We found 3135 price guide item(s) matching your search

Soho Solian Ware Coffee Ware, H&K Viola jug, luscious vase, Devon lustre leaf dish, Radford flagon, etc:- One Tray.

Early twentieth century viola with label J Thibouville-Lamy & Co, London - Paris inside f-hole, length of back excluding button 41cm, overall length 67cm, in fitted case with bow.

Three Royale Stratford The Country Cottage Teapot Collection teapots, each with floral encrusted covers, comprising: 'Viola Tricolour'; 'Sweet Peas'; and 'Old Garden Roses'; together with a Waterford Crystal cut glass paperweight, in the form of a seahorse, with box. (4)

A collection of silver plated wares, including: a WMF oval tray, with WMF stamp to the underneath, 37cms wide; a large tray with floral and foliate engraving; a brass Atlanta Viola clock, the brass dial with black applies retailer's mark and musket ball hour markers, with clockwork movement by Richard Rau; teapot, cream jugs and other items included.

600 LPs FROM THE BBC ARCHIVE (INC ROCK / POP / SOUL / FOLK / JAZZ / CLASSICAL AND MORE) - collection to include: Max Reger - Three Suites For Solo Viola, Blade Runner OST, Gladys Knight & The Pips - Pipe Dream OST, Otis Redding - The Best Of, Wilson Pickett - Right On, Aimi Macdonald & Ronnie Carroll - Promises, Promises, Billy Bragg - Brewing Up With, King Reggie's All Stars, Lyle Mays, Karlheinz Stockhausen, Eddie Cochran, Robert Plant, Ray McVay, John Adams, O'Donel Levy, Eddie Harris, Thomas Mapfumo & The Blacks Unlimited, and more. Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve and as such are generally graded as G+ to VG+. There will also be some records that are 'without sleeves' - in many cases, these are 'doubles' that will correspond to the LPs contained in the collection though can, in some other cases, be from box sets.

600 LPs FROM THE BBC ARCHIVE (INC ROCK / POP / SOUL / FOLK / JAZZ / CLASSICAL AND MORE) - collection to include: Stephen Stills - Stephen Stills 2, Salvatore Accardo - 60 Variations For Violin, Max Reger - Three Suites For Solo Viola, Adam West - Wall Of Sound, Hot Tuna - Phosphorescent Art, Dennis Bovell - Brain Damage, Hot Tuna - Burgers, Jefferson Airplane - Bark, The Beat - I Just Can't Stop It, George Szell, T. Rex, George Harrison, Marion Williams, Gladys Knight & The Pips, Otis Redding, Arthur Baker, Ronnie Carroll, King Reggie's All Stars, Isotope and more. Some sleeves have been 'laminated' either by way of 'punching' the plastic wallet to two parts of the sleeve or by fully wrapping the plastic to the sleeve and as such are generally graded as G+ to VG+. There will also be some records that are 'without sleeves' - in many cases, these are 'doubles' that will correspond to the LPs contained in the collection though can, in some other cases, be from box sets.

An album of nine watercolours: of scenes and trades in Madeira, the first one in Signed:C.Spiller, 1811, in local costume, including; a countryman playing the Viola, another of a countrywoman carrying grass, another with donkey carrying wine and sand, each 11 x 18cmCondition ReportPlease see additional images.

A late 19th century viola with 15" back and a similar violin with 14 1/4" back

A two piece split back viola, with five ebonised turning pegs, and unmarked bow, in soft shell carry case, 64cm long.

A hand painted 'Viola' Tunstall vase, a selection of advertising ware including a Cabana tray and ice bucket, a Dairy Fresh milk advertising jug and tray and a Gold Label ashtray etc.

BILL VIOLA1951 New York City'HATSU-YUME FIRST DREAM' (1981/1997) C-print auf Kodak Professional. BM 28 x 35,5 cm (R. 37,5 x 47,5 x 3 cm). Verso handsigniert 'Bill Viola' und nummeriert '70/350'. Verso: Stempel 'This is a special edition photograph in honor of Veba's support of the exhibition Bill Viola organized by the Whitney Museum of American Art October 6th, 1997'. Guter Zustand. In einem Passepartout und hinter Glas gerahmt. Provenienz: Privatsammlung Frankfurt am Main. 3

A viola (bridge missing), labelled for Josephus Grienberger 1835, the back 15.5", in hard carry case

Royal Copenhagen: a late 19th century Flora Danica plate, having elaborate ribbed edging with gilt decoration, central design depicting 'Viola Muhlenbergiana B Minor Hook', 'Flora Danica c 1897', no. 20/3550, approx. 22cm diameter. Further details: very slightest wear /scratches, no signs of damage.

A collection of violin and viola bows, some children's, one monogrammed 'PG' (qty)

A quantity of china to include: Spode "Italian" bowl, large oval Royal Worcester dish (as found), Bradex display plates, two Duchess "Viola" bread and butter plates, Goebel rabbit, Coalport trinket pot, etc.

Royal Copenhagen, Cachepot "Flora Danica"1935. Porzellan. Pflanzendarstellung in polychromer Malerei. Goldstaffierung. Reliefierter Rand. Rückseitig bezeichnet "Viola odorata L" und "Bellis perennis L". Bezeichnet: Grüne Nummer 687. H 12 cm.- Guter Zustand.

Giorgio Griffa, geb. 1936 TurinVIOLA SPEZZATO, 2007Acryl auf grober Leinwand.50 x 96 cm.Verso auf Leinwand signiert und datiert „2007“.Freigestellt unter Glas, in weißem Holzrahmen.Beigegeben eine Echtheitsbestätigung von Annamaria Maggi, Galleria Fumagalli, Mailand mit Angabe der Archivnummer „07-014“.Provenienz:Galleria Fumagalli, Mailand.Privatsammlung. (1421691) (18)Giorgio Griffa,born 1936 TurinVIOLA SPEZZATO, 2007Acrylic on coarse canvas. 50 x 96 cm.Signed and dated “2007” on the reverse.Freely mounted in white wooden frame behind glass. Accompanied by a certificate of authenticity by Annamaria Maggi from Galleria Fumagalli, Milan with information regarding archive no. “07-014”.Provenance:Galleria Fumagalli, Milan.Private collection.

A PAIR OF ROYAL COPENHAGEN PORCELAIN BOTANICAL PLATESenamelled with floral specimens worded verso respectively 'Rhododendron' and 'Viola', within gilded rims, each 19cm diameter (2)

Eight Canada 1967-2015 banknotes including 1986-91 issue $2, $5, $10 and $20, two commemorative notes (1967 and 2017) and a 2018 $10 featuring Viola Desmond. The 100th and 150th Anniversary of Canada's Confederation are commemorated by a 1967 $1 and 2017 $10 respectively

ARTHUR RICHARDSON, CREDITON; a good full size English 'Tertis' viola with two-piece back length 42.8cm, labelled 'This viola is specially designed in collaboration with Mr Lionel Tertis made by Arthur Richardson Crediton Devon 1947', cased. Provenance: Formerly the property of a professional musician of The Hallé Orchestra. Condition Report: Surface wear, rubbing and scratches to the body and scroll, crackleing to the varnish, string length approx 52cm.

GEORGE STOPPANI; an English viola with two-piece back length 40.3cm, labelled 'George Stoppani in Manchester 1990'. Condition Report: Light surface wear and minor nibbles throughout, minor crackling to the varnish, two scratches to the back, minor chip/split to the edging.

ALAN R PAYNE; a full size English viola with two-piece back length 41.5cm, labelled 'Alan R Payne of Machynlleth, 1973', cased with a bow stamped 'Mathias Thoma'.

MOZART WOLFGANG AMADEUS: (1756-1791) Composer from the Electorate of Salzburg, a child prodigy, widely considered the greatest classical music composer of all time. Mozart died at the early age of 35 years, leaving his legacy for posterity, including masterpieces in all musical genre. An exceptionally rare and important A.L.S., Wolfgang Amadé Mozart, one page (with a postscript occupying the upper half of the second page of the bifolium), 4to, Vienna, 26th April 1783, to [Jean-Georges] Sieber (´Monsieur!´), in German. Mozart writes to the music publisher Sieber to offer him some compositions, and also confirms that he is currently at work on six quartets, ´Es sind nun bereits 2 Jahre daß ich in Wien bin; - Sie werden vermuthlich wissen von meinen Sonaten auf Piano forte mit Begleitung einer Violin, welche ich hier bey Artaria und Compagnie habe Stechen lassen; - da ich aber mit dem hiesigen Stiche nicht allzusehr zufrieden bin, und wenn ich es auch wäre, Meinem LandsManne in Paris auch einmal wieder möchte etwas zukommen lassen ´ (Translation: ´ It has now been two years since I came to Vienna; you probably know about my sonatas for pianoforte with the accompaniment of a violin, which I had published here by Artaria and Company; however, since I am not very satisfied with the local engraving, and even if I were, I would also like to send something to my compatriot in Paris again´), continuing ´ wieder möchte etwas zukommen lassen, so mache ihnen hiemit zu wissen daß ich 3 Clavier-Concerte fertig habe, welche mit ganzem orchester als mit oboen und Horn – wie auch nur à quatro, können producirt werden´ (Translation: ´so I hereby inform you that I have three piano concertos that can be performed with a full orchestra, with oboes and horns, or just à quatro;´), explaining that Artaria would again like to engrave them, but instead offering Sieber the privilege, ´ ich will ihnen also, um alle weitläufigkeit zu vermeiden, den geringsten Preis sagen; - die geben mir 30 Lousid’or dafür, und damit ist unser Handel gemacht´ (Translation: ´so, to avoid any further discussion, I will give them to you for the lowest price; – you give me 30 Louis d'or for them, and that is the end of our business´). Mozart then proceeds to inform Sieber that he is presently engaged on another musical project, which the composer evidently regards as being highly important, and would become the famous ´Haydn´ Quartets, which he also offers to the publisher, ´schreibe ich nun a 6 quartetten auf 2 violin, viola und Baßo – wenn sie Diese auch Stechen wollen so gieb ich sie ihnen auch. – mit diesen bin ich aber nicht so wohlfeil – diese 6 quarten kann ich unter 50 Louis d‘or nicht geben´ (Translation: ´ I am now writing a set of 6 quartets for two violins, viola and bass – if you also want to engrave these, I will give them to you as well – However, I cannot let these go as cheaply – I cannot let you have these 6 quartets for under 50 Louis d'or´). The composer asks Sieber to send a reply if he is prepared to accept the offer and undertake the printing, adding that he will be able to provide an address in Paris where the music could be collected in exchange for Sieber´s payment. In his postscript Mozart requests that Sieber, ´belieben sie nur über ihren Brief eine Adresse Couvert zu machen mit folgender Adresse: A: Monsieur Monsieur Le Baron Raymund de Wetzlar a Vienne auf der hohen Brücke im kleinen Harbonsteinschen Haue´ (Translation: ´ Please put your letter in an envelope with the following address: A: Monsieur Monsieur Le Baron Raymund de Wetzlar a Vienne on the high bridge in the small Harbonstein house´). With integral address leaf (´Monsieur Sieber, Editeur de Musique, rue St: honoré, à l´hotel d´Aliger, Paris´) bearing two postal cancellations and lacking the original seal (circular area of paper loss and a lengthy, neat split to the central horizontal fold). A letter of salient content in which Mozart not only makes reference to his sonatas for violin and piano, and his pianoforte concertos, but also writes of having commenced composing what would become to be known as the ´Haydn´ quartets. Some very light, minor staining to the centre right area of the letter and with a few small, minor tears and light creasing to the edges, none of which majorly detract from the overall appearance of the letter, the text of which remains bold. About VGJean-Georges Sieber (1738-1822) German-born French musician and music publisher. Following his marriage in 1770 to Marie-Julie Regnault, who was trained in music engraving, Sieber began his publishing activities, initially publishing works by composers of German origin. These included over fifty symphonies and numerous chamber works by Joseph Haydn, as well as Mozart´s Symphony No. 31 in D major (K.297/300a), better known as the ´Paris Symphony´. It may have been the first of Mozart´s symphonies to be published when Sieber released their edition in 1779.Baron Raimund Wetzlar von Plankenstern (1752-1810) provided Mozart with free accommodation in Vienna from December 1782 to February 1783 and also became the composer´s patron, providing financial assistance including the removal costs and rent for Mozart´s next residence. Wetzlar von Plankenstern was Godfather to Mozart´s first son, Raimund Leopold. It was in the home of Wetzlar von Plankenstern in Spring 1783, at the time of the present letter, that Mozart first met the opera librettist Lorenzo da Ponte (1749-1838) who wrote the libretti for three of Mozart´s most celebrated operas: The Marriage of Figaro (1786), Don Giovanni (1787) and Cosi fan tutte (1790). Artaria & Co. was founded in Vienna in 1770 and became one of the most important music publishing firms of the late 18th and 19th century, associated with many leading names of the classical era.  During his lifetime Artaria was Mozart´s principal publisher (despite the disparaging remarks Mozart makes in the present letter).The sonatas which Mozart first refers to in his letter represent the initial work of his ´mature sonatas´, in particular Violin Sonata No. 17 in C Major (K.296) which had been composed in March 1778 and was first published in 1781 as part of the composer´s Opus 2 collection.The three piano concertos Mozart next makes reference to are Piano Concerto No. 11 in F Major (K.413), Piano Concerto No. 12 in A Major (K.414), and Piano Concerto No. 13 in C Major (K.415). The content of the present letter has been published in numerous books, one of the earliest occasions being in July 1921 when it appeared in the Bulletin Français de la Société internationale de musique. At the time the letter was only known by a facsimile copy, the original assumed to have been lost, and is now being offered at auction for the first time, having been located in the archives of a distinguished French family. One of the most important autograph letters of Mozart to have appeared at auction in recent years.Only twenty-five autograph letters by Mozart (several of them incomplete, and most written to his father or other relatives) are recorded in the Auction and Book Sales Archive (ABSA), which incorporates the records of American Book Prices Current (ABPC), as having been sold at auction since 1978.OWING TO LIMITATIONS IMPOSED BY THE SALEROOM THE COMPLETE DESCRIPTION FOR THIS LOT CAN NOT BE DISPLAYED - PLEASE CONTACT IAA EUROPE DIRECTLY FOR FURTHER INFORMATION. 

A GEORGE II CARVED MAHOGANY AND MARBLE TOPPED CONSOLE TABLE CIRCA 1750 With a Calcatta Viola Arabescato marble top 75cm high, 88cm wide, 60.5cm deep Condition Report: Table with the marks, knocks, scratches and abrasions commensurate with age and use. Minor old chips and splits to the timber. Some 'shrinkage' and minor opening to join lines in places - this does not affect the structurally solidity of the table. Marble top is later associated. Marble has age and bears wear, chips, losses and some filler repairs. Please refer to additional images for visual reference to condition. Condition Report Disclaimer

A Minton Pottery Cloisonne porcelain vase in the manner of Dr Christopher Dresser, cylindrical on three feet, painted in colours with panels of white cyclamen and viola flowers, highlighted in gilt on a blue ground, and another vase similar painted with butterflies, impressed marks, restored, minor damages, 19.5cm. high (2)

Spedizione Italiana sul K2 - 1 settembre 1954 - Cartoncino affrancato e datato 1 settembre 1954, annullo in viola della spedizione e al verso le firme autografe dei partecipanti. 15 x 10.5 cm

A mixed collection of vintage jewellery to include two pairs of 1940s carved clips, one pair in the form of edelweiss and a similar pair in blue, an Epiphany platinum plate silver hinged bangle, a pair of 9ct gold and Austrian crystal stud earrings, an atomic Sinclair Anti-Magnetic watch pendant on chain,1960s paste necklace and bracelet set, a Suzanne Bjontegard AB crystal set cocktail watch with matching bracelet, various Joan Rivers boxed jewellery, various other costume jewellery necklaces and bangles, a french rosary, a pair of gold plated ball stud earrings and two white metal mouse cheese markers plus 3 Kirks Folly 'Faeries' to include an enamelled purple floral fairy with AB crystal wings brooch, a Victoriana fairy brooch with enamelled colour shell design in a box signed by Jennifer Kirk and a pair of purple enamelled viola flower earrings with crystal droplet.(qty in one box) 

Detlev Nitschke (Berlin 1935). Sommer im Park. Öl/Holz. 22 x 27 cm. R. u. sign. Nitschke. - Deutscher Veduten- und Landschaftsmaler. N. war Schüler bei E. Viola, erhielt eine Ausbildung an der Meisterschule für Druck und Graphik in Berlin und studierte am Staatlichen Institut für Graphik bei Prof. Boehland. Als Maler und Lithograph von Stadtansichten und Landschaften mit Figurenstaffage greift er auf die Malerei der Wende vom 19. zum 20. Jahrhundert zurück.

Detlev Nitschke (Berlin 1935). Blumenverkäuferin. Öl/Holz. 25,5 x 31 cm. R. u. sign. Nitschke. Craquelé. - Deutscher Veduten- und Landschaftsmaler. N. war Schüler bei E. Viola, erhielt eine Ausbildung an der Meisterschule für Druck und Graphik in Berlin und studierte am Staatlichen Institut für Graphik bei Prof. Boehland. Als Maler und Lithograph von Stadtansichten und Landschaften mit Figurenstaffage greift er auf die Malerei der Wende vom 19. zum 20. Jahrhundert zurück.

Tätowierte Dame - Ethel Martin Vangi (1898-1977) „Lady Viola“ Der unvollendete Rücken der tätowierten Dame „Lady Viola“, ca. 1920-30er Jahre, alte Fotopostkarte (RPPC) 12x7,4cm Ethel Martin Vangi (1898-1977) „Lady Viola“, auch bekannt als „die schönste tätowierte Frau der Welt“, wurde in den 1920er Jahren von Frank Graf tätowiert. Sie arbeitete im Zirkus Ringling Bros. und in Groschenmuseen. Im Winter hat sie auch einige Tätowierungen gemacht. https://de.wikipedia.org/wiki/Die_t%C3%A4towierte_Dame https://wiki.bme.com/index.php/Lady_Viola

Eight Various Violin, Viola and Cello Bows, some with mother of pearl inserts to end, longest approximately 75cm long. (8).

Chinese Viola and Two Bows, in carry case. Acoustic guitar.

MAX OPPENHEIMER (Wien 1885 - 1954 New York)Rosé-Quartett, 1920Farblithografie/Papier, 65,5 x 64 cmmonogrammiert im Stein MOPPabgebildet in Pabst, Wkvz. Max Oppenheimer 1993, Abb. L15 und in Widder (Hrsg.) 2023, Max Oppenheimer und das Rosé-Quartett, S. 4 und TitelblattSCHÄTZPREIS / ESTIMATE °€ 2000 - 4000STARTPREIS / STARTING PRICE °€ 2000Max Oppenheimer war ein österreichischer Künstler des 20. Jahrhunderts und als solcher ein bedeutender Vertreter der österreichischen Avantgarde. 1900 bis 1903 Studium an der Akademie der bildenden Künste in Wien, 1903 bis 1906 an der Prager Kunstakademie. 1906 Mitglied der Prager Gruppe OSMA (Die Acht), darunter Vertreter der tschechischen Avantgarde wie u.a. Otakar Kubín, Emil Filla, Bohumil Kubišta und Emil Artur Longen. 1908 und 1909 Teilnahme an der Kunstschau in Wien. Frühe Einflüsse von Vincent van Gogh, zählte zum Wiener Expressionismus um Egon Schiele, Oskar Kokoschka und Albert Paris Gütersloh. 1911 bis 1915 in Berlin, Auseinandersetzung mit dem Kubismus und Mitarbeit an der Zeitschrift Die Aktion. 1915 bis 1925 in der Schweiz Beginn seiner Auseinandersetzung mit dem Thema Musik. Ende der 1920er Jahre in Berlin und ab 1931 wieder in Wien. 1937 wurden seine Werke von den Nazis als entartete Kunst eingestuft. Schuf v.a. Porträts, religiöse Darstellungen und Szenen aus dem Alltagsleben. Zahlreiche expressionistische Werke mit Einflüssen aus Kubismus und Futurismus zum Thema Musik, eindrucksvolle Darstellungen von Komponisten, Dirigenten, Musikern und berühmten Orchestern wie dem, von den Brüdern Arnold Rosé und Eduard Rosé 1882 gegründeten, Streichquartett. 1938 floh Oppenheimer vor den Nazis zunächst in die Schweiz und 1939 weiter in die USA. Arnold Rosé (Arnold Josef Rosenblum), 1863 in Jassy geboren, studierte 1873 bis Violine bei Karl Heißler am Wiener Konservatorium der Gesellschaft der Musikfreunde. Mit 16 Jahren gab Rosé sein erfolgreiches Debüt mit dem Gewandhausorchester Leipzig. Von 1881 bis 1938 war er Mitglied der Wiener Philharmoniker, ab 1881 erster Konzertmeister und Solist an der Wiener Hofoper. 1889 bis 1896 gastierte er fallweise als Konzertmeister der Bayreuther Festspiele. Ab 1903 war er Mitglied der Wiener Hofmusikkapelle. 1893 bis 1901 unterrichtete Rosé Violine und Viola am Konservatorium der Gesellschaft der Musikfreunde. 1908 bis 1924 war er Professor für Musik an der Wiener Musikakademie. 1882 gründete er zusammen mit seinem Bruder, dem Cellisten Eduard Rosenblum bzw. Rosé, das Rosé-Quartett, das in den ersten Jahrzehnten des 20. Jahrhunderts vor allem in der Besetzung mit Paul Fischer, Anton Ruzitska und Friedrich Buxbaum Berühmtheit erlangte. Das Quartett trat regelmäßig in Wien, Prag und Budapest auf und wurde neben der beispielhaften Interpretation klassischer Werke auch für den mutigen Einsatz für neue Musik bekannt (insbesondere Arnold Schönberg). 1891 konvertierte Rosé zum evangelischen Glauben und änderte seinen Namen in Rosé. Ab 1902 war er mit Justine Mahler, einer Schwester Gustav Mahlers, verheiratet. Seine Tochter, die Geigerin Alma Rosé, leitete das berühmte "Mädchenorchester" von Auschwitz. Sohn Alfred Eduard Rosé wurde Pianist und Komponist. 1933 zum Ehrenmitglied der Wiener Philharmoniker ernannt, flüchtete Arnold Rosé 1939 nach London.Bitte beachten: Der Kaufpreis besteht aus Meistbot zuzüglich des Aufgeldes, der Umsatzsteuer sowie gegebenenfalls der Folgerechtsabgabe. Bei Normalbesteuerung (mit ° beim Schätzpreis gekennzeichnet) kommt auf das Meistbot ein Aufgeld in der Höhe von 24% hinzu. Auf die Summe von Meistbot und Aufgeld kommt die gesetzliche Umsatzsteuer hinzu. Diese beträgt 13% bei Gemälden, Aquarellen, Zeichnungen, Grafiken sowie Skulpturen und 20% bei Fotografien und allen anderen Objekten. Bei Differenzbesteuerung beträgt das Aufgeld 28%. Die Umsatzsteuer ist bei der Differenzbesteuerung inkludiert.

Wendy McBride pencil signed limited edition print, "Blue Viola I" 149/500

French Mirecourt JTL 'Copie De' Viola 1920's with Original case with bow [Back length 40cm] [15" 3/4]

A collection of mixed ceramics to include; mid to late 20th century or modern Japanese or Chinese miniature vases, various designs and models, inc. double gourd and baluster shapes, some marked underside, 60s onwards, together with other ceramics inc. Continental figures; some Goss Ware miniatures; Franklin Mint items; modern Royal Doulton and Royal Worcester figure; Viola jug in Deco style (a/f); Noritake dish; studio pottery jug and others. (Q) Some items with damage or loss and age related wear.

ViolaBudapest, 20. Jh., auf Zettel bezeichnet Zimmer K. Otto, 16'' Viola, geteilter Boden in rötlich-goldenem Lack, umlaufende dreiteilige Randeinlage, guter spielbereiter Zustand, L Korpus 41,3 cm.

Royal Copenhagen Flora Danica hand painted circular dish, Viola Epipsila Ledeb, 15cm dia, printed marks, boxed

Royal Crown Derby - 62332 Snowflake penguin, 60102 Coal Tit, 07485 Nuthatch, Viola Vase, Sleeping Dormouse and 62843 Linnet Guild all first quality and Derby Wren, silver stopper, all boxed

▲ Mary Viola Paterson (1899-1981) 'Racing Stables'signed 'Viola Paterson' l.l., oil on canvas61 x 76.5cmProvenance: With Panter & Hall, London.Condition ReportFramed: 76 x 92cmLight stretcher marks starting to emerge at the top. A little light surface dirt to the sky. Examined under UV light some of the blue tones in the sky fluorese however this is believed to be the original pigment rather than later overpainting. Please see addditional images. Presents well overall when viewed on the wall. 

Five rare soul and funk 7" singles comprising Salena Jones F 12708, The Velours on MGM 2006-603, Lou Bennett on Columbia DB 7296, Judy Carne on Reprise RS 20680 and Viola Wills on President PT 108.

Baudson, Michel (Hg.). Artists' Video Tapes. 25.2. - 16.3.1975. Mit zahlreichen, häufig ganzseitigen Abbildungen. Bruxelles, Palais des BeauxArt - Bozar, 1975. 160 Bl. 32 x 26 cm. Im Original-Kartonringhefter mit montiertem Deckelschild (gebräunt, knickspurig, berieben und bestoßen).Seltener Katalog der ersten "Art-video"- Ausstellung in Belgien. - Eins von 400 Exemplaren. - Mit einem Vorwort von K. J. Garland. - Der erste Teil des Katalogs enthält neben einer Liste der ausgestellten Werke einen kritischen Text von René Berger. Der zweite Teil enthält 53 lose Blätter mit Informationen zu Künstlern, die zuvor an einer Ausstellung in der Galerie Impact im Musée des Arts Décoratifs in Lausanne teilnahmen. Der letzte Teil enthält weitere 80 Blätter (76 + 4 Anzeigen) mit Informationen von Künstlern der aktuellen Ausstellung. Also insgesamt 133 Blätter zu den Künstlern: Vito Acconci, Vincenzo Agnetti, Christian Boltanski, Pierpaolo Calzolari, Antonio Dias, Braco Dimitrijevic, Valie Export, Simone Forti, Jochen Gerz, Paul-Armand Gette, John Gibson, Joan Jonas, Allan Kaprow, Jannis Kounellis, Les Levine, Gerald Minkoff, Missing Link, Antoni Muntadas, Mass Moving, Ian Murray, Maurizio Nannucci, Dennis Oppenheim, Charlemagne Palestine, Gina Pane, Luca Patella, Friedrike Pezold, Alberto Pirelli, Joan Rabascal, Ulrike Rosenbach, Sarkis, Katharina Sieverding, Bill Viola, Wolf Vostell, Peter Weibel und viele andere. - Stellenweise leicht gebräunt, teils leicht bestoßen.

Vinyl - 50 Northern Soul / Soul / Funk / R&B mainly original UK 1960’s pressing 7” singles including many demos promos to include: Joe Henderson. The Hippies, The Packers, The Glories, Jon & Jeannie, Marv Johnson, Rex Garvin And The Mighty Cravers, Dobie Gray, The Gypsies, The Orlons, Jimmy Holiday, O.V. Wright, Marvin Gaye, The Hideaways, Viola Wills, Chuck Wood, Jackie Wilson and many more. Condition VG overall

AUTOGRAPHS. An album containing approximately 386 signatures, most many to a page and some back-to-back, including the autographs of Ernest H. Shackleton, the leaf additionally signed later by Ranulph Fiennes, Ellen Terry, Henry Irving, Wilhelm Ganz (with line of music), Thomas Lloyd, Maria and Guglielmo Marconi, Sebastian Ferranti, Granville Bantock (with line of music), Gladys Cooper, Clara Butt, Alice of Albany, Harry Lauder, Prince Edward, Princess Mary, Prince Henry and Prince George, Queen Elizabeth II when Princess, Lucy and Stanley Baldwin, Caradog Roberts (with line of music) and Nellie Melba. Provenance: by family repute this album was compiled by Maude Thomas and her descendants. Note: Maude Thomas was Queen Elizabeth’s Mistress of the Robes when the then princess was attending events in Wales. Maude was also an accomplished musician playing Piano, the Viola and the Harp, achieving the accolade of ‘Harpist of the Rhondda’.

A late 18th century viola in case, 15 2/8 inch back

Shipwreck Photograph Mullion, Coverack, The Lizard &c. &c, Twenty photographs of the 'MV. Shoreham', off Mullion, 1982, all original, four in colour; Two Argall's Series postcards, of the 'ss.Vertas', near Coverack, with one other image and a negative; With other images (mostly later prints) including the ss.Seuvic, Wandsbeck, ss.Suffolk and the schooner Viola.

FLAVIO POLI (ITALIAN 1900-1984) FOR SEGUSO VETRI D'ARTE ‘SOMMERSO’ VASE, DESIGNED c.1960 glass 30.2cm high, 24.5cm wide (12in high, 9 5/8in wide) Private Collection, London. Literature:Heiremans, Marc, Seguso Vetri D'Arte: Glass Objects From Murano (1932-1973), Arnoldsche Art Publishers, Stuggart, p. 151, cat. no. 12755, for a similar example of this model. This model appears to be in the Rubino-Blu-Violetto (or viola cardinale) colourway (transparent ruby covered with transparent blue, the whole overlaid with transparent violet, or literally ‘cardinal red') noted as one of the colour combinations for 1960.

A full size German viola, Stradivarius copy, with one-piece back length 39cm, cased with two bows.

A MODERN VIOLA AND BOW without a manufacturers mark with a two piece back, with a mother of pearl inlaid bow (2) (Condition Report: light scratches to the viola and fitted with two fine tuners)

Film - - Sammlung von 477 Photopostkarten mit Portraits amerikanischer Schauspielerinnen aus dem Nachlass der ungarischen Schauspielerin Käthe von Nagy (1904-1973). Berlin, Ross Verlag, 1920er/30er Jahre. Mont. in Album d. Zt. Fol. Marmor. HLwd. (berieben, bestoßen, Rücken etw. fleckig). Gezeigt werden Portraits und Filmszenen u.a. von: Olive Borden, Evelyn Brent (mit Adolphe Menjou), Elga Brink, Viola Dana, Bebe Daniels, Billie Dove, Priscilla Dean, Agnes Esterhazy, Doris Hill, May Mc Avoy, Ossi Oswalda, Lya de Putti, Marie Prevost, Dorothy Sebastian (mit Buster Keaton, John Gilbert, Nils Asther, Alice Terry), Gloria Swanson, Virginia Valli, Fay Wray (1 sign.) u.v.m. - Vereinzelt leichte Läsuren oder minimal fleckig, insg. wohlerhalten. Collection of 477 photo postcards with portraits of American actresses from the estate of the Hungarian actress Käthe von Nagy (1904-1973). Mounted in contemp. album. Marbled half cloth (rubbed, bumped, spine somewhat stained). - Showing portraits and film scenes of, among others and many more: as listed above. - Occ. slight defects or minimal spotting, overall well preserved.

JULES WIESE POUR FROMENT-MEURICE: BROCHE 'HARMONIE' EMAIL, RUBIS ET PERLES, MILIEU DU 19E SIECLEReprésentant Sainte Cécile jouant de la viole entourée d'amours musiciens dans un décor gothique, sertie de quatre rubis de forme rectangulaire, de perles de forme ronde et accentuée d'émaux noirs et blancs, signée Froment-Meurice, poinçons de maître pour Jules Wiese, poinçons français pour l'or 18K (750°/00) et l'argent (800°/00), dimensions 6.50 x 4.30 cm, poids brut 28.57 g.Footnotes:JULES WIESE FOR FROMENT-MEURICE: ENAMEL, RUBY AND PEARL 'HARMONIE' BROOCH, MID 19TH CENTURYDepicting Saint Cecilia playing the viola surrounded by angel musicians, set in Gothic architecture, set with four rectangular-shaped rubies, round-shaped pearls and highlighted by black and white enamel accents, signed Froment-Meurice, maker's marks for Jules Wiese, French assay marks for 18 carat gold and silver, measurements 6.50 x 4.30 cm, gross weight 28.57 grams.For further information on this lot please visit Bonhams.com

A late 18th century viola with single piece back, golden brown in colour with printed label 'Johann George Paulus' and dated 1793 or 1798...Potsdam', 39cm; together with bow, casedSome wear/pitting/scratches to the back. A couple of dents and some wear left by the bridge (lacking). One of the pegs is lacking its mother o'pearl inlaid dot to the centre. There is a paler line/mark to the fingerboard, and some small cracks to the lower bout. Minor splits to the wood running with the grain.

A viola by Dennis Plowright of Devizes with single piece back, golden brown in colour, maker's label attached no. 46 and dated 1972, 42.4cm; together with bow, casedLength of back - 43.5cmNew photos added.

Three Rocio luxury eco fashion acacia wood bags including a Viola natural matt handbag, a red snakeskin and gloss wood handbag and a ostrich skin clutch Condition Report:Available upon request

A collection of 60+ Funk, Soul And Disco 12" Singles. Includes artists: Barry White, The Real thing, Viola Williams, Atlantic Starr, Tavares, Rose Royce and similar. Overall condition: Very Good.

Trade cards, Australia, McIntyre Bros, Film Artists, Series 1, four cards, Ethel Clayton, Elaine Hammerstein, William S Hart & Tom Mix & Series 2, eleven cards, Charlie Chaplin, (vg), Agnes Ayres, Dorothy Dalton, Viola Dana, Grace Darmond, D W Griffith, Harold Lloyd, Charles Ray, Anita Stewart, Gloria Swanson & Billie Burke (most with sl faults, light foxing etc)

Wang Zhiming (Chinese, Lu-Mi instruments) cased six string sycamore wood Viola, inlaid with ebony and birds eye maple wood. Paper label to interior with No. 1771. Approx. 72cms L appears reasonable used condition. needs re-stringing etc

Theatre & Photography - Angus McBean (1914-1990), a quantity of gelatin silver photographic prints comprising Vivien Leigh as Viola (Twelfth Night, 1961); as Blanche DuBois (A Streetcar Named Desire), etc, some annotated, the largest 38cm x 30cm

TATRA by ROSETTI inner label, cased viola, L85cm, complete with bow and OTTO VIENER 1939 inner label, cased violin and bow with chin rest, L58.5cm.

Approximately one hundred and forty 12" singles, mostly 1970s to 1990's Funk / Soul / Dance / Disco includes Viola Wills, Donna Summer, Sylvester, Alexander O'Neil, Staple Singers, Theo Vanes, Mirage, Blade Box, Alyson Williams, Kiki Dee, Pasadenas, Ten City, Soul II Soul, Surface, Kathy Mathis, Al B. Sure, Vesta, Andrea True Connection, Anita Baker, Jocelyn Brown, Winans, Gina Soccio, Janet Jackson, Kym Mazelle, Sapphires, Oran 'Juice' etc. Records generally appear to be at least VG+, some may grade lower