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Blur ‘To The End’ ‘End Of A Century’ promo CDs, A ‘Modern Life Is Rubbish’ metal pin badge, The La’s metal pin badge & CD single ‘Timeless Melody’, Ride ‘Waves’ album CDR, ‘Various promo CD singles and CDRs including Elastica ‘Line Up’, Garbage ‘Subhuman’, The Creatures ‘Anima Animus’ & ‘Eraser Cut’, Richard Ashcroft, Kasabian, Heavy Stereo, The Charlatans, Two Door Cinema Club, Mark Gardener, Belle & Sebastian. Suede ‘The Beautiful Ones’ Book by Roger Morton, Zippo lighter for LIVE, small lighter for The Boom Boom Satellites, Clocks promo toy with USB stick inside, Flexi-single by Newsflash 2 copies. Various badges from the 90’s including Flowered Up, Belly, Birdland and the label Go! Discs. NME Viola Beach Special from July 16.

Arctic Monkeys New large T-Shirt, ‘Leave Before The Lights Come On’ sealed CD single. The Libertines and BabyShambles various promo CDs including radio edits and CD albums. 2005 Polydor Sampler CDR including The Bravery, Weezer, Kaiser Chiefs. The International Swingers featuring Glen Matlock and Clem Burke ‘Gun Control’ Mint 7 inch single. Pint Shot Riot ‘Holes’ Mint 7 inch Single. MTV Awards 2007 promo DVD, Top Of The Pops 2002 promo VHS. Hoosiers ’News From Nowhere’ CD album and 2 promo singles plus 2 promo newspapers, NME Viola Beach Special from July 16 & a postcard promoting radio listening using a photo of Mick Jones.

A collection of Doulton limited edition musical ladies, designed by Peggy Davies, 'Chatarrone', 'French Horn', 'Cello', Violin', 'Lute', 'Harp', Viola', 'Virginials', 'Flute', Hurdy Gurdy', 'Dulcimer' and 'Cymbals' (boxed)

A viola labelled Charles A, Ball, Kirkby-in-Ashfield

A violin and a viola labelled Charles Alfred Ball

A good antique German violin by Louis Lowendahl of Dresden circa 1890-1900, a useful silver mounted antique violin bow, probably German and a contemporary nickel mounted viola bow, both unstamped. Plus a pair of coconut maracas.

VIOLA GORDON WOULFE oil on canvas - large arrangement of flowers on a pedestal, signed, 70 x 60cms

Idraulica/Hydraulics. Cocconcelli Antonio. Istituzioni d'idraulica teorico-pratica... Volume I [-III]. Parma, stamperia Rossetti, 1832-1837.Un'opera in 3 volumi in-8° (mm 235x160). I. (in tre fascicoli con paginazione continua). X, 1-192 pagine. 2 tavole calcografiche ripiegate numerate I-II; 193-384 pagine. 1 tavola calcografica ripiegata numerata III; 385- 610, [6] pagine. 3 tavole calcografiche ripiegate in fine, numerate IV-VI. II. XXVII, 299, [1] pagine. [1] tavola calcografica ripiegata in fine. III. XIII, 635, [1] pagine. 11 tavole calcografiche ripiegate in fine numerate I-XI e ritratto inciso dell'Autore in antiporta realizzato da A. Rossena e datato 1836. In barbe, poche lievi fioriture. Brossura editoriale omogenea in carta viola, stampata in nero ai piatti e al dorso. Qualche lieve alone e minimi strappi ai bordi dei piatti o ai dorsi, qualche rottura lungo le cerniere con poche mende di carta ai dorsi (più rilevanti quelle al Volume II). Al piatto anteriore del Volume I (fascicolo I) e del Volume II etichetta a stampa 'Stamperia e libreria di Giovanni Silvestri'; ai dorsi segnatura tardo ottocentesca vergata in inchiostro su etichetta cartacea.Bel set, in brossura editoriale originale perfettamente conservata, di questo trattato dell'ingegnere parmense Antonio Cocconcelli (1761-1846), completo del ricco apparato di tavole illustrative esplicative. L'autore - che fu consigliere di Stato onorario, capo degli ingegneri e direttore dell'Ufficio Acque e strade del Ducato di Parma - lavorò a numerosi progetti su incarico della duchessa Maria Luigia, in particolare per la costruzione di ponti come quello sul Taro lungo la via Emilia (1815), sulla Trebbia (1821-1825), sull'Arda (1834-1837) e sul Nure (1838). All'Università di Parma tenne la cattedra di ingegneria civile e tra le onorificenze ricevute si possono citare la nomina a Cavaliere dell'Ordine Costantiniano e dell'Ordine Sabaudo dei Santi Maurizio e Lazzaro. Alla brossura dei volumi qui offerti è presente l'etichetta del libraio milanese Giovanni Silvestri, specializzato in edizioni scientifiche.One work in 3 volumes, 8° (235x160 mm). I. (three quires with uninterrupted pagination). X, 1-192 pages. 2 folding engraved plates, numbered I-II; 193-384 pages. 1 folding engraved plate, numbered III; 385- 610, [6] pages. 3 folding engraved plates, numbered IV-VI. II. XXVII, 299, [1] pages. [1] folding engraved plate. III. XIII, 635, [1] pages. 11 folding engraved plates, numbered I-XI. Frontispiece with author's portrait engraved by A. Rossena and dated 1836. Uncut, light foxing. Publisher's wrappers printed in black. Pale stains and minor tears to the covers and spines, some cracks along the joints with a few losses (especially in vol. 2). Bookseller ticket 'Stamperia e libreria di Giovanni Silvestri' on the upper cover of vols. 1 and 2. Late 19th-century shelfmark inked on paper label to the spines.Good set, in its well-preserved publisher's wrappers, of this treatise by the engineer Antonio Cocconcelli from Parma (1761-1846), complete with the rich suite of plates. The author - who was director of the Office of Water and Streets of the Duchy of Parma - worked on several projects commissioned by the Duchess Maria Luigia, especially for the construction of bridges such as the one on the Taro river along the via Emilia (1815), on the Trebbia river (1821-1825), the Adda river (1834-1837) and the Nure river (1838). He held the chair of civil engineering at the University of Parma and among the honours received, he was mentioned as Knight of the Constantinian Order and of the Savoy Order of Saints Maurice and Lazarus.The volumes offered here bear the ticket of the Milanese bookseller Giovanni Silvestri, who was specialised in scientifc books.

Old viola with bow in case

Victorian comprehensive christening set comprising a two-handled bowl of polished circular form with applied ring handles and girdled body, together with a similar small mug with C-scroll handle together with a knife, fork and spoon set, all engraved "Viola" together with a further cylindrical napkin ring, combined wt approx 507gms all in, various dates and makers and all contained in a silk and velvet lined morocco covered case retailed by Rolands & Fraser - 146 Regent St & 28 Warwick St, London

HMV 33 rpm CSD 1499, 1963 stereo LP on HMV gold and green label, music for Viola and cello, Herbert Downes, Jacqueline du Pre, with inner sleeve and cover, overall very good condition

Viola Peacock 'Rhododendrons' Watercolour Signed and dated 1980 The Mall Galleries label verso 52.5cm x 39.5cm and Early 19th century school Boats on a river Monochrome watercolour 29cm x 43.5cm (2)

H & Co Viola 2/0 doll

Gigli Girolamo. Opere nuove... cioé Il leone di Giuda in ombra, overo il Gioasso, drama sacro. Amor dottorato, invenzione dramatica. La via della gloria, cantata per musica. La viola in pratolino, cantata per musica. Cantate varie per musica. Canzoni e sonetti. I litiganti, overo Il giudice impazzito... Un pazzo guarisse l'altro... Venezia, Marino Rossetti, 1704.In-12° (mm 145x85). 358 pagine. Manca l'ultima carta bianca. Bruniture. Legatura coeva in pergamena su cartoncino. Titolo manoscritto al dorso. Nota di possesso 'Hyacinthi Guariglia' datata 1802 al frontespizio e altra 'Giorgio Petrocchi Roma 29 Marzo 1945' alla carta di guardia.12° (145x85 mm). 358 pages. Wanting the last leaf blank. Browning. Contemporary vellum over pasteboards. Ink title on the spine. Ownership inscription 'Hyacinthi Guariglia' dated 1802 on the title-page, other by Giorgio Petrocchi dated Roma 29th March 1945 on the flyleaf.

Good collection of nineteenth century and later Continental porcelain figures, to include four novelty bisque nodding figures, two monkey band figures and various others after Meissen, the tallest 18cm high (21) CONDITION REPORT One monkey musician has broken hands and missing instrument. the other monkey has a chip to viola. Female warrior in armour with sword and shield - sword restored and helmet chipped. the rest of the figures in good order

A group of 9ct gold jewellery, comprising a pair of 14ct gold and jet pendant earrings, 1.6g, a 9ct gold and blue stone pendant, 3.2g, 9ct gold dolphin charm, St Christopher pendant and brooch pin, 2.5g total weight, together with a yellow metal rectangular pendant enamelled with a viola, with dedication verso dated 22nd May 1900, 1.4g. (7)

A full size viola by Michele Ashley, Cremona 1976, with signed label to interior, length of the two-piece back 41.9cm, cased with a bow. Formerly the property of professional musician Julien Gaillard (1930-2009), with related paperwork.

A traditional viola, labelled C L Farren, Huyton, 1961

A Cantonese viola, labelled Skylark

Late 19th century German viola, 15 5/8", 42.20cm

Viola by and labelled Aldo Zani-fece-Cesena, 1929, also signed on the label, the two piece back of faint broad curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 16 1/16", 40.80cm (restorations)

Contemporary English viola by Victor Unsworth and stamped V.H. Unsworth to the inner back, also inscribed in pencil Fecit 1982, the two piece back of medium close curl with similar wood to the sides, the head of plainish wood, the table of a fine width grain and the varnish of a plum red colour on a golden ground, 16 3/16", 41.10cm

French nickel mounted viola bow from JTL and stamped Ch Buthod á Paris, the stick round, the ebony frog inlaid with pearl eyes and with a nickel overlaid ebony adjuster, 61gm (without hair)

Good French silver mounted viola bow by Alfred Lamy (neveu), unstamped, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 58gm (without hair) *This viola bow is sold with a certificate of authenticity from The Cabinet d'Archetiers Experts, Jean-Francois Raffin dated 22nd June 2016

French silver mounted viola bow, faintly stamped, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 73gm

Royal Albert old country roses cups, saucers, plates together with 2 viola cups ( 2 trays)

Douglas Perry of Peterborough Viola, of Tertis model, with one piece flamed back, golden orange varnish, signed label dated 1949, length of back 43cm, together with snake wood bow and case.

German viola labelled Ruggeri, two piece back, light brown varnish, with case and bow. Length of back 38.4cm.

John Cresswell Viola , dated 1985, with two piece back and golden varnish, with bow, case and accessories, length of back 39.3cm

Viola 15 3/4'' two piece back, ebony fingerboard, with label 'John Mather Harrogate 1998 No.38'

Cased viola

Viola D'Amoure by Rob Payne, 7 strings, guilded rosette in good conditionin Paxmans fitted case and bow

Viola by Neuner & Hornsteiner, C19th 15.5" (395cm)

4 very old good quality viola bridges from the Aubert workshop 2 stamped Delux 47mm, 54mm, 46.5mm x 2

NO RESERVE Pena di morte e suicidio. Lotto di 3 opere.Capital punishment and suicide. Lot of 3 works.Il lotto comprende:The lot includes:Viola Orazio. Bibliografia Italiana della pena di morte. 1904.Motta Emilio. Bibliografia del suicidio. Bellinzona. 1890.Landra Guido - Cogni Giulio. Piccola bibliografica razziale. Roma. 1939.

A vintage leather music case containing viola, piano and recorder music together with a Wittner, German travelling metronome and an English descant recorder

German, Mittenwald late 19thC (c1880) viola for restoration, 38cm back, with carry case

Cased viola, probably German or Eastern European, with 40.5cm two piece back, bow, shoulder rest, practice mutes etc

JOSEPH BOHUMIL HERCLÍK (B. 1903)VIOLA, DATED 1947bearing label OPRAVIL J. B. HERCLÍK, HOUSLAR, M1. BOLESLAV 1947, the backboard comprised of two sections of wood, together with a bowviola 68 cm long, bow 75.5cm long

Arctic Monkeys - Two original new large T-Shirts ‘Fluorescent Adolescent’ Mint 7 inch single. Libertines 2nd album promo CD, BabyShambles ‘F*** Forever’ promo 6 track CDR including radio edit. Happy Mondays ‘Playground Superstar’ promo CDR, Oh No It’s…The Wonderstuff’ 2CD promo album. Paul Weller ‘Modern Classics’ 5 track sampler, The International Swingers featuring Glen Matlock and Clem Burke ‘Gun Control’ Mint 7” Single. MOJO David Bowie feature from Nov 17 with cover mount CD. NME Viola Beach Special from July 16.

Musica/Music. Vicentino Nicola. L'Antica Musica ridotta alla Moderna Prattica, con la dichiaratione, et con gli essempi de i tre generi, con le loro spetie. Et con l'inventione di uno nuovo stromento, nel quale si contiene tutta la perfetta musica, con molti segreti musicali... Roma, Antonio Barre, 1555. In-folio (mm 285x194). 146, [6] carte. Segnatura: A-Z6 AA6 BB8. Marca tipografica al titolo, che mostra Orfeo intento a suonare la viola. Al verso del frontespizio ritratto xilografico dell'autore all'età di 44 anni. Notazioni musicali nel testo. Lievi macchie e qualche alone sparso, titolo un po' sporco, rinforzo al verso bianco dell'ultima carta, nel complesso bella copia fresca e genuina. Legatura del primo Settecento in mezza pergamena con punte, piatti ricoperti di bella carta marmorizzata. Spellature e mancanze al dorso. Al contropiatto anteriore ex libris inciso del musicologo Henry Prunières.Rara prima edizione, prima tiratura (l'edizione venne riproposta sul mercato da Barré due anni più tardi con solo la data cambiata), di questa opera fondamentale nella storia della musica. L'esemplare qui offerto è privo delle tavole fuori testo che accompagnano in numero variable da 3 a 8 alcune copie dell'opera. Gli unici due esemplari passati in asta negli ultimi sessant'anni (Bonhams 2015, GBP 3,500 e Sotheby's 1984, GBP 1,100) ne erano entrambe privi. A differenza della maggior parte dei primi teorici, Vicentino (1511-1572), che era allievo del compositore fiammingo-veneziano Adrian Willaert, non si limitò semplicemente ad esporre la prassi musicale del suo tempo, ma tentò ambiziosamente di adattare le modalità musicali greche al canto armonico moderno e alla pratica strumentale. Il suo contributo principale fu l'adattamento dell'antica musica cromatica ed enarmonica greca alla pratica polifonica moderna. Anticipando Vincenzo Galilei e Claudio Monteverdi, Vicentino espresse anche un punto di vista avanguardistico sul rapporto tra musica e testo. N. Vicentino, Ancient music adapted to modern practice, M. Rika Maniates & M.V. Palisca, eds., New Haven, 1996; RISM, B6, p. 861; W. Schmieder, Musik, no. 1316; Cowden, no. 22; Grove, V, 495; Eitner, X, 76; Wolffheim, 1093; Gregory-Sonneck, p. 281; Hirsch, 591; Fétis, VIII, 338. Folio (285x194 mm). 146, [6] leaves. Signatures: A-Z6 AA6 BB8. On the title-page printer's device, showing Orpheus under a tree playing the viola. Author's portrait, at the age of 44, printed on title-page verso. Beautiful woodcut decorated initials. Music notation in text. Some staining, title-page a bit soiled, inner margin of the last leaf verso (a blank) anciently reinforced, overall a good, genuine copy. Early 18th-century half vellum, panels covered with marbled paper. Minor losses to spine and joints. On the front pastedown engraved bookplate of the important musicologist Henry Prunières.Rare first edition, first issue (the edition was later reissued by Barré with a new title page dated 1557), of one of the most influential music theory books of the sixteenth century. The book is dedicated to Cardinal Ippolito II d'Este. The copy here offered is lacking the folding plates, which in a number that varies from 3 to 8 are found in a few rare copies. The last two copies sold at auction over the last 60 years had no plates (Bonhams 2015, GBP 3,500 e Sotheby's 1984, GBP 1,100). Unlike most early theorists, Vicentino, who was a pupil of the Flemish-Venetian composer Adrian Willaert, did not simply summarize the practice of his time, but also attempted to adapt the Greek musical modes to the purpose of modern harmonic singing and instrumental performance. His major contribution is the adaptation of the ancient Greek chromatic and enharmonic genera to modern polyphonic practice. Anticipating Vincenzo Galilei and Claudio Monteverdi, Vicentino also expressed avant-garde's views on the relation between music and text. He stated that, in order to better express the feelings of a verbal text, music should be sometimes allowed to break the strict rules of counterpoint. N. Vicentino, Ancient music adapted to modern practice, M. Rika Maniates & M.V. Palisca, eds., New Haven, 1996; RISM, B6, p. 861; W. Schmieder, Musik, no. 1316; Cowden, no. 22; Grove, V, 495; Eitner, X, 76; Wolffheim, 1093; Gregory-Sonneck, p. 281; Hirsch, 591; Fétis, VIII, 338.

A Kodak No 1 Pocket Camera, a Yashica Lynx-5000 camera, modern 6oz hip flask, two pewter tankards, pair of Zenith 10x50 binoculars with carry case and a Viola folding tripod. (7)

An Epiphone Viola bass guitar of Hofner Violin style signed by Paul McCartney to the scratchplate. Comes with a full COA from a UACC and AFTAL registered autograph dealer. UACC registered dealer number RD306, Autograph Sale. Also comes with a letter of grading and authenticity from PSA DNA, Autograph certification S02314 and grade 9.

A 1930's French viola labelled Barzoni for Beare of London with a 40.5cm back.

Three viola bows

A cased viola and bow, length of back 42.2cm.

A Moorcroft, boxed, shouldered vase, signed and designed by Emma Bosons, viola pattern on cream ground

Neuner & Hornsteiner Viola, circa 1880 Viola by Neuner & Hornsteiner in need of attention a/f with broken bow and damaged case

Viola, Viola labelled d'Emile Boulangeot Lyon 1927 generally good condition with bow and Palatino case

A VIOLA, 19TH C with one piece back, 39cm long and a bow (2)++Veryt dirty/dusty; old splits and knocks on table; small old split on back near the button

Three pairs of North American moccasins hide, cloth, glass beads and silk thread, including an Iroquois pair with floral beaded vamps and line borders, with wide ankle flaps, 23cm long, a Cree pair with floral embroidered vamps and cuffs, 22cm long and a New Perce pair by Viola Morris, with geometric beadwork to the instep, serrated cuffs and tongue, 27cm long. (6) Provenance The Ian West Collection.

HK Tunstall viola jug

Two Dolls - one 'Viola' H & Co. and a German doll

A Stentor Student II viola, with 38cm two-piece maple back and spruce top, bears label, 62cm overall, in case with bow marked P H London

Three small contemporary viola outfits, all within fitted cases and with bows (3)

Contemporary viola labelled Supplied by W. Thompson..., 16", 40.60cm, case; also a contemporary child's violin, case (2)

Large quantity of violin and viola tailpieces (over 100)

Large quantity of violin and viola tailpieces (over 100)

Four various nickel mounted violoncello bows, one stamped Paesold and another Voirin; also a nickel mounted viola bow (5)

Interesting nickel mounted viola/violoncello bow stamped Vuillaume ? Paris, the stick octagonal, the ebony frog inlaid with large pearl eyes and the ebony adjuster with two nickel bands, 66gm (without hair)