shipyard, signed in pencil with monogram, image 20cm x 18cm, mountedGood condition

A Czechoslovakian viola with one-piece back, (a/f), in case, two metronomes, various brass instrument mouth pieces, etc.

Life's Darn Funny, three sheet linen backed poster for the 1921 American silent comedy film directed by Dallas M. Fitzgerald, starring Viola Dana, Gareth Hughes, and Eva Gordon, W & F Film Service Ltd, 62 Firth Street London, 216 x 105cm, (rolled.)Condition report: Significant losses and area of restoration (see images)

A French Viola Bow, stamped "Emile Francais á Paris", the stick round, the ebony frog with pearl inlay, ebony adjuster with two silver bands, 74cm long. Lot 1215 - frog has some scratches, weight of the bow 67 grams

Viola Paterson (1899-1982) - On the beach, painting on wood panel, with Michael Parkin Fine Art Ltd, 11 Motcomb Street, London, printed label verso, 22 x 28.5cm

Royal Copenhagen, Denmark. Set of twelve Flora Danica botanical porcelain reticulated dinner plates, shape number 20 3526. Each marked along the underside with the blue wave and green printed marks. Each hand painted with the Latin name of the botanical specimen depicted, which include the following: Ajuga reptans L., Stachys annuus L., Pyrethrum inodorum [beta] maritimum, Taraxacum ceratophorum D.C., Rubus vestitus Whe. N.E., Anemone vernalis Mill., Rhinanthus Crista galli L., Anemone Hepatica L., Rosa canina var. opaca Fr., Viola mirabili x silvatica P. Nielsen, Helianthemum oelandicum L., and Draba hirta L.The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details in order to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volumeís publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmarkís natural richness?In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100 setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmarkís palaces and museums.In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer is able to choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.Each; Height: 1 1/4 x diameter: 10 3/4 in.

Royal Copenhagen, Denmark. Set of twelve Flora Danica botanical porcelain flat rim soup plates, shape number 20 3545. Each marked along the underside with the blue wave and green printed marks. Each with the Latin name of the botanical specimen depicted along the underside, which include the following: Saxifraga nivalis L., Orchis sambucina L. f. incarnata., Pyrola grandiflora Rad., Chimaphila umbellata, Viola odorata L., Viola canina L., Orchis sambucina L. f. incarnata., Epilobium latifolium L., Trifolium alpestre L., and Potentilla emarginata Pursh.The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details in order to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volumeís publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmarkís natural richness?In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100 setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmarkís palaces and museums.In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer is able to choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.Each; Height: 1 3/4 in x diameter: 9 3/4 in.

Royal Copenhagen, Denmark. Set of twelve Flora Danica botanical porcelain reticulated luncheon plates, shape number 20 3554. Each marked along the underside with the blue wave and green printed marks. Each inscribed with the Latin name of the plant depicted, including: Potentilla emarginata Pursh., Viola odorata L., Viola hirta L., Hippophae rhamnoides L., Rosa tomentosa Sm., Antennaria carpathica (Wahlenb.) Bl. et Fgh., Viola epipsila Ledeb., Viola biflora L., Crambe maritima L., Polemonium humile Willd., Senecio Jacobaea L., and Erigeron eriocephalus J. Vahl.The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details in order to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volumeís publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmarkís natural richness?In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100 setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmarkís palaces and museums.In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer is able to choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.Each; Height: 1 in x diameter: 9 in.

Royal Copenhagen, Denmark. Set of eight Flora Danica botanical porcelain demitasse cups and saucers, shape number 20 3618. Each marked along the underside with the blue wave and green printed marks. The cups are inscribed along the underside with the Latin name of the species of plant depicted, including the following: Viola Muhlenergiana minor Hook, Lepidium groenlandicum Horn, Oxycoccus palustris Rupr., Teesdalia nudicaulis R.R., Potentilla retusa Rels, Diapensia lapponica L., Arabis Petraea (Alpha) Faeronsis Doland, and Epilobium alpinum L.The story of Flora Danica porcelain begins in an unexpected place--with the publication of the first complete botanical encyclopedia of Danish plants. In 1752, G.C. Oeder (1728-1791), a medical doctor and scientist, was appointed head of the newly created Royal Botanical Institution in Copenhagen. One of his first actions was to propose an ambitious project: a thorough catalog of the flora in Denmark and surrounding areas, profusely illustrated and with characteristic and taxonomic details in order to help the plants be financially useful to the nation. Oeder and a team of botanists spent years observing and illustrating plants in the field, and in 1861 the first volume of the Flora Danica was published. Twelve other editors presided over the project until the final volumeís publication in 1883. Flora Danica was a masterwork, notable for its contribution to the science of botany, but also for its stunning illustrations.Denmark had been a Russian ally in the Russo-Swedish War of 1788-1790. However, the Danish succumbed to pressure from Great Britain and Prussia and declared neutrality early in the conflict, failing to perform their duty as allies. Following this, King Christian VII of Denmark (1749-1808) needed a way to make amends with Empress Catherine the Great of Russia (1729-1796). He decided to give her a fabulous gift. Since Catherine was known for collecting porcelain, he decided upon a luxurious dinner service the likes of which the world had never seen. And what better subject for the decoration of this porcelain service than the illustrations from the Flora Danica, a scientific triumph and celebration of Denmarkís natural richness?In 1790, the king commissioned the Royal Danish Porcelain Manufactory (now known as Royal Copenhagen) to create a 100 setting dinner service decorated after the illustrations in the Flora Danica. Johann Christoph Bayer (1738-1812), an artist who had worked on the illustrations for the books, was hired to paint the porcelain pieces. He single handedly painted an incredible 1,802 pieces of porcelain before production was completed in 1802. However, by the time the service was ready, Catherine the Great had died. The service stayed in Denmark, where it became a national treasure, used by the royal family on important state occasions and displayed in Denmarkís palaces and museums.In 1863, Royal Copenhagen decided to revive the pattern. In keeping with the original Flora Danica service, each piece of porcelain was painstakingly hand molded and decorated. The pattern has continued to be made to order in this way ever since. Each piece has been hand carved, the delicate floral forms molded, glazed, painted, and gilded by a team of Danish artisans. The buyer is able to choose which plants they would like on their service, making each set uniquely personal. Each piece has the Latin name of the plant depicted inscribed along the underside. Each piece, through its craftsmanship and individuality, tells a story of groundbreaking scholarship, royal politics and diplomacy, and the patron of each commissioned set.Cups (each); Height: 2 1/4 in x diameter: 2 1/2 in. Saucers (each); Height: 1 in x diameter: 4 3/4 in.

A ROYAL DOULTON FIGURINE, VIOLA D'AMORE HN2797, MODELLED BY PEGGY DAVIES AS PART OF THE LADY MUSICIANS SERIES, IN BOX

Two trays of Portmeirion pottery to include Botanic garden jug and bowl set, heart-shaped Botanic Garden design pin/dressing table dish, teapot, large Botanic Garden vase and crocus and snowdrop bowl, and a two handled daisy bowl. Together with a viola cup, two saucers, and two plates.(B.P. 21% + VAT)

George Fitt and Daphne Mezereon, Yellow jasmine and viola, watercolour, inscribed beneath, 21 x 18cm

Double viola/violin case, with green velvet plush lined fitted interior and faux snakeskin finish

Double viola/violin case (new/old stock); also another double violin case (2)

Small contemporary Romanian viola, 14 15/16", 37.90cm

Early 20th century Stradivari copy viola labelled G. Bose & Co., Musical Depot, Kalbadevi Road, Bombay, 15 7/8", 40.30cm

Late 19th century German viola labelled Louis Dolling JUN. Markneukirchen I.S. Anno 1888, 16", 40.60cm, case

Early 20th century primitive style viola, 16 3/4", 42.5cm, case

Good steel bound double violin/viola case; also two viola cases and three violin cases (6)

Interesting selection of violin and viola bows *Please check CITES regulations regarding export of bows containing elephant ivory prior to purchasing

Good English silver mounted viola bow by and stamped J. & A. Beare, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 68gm **This bow is also stamped 32.D on the bottom of the handle under the frog

Nickel mounted viola bow of the Knopf School, unstamped, the stick octagonal, the ebony frog inlaid with baskets of flowers in mother of pearl to either side and the ebony adjuster with two nickel bands, 72gm

Good English silver mounted viola bow stamped Dodd on the stick and the frog, the stick round, the frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 66gm *Please check CITES regulations regarding export of bows containing elephant ivory prior to purchasing

German silver mounted viola bow stamped Albert Nurnberger, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 70.50gm

Silver mounted violin/viola bow, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 63.50gm

Good English silver mounted viola bow by and stamped John W. Stagg, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 75gm

Fine English viola by and labelled Made by George Craske (born 1797, died 1868), and sold by William E. Hill & Sons, London, the two piece back of very faint medium curl, the sides of a faint broad curl and the head of plainish wood, the table of a medium width grain widening to the flanks and the varnish of a reddish-brown colour on a golden ground, 16 1/4", 41.30cm

Good early 20th century German viola, unlabelled, the two piece back of broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light brownish colour on a golden ground, 15.5", 39.40cm, case

Early viola, probably Dutch circa 1820, unlabelled, the two piece back of faint medium curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a dark brown colour on a golden ground, 15 1/16", 38.30cm

Good contemporary Viola da Gamba, unlabelled, the one piece back of faint medium curl with similar wood to the sides and head, the upper peg box open and the scroll carved with the head of St Cecilia, 33" long overall, hard case

Early Mittenwald viola circa 1840, with carved lion's head scroll over a foliate carved peg box, the one piece back with geometric purfling of very faint fine curl with similar wood to the sides, the head of plainish wood, the table of a medium width grain and the varnish of a plum red colour on a golden ground, 17", 43.20cm

A Collection of Ceramics to Include 19th Century Viola Dinner Plates, Stoneware Tureen, Decorated Terracotta Cups Etc

A ROYAL DOULTON FIGURINE, VIOLA D'AMORE HN2797, MODELLED BY PEGGY DAVIES AS PART OF THE LADY MUSICIANS SERIES, IN BOX

George Fitt and Daphne Mezereon, Yellow jasmine and viola, watercolour, inscribed beneath, 21 x 18cm

After H Bunbury, engraved by C Knight, 'As you like it', and 'The duel between Sir Andrew Ague, Cheek and Viola', pair of sepia stipple engravings, published circa 1796, 34 x 52cm

2. Hälfte 20. Jahrhunderts, Modell ¨Flora Danica¨ (3582/20), ovale Dose mit gewölbtem Deckel mit Rankengriff und plastischem Blütendekor, Wandung umlaufend mit polychromen Wildem Stiefmütterchen-Dekor bemalt, auf dem Deckel Hunds-Veilchen-Dekor, reiche Goldstaffage, am Boden bzw.. im Deckel in Latein bezeichnet ¨Viola tricolor L.¨ bzw.. ¨Viola canian L¨, Manufakturmarke, H ca. 15cm, Dose 15x12cm

Horst Janssen (Hamburg 1929 - Hamburg 1995). Kopie. Aquarellierte Federzeichnung, 33,5 x 20 cm, dat. 12.5.77, ungerahmt. - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 19. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Kopie. Watercolour and pen and ink drawing, 33,5 x 20 cm, dat. 12.5.77, unframed. - Literature: The artwork is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, p. 19. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Guten Morgen Liebes. Aquarell, Federzeichnung und Kugelschreiber, beidseitig beschriftet, 50 x 32,5 cm, dat. 3.1.78, ungerahmt. - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 84. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Guten Morgen Liebes. Watercolour, pen and ink drawing and biro, 50 x 32 cm, dat. 3.1.78, unframed. - Literature: The artwork is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, p. 84. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Betrifft. Buntstift, Bleistift und Kugelschreiber, 38,5 x 20,5 cm, mit angestücktem Textblatt von 34,5 x 21,5 cm, dat. 16.6.77, ungerahmt. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Betrifft. Coloured pencil, pencil and biro, 38,5 x 20 cm, additional attached sheet with text 24,5 x 21,5 cm, dat. 16.6.77, unframed. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Veist du vas ich meine. Aquarell, Kugelschreiber, Tusche und Collage auf zwei vom Künstler an den Ecken verklebten Seiten, beidseitig beschriftet, 29 x 21 cm, ungerahmt. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Veist du vas ich meine. Watercolour, biro, ink and collage, unframed. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Sonntag - Vriederich. Aquarell und Federzeichnung, 32 x 39,5 cm, dat. 28.8.77, ungerahmt. - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 56f. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Sonntag - Vriederich. Watercolour and pen and ink drawing, 32 x 39,5 cm, dat. 28.8.77, unframed. - Literature: The artwork is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, p. 56s. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). nämlich: ich will wer sein. Aquarell und Federzeichnung, beidseitig beschriftet, 30 x 20,5 cm, num. 3, ungerahmt. - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 76. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). nämlich: ich will wer sein. Watercolour and pen and ink drawing, 30 x 20,5 cm, unframed. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Mein geliebter Morgennebel. Gouache und Deckweiß, 41 x 27 cm, beidseitig beschriftet, dat. 18.8.78, min. besch., ungerahmt. - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 102f. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Mein geliebter Morgennebel. Gouache, 41 x 27 cm, inscribed on both sides, dat. 18.8.78, min. dam., unframed. - Literature: The artwork is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, p. 102s. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Vriedrich - Briefe an Viola. Gouache, Deckweiß und Tuschpinselzeichnung, 31,5 x 25 cm, sign. H. Janssen, dat. 1.8.86, min. besch., ungerahmt. - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, Schutzumschlag. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Vriedrich - Briefe an Viola. Gouache, opaque white and brush and ink drawing, 31,5 x 25 cm, sign. H. Janssen, dat. 1.8.86, min. dam., unframed. - Literature: The artwork is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, dust jacket. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Liebstes Guten Morg'n. Aquarellierte Federzeichnung über asiatischem Druck, 28 x 30,5 cm, dat. 15.1.78, min. besch., ungerahmt. - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 90f. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Liebstes Guten Morg'n. Watercolour and pen and ink drawing over Asian print, 28 x 30,5 cm, dat. 15.1.78, min. dam., unframed. - Literature: The artwork is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, p. 90f. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Phankuchteich dick. Handschriftliches Rezept, 33,5 x 21 cm, min. besch., ungerahmt. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Phankuchteich dick. Handwritten recipe, 33,5 x 21 cm, min. dam., unframed. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Drei Puppenbriefe. Buntstift, Bleistift und Farbkreide, 25,5 bis 34,5 x 20 bis 26 cm, dat. 2.6., 7.6. und 15.6.77, gemeinsam unter Glas gerahmt, ungeöffnet. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Three letters with dolls. Coloured pencil, pencil and coloured chalk, 25,5 to 34,5 x 20 to 26 cm, dat. 2.6., 7.6. und 15.6.77, framed together under glass, uninspected out of frame. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Du liebster Liebling. Aquarellierte Federzeichnung, 31,5 x 23,5 cm, l. o. dat. 17.1.78, min. besch., ungerahmt. - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 93. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Du liebster Liebling. Watercolour over pen and ink drawing, 31,5 x 23,5 cm, up. le. dat. 17.1.78, min. dam., unframed. - Literature: The artwork is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, p. 93. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Aus der früheren Residenz am Huntestrand. Aquarell und Federzeichnung, 38 x 19 cm, dat. 27.6.77, ungerahmt. - Literatur: Das Aquarell ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 72. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Aus der früheren Residenz am Huntestrand. Watercolour and pen and ink drawing, 38 x 19 cm, dat. 27.6.77, unframed. - Literature: The watercolour is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, p. 72. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Morg'n Vriedrich. Aquarell, Federzeichnung und Collage, beidseitig beschriftet, 25 x 13 cm, dat. 17.11.77, ungerahmt. - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 80f. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Morg'n Vriedrich. Watercolour, pen and ink drawing and collage, 25 x 13 cm, dat. 17.11.77, unframed. - Literature: The artwork is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, p. 80s. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Report zum 16.6.77. Farbige Kreide, Bleistift und Kugelschreiber, beidseitig beschriftet, 35 x 20,5 cm, dat. 16.6.77, ungerahmt - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 25. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Report zum 16.6.77. Coloured chalk, pencils and biro, 35 x 20,5 cm, dat. 16.6.77, unframed. - Literature: The artwork is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, p. 25. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). nun - wie gesagt. Aquarell und Federzeichnung, 32 x 20,5 cm, dat. 26.8.77, ungerahmt. - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 49. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). nun - wie gesagt. Watercolour and pen and ink drawing, 32 x 20,5 cm, dat. 26.8.77, ungerahmt. - Literature: The artwork is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, p. 49. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.

Horst Janssen (Hamburg 1929 - Hamburg 1995). Ich liebe dich und es ist für meine Sehnsucht hoffnungslos. Aquarell, Federzeichnung und Collage, 27,5 x 45 cm, ungerahmt. - Literatur: Das Werk ist mit Abb. publiziert: H. J.: Vriederich. Briefe an Viola, 1986, S. 10f. - Provenienz: Sammlung Viola Rackow. - J. war als Zeichner und Graphiker einer der bedeutendsten deutschen Künstler der Moderne. Er studierte an der Landeskunstschule in Hamburg und in der Klasse für Freie und Angewandte Graphik bei A. Mahlau. In seinem experimentierfreudigen Werk verschmelzen traditionell-graphische Elemente der klassischen Moderne wie Dubuffet und Ensor mit den Alten Meistern wie Rembrandt und Goya und erhalten eine individuelle Prägung. Mus.: Hamburg (Kunsthalle), Oldenburg u.a. Lit.: Der Neue Rump, S. Blessin: H. J. Leben und Werk u.a. Janssen, Horst (Hamburg 1929 - Hamburg 1995). Ich liebe dich und es ist für meine Sehnsucht hoffnungslos. Watercolour, pand and ink drawing and collage, 27,5 x 45 cm, unframed. - Literature: The artwork is published with ill. in: H. J.: Vriederich. Briefe an Viola, 1986, p. 10f. - Provenance: Collection Viola Rackow. - One of the most important modern German draughtsmen and graphic artists. J. studied at the Hamburg Landeskunstschule in A. Mahlau's classes of liberal and applied arts. He merged the traditions of the Old Masters and the achievements of modernism to create his own pictorial language. Mus.: Hamburg (Kunsthalle), Oldenburg a. others. Lit.: Der Neue Rump, Blessin: H. J. Leben und Werk a. others.