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Unusual and eccentric contemporary viola, unlabelled, with scrolling double gourd shaped outline, back length 15 3/4", 40cm

Nickel mounted viola bow stamped P.R. Leblanc; also two other nickel mounted viola bows (3)

Very large quantity of double bass, violoncello, viola and violin fittings, including pegs, tailpieces and end pins etc

Nickel mounted viola bow stamped Ernst Kreusler; also another nickel mounted violin bow stamped Knoll (2)

Violin and viola double case

Tenor viola da gamba by and labelled Wolfgang Uebel, Celle, circa 1974, the peg box and open scroll with incised decoration, length of body 20 7/8", 53cm, with viol bow by Otto Dürschmidt, case; also a late 19th century German violin (2)

Good modern English viola by Wilfred G. Saunders and labelled 'Edwin Leslie' Made for Les Collier by Wilfred G. Saunders 93 Julian Road, West Bridgford Nottingham 2000 and branded W.G. Saunders internally on the back, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a light reddish colour on a golden ground, 16 11/16", 42.40cm, case

Small German viola circa 1930, 15 3/16", 38.60cm, bow, case

Contemporary viola d'Amore, unlabelled, the double banded spruce table with pierced heart shaped sound hole, total back length 16 3/8", 41.60cm

Old viola carved with maker's monogram to the reverse of the peg box, 16 1/8", 41cm

Small quantity of violin and viola instrument making wood; also various other maple and spruce cut for instrument making, including blocks and ribs

German viola of the Mittenwald School circa 1890, unlabelled, the two piece back of faint broad curl with similar wood to the sides, the head of faint medium curl, the table of a medium width grain and the varnish of a light reddish-brown colour on a golden ground, 15 13/16", 40.20cm

Early 20th century German viola, 15 3/8", 39.10cm

British School (late 19th-early 20th Century) Collection of 47 Botanical Watercolours of British Garden Flowers, Plants and Orchids, each titled with common and latin identifications in ink, watercolour on Reynolds Bristol Board, 23.4 x 18.5 cm (SH) (total 47)Plants include Anemone nemorosa, myosotis arvensis, chrystanthemum leucanthemum, tussilago farfara, equisetum fluviatile, orchis mascula, cardus marianus, menziesia polifolia, antirrhinum linaria, lythrum salicaria, clematis vitalba, lamium album, scabiosa arvensis, symphytum officinale, borago officinalis, neottia spiralis, heracleum sphyondylium, eupherbia amygdaloides, geranium robertianum, polygonum persicaria, onaris arvensis, digitalis purpurea, veronica agrestis, ophrys apifera, conyza squarrosa, chlora perfoliata, vinca major, epilobium montanum, veronica chamcedrys, allium ursinum, geum urbanum, scrophularia nodosa, galeobdolon luteum, pedicularis sylvatica, ophrys muscifera, orchis albida, senecio jacobea, agrimonia eupatoria, valeriana rubra, betonica officinalis, narcissus, lathyrus sylvestris, viola odorata, epilobium hirsutum, calluna vulgaris, scabiosa succisa, pulmonaria officinalis Condition:The sheets are individually covered with a translucent sheet of acid free paper attached with tape. The sheets show evidence of having been previously stuck in some form of scrapbook- the four corners show evidence of adhesive to the verso of the sheet. The sheets appear in good overall condition- no obvious losses, tears or issues- a few have minor creases to the corners but not extending into the paintings. There is some general ageing (yellowing) to the sheets in some cases, usually concentrated around the edges- likely from handling. A few examples have some minor and sparsely distributed foxing. The colours are well preserved and bright, no obvious fading or paint loss. The surfaces appear to be stable.

VIOLA DA GAMBA WERKSTATT HERMANN MOECK UND BOGEN Celle, 1957 Zweiteilige Fichtenholzdecke und einteiliger geflammter Ahornboden, braun-rötlicher Lack, 5 Saiten. Altviola L. ca. 71,5 cm, Korpusl. 41 cm. Gambenzettel: 'Hermann Moeck Werkstätten Celle (Deutschland) Anno 1957'. Gebaut vermutlich von Heinrich Haferland, Gambe im Stile von Joachim Tielke (1641-1719). Mit Koffer und 2 Ersatzsaiten. Gambenbogen, Mitte 20. Jh., Ungemarkt, Runde Stange, ebonisierter Frosch, Silbermontierung, typische gerundete BarockbogenformL. 65,5 cm, Gew. ca. 60g, min. ber., neues Bogenhaar erforderlich. Gambe min. best. und ber..

VIOLA Deutsch, um 1900 Zweiteilige Fichtenholzdecke und Ahornboden, dunkelbrauner Lack. 4/4 Bratsche, L. 69 cm, Korpusl. 41,5 cm. Inschrift unleserlich. Besch. und best., rest., Deckenrisse, Decke lose, ohne Wirbel, Steg, Saiten und -halter.

VIOLA Deutsch, Anfang 20. Jh. Zweiteilige Fichtenholzdecke und Ahornboden, dunkelbrauner Lack. 4/4 Bratsche, L. 65,5 cm, Korpusl. 38,5 cm. Ohne Zettel. Mit Koffer. Part. ber. und best., ohne Steg, Saiten und -halter.

VIOLA Deutsch, Anfang 20. Jh. Zweiteilige Fichtenholzdecke und Ahornboden, dunkelbrauner Lack.. 4/4 Bratsche, L. 67,7 cm, Korpusl. 40,5 cm. Ohne Zettel. Mit Koffer. Part. ber. und best., eine Saite fehlt, an der Schnecke part. best..

VIOLA Deutsch, Anfang 20. Jh. Zweiteilige Fichtenholzdecke und Ahornboden, dunkelbrauner Lack. 4/4 Bratsche, L. 67,3 cm, Korpusl. 40,7 cm. Ohne Zettel. Mit original Jäger Etui Koffer. Min. ber. und best., spielbereit.

VIOLA Deutsch, Anfang 20. Jh. Zweiteilige Fichtenholzdecke und geflammter Ahornboden, dunkelbrauner Lack. 4/4 Bratsche, L. 66,3 cm, Korpusl. 39,5 cm. Ohne Zettel. Mit Koffer. Min. ber. und best., spielbereit..

AN UNAMED VIOLA AND BOW, with a Romberg bevel finger board, length of body 41cm, length from scroll 65cm, the bow is stamped Vuilleaume, the stick round, the ebony frog inlaid with pearl eyes length 68cm (2) (Condition Report: scratches to the scroll and case of viola, string missing, other strings in need of attention, bow has a few scratches)

An unusual late 17th century and later cased Quinton (five string violin/viola), with early body with 18th/19th century neck and scroll, tuned for C, G, D, A, E, length of body 36.5cm, without bow

A cased 19th century German viola, length of body 39cm, in a good double case incorporating space for violin, without bow

A traditional Chinese viola in fitted cae, bow as found

A Stringers of Edinburgh viola of two-piece back construction, with fitted carry case and bow (paper label to interior)

GIOVANNI BATTISTA CECCHINI (1804-1859), GIOVANNI PIVIDOR (1812-1872) AND TOMMASO VIOLA (c.1810) 'Vedute Dei Principali Monumenti Di Venezia' published c.1850 by Testolini, coloured lithographs, fourteen including the title page, the title page 24cm x 30cm, mounted and framed (14) Provenance: Selected contents of 137 Gloucester Road, London.

A Viola labelled Wilhelm Paul Kunz, 1957, with two-piece flamed back and ribs, light amber varnish, length of back, 40.5cms, cased with bow.

A viola bow stamped 'A.Vignaron', with silver mounts and pearl inlaid ebony frog, approximately 69 grams.

A white metal mounted viola bow 71 grams Condition Report:Available upon request

Graham Clarke (b.1941). Hovis, artist signed and titled coloured etching, 290/300, 22cm x 32cm plus 15 others, Nice Stuff, Reg's Vegs, OXODXO, T4-2, Beside the Seaside, Plat du Jour, Bon Apetit, A la Carte, Careful Perusal, Viola, The Very Plaice, Special Delivery, Dog eared, Lost Sole, proper Job (16).

FIVE BOXES OF KERNEWEK POTTERY DINNERWARE, to include a large quantity of 'Daisy' pattern dinnerware, spice jars, kitchen storage cannisters, cheese dish, butter dish, mugs, cups, coasters, toast rack, preserve jars, dishes, plates, tureens, together with a quantity of Kerneweck Pottery 'Honeysuckle and Viola' pattern tea ware and storage containers, and a large quantity of M&S 'Field Flowers' pattern dinnerware (s.d) (5 boxes)

Viola Paterson, The collected Poems & Prints. A limited edition of 150, number 32, private press 1983, in folio case, including assorted engravings of dancers, shipping and nature

A 1920's Art Deco Phoenix ware viola pattern tea set comprising 21 pieces to include cake plate, milk jug, and sugar basin.

Vinyl - 13 Jazz / Contemporary Jazz limited edition albums and one 10” album to include: Gene Howard, Al Viola - Love Is A Drag (2016 gold vinyl, MH-8017), Moondog And His Honking Geese – Moondog And His Honking Geese Playing Moondog's Music (2004 10”, HJP 17), Vince Guaraldi Trio – A Charlie Brown Christmas (1988, F 8431), Vince Guaraldi Trio – Peanuts Greatest Hits (2016 picture disc album, FAN-37957-01), Tipsy – Uh-Oh! (2001 double album, ASP 2003), Armando Sciascia – Sea Fantasy (2015, PHE 001), John Baker – The Vendetta Tapes (2015, BUTR 8), Mats Gustafsson – Solos For Contrabass Saxophone (2004 single sided picture disc, ER 68), Michel Legrand – Archi-Cordes (Di-Gue-Ding-Ding... Danse) (2009 limited numbered, 531 699-3), Alessandro Alessandroni ‎– Angoscia (2015 into 002), Derek Bailey With Min Tanaka – Music And Dance (1996 clear vinyl, REV 6010), Martial Solal Joue Michel Magne – Electrodes (2013, 12 CACKLP), A. Alessandroni – I Cantori Moderni Di A. Alessandroni (2013 + CD, PNY 3302), Various – Bod: Words & Music (2006 picture disc album, Trunk Records, JBH 016LP/PD). Condition at least EX overall

Approximately One Hundred and Forty Classical L.P's, noteworthy titles include, Downes/Du Pre- Music For Viola And Cello (HMV CSD 1499, 1963), has surface marking, Menuhin And Kentner - Brahams Sonata No.3 (HMV ASD 475. 1962), Backhaus - Beethoven Piano Concerto No.4 in G Major (Decca SXL 2010, 1958), Wilhelm Backhaus - Beethoven Sonatas 12+18 (Decca SXL 6064, 1963) and Sonatas 17+18 (Decca SXL 6063, 1963), Rosamunde - Midsummer Nights Dream (Decca SXL 2229, 1960), Wilhelm Backhaus - Beethoven Waldstein Appassionata (Decca SXL 2241, 1960) and many more. Varied condition, G-VG and would benefit from a clean.Jacqueline Du Pre this record is heavily surface marked and some scratches

Viola Carter (British. 1848-1926). Brother of the famous impresario Richard D'Oyly Carte (1844-1901). An accomplished oil painting on canvas of the Reverend Richard Bruce. Dated 1880 on the back. In a contemporary deep set gilt frame. A portrait by a largely unknown artist and rare example of work by a nineteenth century women artist. H.87 W.76cm.

A vintage violin with label of George Robertson (Edinburgh 1909), of one piece back-construction, together with an adapted viola case (bow not included)

Liturgischer Notendruck.: O.O. u. Vlg., ca. 1. Hälfte 18. Jhdt. Qu.Kl.4°. 30 nn. Bl. Einf. Pbd. d. Zt. mit hs. Deckeltitel "Basso Viola". (Gebrauchssp., tls. etw. beschäd.). Enthält u.a.: Praeludium Authoris ad B. Virginem, & Dei Matrem Mariam. - Ariae de B.V. Maria. Basso Viola. - Pro Festo Visitationis B.V. Mariae. - Pro Festo Praesentationis B.V.M. - Pro Festo Mariae de Victoria, seu SS. Rosarii. - De Matre Dolorosa. - Ariae de SS. Apostolis. De S. Matthia Apostolo. - De SS. Philippo & Jacobo. - De SS. Apostolos Petro & Paulo. - De S. Jacobo Majore. - De S. Bartholomaeo Apostolo. - De S. Matthaeo Apostolo. - De SS. Simone & Juda. - De S. Andrea Apostolo. - De S. Thoma Ap. - De S. Michaele Archangelo. - De S. Corbiniano Episcopo. - De S. Nicolao Episc. - De S. Stephano Protomartyre. - De S. Joanne Evangelista. - De SS. Innocentibus. De SS. tribus Regibus. - Aria Finalis ad Colendissimum D. Musicum. Alle Stücke mit meist kurzen deutschen Texten. - Tls. etw. gebräunt, durchgeh. ger. Wurmsp. im Bug.

Venedig.: XX Vedute di Venezia disegnate da C.B. Cecchini e T. Viola. Venedig, Kier (ca. 1850). Qu.4°. Mit kolor. lithogr. Titel u. 19 (von 20) kolor. lithogr. Taf. Illustr. Ohlwd. (Etw. fleckig u. berieb.). Seltene Vedutenfolge, mit reicher Figurenstaffage belebte Ansichten. - Tls. beschn. u. in den Rändern etwas fleckig, Titel stärker fleckig, fehlt eine Tafel.

VICTORIA CROWE HEALING HERB, VIOLA Silkscreen, an artist's proof aside from the edition of 75 produced for Art in Healthcare, signed, titled and numbered A. P. in pencil 76.5cm x 56cm (30.25in x 22in) The Scottish Gallery, Edinburgh from where acquired by the current owner in 2012Exhibited:The Scottish Gallery, Edinburgh, Victoria Crowe: Ti Sorprendo, 1 - 24 December 2012;The Artist's studio

A German nickel mounted pernambuco viola bow, by G Werner, 20th century; the stick with ebony frog inlaid with mother-of-pearl, 74.5cm long; and another viola bow, unstamped, early 20th century. with tortoiseshell frog, (both with damages)

Viola von David Reeve, England, 20. Jh., Gesamtlänge: ca. 68 cm. Altersgemäßer Zustand, Gebrauchs- und Reibespuren.

A Hand Painted 'Viola' Jug Together with a Kensington Pottery Footed Bowl

MARY VIOLA PATTERSON (1899-1981) 'Dancers at the Moulin Rouge', pencil and watercolour on watermark paper of Cancun dancers (Moulin Rouge), possibly painted during her time in Paris (c.1920s)

An old viola with 17½" figured one-piece back bearing a recent label for James Strawford of Grimsby Anno 1991 in fitted case together with bow by Joh. Schneider

TADDY, Famous Horses And Cattle, inc. no. 1 The Great American Jersey Cow Lady Viola, near VG,

Modern viola in case with bow and labelled "The Messina"

A 1970'S MICHAEL POLLER VIOLA, with a two-piece maple back and ribs, beech neck and spruce top, bears label 'Michael Poller Producator De Vioara Bucuresti' length 65cm overall; in Stentor carrying case with bow, together with a Chinese made violin with carrying case (2) Condition Report: the viola has a few scratches and bumps to the top signs of wear to the finger board. The violin has many scratches, bumps and scuffs on both sides)

Multi signed Charles Heslop, Lorraine Clewes, Bryan Coleman, Viola Lyel, Ronald Adam Theatre programme pages plus 2 others. The Manor of Northstead. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Viola Interest. Viola & Bow, Fitted In A Black Case with Blue Interior. Comes Resonans Shoulder Rest,Resin and Hiderpaste, Condition - In Need of Attention - Please See Photos for Condition. Overall Size Is Approx 26 Inches.

Collection of 20th Century H&K Tunstall Viola Pattern hand painted ceramics, to include vases, jugs, fruit bowl, mixing bowl, planter, candlesticks, plates, etc. (Tallest vase approx 25.5cm) (2 boxes)

Victor L. Quéntin. Lotto di tre incisioni colorate dal libro delle tende, "Le Magasin De Meubles", raffiguranti finestre elaborate a Parigi risalenti ai secoli XVIII e XIX cm 34x26; con cornice 54x46In passepartout di velluto viola con contorno in oro. Cornice dorata con spighe a rilievo.Fenetre Louis XVI, Grand Feston relevèFenetre Henri II, demi-Lambrequin à DrapreiesDècore de Fenètres fantasie a Draperies

Victor L. Quéntin. Lotto di tre incisioni colorate dal libro delle tende, "Le Magasin De Meubles", raffiguranti finestre elaborate a Parigi risalenti ai secoli XVIII e XIX In passepartout di velluto viola con contorno in oro. Cornice dorata con spighe a rilievo.Dècor d'Archivolte à DraperiesLit Louis XVI, Grand feston relevèToilette, EtofessChiffonnèes - Toilette Dubax, Glaces Mobiles

Victor L. Quéntin. Lotto di tre incisioni colorate dal libro delle tende, "Le Magasin De Meubles", raffiguranti finestre elaborate a Parigi risalenti ai secoli XVIII e XIX In passepartout di velluto viola con contorno in oro. Cornice dorata con spighe a rilievo.Condizioni: lievi strappi , gore diffuse.Fenètre Louis XVI Rideaux CantonniéreFenètre Salon Rideau à la MeternickFenètre Henri II à draperies

SALVADOR DALÍ (1904-1989)Pensée (Viola cogigans), 1968 Eau-forte, pointe-sèche et pochoir issue de 'Flora Dalinae'. Signée et numérotée XXIV/XXV Ets, droge naald en sjabloon van 'Flora Dalinae'. Getekend en genummerd XXIV/XXVEtching, drypoint and stencil from 'Flora Dalinae'. Signed and numbered XXIV/XXV70 x 50 cm (sheet) FramedThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

A Stentor Student viola , cased with bow

A Bow figure of the muse 'Euterpe', circa 1750-52By the 'Muses Modeller', modelled seated and resting her right arm on an organ with masked stops above the keys and the inscription 'Euterpe for the musical instruments', a large flute or trumpet held by her left side, a stringed instrument, perhaps a lute or viola, a triangle and some pipes nestled around her feet, left in the white, 15.5cm high Footnotes:ProvenanceMavis Bimson CollectionMavis Bimson discusses the set of Bow Muses in her paper 'The Missing Muse', ECC Trans, Vol.19, Pt.3 (2006), pp.569-72 and declares that of the eight known models 'The finest of the figures are undoubtedly Euterpe and Erato'. The muse of lyric poetry and music is certainly overflowing with attributes. A similar figure picked out in bright enamels and gold from the Donald MacAlister Collection is in the British Museum (inv. no.1959,1102.65).For further information on this lot please visit Bonhams.com

VICTORIA CROWE OBE FRSE RSA (SCOTTISH b.1945)   THE HEALING HERB: VIOLA  Screenprint, signed lower right, numbered 44/75, 80 x 59cm Condition Report:Available upon request

Poster “Final Champion’s League” – 22 maggio 1996 - The poster is from the Champions League final held at the Stadio Olimpico in Rome on May 22, 1996, between Juventus and Ajax (2-5 penalties). It features nine autographs from Juventus players and was signed by them at the request of Andrea Viola, who was a player at Lodigiani and residing at Hotel Parco La Borghesiana, where Juventus was in training. Condition B- The poster has some slight defects and folds. Size: 30x41 cm Provenance: Andrea Viola, former player of Lodigiani in the 1996-1997 season.

Cyril Edward Power (British, 1872-1951)The Trio (Coppel CEP 44) Linocut printed in light yellow-orange ochre, red, light cobalt blue, viridian and dark blue, circa 1936, a richly inked impression, on tissue thin oriental laid paper, signed and titled in pencil, one of only a few impressions, the edition is unknown, framedBlock 248 x 190mm (9 3/4 x 7 1/2in)Sheet 302 x 222mm (11 7/8 x 8 3/4in)Footnotes:Both Power and his fellow artist and Grosvenor School co-founder, Sybil Andrews, were accomplished musicians and Power celebrates their artistic talents here by placing himself at the harpsichord, Sybil Andrews on the viola da gamba and their friend, Max Champion, on the treble recorder. The Grosvenor School artists usually produced images of anonymous figures, representative of certain types, so it is unusual for the artist to produce an image of identifiable people, including himself.The tight composition creates an intimate atmosphere where the viewer becomes part of the audience. The strong diagonal lines and bold colours suggest the energy involved in this musical session.Coppel notes that the edition is unknown. It appears that an edition of 60 was intended, with an impression numbered 4/60 appearing at auction in 2006 and an experimental proof sold at Bonhams in 2018.For further information on this lot please visit Bonhams.com