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*LOTTIE DAVIES (B. 1971) ‘The Red Devil from Memories and Nightmares' number one of the edition of 5,  Lambda print on aluminium, 124cm x 200cm. Lottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in  Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland,  she moved back to England to pursue a career in photography. She is currently based in London and Cornwall. Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012. Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.

*LOTTIE DAVIES (B. 1971) 'My mother was born in a bucket, 2014' number one of the edition of 5,  Digital c-type, 80cm x 105.5cm. Lottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in  Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland,  she moved back to England to pursue a career in photography. She is currently based in London and Cornwall. Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012. Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.

*LOTTIE DAVIES (B. 1971) 'The River, 2009' number 1 from the edition of 5,  Lambda print on aluminium, 124cm x 148cm. Lottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in  Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland,  she moved back to England to pursue a career in photography. She is currently based in London and Cornwall. Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012. Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.

*LOTTIE DAVIES (B. 1971) 'Here: The Last Ghost Tree, 2013' number 1 from the edition of 6,  Digital c-type,  76cm x 102cm. Lottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in  Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland,  she moved back to England to pursue a career in photography. She is currently based in London and Cornwall. Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012. Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.

*LOTTIE DAVIES (B. 1971) 'Lilith (After John Collier) 2010' number 1 from the edition of 6,  Digital c-type, 100cm x 54cm. Lottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in  Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland,  she moved back to England to pursue a career in photography. She is currently based in London and Cornwall.Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012. Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.

*LOTTIE DAVIES (B. 1971) 'Lilith (After John Collier) 2010' number 2 from the edition of 6,  Digital c-type, 100cm x 54cm. Lottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in  Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland,  she moved back to England to pursue a career in photography. She is currently based in London and Cornwall. Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012. Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.

*LOTTIE DAVIES (B. 1971) 'Lilith (After John Collier) 2010' number 3 from the edition of 10,  Digital c-type, 66cm x 36cm. Lottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in  Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland,  she moved back to England to pursue a career in photography. She is currently based in London and Cornwall. Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012. Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.

*LOTTIE DAVIES (B. 1971) 'Eve, 2011' number 1 from the edition of 10,  Digital c-type, 51cm x 40.5cm. Lottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in  Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland,  she moved back to England to pursue a career in photography. She is currently based in London and Cornwall. Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012. Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.

*LOTTIE DAVIES (B. 1971) 'Venus, 2011' number 1 from the edition of 10,  Digital c-type, 40.5cm x 51cm. Lottie Davies was born in Guildford, UK, in 1971. She grew up in Surrey and was educated in  Alton and Godalming. After a degree in philosophy at St Andrews University in Scotland,  she moved back to England to pursue a career in photography. She is currently based in London and Cornwall. Davies’ unique style has been employed in a variety of contexts, including newspapers, glossy magazines, books and advertising. She has won recognition in numerous awards, including the Association of Photographers’ Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim with the image Quints, which won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, with Viola As Twins, which won the Photographic Art Award, Arte Laguna Prize in Venice in 2011, and her collaboration on Dreams of Your Life with Hide & Seek/Film 4.0 which was BAFTA-nominated in 2012. Davies’ work is concerned with stories and personal histories, the tales and myths we use to structure our lives. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia and visual conventions with the intention of evoking a sense of recognition and narrative. Sandy Nairne, former director of the National Portrait Gallery in London, described Davies’ work as “brilliantly imaginative”.

Giovanni Giacometti 1868–1933 Inverno 1932 Öl auf Leinwand unten rechts monogrammiert GGrückseitig signiert, bezeichnet und datiert Giovni Giacometti Maloja 1932 72 x 75 cmProvenienz: bedeutende Privatsammlung, SchweizAuktion Sotheby's, Zürich, 3.12.2013, Los 26Ausstellung: Jubiläumsausstellung Giovanni Giacometti (1868-1933), Chur, Bündner Kunstmuseum, 1968, Nr. 119 (Winter in Capolago).Literatur: Paul Müller und Viola Radlach, Giovanni Giacometti 1868–1933, Werkkatalog der Gemälde, Zürich, Schweizerisches Institut für Kunstwissenschaft, 1996/97, Bd. II, S. 568, Nr. 1932.23.Im Zentrum dieses von Giovanni Giacometti in seinem letzten Lebensjahr entstandenen Ölgemäldes steht die Faszination für die Natur und seine Liebe zur Heimat. Während bei vielen Winterlandschaften Giacomettis die Sonne und deren Leuchtkraft eine wichtige Rolle übernehmen, besticht dieses Werk viel mehr durch eine Intensität, bei der auf die im Bild selbst dargestellte Sonne verzichtet wird. Der sich türmende Schnee ist nicht nur Thema des Bildes, sondern auch das Verbindungselement zwischen Vorder- und Hintergrund. Er rahmt die dargestellte Szene ein und führt den Betrachter gleichsam in diese nostalgisch anmutende Landschaft. Giacometti hat in diesem Spätwerk gezeigt, wie Farbe zum Leuchten gebracht werden kann. Er hat es geschafft, mit einer reduzierten Farbpalette die winterliche Kälte fassbar zu machen. Die Macht der Natur wird durch die Darstellung einer einzelnen Person mittig im Bild unterstrichen. Die mit einer Schaufel ausgestattete und in die Winterlandschaft eingebettete Figur verdeutlicht noch einmal die Weite der Landschaft.

Cuno Amiet 1868–1961 Sommerlandschaft 1918 Öl auf Leinwand unten rechts monogrammiert und datiert CA 18 60 x 73 cmProvenienz: Hans TheilerAuktion Christie's, London, 26.1986, Los 156Galerie Klopfer, ZürichAuktion Sotheby's, Zürich, 3.12.2001, Los 140Privatbesitz, SchweizAusstellung: Kunsthalle, Bern, 13.4.–16.5.1919, Nr. 81.Literatur: Franz Müller und Viola Radlach, Cuno Amiet, Die Gemälde 1883–1919, Zürich, Scheidegger & Spiess, 2015, Bd. II, S. 517, Nr. 1918.26, mit Abb.In den Jahren ab 1918 entstanden eine Reihe von Landschaften in heller, satter Farbigkeit, inspiriert durch Amiets systematische und analytische Auseinandersetzung mit der Malerei seines Vorbildes Van Gogh sowie seiner Freunde aus dem Kreis der Expressionisten. "Sommerlandschaft" kann als Hauptwerk dieser Serie bezeichnet werden. Das Werk zeigt den Dorfplatz des Weilers Oschwand. Die expressive Strahlkraft der Farben, der imposante, ausgesprochen leidenschaftlich und temperamentvoll gemalte Himmel mit den rosa Wolken zeugen von Amiets Ausbruch aus den formalen Zwängen der damaligen Bildauffassung. Dieses unvoreingenommene Sehen war für Cuno Amiet massgebend. Er verstand das Sehen als ein von aller konventioneller Begrifflichkeit befreites Schauen, das lediglich von den Gestaltungsmöglichkeiten bestimmt wird.

Twelve Royal Doulton limited edition figures modelled by Peggy Davies - Harp HN2482, number 332, Dulcimer HN2798, number 685, Viola D'amore HN2797, number 589, Chitarrone HN2700, number 463, Hurdy-Gurdy HN2796, number 555, French Horn HN2795, number 741, Violin HN2432, number 695, Flute HN2483, number 626, Cymbals HN2699, number 397, Lute HN2431, number 679, Cello HN2331, number 692 and Virginals HN2427, number 232, all boxed with certificatesCondition report: All in very good condition apart from French Horn which is badly cracked

A Lot of 6 various artworks to include Valerie McLean painting of trees on a hill top, Two watercolours by John Uht of man playing a viola and two clowns seated, Victorian tapestry of women farming and two tapestry artworks signed

A set of three graduated Victorian Staffordshire jugs with hand painted floral decoration, height 18.5cm diminishing, and a Portmeitrion 'Viola Tricolor' vase (4).

Interesting old small viola in need of restoration labelled Georg Kloz..., also bearing a repairer's label, 15", 38.10cm (at fault)

Early 20th century viola, 15 11/16", 39.80cm

Oblong double violin case; also six various single violin cases and a viola case (8)

The Girolamo Amati viola in the Galleria Estense - Treasures of Italian Violin Making 1 (unwrapped)

Two viola bows, two full size violin bows and four three-quarter size violin bows, all with hair (8) *Please check CITES regulations regarding export of bows containing Elephant Ivory prior to purchasing

Contemporary French nickel mounted unused viola bow by and stamped Ary-France, 71gm *Please check CITIES regulations regarding export of bows containing Elephant Ivory prior to purchasing

French nickel mounted viola bow stamped Roger Breton, 71gm *Please check CITIES regulations regarding export of bows containing Elephant Ivory prior to purchasing

Contemporary viola labelled Michele de Luccia..., 16 9/16", 40cm, case

Good Canadian viola by and labelled Floyd Holly, Van.BC 1960, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain and the varnish of a chocolate brown colour on a golden ground, 16 3/8", 41.60cm, case * Mr Floyd Holly was Treasurer of The Violin Makers association of British Columbia

Early 20th century Stradivari copy viola, 15 1/2", 39.40cm, nickel mounted bow

English viola from the first half of the 20th century, unlabelled, the two piece back of very faint medium curl with plainish wood to the sides and head, the table of a broad width grain and the varnish of an orange-brown colour on a golden ground, 15 5/8", 39.50cm

German Viola, after Stradivari, with two piece back and worn golden orange varnish, with bow and case. Length of back measures 38.8cm

Four violins, three of 4/4 size and one 1/2, also a viola in case.

Pierre Gouvernel viola in case with bow.The length of the back measures 40.5cm

FENDI, DUE BORSE ANNI '80 1) Tracolla piatta in pelle Fendi vintage a doppio scomparto colore nero 2) Pochette imbottita in cotone Fendi nei colori arancio becco d’oca e viola. Grado di condizione generale B\A.

VOLUME Padre Eusebio - al secolo Sigfrido Zappaterreni - IL TESTAMENTO DI MUSSOLINI con documenti segreti dell'Archivio Nazionale del Dipartimento di Stato di Washington - Microfilm T 586, bobina 1048. Testi raccolti e coordinati da Duilio Susmel. Prefazione di Rachele Mussolini. Ed. Dino Editori MCMLXXVI 1976. In-folio cm 48 x 35. Legatura in pelle con impressioni al dorso in oro zecchino. Due altorilievi in bronzo argentato montati ai piatti e raffiguranti, a quello anteriore, il profilo di Mussolini e dell'allegoria dell'Italia, a quello posteriore, un cavallo alato che si libra nell'aria tra due gladii. Retropiatti e sguardie in seta viola come anche il cofanetto editoriale. Segnalibro in pelle. Edizione gran lusso ad personam. La nostra è la copia n. 245. Con un ricco apparato iconografico a colori e in b/n. Con alcune tavole ripiegate. Pp. 267.

Royal Doulton lady musician figures: Cymbals HN2699 ( cymbals detached but present) and Viola D'Amore HN2797 ( bow detached but present A/f) . Both limited edition

Viola 2. Hälfte 19. Jh., innen undeutlich handschriftlich bezeichnet und datiert 1891, ungeteilter Boden in bernsteinfarbenem Lack, umlaufende dreiteilige Randeinlage, Decke mit reparierten Rissen, starke Alters- und Gebrauchsspuren, Wirbelkasten alt repariert, Verleimung des Bodens offen, restaurierungsbedürftig, L Korpus 38,5 cm.

Dänemark, Porzellan, 18-teilig, Blumen- & Reliefdekor mit Goldrand, am Boden mit grüner Firmenmarke mit blauen Wellen, 6x Tassen #3512/3513 H 6,5 cm x B 8,5 cm x D 6,5 cm, Tassen mit folgenden Blumen: Alyssum arcticum Wormskj, Wahlenbergia hederacea Rchb., Trifolium Melilotus ornithopodi, Andromeda polifolia L., Dianthus deltoides L. und Erythraea pulchella Fr., 6x UT #3512 D 14,5 cm, 6x Kuchenteller #3573 D 19,5 cm, Kuchenteller mit folgenden Blumen: Anemone nemorosa L., Erigeron eriocephalus J. Vahl., Solanum Dulcamara L., Viola odorata L., Inula Britanica L. und Viola Mühlenbergiana B minor Hook

A Gear for Music 'Deluxe' 16.5" Chinese made Viola, with flamed maple two-piece back and rims, boxwood tailpiece and chin rest, light amber varnish, length of back 42cms, cased with bow.

Viola 16 1/4'' two piece back by John Mather, labelled 'John Mather Harrogate 1989 No.14' case, with four music stands and a framed facsimile part musical score

Viola 16'' two piece back, labelled ''Eugen Gartner, Stuttgart''

Fantastic instant collection of around 179 x Flying Vinyl (7") releases, the wicked label giving Indie artists their first releases since 2015... Artists/titles include Viola Beach - Swings & Waterslides, INHEAVEN, Hudson Scott, Mellow Gang, Estrons, Birthday Card, Meadowlark, The Cosmics, Sweat, Sulky Boys, Violets, Blood Red Shoes, Moses Gunn Collective, No Hot Ashes, Eat Fast, Lucia, Shrinking Minds, Francobollo, The Starlight Magic Hour, Vistas, Tempest, Loners, Yassassin, Skinshape - Summer, Otherkin, Greyhoudn, The Bay Rays, Middle Kids, Sports, Valeras, Indoor Pets, Hey Charlie - Bad Things, Brad Stank, Puma Blue, Jaws, Yowl, Sunbeam Sound Machine, Palm Honey, The Temperance Movement, Beach Baby, B. Miles and Bad News Club. Condition is chiefly 'as new'.

* Elgar (Sir Edward, 1857-1934). English composer. Autograph Letter Signed, (‘Edwd. Elgar’), Athenaeum embossed letterhead, 7 February 1910, to [Alfred] Littleton, his publisher at Novello, informing his correspondent of his movements and asking for scores of the First Symphony and the song The Torch to be sent out, the first to Landon Ronald, the second to Miss Viola Tree, 2 pages, 4toQty: (1)NOTESAt the time of writing this letter, Elgar was working on his second symphony. Apparently unpublished: not in J. Northrop Moore, Elgar and His Publishers, 1987.

* Musical Autographs. A group of 13 autograph musical quotations signed, mostly 20th century, including Jules Massenet (2 long bars from Manon), Krzysztof Penderecki (1 bar from St Luke's Passion), Witold Lutoslawski (3 bars from Concerto), Aram Khachaturian (1 bar of his initials in music, signed twice, once in Cyrillic), Otto Goldschmidt (4 bars from the Finale of his Piano Concerto Op. 10), Peter Maxwell Davies (11 bars from an unused work for viola), Edward German (5 bars from his Norwich Symphony (no. 2) in A minor), Cecile Chaminade (3 bars from her song Madrigal), Ernst Krenek (5 bars from Piano Piece in 11 Parts), Richard Addinsell (1 bar from an unidentified piece), Pablo de Sarasate (1 bar of his usual open strings of a violin), Rodion Shchedrin (3 bars from Anna Karenina), and Alexandre Tansman (6 bars from Psaumes), some scattered spotting, all one page, various sizesQty: (13)

Viola, Italien, 21. Jh. Auf dem Papieretikett im Korpus bez. ''Emil Badea, me fecit in Brescia 2006''. Leicht best. & ber., eine Saite lose, L. 70 cmViola, Italy, 21st c. Inscribed on the paper label in the body ''Emil Badea, me fecit in Brescia 2006''. Slightly bumped & rubbed, one string loose, l. 70 cm.

Three Meissen figures, four cherubs around fire, man with wine barrel (restored), man playing viola, all with crossed swords mark to base, AF, tallest height 18cm. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

A quantity of various Victorian and later watercolour paintings, prints and photographs to include two 1930's fabric samples designed and printed by Viola Paterson (British 1899-1981).Condition Report14 photos10 prints5 watercolours5 pencil 

An Andrew Bellis viola bow 75 gms with ivory and white metal mounts and octagonal stick Condition Report: Available upon request

A Czechoslovakian two piece back viola 39 cm together with two bows 57 gms and 61 gms and a case Condition Report: Available upon request

A collection of H & K Tunstall pottery including Viola & tulip patterns, a Hanley monkey handled jug etc Condition Report: Available upon request

A collection of H & K Tunstall pottery including Iris decorated vase, flower decorated ginger jar, two Viola jugs and a planter Condition Report: Available upon request

Viola in case with bows.

Viola - Excelsior, 15.5 inches (39.5cm), imported by Boosey & Hawkes label, with bow stamped Knoll Germany, and hard case.

A Czechoslovakian viola: scroll carved headstock over ebony finger board and body with two piece back, bears Stradivarius label to interior, cased, 39cm long

Ausländische Orden & Ehrenzeichen - Königreich Italien - Königreich Sardinien : Si Ausländische Orden & Ehrenzeichen - Königreich Italien - Königreich Sardinien : Silberne Tapferkeitsmedaille "Al Valore Militare" 1844. Silber, am Originalband. Auf der Vorderseite das sardinische Königswappen mot der Umschrift "AL VALORE MILITARE" und das Stempelschneiderzeichen "F.G." Die Rückseite mit Verleihungsgravur: "VIOLA / 2do. GIUSEPPE / Carabiniere Reale" und die Umschrift: CORAGGIOSA LOTTA NELL' ARRESTO DI UN LADRO / S. Giorgo 2 Genn°. 1844". Schönes und sehr seltenes Exemplar in guter Erhaltung. 1-2 Ausländische Orden & Ehrenzeichen - Königreich Italien - Königreich Sardinien : Si Ausländische Orden & Ehrenzeichen - Königreich Italien - Königreich Sardinien : 1-2

Victoria Crowe RSA, RSW (Scottish b.1945) 'the healing herb, viola' Coloured screenprint, signed No. 30/70 76 x 56cm

•Dennis Robinson 'Box Grove' oil on canvas; signed to bottom right, framed, together with another similar 'All Round' signed to bottom right, framed, and Viola Gardner (20th Century) watercolour, signed to bottom right (3)

KMK Viola Table Pottery, of approximately twenty four pieces, including tea and coffee pots, 23cm bowl.

Good English silver mounted viola bow by and stamped A.R. Bultitude, also stamped England and with the no. 2365 on the stick under the frog, the stick round, the ebony frog inlaid with a silver Tudor rose and with a silver overlaid ebony adjuster, 67gm**NOTE THIS IS A VIOLA BOW NOT A VIOLONCELLO BOW**

Contemporary viola labelled Vittorio Bellarosa, 16", 40.60cm

Contemporary viola labelled Paoli Luigi..., 16 1/8", 41cm

Good plush lined double violin case; also two similar viola cases (3)

Early 20th century viola labelled Veronimus Amati..., 15 3/8", 39.10cm

French viola labelled Pierre Gouvernel, Luthier a Paris..., 16", 40.60cm

Good early Mittenwald viola, probably by a member of the Jais family, unlabelled, the two piece back of faint medium curl with similar wood to the sides and head, the table of a fine width grain slightly widening to the flanks and the varnish of a chestnut brown colour, 15", 38.10cm, case