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Viola 15.25'' two piece back, ebony fingerboard and tailpiece, tailpiece has mother-of-pearl floral decoration, possibly School of Derazey, with bow (cased)Lacks chin rest

Ordine della Corona d'Italia - Insieme di 4 Croci da Cavaliere - Oro con smalti, nastri originali sempre presenti, fatture diversificate, tutte in prestigiosi astucci originali di diversa produzione (La-Villa Palermo, Cucco Biella e Viola Parma) (Barac n. 814) € 200

UK ISSUE CLASSIC SOUL/NORTHERN/FUNK - 41 x ace 7" cuts with huge play out tracks aplenty! Artists/titles include Viola Wills - I Got Love (PT 108 original 'horizontal writing'- Ex), Chuck Jackson - I've Got The Need and Hand It Over (EP), Reggie Garner - Hot Line, The Stemmons Express - Woman Love Thief (RE), April Stevens - Wanting You (RE), The Poets - She Blew A Good Thing (UP 35308), Terry Collins, Mike Post Coalition, Wayne Fontana, The Marketts - Bella Dalena (psych/spaced out intro very much in the Joe Meek style!), The Montclais - Hung UP On Your Love (CS 2036) and Howard Tate. Condition is generally VG to Ex. ( VINYL RECORDS )

An antique Continental viola, with 15½ inch back, labelled 'Breton, Brevete, de S.A.R.M.'.

Late 19th Century School,a study of a busker playing a viola,unsigned,watercolour,46 x 32 cm,framed and glazed

Selezione Barolo 2009 Langhe Barolo Sottocastello, Ca' Viola (3 bts) Barolo Pajana, Domenico Clerico WS 92/100 (3 bts) Barolo Vecchie Vigne Riserva, Renato Corino WS 92/100, RP 96/100 (3 bts) Dalla cantina di un esperto del settore, perfetto stato di conservazione From the cellar of a wine expert, perfect storage conditions (Tot. 9 bts) € 250 IVA ORDINARIA - CONDIZIONI DI VENDITA PARAGRAFO 7

Selezione Barolo 2009 Langhe Barolo Sottocastello, Ca' Viola WS 91/100, JS 92/100 (3 bts) Barolo Le Vigne, Luciano Sandrone WS 90/100, RP 95/100 (3 bts) Dalla cantina di un esperto del settore, perfetto stato di conservazione From the cellar of a wine expert, perfect storage conditions (Tot. 6 bts) € 150 IVA ORDINARIA - CONDIZIONI DI VENDITA PARAGRAFO 7

COPPIA DI COMODINI DA NOTTE Genova, in parte fine del XVIII secolo - A PAIR OF NIGHT-SIDE TABLES Genoa, late 18th Century Impiallacciati in legno di rosa e viola a marqueterie, a due cassetti, il piano in marmo rouge griotte. Corredati da certificato fotografico del 20/04/1968 di Giuseppe Rossi, Torino. 81 x 57 x 36,6 cm - and later Rosewood and kingwood marquetry inlaid, with two drawers, a rouge griotte marble top. Accompanied by photo-certificate dated 20/04/1968 by Giuseppe Rossi, Turin. 31.89 x 22.44 x 14.41 in. Provenienza / Provenance Antiquario Giuseppe Rossi, Torino. € 2000

CASSETTONE A MEZZALUNA - A DÉMI-LUNE COMMODE Turin, 1770 circa Torino, 1770 circa Il piano in marmo grigio, a tre cassetti e due ante ai lati, impiallacciata in legno di rosa, viola e bosso, la fascia superiore a motivi geometrici interrotti da fermagli floreali in bronzo dorato, gambe a tronco di cono rastremate, terminanti in piedi in bronzo dorato. Danni e mancanze all’impiallacciatuta. 90 x 125,5 x 56 cm - With semi-circular grey marble top above three drawers and two side paneled doors, in rosewood, kingwood and boxwood, a trelliswork with gilt bronze flower head clips on the front frieze, on tapering legs and gilt bronze feet. Damages and losses. 35.43 x 49.40 x 22 in. Provenienza / Provenance Antiquario Giuseppe Rossi, Torino. € 6000

SERVIZIO DA THE IN ARGENTO ENTRO CUSTODIA IN CUOIO E SETA, MAPPIN & WEBB - A SILVER TEA SET, MAPPIN & WEBB Londra, 1895-1896 Composto da teiera, lattiera, zuccheriera, sei cucchiaini e una pinza per lo zucchero. La zuccheriera dorata all’interno, i corpi sbalzati a volute e ghirlande di fiori, i cucchiaini e la pinza a conchiglia. Entro custodia sagomata in cuoio con filetti dorati, in velluto di seta e seta viola all’interno, con etichetta all’interno del coperchio ‘Carrington & Co – To H.M.the Queen and the Prince & the Princess of Wales, 130. Regent St. W’. 452 g compresi manico e pomolo della teiera La custodia 11,5 x 39 x 28 cm La teiera 12 x 19,5 cm - London, 1895-1896 Comprising teapot, milk jug, sugar bowl, six spoons and a pair of sugar nipper. The sugar bowl gilt inside, the bodies embossed with flower garlands and scrolls, spoons and nipper shaped as a shell. In a partially gilted morocco and purple silk and silk velvet fitted moulded case inscribed under the cover ‘Carrington & Co – To H.M.the Queen and the Prince & the Princess of Wales, 130.Regent St. W’. 452 g including wooden handle and cover finial The case 4.53 x 15.35 x 11 in. € 400

A full size German viola, Stradivarius copy with label dated 1886, the two piece back length 39.4cm, cased with a modern bow.

A full size German viola by Brüder Lutz, Schönbach, with two-piece back 42.5cm. CONDITION REPORT: Overall in good condition. Set up and ready to play.

A full size probably German viola, unlabelled, the two-piece back 41.2cm. CONDITION REPORT: Overall in good condition. Set up and ready to play.

A modern full size viola, unlabelled, the two-piece back 39.5cm. CONDITION REPORT: Good condition. Set up and ready to play.

A modern full size viola, unlabelled, the two-piece back 39.8cm.

A modern full size viola, unlabelled, the one-piece back 40.5cm.

A full size Czechoslovakian Stradivarius copy viola, length of back 39.3cm and a further full size viola, unlabelled, 39.2cm (2).

Two boxes of assorted violin and viola bows (approx 20).

Six assorted violin/viola cases.

A quantity of new strings for violin, viola and violoncello, also mutes, spike covers etc, and a box containing approximately twelve envelopes containing assorted strings (2).

A modern viola, bears label Jay Haide Ifshin,Violins, Berkley. 2006: the two-piece back of medium flame and curl, with light honey brown varnish, length of back 41cm, together with a bow stamped G. Werner and one other bow, contained in a fitted travelling case.

A modern viola, labelled for Antoni, distributed by John Homby, Skews & Co Ltd, in a fitted case with a new bow also

A viola by Tom Wilson of Grimsby, dated 1949, one piece back, length of back 41cm, in a fitted case with bow

A suite of WMF Kristall Viola pattern table glassware, comprising twelve of each white wine, champagne, cocktail, beer, sherry and liqueur and six red wine together with six WMF Kristall Carola pattern white wine glasses, all unused in original boxes and packaging

*Women Aviators. A collection of approximately 60 press photographs of aviatrices, mostly 1930s, including Amelia Earhart, Jean Batten, Liesel Bach, Maryse Bastie, Helene Boucher, Jacqueline Cochran, Ruth Elder, Maryse Hiltz, Viola Gentry, Ilsa Fastenrath, Elizabeth Harvey, Adrienne Boland, and others, mostly dated to verso, with newspaper or agency stamp, and many with typewritten note attached, 24 x 18 cm and smaller, all contained in modern album (1)

*Classical Records. A collection of approximately 240 classical records (12" LPs), including records from the collectible Decca SXL-series (SXL 2258, 6000, 6127, 6173, 6177, 6271, 6493, 6624, 6699, 6719, 6773, 6813, 6869), a number of TAS-listed records (HMV ASD 3117, ASD 2889, ASD 2486, ASD 3266, ASD 2673 and ASD 3345 plus Decca SXL 6000 and SXL 6624), a number of other good quality recordings from the popular ASD-series on the HMV label (ASD 2533, 2962, 2954, 2400, 2884, 2356, 2963, etc), some good examples of Decca LXT-series mono recordings such as LXT 5112 (Mozart Divertimento No 15 in B Flat Major), LXT 5459 (Highlights from Le Nozze Di Figaro) and lXT 5443 (Highlights from Don Giovanni), examples of other mono recordings such as Columbia 33CX 1231 (Maria Callas sings Operatic Arias) and some from the popular ALP-series on the HMV label (ALP 1854, 1794, 1678, 1846, 1743, 1731, etc), some records on the collectible Lyrita label, together with other good quality and interesting recordings such as Nimbus 2117 (Christian Hocks on Cello and Martin Jones on Piano playing Zoltan Kodaly and Frank Bridge sonatas) and Qualiton LPX 11426-27 (Haydn: Six Sonatas for Violin and Viola with Denes Kovacs on Violin and Geza Nemeth on Viola), the majority of these records would appear to be in very good or excellent condition (2 cartons)

EARLY TWENTIETH CENTURY VIOLA, LABELLED 'ANTONIO MARTELLO-FAUBOURD, SAINT MARTIN, PARIS 1903, having 14 1/2" two piece back, in DISTRESSED OPENING CASE WITH TWO BOWS

BOX 27 - ITALIAN WHITE WINEPinot Grigio DOC Trentino Vigna L'Omeri 2013Romio Pignoletto DOC Vino FrizzanteTraide Bianco Campania IGP 2015Gavi del Comune di Gavi "Masseria dei Carmelitani" 2015Calai 2014Grillo Bio 2015Terre di Giumara Grecanico 2015Donna di Valiano 2015Tolloy Pinot Grigio 2015Lidl Secco Bianco Italiano 2014M Signature Verdicchio 2015Ca'Tullio di Calligaris Paolo Traminer Aromatico "Viola" 2015

VIOLA G. & BRUNNER G. L. Time In Gold, Wristwatches. Illus. Quarto. Orig. cloth in d.w. Schiffer (Pubs), 1988.

Viola After Stradivarius, with flamed maple one piece back and orange varnish, together with two bows, and case, length of back 39.9cm Condition report: crack to the top emanating from the treble F hole, another under the tailpiece. Losses to the top edge on both upper bouts. Wear scuffs typical of a working life. Lacking the top string. Case and bows in need of repair.

PAOLO VIOLA "Socrates in his agony" or possibly Homer, a sculpted terracotta bust of a bearded man with hollow eyes and mouth, his face grimacing, inscribed verso "Gen 205 1742 Scultato 27 detto - Paolo Viola Fecit", later mounted on a turned breccia marble socle, 26 cm high overall CONDITION REPORTS Bust is separate to the base - don't think this is original although there has been some damage to the interior of the bust as a consequence. There is a large chip to the lower edge of the chest. The crown has been off the head and repaired. Several cracks running through it as well. The face has been repaired in several places including the eyes. It is dirty and in need of a good clean, there is a small hole to the left hand shoulder which is a result of the stand becoming detached from the head itself some time ago. The back of the neck has also been restored suggesting the top half of the head has become detached from the bearded lower section of the head and neck. There is a chunk of hair missing as well as various chips, knocks, etc all over. The metal support is not contemporary to the socle, has been put in and filled at the base. The base visually appears to be sound though upon close inspection, some of the cracks along the marble appear to be from damage. One particularly large crack across the centre, visible from the base, but not so visible from the side due to the variegation of the marble. Various flaws to the stone all over - general wear and tear conducive with age and use - see images for further details. Height is 17 cm not including base

A Moorcroft Trial vase, Viola pattern, dated 14.12.16, ref: D03719, standing approx 12 cm high

A modern viola, labelled for Antoni, distributed by John Homby, Skews & Co Ltd, in a fitted case with a new bow also

A viola by Tom Wilson of Grimsby, dated 1949, one piece back, length of back 41cm, in a fitted case with bow

A strad pattern viola, labelled 1727, two piece back, length of back 39cm, in a Hiscox case with voight shoulder rests, sold with two bows

A collection of sheet music, music scores, to include E. Thorpe for viola etc.

A large quantity of sheet music, mainly for violin and viola

A Tray of Ceramics to Include Viola Toilet Jug and Bowl, Portmeirion Treacle Glazed Jug, Copeland Spode Italian Blue and White Bowl, Decorated Plates Etc

A mixed lot to include two Phoenician glass vases, a Mdina glass vase and a H & K Tunstall 'Viola' patterned jug (4)

A quantity of predominantly Kaiser ceramics, including various items of tableware in 'Viola' pattern, a candlestick and bowl in 'Rosalie' pattern, other white bisque floral vases, and a quantity of animals including a tortoise, penguins, flamingo, ducks, butterfly, etc.

DERBY BOTANICAL PLATE, circa 1800, painted with a Horned Violet probably by William Quaker Pegg inside a gilt foliate border and moulded rim, titled in blue Viola Cornuta, Horned-Violet, D beneath a crown and 392, diameter 23cm

POSTCARDS, entertainment, actors/actresses, inc. James Mason, Jack Holt, Bud Abbott, Jackie Saunders, Pearl White, George Dewhurst, Rex Davies, Ann Richards, Susan Peters, Faye Emerson, Ethel Grey Terry, Mary Thurman, Robert Leonard, Max Miller, Viola Dana, Shannon Day, Kirk Alwyn (as Superman), Anthony Steel etc., mainly not pu, many with names written to backs, G to VG, 100*

JAPANESE DISH. 36CM AND A VIOLA BOWL G2

Lark viola cased with bow

A viola made by Vuillaume A Paris, rue Croix des Petits Champs, length of back 40.5cm, a/f

A violin/viola made by Christian Meifel, Violinmaker in Klinenghal Anne 1927, length of back 35cm, a/f

A Viola labelled within Zeller with deluxe carrying case and bow, 15'' back.

Caroso Fabrizio. Il Ballarino... diuiso in due trattati; nel primo de' quali si dimostra la diuersita de i nomi, che si danno a gli atti, & mouimenti, che interuengono ne i balli... Nel secondo s'insegnano diuerse sorti di balli, & balletti... Ornato di molte figure. Et c. Venezia: Francesco Ziletti, 1581. Due parti in un volume in 4° (mm 233x172). Carte (8), 16, 184, (4). Marca tipografica al titolo. Ritratto dell'Autore e 22 figure (in parte ripetute) a piena pagina nel testo, incise in rame da Giacomo Franco. Numerose annotazioni musicali in legno. Bellissimo esemplare da amatore con ampi margini. Pregevole legatura in marocchino rosso firmata Trautz-Bauzonnet, piatti entro triplice filetto in oro, dorso a 5 nervi con ricchi fregi e titolo in oro, dentelles, risguardi in carta marmorizzata, tagli dorati. Prima edizione, dedicata a Bianca Capello, del più importante trattato italiano sulla danza del Cinquecento.La prima parte descrive cinquantacinque regole per una corretta esecuzione dei passi di danza, mentre la seconda parte, la più estesa, passa in rassegna settantasei varietà di danze diverse (balletti e cascarde), ciascuna delle quali è accompagnata da un componimento poetico in lode di una gentildonna e da annotazioni musicali per liuto.Tutti i balli sono concepiti per una o più coppie di danzatori. Le figure, che mostrano la posizione della coppia di ballerini all'inizio di ciascuna danza, costituiscono una straordinaria fonte iconografica non solo per la storia della danza, ma anche per quella del costume.Caroso fu il massimo interprete dello stile italiano di ballo del tardo Rinascimento, soprattutto nella sua contrapposizione alla danse noble francese, che proprio allora cominciava a diffondersi in tutta Europa. Rispetto alle danze di gruppo (quasi tutte anonime) dello stile francese, la maniera italiana prevedeva che i vari balletti, vere e proprie "danze d'arte", fossero composti da maestri di ballo per un'unica coppia (o, meno spesso, per un trio). Ciascun balletto era fornito di musica originale, eseguita sovente da gruppi di soli strumenti a corde (liuto, viola da gamba, viola da braccio), senza percussioni.Nato a Sermoneta, Fabrizio Caroso cominciò la sua carriera a Roma, dove visse quasi tutta la vita, sotto la protezione di Felice Maria Orsini Caetani, duchessa di Sermoneta. Percorrendo dal 1554 tutti i gradi di una brillante carriera professionale (ballerino, teorico e "inventore di scene", maestro di danza, strumentista, compositore), Caroso affidò alle proprie opere (Il Ballarino del 1581 e Nobiltà di dame del 1600) la chiave più appropriata per l'interpretazione del «bel danzar che con virtù s'acquista».Raffinato e competente teorico, oltre che artista direttamente impegnato nella pratica del ballo, Caroso celebrò la figura del danzatore-cortigiano altamente preparato (nell'educazione, nella cultura, nel «nobil vivere») ed esaltò la matrice aristocratica («da sala») della danza, da eseguirsi con grande precisione e pieno dominio dei precetti teorici. Adams C 755.

Manner of El Greco (1541-1614) Angels with friar, possibly St. John of the cross, putti with viola in the sky Oil on copper, 35.5cm by 26cm See illustration

•VICTORIA CROWE RSA, RSW (Scottish b. 1945) THE HEALING HERB, VIOLA Screenprint, signed, inscribed with title and numbered 14/75, 77 x 56cm (30 1/4 x 22")

•MARY VIOLA PATERSON (Scottish 1899 - 1981) EDINBURGH CASTLE FLOODLIT Oil on board, signed and dated (19)64, 23.5 x 32cm (9 1/4 x 12 1/2") Belgrave Gallery Ltd label verso

Michael and Sean Viola Model SNA200 Series 12067 with Hard Carrying Case. Includes: String Bow, Pitch Pipe, and Kun Rest. Minor scratches to wood otherwise good condition. Measures 26-1/2" H x 10" W. Shipping: Third party (estimate $450-$650)

Victorian cased viola and bow

Roderich Paesold viola labelled and dated 1979, 16", 40.60cm

Good tan leather oblong violin and viola plush lined double case

Early 20th century viola, 16 1/16", 40.80cm

Contemporary Stentor student viola, 16 3/16", 41.10cm; also four various contemporary violins (5)

Early 20th century German viola in need of restoration, 15 3/8", 39.10cm; also an early primitive/amateur viola bearing an illegible inked inscription to the inside back and a repairer's label dated 1850, 15 9/16", 39.50cm (2)

Silver mounted viola bow by and stamped Roger Gerome, the stick octagonal, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 73gm

Silver mounted viola bow faintly stamped Jules Fetique, 72gm