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A German viola, labelled '... Made in Western Germany', in case, with two bows and boxed shoulder rest. Condition Report: Overall condition is good. However scuffing/scratching can be seen to one area on the back and one area to the front. Hairs loose on one bow. No visible signs of cracks or worm seen.

AMENDMENT - TWENTIETH CENTURY VIOLA with interior label reading ''Armando Di-Lelio, Rome, Fece in Roma Anno'', label signed in pencil, the curved two piece back 406mm, total length 650mm, the scroll head leading to ebonised fingerboard

Corelli (Arcangelo). Concerti grossi, con duoi violini, e violoncello di concertino obligati, e duoi altri violini, viola, e basso di concerto grosso, ad arbitrio, che si potranno radoppiare, Opera sesta XII great concertos, or sonatas, for two violins and a violincello: or for two violins more, a tenor, and a thorough-bass: which may be doubled at pleasure, Being the sixth and last work of Arcangelo Corelli, J. Walsh and I. Hare, 7 volumes (parts, as issued), first English edition, light dust-soiling and marginal marks, without portrait (as often), stitched as issued without covers, folio Smith 466. (7)

A German viola by Paesold, 42cm

J.M. Lodge, viola (for restoration), the back 16ins

An early 20th century Staffordshire part tea service in the ' Viola ' pattern comprising cups, saucers, plates etc

E CHILVERTON; a pair of acrylic on board, harbour scene with yachts and fishing boats, signed lower right and label verso, 24 x 29cm, framed, J WHEELER; watercolour, duck among reeds, signed lower right, 19 x 28cm, framed and glazed, RUTH MEACHIN; gouache 'Viola-Blueberry Cream', signed lower left, 18 x 17cm, framed and glazed, a print of a city street, UNATTRIBUTED; a pastel depicting a meadow scene, 18 x 26, framed and glazed, a photograph of a city street with cathedral in the background, 41 x 29cm, framed and glazed, and COLIN KINNCAR; a watercolour, 'Dusk, Yorkshire', signed verso, 21 x 28cm, unframed (7).

Willem Leendert Bruckman (Dutch, 1866-1928): portrait of the artist's wife, Viola Bruckman, watercolour, signed lower left, 37 by 29cm.

 Sallustius Crispus Gaius. De coniuratione Catilinae. Eiusdem De bello Iugurthino. Orationes quaedam ex libris Historiarum C. Crispi Sallustij. Eiusdem Oratio contra M. T. Ciceronem. M. T. Ciceronis Oratio contra C. Crispum Sallustium. Eiusdem Orationes... (Al colophon:) Venetiis: in aedibus Aldi, et Andreae soceri, gennaio 1521. In-8° (mm  163x100). Carte    [8], 142, [2]. Segnatura: a-t8. Àncora aldina al titolo e al verso  dell'ultima carta. Esemplare eccezionale, privo di difetti, a grandi margini. Bella legatura ottocentesca in marocchino rosso a grana larga, firmata da Bozerian le Jeune, bordura dorata ai piatti dov'è presente un supra libros dorato con motto "VIRTUS SOLA INVICTA', dorso a 5 nervi con titolo in oro, scomparti con decorazione a pointille, tagli dorati. Contropiatto in seta viola, sguardie in pergamena, prerogativa degli esemplari rilegati da Bozerian per il grande bibliofilo francese, A.A. Renouard, autore dei celebri Annales aldini. Esemplare appartenuto a Henry Fitzalan-Howard 15th Duke of Norfolk (1847 -1917) di cui il motto con cresta nobiliare ai piatti. Seconda edizione aldina, più rara della precente del 1509 (vd. lotto 137) di cui riprende avviso ai lettori e dedicatoria. Esemplare probabilmente appartenuto a Renouard. Il De Catilinae coniuratione è la seconda monografia storica della letteratura latina e la prima scritta da Sallustio. Seguendo una scansione narrativa suddivisa in 61 capitoli, l'opera narra la congiura ordita da Lucio Sergio Catilina nel 63 a.C., nel tentativo, rivelatosi poi fallimentare e costatogli la vita, di instaurare una dittatura populista e antinobiliare a Roma. La congiura viene vista dallo storico di Amiternum come uno degli argomenti più significativi della decadenza morale e sociale della classe dirigente romana durante il I secolo a.C., una corruzione che egli denuncia e critica severamente lungo tutta la narrazione.  Renouard, 93.16; Ahmanson-Murphy, 194.

A Longton Hall porcelain leaf form dish, c1755, moulded with a trefoil leaf and viola flowers, the leaves with green edge the veins picked out in puce, openwork crabstock handle, painted in polychrome colours with scattered sprays and insects, 22.5cm max.

BOX 24 - ITALIAN WINE Lusirà Syrah DOC Sicilia 2012 Velenosi Brecciano Gold 2013 Sangiovese IGT Rubicone Corterosso Trilogia di Corte Viola 2013 Chateau Villa Bel Air 2011 Castelforte Corvina Veronese IGT 2012 Vignaruja Cannonau di Sardegna DOC 2013 Fratelli Martini Gavi DOCG 2014 Primitivo di Manduria DOC Conti Pacena 2013 Primitivo IGT Rosso Salento Le Pitre 2013 Adènzia Rosso DOC Sicilia 2012 Lambrusco Amabile IGT Emilia NV Biberius 2014

*Early 20th century petite German viola, 15", 38.10cm; also a Stradivarius copy violin circa 1930, 14 1/4", 36.20cm (2) *This lot is subject to 20% VAT on the hammer price

19th century viola and four interesting 19th century violins, all in need of restoration (5)

Five various violin cases, three viola cases and a mandolin case (9)

Viola and violin double case, with outer zipper cover

Early 20th century German viola, 15 1/4", 38.70cm, bow

Viola case with outer zipper cover; also eleven various violin cases of reasonable quality (12)

English viola labelled J.W. Newman, London, W.12, 15 1/2", 39.40cm

Small Stradivari copy viola circa 1910, 15 1/8", 38.40cm

Good contemporary W.E. Hill & Sons oblong plush lined fitted violin case, with facility for four bows; also a good modern viola case (2)

Nickel mounted viola bow stamped Paesold and a silver mounted viola bow (2)

Silver mounted viola bow stamped M. Cirilo; also a silver mounted violin bow, unstamped (2)

Viola labelled Biagio Carvana Marsigliese, fece in Roma anno 1949, also branded with a fleur de lys below the button, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a reddish-brown colour on a golden ground, 16", 40.60cm

German viola, 15 3/16", 38.60cm

Good early 20th century viola, the one piece back of medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 15 7/16", 39.20cm

Early 20th century Stradivari copy viola, 15 5/8", 39.70cm, with modern silver mounted bow and good plush lined oblong case

English violin of the Voigt School, with unusual finial carved as a bearded gentleman (no scroll), 14 3/16", 36cm, with viola case

Interesting old viola d'amore by and labelled Made by Peter Thompson at The Violin & c, The Well End of St Paul's Church Yd, London, with later neck and fourteen string peg box, length of back 15 3/16", 38.60cm

Contemporary Washburn B-9 five string banjo; together with a contemporary viola, bow and case (2)

icolai, Nicola Maria. Memorie, leggi, ed osservazioni sulle campagne e sull’annona di Roma. Roma, Pagliarini, 1803. In 4° (300 x 225 mm); [4], VII-XXI, [1], 324; XII, 207 [i.e. 211], [28] pagine, 208-217, [23] pagine, 219-250; XII, 522, [2] pagine con le carte bianche presenti. 1 grande carta geografica più volte ripiegata, disegnata da Andrea Alippi e incisa da Pietro Ruga, vignetta incisa ai frontespizi (fioriture e strappi alla carta.) Legatura del secolo XX in mezza tela viola con angoli, titolo in oro al dorso liscio. Esemplare con barbe completo della grande Pianta topografica dell’Agro Romano che spesso manca. (3 volumi) € 200

[Italia]. Janin, Jules. Voyage en Italie. Parigi, Bourdin, [1842]. In 4° (258 x 165 mm); 412, [2] pagine. Antiporta con il ritratto dell’autore, frontespizio calligrafico, 14 tavole fuori testo stampate su cartoncino (fioriture.) Legatura coeva in percallina viola, decorazione di ferri dorati, sui piatti veduta di Bologna, dorso liscio con titolo e cartigli in oro, tagli dorati. Seconda edizione accresciuta. Nel lotto anche una Carta geometrica della Toscana di Girolamo Segato. (2 volumi) € 50

Viola Edith ( Brownie ) Downing (Australian, 1924-1995). Pencil/Pastel & Watercolour. Children Study. Signed lower left, 39 x 48cm.

Minton 'Haddon Hall' lidded pot, Ringtons Malingware 'Viola and Pansy' rose bowl, Art Deco period figure, collector's plates including Royal Albert, Thomas Webb cut crystal vase, pair brass candlesticks with push-up ejectors, 'The Times Comprehensive Atlas of the World', light fitting, throw with rabbit motif and other miscellanea in two boxes Condition Report Click here for further images, condition, auction times & delivery costs

Viola Gardner (20th century), coastal view of Devon, watercolour, signed, 32cm by 43cm, and another watercolour of a mountain landscape, inscribed 'Prato Sopra La Croce', signed, 29cm by 46cm

A late 19th/20thC viola labelled Ernst Heinrich Roth, reproduction of Antonius Stradivarius (41cm back)

A viola; 19th century and later violins (4)

A modern full sized German viola by C.A. Götz jr, 1969, the two-piece back measuring 41cm, cased. CONDITION REPORT: Appears good with no obvious signs of faults, damage or restoration.

A modern full sized viola with two-piece back, length 39.2cm, unlabelled, cased. CONDITION REPORT: Marks to right hand shoulder front. Some scratches and scuffing to corner. No cracks. OUter case very poor.

A late 18th/early 19th century horn box, VIOLA MES BIJOUX ET MES ORNEMENS (sic), decorated figures in an interior, 8.5 cm wide See illustration

A late 19th century viola by Hawkes and Son, London circa 1890:, scroll carved head stock over ebony finger board, two piece flame back, one piece soundboard, label to interior as per title numbered '1594', together with an unsigned bow and accessories in a fitted case, 40 cm long. (repaired and 'colonialised' with wooden pegs to body to reduce humidity)

Pictures and Prints - Margaret Tipper (Local Artist) A set of three, Viola, Downy Rose and Violets signed, watercolours, 13.5cm x 8.5cm; & Mary Johns (Local Artist) Tulips watercolour and pastel, 30cm x 20cm; prints, various subjects and mediums, frames; etc

An Art Deco Phoenix ware "Viola" part teaset, twenty-six pieces approx

A continental viola, two piece back, rosewood tuning keys, two bows, one stamped Grimm, Germany, cased

A Wolf Bros. viola, case and 2 bows

Credenza Napoleone III e specchiera simile in accompagnamento, seconda metà del XIX secolo cm 103x104x62 (credenza) Lastronata in legno di rosa e di viola, di forma mossa sul fronte e sui fianchi, presenta due cassetti e due ante, particolarmente curate sono le guarniture in bronzo dorato e cesellato, eseguite espressamente per il mobile, che arricchiscono i montanti, i pannelli anteriori e quelli laterali. Difetti e mancanze. € 800,00

JACOB GORDON: (1895-1984) English Composer. A.M.Q.S., Gordon Jacob, in the third person, one page (manuscript paper), small oblong 12mo, n.p., n.d. In bold black fountain pen ink Jacob has penned four bars of music, marked Allegro, and which he identifies at the head 'From Viola Concerto No. 2 by Gordon Jacob (1979)'. One very slight crease and some minor traces of former mounting to the verso, otherwise VG

HAHN REYNALDO: (1874-1947) Venezuelan-born French Composer & Conductor. A.M.Q.S., Reynaldo Hahn, two pages (manuscript paper), n.p., June 1910. The extensive quotation, possibly a working manuscript, is written in bold pencil and comprises two untitled compositions for piano, both in 6/8 time, the first comprising 28 bars of music in F Sharp Minor and the second, to the verso, comprising 18 bars of music in C Major. Signed by Hahn at the head of the recto in pencil and dated in his hand to the lower margin. Some light overall age wear, VG Hahn composed a number of works in 1910, the same year as the present quotation, including his Romanesque in C-Major, a piece of chamber music for flute, viola and piano which draws inspiration from an Italian folk dance.

A BROWN CLAUDIO LA VIOLA CLUTCH BAG

A cased Viola with bow and label that reads Stradivarius

MODERN VIOLA AND BOW IN A FITTED CASE

Second issue 2 s. blue + 16 s. violet grey on letter of the 18th December 1862 from Copenhagen to Barth Certificate Bolaffi and Diena 1854/57 - Seconda emissione 2 s. azzurro + 16 s. grigio viola su lettera del 18 dicembre 1862 da Copenhagen per Barth - Cert. Giulio Bolaffi del 2 luglio 1968 e Alberto Diena del 18 luglio 1968 (Yv. n. 3+6) (Uni. n. 3+6) - Base d'asta €450

A Continental Viola, Interior paper label reads 'Joseph Peluzzi 1936 JHS', with a bow stamped 'Charles Bazin Vida', back 16 inches, cased.

COLLECTION OF GOOD QUALITY VIOLA AND VIOLIN EBONY FINGER BOARDS in used condition (22)

•FIVE DRAWINGS to comprise `Figure Studies` by Viola Paterson, pencil, 16 x 20.5cm.; `Street Scene, Ilchester` by Roland Batchelor, ink and wash, 17 x 23.5cm.; `Cannes` by Charles Cundall, watercolour and pencil, 15.5 x 24.5cm.; `Quite Optional` by Adrian Hill, signed, charcoal, 19 x 25cm.; and `Trees` by Frank Runacres [see illus], ink and wash, 25 x 38cm.; all unframed (5) Provenance: all Edinburgh, Louise Kosman ++ Good condition

Spode Fine China 'Wildflower Series' Boxed Set of Plates (6). Comprises Viola, Meadow Cranesbill, Love in a Mist, Harebell, Buttercup and Foxglove.

A Royal Crown Derby porcelain Old Imari bell, circa 1984, printed mark, 13.5cm high, second, and a viola vase, circa 1994, 8cm high, boxed, (2)

A viola, style of Guarneri Del Gesu by Eric Hooker, 1978, in wood case

*Elgar (Edward, 1857-1934). Autograph letter signed 'Edward Elgar', Craeglea, Wells Road, Malvern, 5 December 1900, to Novello & Co., 'Thank you for your letter of yesterday's date: I hope the piano solo arrgt. of Chanson de Matin [Op. 15/2] may be sent me again before printing - I shd. like it to be absolutely 'practicable' for the class of pianist it is intended for. I will proceed with the orchl. arrangement of the two pieces and will let you have the score as soon as possible. I accept the terms 1 you offer with thanks [this last subclause underlined in blue pencil by the recipient]. I return the proof of viola solo pt by this post. In issuing the Intermezzo separately I think the sub-title shd. be omitted, putting simply "Intermezzo" (from Op. 36), this parenthetical description might be worth putting in to save confusion; perhaps under the composer's name - I think that is the usual place - on the 1st p. of music only I mean', 3 pages on Craeglea stationery, publisher's ink date receipt stamp to fold of first and last page, 8vo Published in Jerrold Northrop Moore, 'Elgar and his Publishers: Letters of a Creative Life, volume I, 1885-1903' (1987), pp. 260-61. (1)

THREE SPODE PORCELAIN BOXED RACK PLATES 'THE FURROW PLATE', 'THE ST. GALL PLATE', AND 'WILD FLOWERS - VIOLA'; 3 ROYAL COPENHAGEN BLUE AND WHITE PORCELAIN 'CHRISTMAS PLATES' 1987, 1988 AND 1989, BOXED AND A WEDGWOOD CHINA COLLECTORS PLATE 'THE EARLY MORNING MILK' (7)

A Stanley Harrison of Howden Viola, with 41cm two-piece maple back, ribs and neck block, unmarked, 67cm overall, in carrying case with two bows marked Grandini and H.A. Stohr