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Lot 627
1990 Royal Enfield Bullet 500, 499cc. Registration number H310 YAT. Frame number OB5237H. Engine number OB5237H.The Bullet, Royal Enfield's signature machine, was introduced in Britain in 1949 as an about-town errand runner and daily commuter. The company went racing and racked up a number of victories in motocross, road racing and trials, proving its worth and cementing status as a legitimate, competitive brand. By 1954, the Bullet's versatility and dependability attracted the interest of the government of India. With the duty of patrolling its border with Pakistan in mind, 800 units were ordered. Evidently, the Indians were pleased enough with the motorcycle's performance to place sizable orders the next two years. This led to the British manufacturer opening a factory in the east to better accommodate this new, vital customer. Within two years, the plant was producing the Bullet entirely from scratch in Madras, India.Ironically, in 1967, as Royal Enfield was thriving in India, the original company collapsed in Britain, falling victim to the onslaught of the burgeoning Japanese marques. But, by then, Enfield India was operating as its own entity, with a steady homegrown demand for its product that ensured fiscal stability and continued growth. This was certainly helped along by the country's population surging toward one billion. The result of this unusual reversal of fortune is that Royal Enfield remains the oldest motorcycle manufacturer still in business with an uninterrupted history of trading.Owned by our deceased vendor from new it passed to his wife on his demise in 2017, there is an MOT on file at 97 miles in 2015 and the odometer now reads 192 miles. We are unable to verify or confirm the mileage.Sold with the V5C, owners manual and afore mentioned MOT.
Lot 1850
1998 BMW Z3 1.9 Roadster Reg. No. S627 YHK, finished in silver with a red leather interior, MOT expired June 2008. mileage circa. 52,000N.B. The car has been dry stored since it was taken off the road, it is currently a non runner, supplied with keys, book pack and V5. Condition report: There are four former keepers according to the V5, there is a service book containing six service stamps, with the last one on 18th June 2007 at 57,639 miles. The car is a deceased estate sale, so it is not clear why the car was first taken off the road.
Lot 234
The ex-Corrado CupelliniFerrari Dino 246/60 Formula 1 racing single-seaterChassis no. '0011'*Tremendous front-engined Historic F1 potential *Highly original 4-cam V6 engine and transmission*All-round independent suspension/disc brakes*Untapped potential of spare Dino 246/59-spec chassisFootnotes:Here Bonhams is delighted to offer what is potentially an extremely competitive front-engined Grand Prix car ideal, with proper race-preparation and in the hands of a capable racing driver, to compete for top honours in Historic Grand Prix Car races for the period 1954-1960. This extremely handsome Ferrari Dino 246/60 has all the right basic attributes to prove itself a front-runner against such contemporary front-engined 2½ -litre Formula 1 racing designs as the BRM Type 25, the Scarab in 2 1/2-litre engined form, and the Aston Martin DBR4/250 and Maserati 250F. The car is offered here in long-stored but nicely presented and runnable condition. After its period of inactivity - not least spent on display in first the Colline de l'Automobile exhibition at Puteaux, France, and later the Enzo Ferrari family museum in Modena - we of course recommend expert inspection and preparation before any attempt is made to start and run it. Most significantly this Lot includes not only the fully-assembled Historic racing Grand Prix car as photographed here but also a spare multi-tubular chassis frame potentially dating from period and plainly built to period Ferrari Dino 246 design. It was the acquisition of this frame together with a considerable selection of genuine Ferrari Dino 246-series mechanical components which prompted construction of this mouth-wateringly attractive Historic racing machine, the project commencing around 1978. As raced extensively by its owner - the Bergamo-based Italian classic car dealer and broker Corrado Cupellini - from the early 1980s, this car has featured in such major Historic racing events as at Monaco, the Nürburgring, Monza and Imola. The car as offered is powered by a believed genuine, from-period, 2.4-litre 4-cam V6 Ferrari Dino engine as deployed by the legendary Maranello factory team from 1958-60, and subsequently in a rear-engined Dino 246SP sports-prototype application 1961-62. . This eminently usable and potentially race-winning Grand Prix car also adds the sophistication of highly adjustable all-independent coil-spring suspension, rear-mounted 5-speed transaxle transmission (also believed to be genuine and from period) plus - perhaps most significantly for racing - disc brakes. In period the Ferrari Dino 246/60 cars, with their midship pannier fuel tanks concentrating the bulk of the fuel load well within the wheelbase to minimise handling change as the fuel was consumed and overall weight diminished, were the finest front-engined contenders of their1960 Formula 1 World Championship race season. Works driver Phil Hill - who would win the FIA Formula 1 Drivers' World Championship title for Ferrari the following year in the legendary rear-engined 'Sharknose' successors to this 246/60 design - started from the front grid grid row for the 1960 Belgian Grand Prix and finished fourth - headed only by three rear-engined Cooper-Climax cars, after being delayed by a cockpit fire caused by fuel spraying from a cracked fuel-pressure gauge feed... In September 1960 Phil Hill then won the high-speed Italian Grand Prix at Monza, his works-entered Ferrari Dino 246/60 - like the car now offered here - leading home his similarly-mounted team-mates Richie Ginther and Willy Mairesse in works Ferrari 1-2-3 formation. As offered here this particular car - as originally prepared for Corrado Cupellini in the late 1970s - is accompanied by FIA Historic Technical Passport documentation, as included in the accompanying file. It was issued by the Austrian Automobile, Motor-Cycle & Touring Club and is dated June 29, 2007. It records the 4-cam V6 cylinder as having original standard 85.00mm cylinder bore and original standard 71mm stroke, displacing the declared original swept cylinder volume for the six cylinders of 2417cc. The unit has two valves per cylinder, magneto ignition and three twin-choke Weber 42DCN downdraught carburettors. Lubrication is by dry sump and the transverse-shaft transaxle gearbox mounted behind the driver's seat has five speeds and is accepted within this document as having been originally of 1959 manufacture. This is perfectly plausible and of course in period Ferrari operated an extensive programme of re-using wherever possible still-competitive and useable components from one year's Formula 1 and 2 racing model to the next,. This car as offered features Dunlop disc brakes, 300mm diameter x 12mm thick. Both front and rear brake discs are drilled for internal cooling. Road wheels fitted are wire-spoked, and FIA-accepted in both 15-inch and 16-inch diameter, 5.00-6.00-inches wide fronts and both 15-inch and 16-inch diameter, 6.50-7.50-inches wide rears. The car's exceptionally shapely Rosso Corsa-liveried aluminium body panelling bearing those legendary black-on-yellow Cavallino Rampante (Prancing Horse) shields is described as being 'the original one for the chassis' and at the time of the document's origination it was signed off to 'Cupellini Corado (sic) of Salzburg, Austria. in this document Victor Dietmayer of the OSK Historic Motorsport Service describes the car's origination date as having been 1957. To be clear, Ferrari applied the chassis serial '0011' - now borne by this Dino 246/60 - to their very first prototype Formula 2 Dino 156 monoposto built for the 1957 season. This was the car which introduced the marque's now famous 'Dino' lettered V6 engine series which eventually spun off from racing into production road-going sports car design. The FIA governing body had announced that a new unsupercharged 1.5-litre Formula 2 class would take effect in 1957 to provide an adequate single-seater racing stepping-stone towards contemporary 2 1/2-litre Formula 1. Mr Ferrari had briefed not only his senior engineering team but also his suitably-qualified son Alfredo ('Alfredino' - 'Dino') to produce a suitable engine design. The poor boy had developed muscular dystrophy and was fading fast. Mr Ferrari recorded how he and his legendary veteran ex-Alfa Romeo, ex-Lancia design consultant, Vittorio Jano, spent long hours at Dino's bedside during the long, cold winter of 1955-56, debating the pros and cons of using a 4-cylinder, straight-6, V6 or V8 engine for the forthcoming category. They settled upon the V6, and following Dino Ferrari's death on June 30, 1956, Mr Ferrari decreed that his signature should be cast into the new power unit's cam covers - founding the Ferrari Dino model line as the boy's dynamic, living memorial. The Jano-perfected Dino V6 engine made its debut in a single-seat racing chassis designed as a scaled-down version of the Formula 1 Lancia-Ferrari 801 V8-engined Grand Prix cars which Ferrari deployed during 1957. The F2 prototype was given the chassis serial '0011' and made its debut in the non-Championship Formula 1 Naples GP on April 28, 1957, where it was driven by works star Luigi Musso, finishing third overall. The same car then won the important Coupe de Vitesse F2 race at Reims, France, driven by Maurice Trintignant, its 1500cc V6 engine's power overwhelming the British Coventry Climax 4-cylinder engined opposition from Cooper and Lotus. As detailed in the book 'Dino: The Little Ferrari', by Doug Nye (Osprey, London, 1979) '0011' and its sister car '0012' were then fitted with Dino engines enlarged to 1893cc for the September Modena GP, while Mike Hawthorn drove '011' with a further enlarged 2195cc V6 engine in the Moroccan GP at Casablanca. While Formula 1 cars that year still burned alcohol-based fuel, F2 was a pure pump-grade petrol-burning category, and the FIA had announced that F1 wou... For further information on this lot please visit Bonhams.com
Lot 340
Athletics Paula Ratcliffe signed 10x8 colour photo. Paula Jane Radcliffe MBE (born 17 December 1973) is a former British long-distance runner. She is a three-time winner of the London Marathon (2002, 2003, 2005), three-time New York Marathon champion (2004, 2007, 2008), and 2002 Chicago Marathon winner. She was previously the fastest female marathoner of all time and held the Women's World Marathon Record with a time of 2:15:25 for 16 years from 2003 to 2019 when it was broken by Brigid Kosgei. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 341
Athletics Sebastian Coe signed 10x8 colour photo. Sebastian Newbold Coe, Baron Coe CH, KBE, Hon FRIBA (born 29 September 1956), often referred to as Seb Coe or Lord Coe, is a British politician and former track and field athlete. As a middle-distance runner, Coe won four Olympic medals, including the 1500 metres gold medal at the Olympic Games in 1980 and 1984. He set nine outdoor and three indoor world records in middle-distance track events - including, in 1979, setting three world records in the space of 41 days - and the world record he set in the 800 metres in 1981 remained unbroken until 1997. Coe's rivalries with fellow Britons Steve Ovett and Steve Cram dominated middle-distance racing for much of the 1980s. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 358
Olympics Amy Williams signed colour 12x6 photo taken during 2010 Vancouver Winter Olympics. Amy Joy Williams, MBE (born 29 September 1982) is a British former skeleton racer and Olympic gold medallist. Originally a runner, she began training in skeleton in 2002 after trying the sport on a push-start track at the University of Bath. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 366
Motor Racing. A Sir Jackie Stewart signed 7x5 colour photo. Sir John Young Jackie Stewart, OBE (born 11 June 1939) is a British former Formula One racing driver from Scotland. Nicknamed the Flying Scot, he competed in Formula One between 1965 and 1973, winning three World Drivers' Championships, and twice finishing as runner-up over those nine seasons. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 420
Rallying Jimmy McRae signed 8x6 colour photo pictured in action. Jimmy McRae (born 28 October 1943) is a British former rally driver. He was highly successful in the British Rally Championship, winning the title five times in 1981, 1982, 1984, 1987 and 1988. In the European Rally Championship for drivers, he was runner-up in 1982, while his highest placing in the World Rally Championship was fifteenth in 1983. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 626
Moto GP Toni Elias signed 6x4 colour Moto GP Promo photo. Antonio Toni Elías Justícia (born 26 March 1983) is a Spanish professional motorcycle racer and inaugural champion of the Moto2 World Championship. He is the third member of the Elías family to compete in motorcycle racing. He currently rides a Suzuki GSX-R1000 in the MotoAmerica AMA Superbike Championship, where he finished 3rd in the 2016 season, with 6 wins out of 18 and 304 points, 7 less than champion Cameron Beaubier. He won the championship in the 2017 season. In 2018 he finished as runner-up behind champion Cameron Beaubier and in 2019 he finished as runner-up, 5 points behind championship winner, once again Beaubier. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 425
Henrietta Armstrong SEER, 2021 Collage, Masking Tape and Spray Paint Signed on verso 15 x 10cm (5¾ x 3¾ in.) Henrietta Armstrong is a multimedia artist and curator based in London, specialising in sculpture, installation and public art. She looks at man-made objects and structures from everyday technologies that are often obsolete or defunct, and the symbolism or meaning that we imbue them with. Her recent work has been looking at the brutalist forms of sea defences, sea erosion and the global threat of rising sea levels. Co-founder of Come Quick Disaster - a platform for arts providing help & information for artists as well as curating exhibitions and running regular events. Studied BA Fine Art (Hons) at Sir John Cass School of Art, London, graduating in 2003. Henrietta has recently been selected as a finalist for the National Sculpture Prize 2021, working on a sculpture to be installed at the Broomhill Estate Sculpture Park in Devon later this year. She was awarded as a runner up for the Soho House Art Prize 2020 and is currently working on a public sculpture commission for the village of Tytherington commissioned by Cotswold Homes & South Gloucestershire Council. Exhibitions include: Soho Editions: Art Prize 2020 where she created a print edition for Soho Home with Jealous Gallery - 2021, Jealous Gallery Rooftop Mural - 2021, Throwing Bones II at Window 135 - 2020, The Pendle Hill Stones, a permanent public sculpture installed on Pendle Hill in Lancashire - 2018, Contemporary Perspectives in Printmaking at Mall Galleries, London - 2017. About the Postcards The SEERs were created by Henrietta for her 'Temple of M E D U S A' installation around the time of the #metoo movement. Demonised for her beauty by those that desired her, punished for being a victim of rape, then vilified as a monster, never to be looked at again, Medusa's story scarily echoes the misogynistic realities of today. She was mortal and not a goddess so creating a temple for Medusa felt like a reprieve. The SEERS are Medusa's victims that she has turned to stone. They now watch over and protect her with their sightless eyes, her servants for eternity. Seers in Ancient Greece interpreted signs sent by the gods through bird signs, animal entrails and other methods of divination. However only direct yes & no questions could be answered.
Lot 426
Henrietta Armstrong SEER III, 2021 Collage, Spray Paint and Holographic Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Henrietta Armstrong is a multimedia artist and curator based in London, specialising in sculpture, installation and public art. She looks at man-made objects and structures from everyday technologies that are often obsolete or defunct, and the symbolism or meaning that we imbue them with. Her recent work has been looking at the brutalist forms of sea defences, sea erosion and the global threat of rising sea levels. Co-founder of Come Quick Disaster - a platform for arts providing help & information for artists as well as curating exhibitions and running regular events. Studied BA Fine Art (Hons) at Sir John Cass School of Art, London, graduating in 2003. Henrietta has recently been selected as a finalist for the National Sculpture Prize 2021, working on a sculpture to be installed at the Broomhill Estate Sculpture Park in Devon later this year. She was awarded as a runner up for the Soho House Art Prize 2020 and is currently working on a public sculpture commission for the village of Tytherington commissioned by Cotswold Homes & South Gloucestershire Council. Exhibitions include: Soho Editions: Art Prize 2020 where she created a print edition for Soho Home with Jealous Gallery - 2021, Jealous Gallery Rooftop Mural - 2021, Throwing Bones II at Window 135 - 2020, The Pendle Hill Stones, a permanent public sculpture installed on Pendle Hill in Lancashire - 2018, Contemporary Perspectives in Printmaking at Mall Galleries, London - 2017. About the Postcards The SEERs were created by Henrietta for her 'Temple of M E D U S A' installation around the time of the #metoo movement. Demonised for her beauty by those that desired her, punished for being a victim of rape, then vilified as a monster, never to be looked at again, Medusa's story scarily echoes the misogynistic realities of today. She was mortal and not a goddess so creating a temple for Medusa felt like a reprieve. The SEERS are Medusa's victims that she has turned to stone. They now watch over and protect her with their sightless eyes, her servants for eternity. Seers in Ancient Greece interpreted signs sent by the gods through bird signs, animal entrails and other methods of divination. However only direct yes & no questions could be answered.
Lot 427
Henrietta Armstrong SEER IV, 2021 Collage, Masking Tape and Spray Paint Signed on verso 15 x 10cm (5¾ x 3¾ in.) Henrietta Armstrong is a multimedia artist and curator based in London, specialising in sculpture, installation and public art. She looks at man-made objects and structures from everyday technologies that are often obsolete or defunct, and the symbolism or meaning that we imbue them with. Her recent work has been looking at the brutalist forms of sea defences, sea erosion and the global threat of rising sea levels. Co-founder of Come Quick Disaster - a platform for arts providing help & information for artists as well as curating exhibitions and running regular events. Studied BA Fine Art (Hons) at Sir John Cass School of Art, London, graduating in 2003. Henrietta has recently been selected as a finalist for the National Sculpture Prize 2021, working on a sculpture to be installed at the Broomhill Estate Sculpture Park in Devon later this year. She was awarded as a runner up for the Soho House Art Prize 2020 and is currently working on a public sculpture commission for the village of Tytherington commissioned by Cotswold Homes & South Gloucestershire Council. Exhibitions include: Soho Editions: Art Prize 2020 where she created a print edition for Soho Home with Jealous Gallery - 2021, Jealous Gallery Rooftop Mural - 2021, Throwing Bones II at Window 135 - 2020, The Pendle Hill Stones, a permanent public sculpture installed on Pendle Hill in Lancashire - 2018, Contemporary Perspectives in Printmaking at Mall Galleries, London - 2017. About the Postcards The SEERs were created by Henrietta for her 'Temple of M E D U S A' installation around the time of the #metoo movement. Demonised for her beauty by those that desired her, punished for being a victim of rape, then vilified as a monster, never to be looked at again, Medusa's story scarily echoes the misogynistic realities of today. She was mortal and not a goddess so creating a temple for Medusa felt like a reprieve. The SEERS are Medusa's victims that she has turned to stone. They now watch over and protect her with their sightless eyes, her servants for eternity. Seers in Ancient Greece interpreted signs sent by the gods through bird signs, animal entrails and other methods of divination. However only direct yes & no questions could be answered.
Lot 428
Henrietta Armstrong SEER VIII, 2021 Collage, Spray Paint and Holographic Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Henrietta Armstrong is a multimedia artist and curator based in London, specialising in sculpture, installation and public art. She looks at man-made objects and structures from everyday technologies that are often obsolete or defunct, and the symbolism or meaning that we imbue them with. Her recent work has been looking at the brutalist forms of sea defences, sea erosion and the global threat of rising sea levels. Co-founder of Come Quick Disaster - a platform for arts providing help & information for artists as well as curating exhibitions and running regular events. Studied BA Fine Art (Hons) at Sir John Cass School of Art, London, graduating in 2003. Henrietta has recently been selected as a finalist for the National Sculpture Prize 2021, working on a sculpture to be installed at the Broomhill Estate Sculpture Park in Devon later this year. She was awarded as a runner up for the Soho House Art Prize 2020 and is currently working on a public sculpture commission for the village of Tytherington commissioned by Cotswold Homes & South Gloucestershire Council. Exhibitions include: Soho Editions: Art Prize 2020 where she created a print edition for Soho Home with Jealous Gallery - 2021, Jealous Gallery Rooftop Mural - 2021, Throwing Bones II at Window 135 - 2020, The Pendle Hill Stones, a permanent public sculpture installed on Pendle Hill in Lancashire - 2018, Contemporary Perspectives in Printmaking at Mall Galleries, London - 2017. About the Postcards The SEERs were created by Henrietta for her 'Temple of M E D U S A' installation around the time of the #metoo movement. Demonised for her beauty by those that desired her, punished for being a victim of rape, then vilified as a monster, never to be looked at again, Medusa's story scarily echoes the misogynistic realities of today. She was mortal and not a goddess so creating a temple for Medusa felt like a reprieve. The SEERS are Medusa's victims that she has turned to stone. They now watch over and protect her with their sightless eyes, her servants for eternity. Seers in Ancient Greece interpreted signs sent by the gods through bird signs, animal entrails and other methods of divination. However only direct yes & no questions could be answered.
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35066 item(s)/page