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A Lark viola with bow in hard case, length of back without button 39.5cm

A 19th century German viola and a bow in a modern hard case. Both unnamed, 39.5cm. Condition Report. To be used as a guide only. Crack near the button.

A 19th century viola and a bow in case. Both unnamed, the viola branded London, 38cm. Condition Report. To be used as a guide only. Three cracks to the top, one appears to be at the sound post. Repair around the button.

Alfa-Laval Viola Milk Separator

GROUP OF VARIOUS VIOLIN AND VIOLA BOWS

An old violin or viola, with 14¼in back, in case.

A full size English viola by Russell Firth, Wombwell 1985, with one-piece back, length 41.4cm, in bespoke case.

A full size English viola by Russell Firth, Wombwell 1985, with one-piece back, length of back 41.4cm, lacking finger board, with case.

An early 20th Century gilt metal paper clip, in the form of a viola, 20cm long

7" ACETATES. A unique collection of 38 x 7" acetate recordings - largely dating from the 50s and into the early 60s, there are recordings issued by Emidisc, Philips, IBC Studios, LDC, Decca, Pye, CBS and Trident Studios. Some of the artists/titles we can make out include Walker Brothers - Walking In The Rain (Philips), 'The Way It Has To Be' (IBC), 'Lady Joanna' (Emidisc), Les Ames - Can't Make Up My Mind (Emidisc), Maggie's Tramp - Come On Home (Decca), 'Run Boy Run' c/w 'I've Had A Good Life' (Emidisc), The Pearls - I'll See You In My Dreams (Pye Recording Studios), 'There's Another Day Tomorrow', Ivor Raymonde & Peter Pavey - A Woman's Love, Moira Anderson, Hoy & Axton (Trident) and Viola Talvi - Don't Ever Change Your Mind. As expected, condition can vary though there is not often any damage to the aluminium lacquer on the records.

A Romanian viola, 39.6cm long two-piece back excluding button, interior label inscribed Michael Poller, Producator, De Viora, Bucuresti (Bucharest), outlined throughout with tamline purfling, ebonised tailpiece, fingerboard and tuning pegs, 67cm long overall, cased en suite; two associated bows

A Chinese made viola complete with bow and case, label in interior marked 'Ref MV: 020', viola 67 by 24.5cm, bow 74.5cm, together with a violin with bow and case, label in interior marked 'Ref MV: 005', violin 60 by 21cm, bow 71cm, both Skylark Brand. (2)

H & |k TUNSTAL "VIOLA" BOWL ,DISH & 3 VARIOUS JUGS

NO RESERVE Chiesa Cattolica. Martirologio romano dato in luce per ordine di Gregorio XIII e riconosciuto coll'autorità di Urbano VIII, Clemente X e Benedetto XIV. Nuova edizione italiana dove si aggiungono i nomi de' santi, e beati più recenti... In Roma: nella stamperia dell'Ospizio apostolico di S. Michele a Ripa. Presso Lino Contedini, 1806In-4° (mm 245x175). Pagine XII, 296, 44. Frontespizio in rosso e nero con armi di Pio VII incise in rame. Qualche arrossatura ma buon esemplare. Legatura conservativa in pergamena con applicati i piatti e il dorso originali. Timbro in inchiostro viola con monogramma 'V.O.' al frontespizio.Edizione non comune del Martirologio aggiornato, voluto da Pio VII.4° (245x175 mm). XII, 296, 44 pages. Red and black title page with coat of arms of Pio VII, copper engraved. Some foxing otherwise a fair copy. Vellum with applied the original covers and spine. Ink purple stamp with monogram 'V.O.' on title page.Uncommon edition of the updated Martirologio, wanted by Pio VII.

NO RESERVE Bontempelli Massimo. Lotto di 10 volumi, molti in prima edizione e con dedica dell'AutoreIl lotto contiene:Il purosangue. L'ubriaco. Poesie nuove. Milano: Facchi, 1919. (mm 195x140). Pagine 118, [2]. In barbe. Brossura editoriale illustrata da Ginna. Strappi ai bordi dei piatti con qualche minima menda, arrossature. All'occhietto dedica autografa dell'Autore a lapis blu: 'Al mio Fernando [scil. Palazzi] e a Emilia e a Simonetta Massimo'. All'occhietto ex libris 'Biblioteca Palazzi'. Prima edizione, piuttosto rara e assai ricercata, di questa raccolta di poesie, inserita in una collana di versi futuristi. Risalente al periodo successivo alla svolta poetica di Bontempelli, che nel 1916 entrò in contatto con l'ala milanese del movimento futurista e vi aderì nel 1918, è la sola opera in versi della sua fase giovanile a non essere stata in seguito rifiutata. La brossura è illustrata dal poliedrico artista Arnaldo Ginna, al secolo Arnaldo Ginanni Corradini (1890-1982): la moglie Maria, anch'essa scrittrice vicina al Futurismo, era presso l'editore Facchi direttore responsabile della collana in cui questo volume è stato pubblicato. La dedica dell'Autore, che denota una grande e intima amicizia con il destinatario, è al giornalista e critico letterario Fernando Palazzi, dalla cui biblioteca privata proviene l'esemplare. Gambetti-Vezzosi, 122.La vita operosa. Nuovi racconti d'avventure. Firenze: Vallecchi, 1921. Pagine 207, [1]. Bruniture. Brossura editoriale. Arrossature, strappi al dorso rinforzato con nastro adesivo. All'occhietto dedica dell'Autore 'A Fernando Palazzi detto il Divino. Massimo'; ex libris 'Biblioteca Palazzi'. Prima edizione. Sette savi. Novelle. Firenze: L. Baldoni e C., 1912. (mm 190x125). Pagine [4], 191, [5]. Bruniture marginali. Brossura editoriale. Arrossature ai piatti, dorso rinforzato con nastro adesivo. Al frontespizio dedica autografa dell'Autore e della moglie Meletta (Amelia Della Pergola) 'A Fernando ed Emilia Massimo Meletta'; ex libris 'Biblioteca Palazzi'. Prima edizione, non comune e piuttosto ricercata, di questa raccolta di sette novelle: Il giusto mezzo, La paura di morire, La regola, L'iniquità, La giustizia e la vendetta, Il ribelle in riga, L'ombra e il sole. Gambetti-Vezzosi, 121.Egloghe. Torino: Streglio, 1904. (mm 225x150). Pagine 85, [7]. Lieve brunitura della carta. Brossura editoriale. Tracce di polvere e arrossature ai piatti, piccoli strappi al bordo del piatto anteriore. Alla carta di guardia anteriore dedica autografa dell'autore a lapis viola: 'A Fernando ed Emilia fraternamente Massimo'; ex libris 'Biblioteca Palazzi'. Prima edizione, piuttosto rara e molto ricercata. Gambetti-Vezzosi, 120.Socrate moderno. Novelle. Torino: Lattes, 1908. (mm 192x125). Pagine VII, [2], 10- 305, [3]. Carta brunita. Brossura editoriale illustrata. Tracce di polvere, strappi ai bordi dei piatti, nastro adesivo al dorso. All'occhietto dedica autografa dell'Autore; ex libris 'Biblioteca Palazzi'. Viaggi e scoperte. Ultime avventure. Firenze: Vallecchi, [1922]. (mm 200x140). Pagine 170. Bruniture. Brossura editoriale. Tracce di polvere e strappi ai bodi dei piatti, staccato quello anteriore. Prima edizione.Il figlio di due madri. Roma: Edizioni 900 Sapientia, 1929. (mm 190x135). Pagine 260, [4]. Bruniture marginali. Brossura editoriale. Arrossature, piatto anteriore parzialmente staccato, nastro adesivo al dorso. Alla carta di guardia anteriore dedica dell'Autore 'Al traditor Palazzi perdonato. Massimo'; ex libris 'Biblioteca Palazzi'. Prima edizione.Minnie la Candida. Dramma. Milano: Mondadori, 1929. (mm 190x130). Pagine 156. Bruniture marginali. Brossura in cartoncino con copertina illustrata a colori da Disertori. Gora al piatto anteriore, mende al posteriore lungo i bordi. All'occhietto ex libris 'Biblioteca Palazzi'. Prima edizione in volume. Il neosofista e altri scritti (1920-1922). Milano: Mondadori, 1929. (mm 193x125). Pagine 271, [5]. Bruniture marginali. Brossura originale illustrata a colori da Giulio Cisari. Tracce di polvere. All'occhietto ex libris 'Biblioteca Palazzi'. Prima edizione.Nostra dea. Milano: Mondadori, 1925. (mm 190x130). Pagine 212. Bruniture. Brossura in cartoncino con copertina illustrata a colori da B. Disertori. Arrossature e tracce di polvere ai piatti. All'occhietto ex libris 'Biblioteca Palazzi'. Prima edizione in volume di questo testo teatrale, composto nel gennaio 1925 e già apparso su periodico. La prima rappresentazione a teatro, con Marta Abba come protagonista, ebbe la regia di Luigi PirandelloBontempelli Massimo. Lot of 10 volumes, many first editions and signed by the AuthorsThe lot includes: Il purosangue. L'ubriaco. Poesie nuove. Milano: Facchi, 1919. (195x140 mm). 118, [2] pages. Uncut. Printed wrappers illustrated by Ginna. Some rips at the covers borders, foxing. At the frontispiece handwritten dedication in blue by the Author: 'Al mio Fernando [scil. Palazzi] e a Emilia e a Simonetta Massimo'. At the frontispiece ex libris 'Biblioteca Palazzi'. First edition, rather rare and highly sought after, of this collection of poems, included in a serie of futurist verses. Dating back to the period following Bontempelli poetic turning point, who in 1916 came in contact with the Milanese wing of the Futurist movement, then joined in 1918, is the only work in verse of his youthful phase that was not subsequently refused. The paperback is illustrated by the multifaceted artist Arnaldo Ginna, born Arnaldo Ginanni Corradini (1890-1982): his wife Maria, also a writer close to Futurism, was director of the serie in which this volume was published, at the editor Facchi. The author's dedication, which denotes a great and intimate friendship with the recipient, is to the journalist and literary critic Fernando Palazzi, from whose private library this copy comes from. Gambetti-Vezzosi, 122. La vita operosa. Nuovi racconti d'avventure. Firenze: Vallecchi, 1921. 207, [1] pages. Foxing. Printed wrappers. Browning, some tears on the spine reinforced with tape. At the frontispiece Author's dedication 'A Fernando Palazzi detto il Divino. Massimo'; ex libris 'Biblioteca Palazzi'. First Edition. Sette savi. Novelle. Firenze: L. Baldoni e C., 1912. (190x125 mm). [4], 191, [5] pages. Marginal browning. Printed wrappers. Foxing at the covers, spine reinforced with tape. At the title page Author and his wife's inscription: ) 'A Fernando ed Emilia Massimo Meletta'; ex libris 'Biblioteca Palazzi'. First edition, uncommon and quite rare, for this collection of 7 tales: Il giusto mezzo, La paura di morire, La regola, L'iniquità, La giustizia e la vendetta, Il ribelle in riga, L'ombra e il sole. Gambetti-Vezzosi, 121. Egloghe. Torino: Streglio, 1904. (225x150 mm). 85, [7] pages. Browning. Printed wrappers.Dust traces, some tears at the front cover. At the front flyleaf autograph handwritten inscription in violet: 'A Fernando ed Emilia fraternamente Massimo'; ex libris 'Biblioteca Palazzi'. First …

An Epiphone Viola electric base guitar, vintage sunburst pattern, 113cms long, cased.

An American viola by Jay Haide, Ifshin Violins, Berkeley, California, dated 2001, the two piece back 41cms; together with a bow in a modern case.

A Romanian viola, 39.6cm long two-piece back excluding button, interior label inscribed Michael Poller, Producator, De Viora, Bucuresti (Bucharest), outlined throughout with tamline purfling, ebonised tailpiece, fingerboard and tuning pegs, 67cm long overall, cased en suite; two associated bows

A viola, the one-piece back 39.75cm long excluding button, paper label printed Thornward Stradivarius, ebony tuning pegs, outlined throughout with purfling, 67.5cm long overall, the rosewood bow apparently unsigned, 74cm long, cased

Two Viola Baskets (9)

Ten mixed Viola Pansy and Bellis (14)

Two Viola Baskets (6)

Shakespeare in Love.1998 Quad Poster 30x40in. Romantic period comedy-drama. Directed by John Madden. Starring Gwyneth Paltrow, Joseph Fiennes and Colin Firth. The film depicts an imaginary love affair involving Viola de Lesseps and William Shakespeare. The film was a massive success being nominated for thirteen Academy Awards at the 73rd ceremony and impressively winning seven of them including Best Picture. The films success continued at the BAFTA Awards the same year, with fifteen nominations winning three, including Best Film, and six Golden Globe Award nominations winning three of them also, including Best Picture.

Shakespeare in Love.1998 Large Lobby Cards set of eight 11x14in. Romantic period comedy-drama. Directed by John Madden. Starring Gwyneth Paltrow, Joseph Fiennes and Colin Firth. The film depicts an imaginary love affair involving Viola de Lesseps and William Shakespeare. The film was a massive success being nominated for thirteen Academy Awards at the 73rd ceremony and impressively winning seven of them including Best Picture. The films success continued at the BAFTA Awards the same year, with fifteen nominations winning three, including Best Film, and six Golden Globe Award nominations winning three of them also, including Best Picture.

A Colclough part Dinner and Tea Service in honeysuckle and viola design

A 20th Century viola da gamba, by and labelled Wolfgang Uebel, Celle, Germany 1975 length of back 66cm, overall 112cm Provenance: Clement's Family, St Andrews, Fife

A 20th Century viola with Holden paper label back 69cm, overall 117cm Provenance: Clement's Family, St Andrews, Fife

A Viola pattern jug, decorated with pansies, on a mottled ground, various plates of the same pattern etc.

An early 20th century viola by Francois Barzoni, dated 1935, back length 40cm.

A Viola, 44cm, single piece back and four violins, (5).

'Two Banners'- St Mark's Day Parade, oil on board by Mary Viola Paterson (Scottish 1899 - 1981) signed verso 18cm x 23cm Condition Report Click here for further images, condition, auction times & delivery costs

Good oblong double viola/violin case, with plush lined burgundy velvet fitted interior

Mid 20th century viola, 16", 40.60cm, bow, case

Oblong double viola/violin case with plush lined fitted interior; also a tooled leather violin case (2)

Gewa viola/violin oblong case; also an oblong viola case (2)

Double viola/violin oblong case; also an oblong viola case (2)

Small bundle of violoncello and viola bows

Three violoncello bows and a viola bow (4)

Early 20th century silver mounted viola bow, unstamped, the stick round, the ebony frog inlaid with pearl eyes and the ebony adjuster with two silver bands, 64gm

German nickel mounted viola bow stamped Alfred Knoll, the stick round, the ebony frog inlaid with pearl eyes and with a nickel overlaid ebony adjuster, 66gm

English silver mounted viola bow by and stamped Thomas Porter, also stamped with the number 2/74 under the frog, the stick octagonal, the ebony frog inlaid with silver rings enclosing pearl eyes and the ebony adjuster with two silver bands, 69gm *Thomas Porter was a pupil of William Retford, the famous Hill bow maker

Silver mounted viola bow stamped L. Morizot, the stick round, the ebony frog inlaid with silver rings enclosing pearl eyes and with a silver overlaid ebony adjuster, 72gm

Viola labelled Lutherie Artistique, Gabriel Magniere, Luthier, Mirecourt, 15 3/4", 40cm

Hungarian viola labelled Karel Pilar...1927, 16 1/8", 41cm

Interesting mid 19th century viola, bearing an indecipherable brand enclosed by a purfled shield beneath the button, 15 7/16", 39.20cm

Contemporary viola labelled Giuseppe Vignali..., 16 1/2", 41.90cm

Contemporary viola labelled Hyacinthus Bertolazzi.., 16", 40.60cm

Contemporary viola labelled Luigi Azzola..., 16", 40.60cm

Contemporary viola, 16", 40.60cm, case

Interesting 19th century viola, unlabelled, the two piece back of plainish wood with similar wood to the head, the sides of faint medium curl, the table of a fine width grain widening to the flanks and the varnish of a light reddish-brown colour on a golden ground, 15 3/18", 39.10cm, case

Interesting 19th century viola labelled Joseph Gagliano Filius..., 16 3/8", 41.60cm, bow, case

Good viola by and labelled Neuner u. Hornsteiner in Mittenwald, Antonio Stradivarius..., the two piece back of faint medium/broad curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a reddish-brown colour on a golden ground, 16 7/16", 41.80cm

Early 20th century viola of the Schmidt School, unlabelled, the two piece back of fine medium curl with similar wood to the sides and head, the table of a medium width grain and the varnish of a light brownish colour on a golden ground, 15 9/16", 39.50cm

Viola labelled Giuseppe Castagnino...anno 1927, 15 5/8", 39.70cm

Viola & Kacmarik AntoninBronze Plaques: Circular bronze plaque inscribed "Circe," and signed Viola, depicting a naked woman, and a naked man with pig's head, 13.5cms (5 1/4") diameter; also another similar by A. Kacmarik, signed with initials, A.K. & number 97, approx. 13cms (5") diameter. (2)

F.Fairano, colour print, Clement-Bayard, 33 x 49cm and a chromolithograph Le Viola, 34 x 54m, both unframed

A 20th century Viola (without makers label); 15 3/4 inch back; with box and case; a/f.

A collection of violins and bows to include a fine circa 1900s silver mounted antique violin bow stamped Sarasate Virtuose, this fine bow possibly made by Louis Bazin for J T L Paris. A 3/4 Size French antique violin with a label for Celebre Vosgien, A German and Czechoslovakian full size violin, a full size Skentor chinese violin in a case with a bow, plus 3 other bows, 2 of which being Viola bows, one stamped G.Werner.

A modern viola with two-piece back, length of back 40.5cm, cased with bow.

A Royal Copenhagen twin handled pierced and floral mould decorated circular bowl with gilt heightened rim, marks to base and inscribed 'Viola Hirta L.', diameter 19cm. CONDITION REPORT: Some minor rubbing to gilt and painted decoration but no visible damage or restoration.