A gents Tissot Seastar Seven wristwatch, the silvered dial with batons and subsidiary calendar dial, with gold hands and centre sweep seconds, reverse of case stamped 'Use Key No 315 T', with attached 9ct yellow gold strap Birmingham 1980, gross weight 52.9gms (Please Note: We have not opened the back of this case to inspect the movement) CONDITION REPORT: Your attention is drawn to our important notice regarding Trevanion & Dean's sale of watches found in our Terms & Conditions, please read this prior to bidding. Face stained and needs professional cleaning. Current;y running. Hands rotate happily. Crown winds. Some light nicks and scratches to the case. Crystal with some scratching.
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Limited Edition Signed Colour Print By Graham Illingworth (British, b. 1953) 'Nemesis Comes to Sweep Away the Past' Pencil signed limited edition colour print in black and gold brushed contemporary lacquered frame with inset Turkish marbled gallery quality mount. Pencil signed by the artist to bottom right and numbered 591/850, depicts an exquisitely detailed illustration of a male Samurai in ornate robes with fan and feather headpiece. Perfect condition. 15 x 17 inches.
Modern centre seconds calendar wristwatch, Skagen, the quartz movement to a black dial with sunk centre, outside minute track and baton markers with luminous filled baton hands and sweep centre seconds with date aperture at 6 in a brushed finish case, fitted with a black stitched leather strap together with original box and papers, width 1 1/2 ins
Mid-20th century chrome plated centre seconds wristwatch, Cyma, R420, 122228, the Swiss 17-jewel movement to a repainted and silvered dial with outside minute track, silvered dagger markers with Arabic quarters and luminous detail and skeletonised hands with sweep centre seconds in a polished chrome plated case (pitting and wear) and fitted with a snap-on steel back and further fitted with a stitched black leather strap, width 1 3/8 ins
Late 20th century gold plated centre seconds calendar wristwatch, Omega "Geneve", 33739747, the jewelled movement to a signed and silvered circular dial with outside minute track with gilt and black baton markers and hands with sweep centre seconds and date aperture at 3, in a polished circular case with screw down back and later fitted sprung link bracelet, width 1 1/2 ins
Third quarter of 20th century stainless steel centre seconds calendar wristwatch, Tudor "Oyster Date", ref 6426/0, 3493296, the jewelled movement (unseen) to a signed and silvered circular dial with outside minute track and with luminous tipped chrome and black baton markers and further baton hands with sweep centre seconds (seconds hand detached) and date aperture at 3, in a polished case with bevelled bezel and screw down "Oyster" crown and back, width 1 1/2 ins, together with its detached Oyster link bracelet with deployant clasp (a/f), together with a service guarantee dated 24/04/03
Last quarter of 20th century stainless steel centre seconds quartz calendar wristwatch, Heuer 2000, quartz movement to a signed gilt circular dial with outside minute track and luminous markers and with further luminous filled skeletonised hands with sweep centre seconds and a date aperture at 3, in a polished and matt finished case with rotating bezel and fitted bracelet with gilt centre and folding deployant clasp, together with its original box and papers, width 1 5/8ins
A gentleman's Tudor Oyster wrist watch, the circular pale baton dial having a honeycomb texture marked "Shock-Resisting" with a sweep seconds hand in a stainless steel case marked on the back 7904 134108, fitted with a Fixoflex expanding bracelet, no personal inscriptions, (no box or paperwork)
Two gentleman's Bulova wrist watches, the first a Bulova Longchamp with a circular arabic dial with sweep seconds hand in a gold coloured case, strap model, the second a Bulova Automatic 21 jewels with a circular baton dial, date aperture and sweep seconds hand in a gold coloured case on an expanding bracelet, both having presentation inscriptions on reverse, (both have boxes- no paperwork)
A gents vintage Omega steel cased wristwatch having singed silver dial, red sweep seconds hand, manual wind movement, replacement expanding bracelet, dia. 35mm Condition Report / Extra Information Currently in working order.Very worn to the dial around centre, between 2 & 3 and 8 & 9 o'clock.No logo on winder.Does not say Swiss Made to dial.Some areas of corrosion around lugs.
A gentleman's Longines automatic 30 bar 300 wristwatch with black dial and luminous hour markers, Arabic numerals at 12, 6 & 9 date aperture at 3 o'clock, bezel marked with minutes, center sweep seconds 4.1cm across face in stainless steel case with matching bracelet strap - in running order, some scratches to case
A gentleman's Seiko automatic wristwatch with silvered dial and baton markers, center sweep seconds, date aperture at 3 o'clock in stainless steel case with matching bracelet strap - minor scratches to face and case - a gentleman's Seiko quartz wristwatch, baton markers to champagne colored dial, day and date aperture at 3 o;clock in gold plated case with matching bracelet strap - in need of replacement battery
EDWARD PRENTISA Throng in Leicester SquareOil on canvasSigned and dated 182583 x 107cm.An important work by the English Genre painter.Prentis was a popular artist during his lifetime and known for his domestic interiors. This, an exterior scene, is an unusual work for the artist, portraying a large crowd of people in Leicester Square. On the right hand side of the painting we can identify the Sablonniere Hotel, run by an Italian named Pagliano which was a popular establishment with foreign visitors to London and was situated on the South-East side of the square, in a building in which the artist Hogarth had lived for many years. In the foreground two wealthily dressed women in silks and bonnets look wholly out of their depth whilst surrounded and jostled by a melee of all manner of people; spectators of a Punch and Judy show, tradespeople selling pies, cabbages, brooms and brushes, gentlemen in top hats, a beggar with outstretched hand and a blacked-up man or sweep are just some of the characters that make up the crowd. Between the two wealthy women marches a smartly dressed black boy. The larger of the two women looks down in dismay as a terrier aggressively tugs at her expensive paisley shawl, she has dropped a purse out of which her aperient pills (laxatives) have rolled onto the ground before her. Placards advertising the plays in London's theatre land and boxing matches are held aloft. The boxing placard or 'Noble Science of Self-Defence' as it is described in the painting, was for an exhibition at Fives Court. "FIVES-COURT. A place distinguished (in addition to the game of fives) for sparring matches between the pugilists. The combatants belonging to the prize-ring exhibit the art of self-defence at the Fives-Court with the gloves; and it is frequently at this Court where public challenges are given and accepted by the boxers. The most refined and fastidious person may attend these exhibitions of sparring with pleasure; as they are conducted with all the neatness, elegance and science of FENCING. Admission, 3s. each person. It is situated in St. Martin's Street, Leicester-fields."(Grose's Classical Dictionary of the Vulgar Tongue, revised and corrected by Pierce Egan 1823) Interestingly, the Fives-Court operated as a boxing venue from 1802 until it closed in 1826 and was demolished as part of the redevelopment of the Royal Mews area into what became Trafalgar Square. The site is now under the northern edge of the Sainsbury Wing of the National Gallery.The quality of this painting is particularly pleasing, the colour and brightness of the oil being extremely good. Rich in character and detail, pathos and humour, this is a particularly fine work by Prentis. (See illustration) Condition report: The following report has been commissioned from a painting conservator. The painting has a light biscuit-coloured ground. In the foreground and buildings a second resin-rich preparatory layer has been applied to mark out the composition. This layer varies in colour according to the buildings and figures but is always thin, transparent, high resin content. This layer has been vulnerable to cleaning.There are areas where drying cracks have developed during the painting process, eg. trees, areas of black paint, shadows in the foreground. The underlying rennais layer is the cause of these crack. The cracks have been widely overpainted.Buildings: the windows and roofs have been somewhat overpainted.Tree, left: extensive drying cracks - overpainted.Figures: Many of the faces remain in good condition with a high degree of detail. There is overpainting in the hair (black paint) and thinners around some of the faces where the preparatory layer has been removed by over cleaning. The central figure in the lilac dress is quite well preserved, as are the figures standing to the left, aside from the blacks and browns. The basket of vegetables and umbrellas are good.Overall: Many areas well preserved but matt areas are overpaint, covering drying cracks and wear.
A Daum mantel clock: the round black dial having dauphine hands and a sweep seconds hand, with a brushed steel bezel, the rectangular crystal case of wavy form with inset bubbles and signed to the lower corner Daum, France, complete with white box and guarantee including the description of the model type as Thor 252, height 19cm.
Simpson, Wigton, an oak and mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and outer five-minute numerals, the silvered centre with decorative scroll engraving and marked to the outer aspect for the sweep date hand, with a subsidiary seconds dial and signed for the maker Simpson, Wigton, with cast-brass female-head spandrels to the four corners, and having a moon-phase disc to the arch painted with the moon against a blue ground with gilt stars, the oak case having mahogany crossbanding to the trunk, door, hood and base, the swan-neck pediment with brass ball-and-spire finial to the centre and brass patrea, the hood having full pillars with cast-brass Corinthian capitals, the trunk with canted corners and boxwood stringing to the mahogany upper panel, the base standing on bracket feet, height 226cm (inc. finial)* Biography The Simpson family of clockmakers were Quakers with the brothers John and Joseph setting up business circa 1758. John died in 1796 and Joseph soon after with John Simpson Junior continuing the business until his death in 1837. The majority of their clocks were of thirty-hour duration, but a number of eight-day examples are known with at least two housing musical movements.See Brian Loomes 'Clockmakers of Northern England', Mayfield Books 2007.
Anker, automatic, a gentleman's stainless steel and gilt round wrist watch, two tone dial with raised gilt Arabic and arrow-head numerals, dauphin hands and sweep centre seconds, two piece screw case 34.5mm diameter, on a later black leather textured strap, the automatic movement not examined, ticking,.
ROYAL HAMPSHIRE ART FOUNDRY - A collection of approx 14x boxed silvered pewter ' Victorian Times ' figures to include; Lamplighter, Mr Bumble, Oliver Twist, Chimney Sweep, Boy With Lamp, Fiddler, Organ Grinder & Boy, Shepard & Dog, Blacksmith's Assistant & others. Within their original box (some shared) with inner protective wrapping.
A Henning Kopel dual time Georg Jensen watch, white enamel dial, date aperture at 6 O'clock, dot hour markers, centre sweep seconds, hour hand, 2nd hour hand, minute hand - in original box with warranty paperwork and instructions, running in saleroom - retails at £795 - movement is Ronda-Quartz
A c1940s WWII gentlemen's Military-issue Hamilton watch, high grade seventeen-jewel manual-wind movement, black dial with painted luminous Arabic numerals and sweep seconds hand, period Military-style nylon band. CONDITION REPORT Currently in working order, age-related wear to case, some loss of enamel from the seconds dial.
A Gentlemans 9ct gold Bulova Ambassador automatic wristwatch, the gold case enclosing a circular gilt dial with batons and orange centre sweep seconds hand, subsidiary calendar dial at 3, reverse of case unmarked, no engraving, dial 3.4cm wide (excl. winding button) attached later leather strap, no box or paperwork Please note: The back of this wristwatch has not been opened for inspection CONDITION REPORT: Your attention is drawn to our important notice regarding Trevanion & Dean's sale of watches found in our Terms & Conditions, please read this prior to bidding. Crystal with some scratching. Currently ticking. Crown does not seem to have a separate position for the date aperture so is currently changed by hands rotation. Hour and minute hands with section of central enamel missing. Face with scratches and nicks. Case exterior with some knifed opening marks, scratches and nicks throughout. See images.
A gentlemans 18ct gold Omega Automatic Seamaster wristwatch, the champagne dial with batons, gilt hands and centre sweep seconds, with attached leather strap and accompanying yellow metal mesh strap (marks worn), strap weight 48.2gms, dial 3.2cm (excl. winding button) Note: The back of the watch has not been removed for inspection. CONDITION REPORT: Your attention is drawn to our important notice regarding Trevanion & Dean's sale of watches found in our Terms & Conditions, please read this prior to bidding. CONDITION: Overall condition commensurate with heavy use. Ticks when wound. Hands happily rotate. The crystal scratched . Crown worn. Lugs scratched with some denting. The bezel, case, lugs and reverse shows wear and knifed opening marks, tarnishing and scratches. Strap worn and unmarked. Face of watch bears some scattered speckling/staining but no obvious scratches however the scratched crystal distorts inspecting the face. Winding rotor sounds good but cannot guarantee full working order. Mesh strap - See images. Scratched, tarnished and worn. No missing links. Damage to attachment section.

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12155 item(s)/page