We found 35065 price guide item(s) matching your search

An Eastern woollen runner, with a row of central medallions, on a red ground301w x 80d cm

A Persian kilim runner, with two rows of medallions, 242 x 80cm

A Persian kilim runner, with all over diamonds, 197 x 65cm

An Afghan kilim runner, with five central diamonds, 197 x 70cm

An Afghan kilim runner, with four central medallion, 142 x 51cm

A Persian style machine woven red ground Bokhara hall runner, 272 x 68cm

Red pattered runner - Approx 252cm x 86cm

Malayir RunnerWest Iran, Circa 1930The raspberry field of boteh framed by spandrels and floral pale indigo borders, flanked by guard stripes.618cm by 105cmBoth ends complete. Selvedges complete but with replaced binding cords. Pile is good/fair suitable for immediate use.

Karabagh Runner, circa 1920The abrashed indigo field with a column of terracotta ivory and mint green medallions surrounded by zoomorphic devices, surrounded by chocolate brown borders of polychrome angular vines.327cm by 106cmOne end complete with fraying web. Other end now complete. Selvedges are original with some wear. Pile is good, one line of rucking approx. 0.5cm by 7cm. Cut and re-joined at one end.

Hand Knotted Chobi Kilim Runner rug. [150x60cm]

A Turkish Hand Knotted Vintage Hall Runner. 334x83cm

Hand knotted chobi kilim runner rug. [155x52cm]

Hand knotted kilim runner rug in a green ground and three smaller hand made rugs. Runner- 200x70cm

A maimana kilim runner, with colourful lozenge motifs encased with a black border, 190cm x 64cm

A chobi kilim runner, with colourful lozenge motifs encased with a cream border, 202cm x 60cm

A trio of framed works by David Morrison of Rasberries (34cmx51cm), Peapods (26cmx39cm), Leith Community Croft Runner Bean (26cmx39cm), all signed and titled. (3)

A chobi kilim runner, with colourful lozenge motifs encased with a multi coloured border, 144cm x 68cm

A meshwani runner, with a claret ground decorated with blue and red lozenge motifs, 255cm x 62cm

A Kazak wool runner - second half 20th century, with four brick red lozenge medallions on an ivory field, within a brick red floral meander border, 290 x 80cm.

Sarah Pickstone Damascus Rose 25, 2025 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Sarah Pickstone is a painter who lives and works in London. Her work looks at structures of art history and literature and draws on motifs from historical sources. The work is however predominantly concerned with process and the material and time-based nature of paint. Education Royal Academy Arts London postgraduate University of Newcastle Upon Tyne BA undergraduate Solo Exhibitions 2023 Billboard 23 Kingsgate Gallery, London, UK 2018 - 19 An Allegory of Painting Royal Academy Arts, London, UK 2017 Other Stories Southwark Park Galleries, London, UK 2016 The Rehearsal Mercer Gallery, Harrogate Museum, UK 2015 The Writers Series New Art Centre, Wilts, UK Group Exhibitions 2025 A Plan for Living Thameside Gallery, London, UK Renaissance of Being, curated by Bengu Gun, London, UK 2024 Cubitt Invites Cubitt, London, UK 2023 Cubitt 30 Victoria Miro Gallery, London, UK 2022 The Return Kingsgate Gallery, London, UK 2021 Fully Awake Holden Gallery, Manchester School of Art, UK Knocking it Out Of The Park Gallery 46, London, UK Awards 2012 John Moores Painting Prize First Prize 2004 John Moores painting Prize Runner up 1991-1992 Rome Scholarship in Painting Public Collections Royal Academy Arts, London, UK Societe Generale Collection, London, UK Mercer Gallery, Yorkshire Museums Collection, UK Walker Art Gallery, National Museums of Liverpool, UK The Saatchi Collection, UK British School at Rome, Italy Statement about AOAP Submitted Artwork Damascus Rose 25 is a new painting based on a large work made in 2017. The original painting was made thinking about the Rose as symbol of English history. The flower - which I love - in fact migrated from the middle east, Syria and the Himalayas. The large hand is loosely based on a drawing - bottom left corner - from Guernica. War, beauty, destruction. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Jayne-Anita Smith Sanctum, 2025 Acrylic and oil on gessoed paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Jayne Anita Smith's contemporary art practice delves into the sacred feminine and the rediscovery of our connection to nature. Through paintings, drawings and prints in her latest series, she explores ways to reshape our understanding of identity and place, looking towards a more holistic approach to the environment amid the looming threat of climate change. Education 2005 - 2009 BA Hons Fine Art, University College Falmouth, Cornwall Solo Exhibitions 2022 A fragile state, BAGT, London 2017 Fool's Paradise. Coates and Scarry, Gallery 8, London 2016 Small works, Newlyn Picture Room, Newlyn Art Gallery, Cornwall Group Exhibitions 2023 Tao Hua Tan residency group exhibition, Hefei Kurami Art Gallery, Hefei, China Windows and thresholds, Bell House, London, UK 2022 Re-Call, Award winners show, Air Gallery, Manchester, UK Saul Hay Gallery, Manchester, UK Cambrian Open, Conwy, Wales 2021 Air Gallery open, Saul Hay Award winner, Manchester, UK Frontier Art Open, 3rd Runner up, Sheffield, UK Overexposed, The visionary Projects, Online Tangled up in blue, Purslane art gallery, Online 2020 Hedges and houses and mothers and children, I Like your work, curated with Dazed and Confucius, Online exhibition Summers Shadow, A Way Art Gallery, Online exhibition We could apply our lipstick, C&C Gallery, London, UK Wells Contemporary art open, Somerset, UK Harley Open, Harley gallery, Nottingham, UK 2019 RA Summer exhibition, London, UK Morph, Mash Gallery, Los Angeles, USA 2018 Beep painting prize, Swansea. Wales Art Gemini Prize, London, UK Awards 2022 Artworks Solo Show Award, Barbican Arts Group Trust Saul Hay Award, Air Gallery You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Helen G Blake Here we sit, 2025 Ink and coloured pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Helen Blake is an artist whose practice focuses on colour; engaging with rhythm and formalism, chance and deliberation. Using a working method where process and contemplation guide the evolution of the work, she constructs overtly hand-made drawings and paintings which record and examine colour conversations within accumulating pattern structures, embracing accidents, flaws and discrepancies within their rhythms. Education 1980-1983 B.A. (Hons) in Visual Art, Aberystwyth University, Wales. Solo Exhibitions 2023 A room full of altarpieces, but not a church, The Molesworth Gallery, Dublin, Ireland. Recent Works, The Molesworth Gallery, Dublin, Ireland. 2019 Choir, Limerick Museum, Limerick, Ireland. Recent Works, The Molesworth Gallery, Dublin, Ireland. 2018 New Paintings, Fenderesky Gallery, Belfast, Northern Ireland. 2017 Recent Works, The Molesworth Gallery, Dublin, Ireland. 2016 Helen G Blake, Mermaid Arts Centre, Bray, Co Wicklow, Ireland. Group Exhibitions 2025 London Art Fair, showing with Molesworth Gallery. 2024 Winter Group Show, Molesworth Gallery, Dublin. Butterfly Memory, Fenderesky Gallery, Belfast. A0 Inside + Out, Drawing Box International, Leitrim Sculpture Centre Gallery, Manorhamilton Co. Leitrim. Kites above the Castles, curated by Patrick T Murphy, Director. RHA; Mary Lavin Place, Wilton Park, Dublin. The First Page of Summer, Fenderesky Gallery, Belfast Summer Group Exhibition, The Molesworth Gallery, Dublin RHA Royal Hibernian Academy 194th Annual Exhibition, Dublin H_A_R_D_P_A_P_E_R, Phoenix Artspace, Brighton, UK 2023 Small Paintings, Victoria Munroe Fine Art, New York Winter Group Show, Molesworth Gallery, Dublin The Ballinglen Arts Foundation and Museum of Art First Biennial Exhibition, Ballycastle, Co Mayo Call & Response, a project by The Drawing Box, curated by Anoushka Havinden and Pearl Kinnear, Glasgow Project Room Changing Group Exhibition, Fenderesky Gallery, Belfast RHA Royal Hibernian Academy 193rd Annual Exhibition, Dublin Twenty one, Mermaid Arts Centre, Bray, Co Wicklow 2022 In and of itself - abstraction in the age of images, RHA Gallery, Dublin. Winter Group Show, The Molesworth Gallery, Dublin Changing Group Exhibition, Fenderesky Gallery, Belfast Contemporary British Painting Prize 2022, judged by Hettie Judah, Geraldine Swayne, Grant Scanlan, Thames-Side Studios Gallery Contemporary British Painting Prize 2022, judged by Hettie Judah, Geraldine Swayne, Grant Scanlan, Huddersfield Art Gallery Walking in Two Worlds part 3, curated by Jonathan Powell; Volcano Theatre, Swansea RHA Royal Hibernian Academy 192nd Annual Exhibition, Dublin Generation2022: New Irish Painting, Butler Gallery, Kilkenny. Curated by Anna O'Sullivan 2021 Return to Disintegration-Periodical Review 11, selected by Sheena Barrett, Alice Butler, Mark Cullen and Gavin Murphy, Pallas Projects, Dublin Winter Group Show, The Molesworth Gallery, Dublin Changing Group Exhibition, Fenderesky Gallery, Belfast RHA Royal Hibernian Academy 191st Annual Exhibition, Dublin Walking in Two Worlds part 2, curated by Jonathan Powell; Oceans Apart Gallery, Salford, Manchester Walking in Two Worlds part 1, curated by Jonathan Powell; Oriel Carn Gallery, Caernarfon, Wales. Art Beijing 2021; showing with the Embassy of Ireland, curated by Niamh Cunningham and Peking Art Associates Awards 2023 Visual Arts Bursary Award, Arts Council of Ireland 2022 Highly Commended Award and Runner-up Prize, Contemporary British Painting Prize 2021 Agility Award, Arts Council of Ireland Gallery Representation The Molesworth Gallery, Dublin, Ireland Fenderesky Gallery, Belfast, Northern Ireland Public Collections Aberystwyth University, Aberyswyth, Wales, UK Arts Council of Ireland Ballinglen Museum of Contemporary Art, Ballycastle, Co Mayo, Ireland OPW Irish State Art Collection, Ireland Statement about AOAP Submitted Artwork 'Here we sit' is a methodical free-hand ink drawing of close-set chevrons, building up and enclosing at the lower edge two areas of warm glowing colour. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Julie Cassels Looking Back - Rewoven Series - After Vuillard - Red Rust, 2023 Composite Photograph Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Julie Cassels is a multidisciplinary artist whose work often has historical references, with a particular interest in the aesthetics of textiles and clothing, as they occur in all aspects of daily life. Her work is inspired by the depiction of fabric in all art forms, throughout art history, along with its interpretation and relevance. As a perpetual analyst, she reflects on the individuality of seeing and visual perception, illuminating them with work that encompasses video installation, photographic collage, digitally reconstructed objects, and low-relief mixed media canvasses. Education 2004 - 2005 MA at Manchester Metropolitan University in Textiles/Fashion 2001 - 2004 BA Visual Arts (Hons) Degree at Salford University. (First) 2000 - 2001 BTEC Arts Foundation Course, South Trafford College, (Dist) Solo Exhibitions 2021 We View Things Differently Now, Rogue Studios Project Space, Manchester, UK Group Exhibitions 2025 Return to the Sea, Seafront Gallery, Worthing Women in Art Prize, Roundhouse, Chalk Farm Rd, London NW1 8EH Ventriloquism, The Whitaker, Haslingden Rd, Rossendale, BB4 6RE Rogue Women 3, Rogue Studios Project Space, Manchester Air Gallery Open, Rogue Studios, 4 Barrass St, Manchester, M11 1WP Shutter Hub Yearbook 2024, online exhibition A Small Space World Tour, multiple venues A Room of One's Own, Irving Gallery, 28 Essex St, Oxford, OX4 3AW A Small Space, Square Feet Architects, 95 Bell St, London, NW1 6TL 2024 To the Sea, St Gilles Croix de Vie, France Bury Open, Bury Art Museum, Moss Street, Bury, BL9 0DR Spark Philosophy Retreat, Crawfordsburn Inn, Northern Ireland Live With It, Mura MA Art Space, 15 Stockport Rd, Marple, SK6 6BD A Small Space, Dezrez Projects, 285 Deansgate, M3 4EW A Small Space, Old Town General Store, Stockport, SK1 1NE Shape Exhibition, Gallery of Photography, Glasgow G1 1UG Comme Ca Art X Awol Studios Exhibition, Comme Ca Gallery, Manchester Rogue Women 2, Rogue Studios Project Space, Manchester Warrington Contemporary Open Exhibition, Warrington Museum and Art Gallery 2022 Shutter Hub Everyday Delight 2022, online exhibition Shutter Hub Yearbook 2022, online exhibition Bodfa Continuum, Plas Bodfa, Llangoed, Anglesey, Wales Manchester Open 2022, Home, Manchester, M15 4FN Postcards from Europe, Art at Arb, University of Cambridge, CB3 9DT 2021 Starting Space, Virtual Gallery Space, Artsteps and @ThePhotoEdge We View Things Differently Now, Rogue Studios Project Space, Manchester Shutter Hub Yearbook 2021, online exhibition Auckland Festival of Photography, Auckland, New Zealand In Manchester, Saul Hay Gallery, Manchester Awards 2024 Finalist Women in Art Prize 2021 Arts Council England DYCP Grant 2019 Greater Manchester Arts Prize runner-up 2015 Waterside 1-0 micro commission Statement about AOAP Submitted Artwork The two Looking Back - Rewoven works are composite photographs in a new series looking at the history of tapestry used as a backdrop for decoration and warmth. They reference works by the painter Edouard Vuillard who created complex layers and collages of textiles, reminding critics of the woolly reverse side of a tapestry. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Julie Cassels Looking Back - Rewoven Series - After Vuillard - Blue Grey, 2023 Composite Photograph Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Julie Cassels is a multidisciplinary artist whose work often has historical references, with a particular interest in the aesthetics of textiles and clothing, as they occur in all aspects of daily life. Her work is inspired by the depiction of fabric in all art forms, throughout art history, along with its interpretation and relevance. As a perpetual analyst, she reflects on the individuality of seeing and visual perception, illuminating them with work that encompasses video installation, photographic collage, digitally reconstructed objects, and low-relief mixed media canvasses. Education 2004 - 2005 MA at Manchester Metropolitan University in Textiles/Fashion 2001 - 2004 BA Visual Arts (Hons) Degree at Salford University. (First) 2000 - 2001 BTEC Arts Foundation Course, South Trafford College, (Dist) Solo Exhibitions 2021 We View Things Differently Now, Rogue Studios Project Space, Manchester, UK Group Exhibitions 2025 Return to the Sea, Seafront Gallery, Worthing Women in Art Prize, Roundhouse, Chalk Farm Rd, London NW1 8EH Ventriloquism, The Whitaker, Haslingden Rd, Rossendale, BB4 6RE Rogue Women 3, Rogue Studios Project Space, Manchester Air Gallery Open, Rogue Studios, 4 Barrass St, Manchester, M11 1WP Shutter Hub Yearbook 2024, online exhibition A Small Space World Tour, multiple venues A Room of One's Own, Irving Gallery, 28 Essex St, Oxford, OX4 3AW A Small Space, Square Feet Architects, 95 Bell St, London, NW1 6TL 2024 To the Sea, St Gilles Croix de Vie, France Bury Open, Bury Art Museum, Moss Street, Bury, BL9 0DR Spark Philosophy Retreat, Crawfordsburn Inn, Northern Ireland Live With It, Mura MA Art Space, 15 Stockport Rd, Marple, SK6 6BD A Small Space, Dezrez Projects, 285 Deansgate, M3 4EW A Small Space, Old Town General Store, Stockport, SK1 1NE Shape Exhibition, Gallery of Photography, Glasgow G1 1UG Comme Ca Art X Awol Studios Exhibition, Comme Ca Gallery, Manchester Rogue Women 2, Rogue Studios Project Space, Manchester Warrington Contemporary Open Exhibition, Warrington Museum and Art Gallery 2022 Shutter Hub Everyday Delight 2022, online exhibition Shutter Hub Yearbook 2022, online exhibition Bodfa Continuum, Plas Bodfa, Llangoed, Anglesey, Wales Manchester Open 2022, Home, Manchester, M15 4FN Postcards from Europe, Art at Arb, University of Cambridge, CB3 9DT 2021 Starting Space, Virtual Gallery Space, Artsteps and @ThePhotoEdge We View Things Differently Now, Rogue Studios Project Space, Manchester Shutter Hub Yearbook 2021, online exhibition Auckland Festival of Photography, Auckland, New Zealand In Manchester, Saul Hay Gallery, Manchester Awards 2024 Finalist Women in Art Prize 2021 Arts Council England DYCP Grant 2019 Greater Manchester Arts Prize runner-up 2015 Waterside 1-0 micro commission Statement about AOAP Submitted Artwork The two Looking Back - Rewoven works are composite photographs in a new series looking at the history of tapestry used as a backdrop for decoration and warmth. They reference works by the painter Edouard Vuillard who created complex layers and collages of textiles, reminding critics of the woolly reverse side of a tapestry. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

1968 Velocette Venom VeelineRegistration number UHN 788GFrame number RS 19701Engine number VM6491COriginal machine fitted with Dolphin Avon factory fairing and engine coversAlton electric starter and generator fitted in 2022Criterion electronic ignitionMajor engine rebuild in 2023Recently fitted with Avon Road Runner tyresNew battery fitted in February 2025The gearbox will need attention as it slips out of gear occasionallyAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith V5C and history fileThis lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice

1983 Krauser MKM 1000Registration number A686 MUBFrame number 1009282Engine number 607907144,740 recorded milesAssembled in 1983 using a new BMW R100RS purchased by the present owner from Simon Hill of Ultimate Source who were the Krauser luggage importers at that timeFull details of the build are shown on the attached sheet along with recent work done for the present owner by Hurley Engine Services in May 2022The bike was sold to the second owner in November 1992 when the mileage was 37,471It was passed to the third owner in April 2006 as a non-runner as it had broken down in 1995/96He died in 2012/13, and the bike was passed to his son who in January 2018 contacted the first owner who eventually re-purchased the bike in 2020The mileage at that time was 41,006 so it had covered only 3,535 miles in 28 yearsSupplied with a paddock stand The bike is being sold in good usable condition and complete with a new fairing, front mudguard, single seat body and seatAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith V5C, MOT's, receipts, owner’s manual, tool kit and documentation from newThis lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice

1970 Triumph T100 CRegistration number EPE 522JFrame number 56280Engine number 56280Rare matching numbers machine and considered to be one of Triumph’s better modelsMost were exported to America but this one remained in the UKIn good conditionRuns and rides wellA powerful machine with good handling qualitiesComplete with barbecue grill heat shield, electronic ignition and Avon Road Runner tyresAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith V5C, large history file containing details of much spent on maintaining the bike to a high standardThis lot must be collected by 12.30pm on Friday 14th March. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice

Asian Style Wool Runner with fringed edges, measures 67 x 26 inches. See photos.

Long Cased Clock by John Friar of Pocklington 83 inches tall. Non runner for spares or repairs, See photos

Long Cased Clock, Brigg Maker which measures approx 86 inches, Non runner for spares or repairs, see photos.

Long Cased Clock by Thomas Robinson of Brigg, measures approx 86 inches, Non runner for spares or repairs, see photos.

Vintage Czechoslovakian Musical Rouge pot with cold painted Bronze Ballerina dancer to the lid. Non Runner

Large French marble mantle clock with six pillars and Greek fighting scene decoration, 17" long, 11.5" tall and 6" deep. Intermittent runner (PLEASE NOTE NO POSTAGE ON THIS LOT COURIER OR COLLECTION ONLY)

Middle Eastern wool runner, probably Afghan Baluchi, the ivory field decorated with a stylised flowering plant with alterating red, green and blue branches, within serrated borders and twin guls to short ends, 277cm x 76cm

* LISA GRAA JENSEN RI (DANISH b. 1953), BOATS FOR HIRE gouache on paper, signedmounted, framed and under glassimage size 29cm x 20cm, overall size 53cm x 42cmNote: Lisa Graa Jensen was born in Copenhagen. She attended the Sir John Cass School of Art in Whitechapel (London) and then trained at Camberwell School of Art from 1975-78 gaining a BA (Hons) in Graphic Design. After art college Lisa spent time as an Illustrator with B.L. Kearley Limited working for Hamlyn, MacMillan, Marshall Cavendish and the BBC as well as Puffin Books and Camden Graphics. She then took up a roll as an Art Therapist before becoming a freelance Painter and Illustrator of books and cards in 1983. In 1997 Lisa Graa Jensen was the winner of The RI Kingsmead Award. She also received the Royal Academy of Art, Christmas Design Award (1984, 1985, and 1986) and was runner up Artist of the Year Award 2008. In 1996 she was elected a Member of the Royal Institute of Painters in Watercolours. She is also a member of ASGFA (The Society of Graphic Fine Art). Talking about her art work Lisa says: 'I am a painter and illustrator of vibrant colourful figurative landscapes. i.e.: undulating countryside, markets, pubs, cafes, French farming scenes and coastal/beach scenes usually featuring dogs and cats and often farm animals such as sheep, donkeys, cows, hens etc..'. Her work is typically colourful and lively and demonstrates a strong sense of observation. Method of Working- Lisa uses light, fast watercolour and acrylic inks which have good reproduction qualities and designer gouache. She paints on very heavy watercolour paper that doesn’t need stretching. She uses brushes, a sharpened end of paintbrush to scratch out detail, fingers, splatter bristle brush, and salt for colour dispersal. Working on one piece at a time, Lisa works from memory, sketches and photos. The initial idea is very loosely mapped out so that the painting can feel spontaneous, and not like painting by numbers. Lisa's work is exhibited widely including at many annual major public exhibitions and at private galleries around the UK.

Collection of 26 Film Posters from the 1990s: 12 British Quads for: Jurassic Park (1993), The Firm (1993), The Fugitive (1993), Seven (1995) (x2), Sleepless in Seattle (1993), Blade Runner: Directors Cut (1982 RR), Casper (1995), Her Majesty Mrs Brown (1997), An Ideal Husband (1999), The Piano (1993), Shakespeare in Love (1998), all 30 x 40 inches, all rolled, plus 15 commercial / mini posters of varying sizes for: Saving Private Ryan (1998) (x4), Free Willy (1993) (x3), Forever Young (1992) (x2), Look Whos Talking Now (1993), Beethovens 2nd (1993), Flintstones (1994), plus 2 reproduction posters of Brooklands Weybridge aviation/racing (1932/33 RR) (26 Items) Condition Report: Various conditions

Collection of 15 British Quad Film Posters from the 1990s: To include Blade Runner: Directors Cut (1982 RR), Schindlers List (1993), Aladdin (1992), The Bodyguard (1992), The English Patient (1996), Muriels Wedding (1994), The Piano (1993), Far and Away (1992), Spice World (1997), Little Voice (1998), Free Willy (1993), Last of the Mohicans (1992), Tea With Mussolini (1999), Howards End (1992), Dave (1993), most double sided, all rolled, all 30 x 40 inches (15 items) Condition Report: Various conditions

Blade Runner 2049 (2017), Screen Print, released by Vice Press, artwork by Raid71, hand numbered 22/200, unfolded, 24 x 36 inches Condition Report: Excellent condition

A large vintage woollen runner carpet, As Found, 613cm by 100cm, misshapen, one notable hole, other damages and wear and in need of cleaning, see following lot for partner rug

A large vintage woollen runner carpet, As Found, 613cm by 100cm approx, misshapen, repair to one end, other damages and wear and in need of cleaning, see previous lot for partner rug

An Eastern wool runner, in decorative reds, blues and browns, tassel ends, approx. 335cm long x 93cm wide.

A contemporary handwoven full wool Afghan Meskin tribal runner; 247cm x 60cm

AN ANTIQUE KELARDASHT RUNNER,hand knotted by Kurdish weavers from the village of Kelardasht, northern Elburs mountains near the Caspian Sea, N. Persia, c. 1890 – 1910, with a single row of ‘Memling’ gul motifs framed by stylized plants/trees, inside a main border of four arrow and rosette motifs, two sets of reciprocating key guards, 296 x 126cm, (PL ref 9012)

AN ANTIQUE SARAB RUNNER,hand knotted in the village district of Sarab, N.W. Persian Azerbaijan, c. 1900-1920, with two oblong hexagonal medallions framing a smaller central diamond lozenge on a sparsely decorated field, inside three Sarab borders – the outer one with reciprocating ‘Greek key design, 420 x 94cm, (PL ref 9167)

AN ANTIQUE KARADJA RUNNER, hand knotted in the village district of Karadja and Heriz, NW Persia, c.1890-1910, with a series of five large flower vases on field with floral vines and trees, inside three narrow borders, the central with large flowerhead vines, between two dotted diamond guards, 312 x 86cm (PL ref 9126)

AN ANTIQUE HERIZ RUNNER,hand knotted in the village region between Heriz and Karadja, NW Persia, c. 1900-1925, the field with twelve ‘shield’ medallions inside a main serrated leaf vine and flower head border, between two rosette vine guards, 451 x 87cm (PL ref 9124)

A FINE ANTIQUE INGELAS RUNNER,hand knotted in the village district of Ingelas, Hamadan province, west Persia, c.1910-1920, the field with Herati design inside a main border of floral lotus meander and two narrow S guards, 503 x 80cm (PL ref 8862)

AN ANTIQUE BIDJAR RUNNER,hand knotted by Kurdish weavers from the Bidjar town area, west Persia, c. 1880-1900, with all-over design of flowering plants, botehs, stars, stylized bird forms, evil eye ornaments, all loosely arranged in horizontal bands, inside a main border and two guards with rosette and tulip/carnation vines, 548 x 110cm, (PL ref 8976)

AN ANTIQUE KARADJA RUNNER,hand knotted in the village district of Karadja, NW Persian Azerbaijan, c. 1910-1925, the field with nine differently drawn medallions and lozenges, the ground filled with stylized flowers, vines, diamonds, evil eye symbols and four goats, all inside three narrow borders of floral vines, 336 x 80cm (PL ref 9169)

AN ANTIQUE ARMENIBAFF RUNNER,hand knotted by Armenian weavers, border area of N.W. Persian Azerbaijan and Armenia (Caucasus), c.1900/20, with three linked anchor medallions on field with stylized flowers and paired birds (peacocks at the top end), inside two narrow rosette vine borders, 442 x 94cm (PL ref 9137)

Quantity of 9.5mm film reels. Written titles include: Blackmail; Northern Frontier; Its a Grand Old World (1937); The Adventures of Popeye; The Master of the World; The Sacred Mountain; The Leghorn Hat; The Edge of the World (2 reels); In the name of the Law; Alaskan Incident; Spook Ship; The Rink; The Marathon Runner (2 reels); Tiger Bay. (16)

Three rugs to include a Persian hand-knotted runner with fringed ends (L 330CM x W 76CM); a Machine loomed rug in the style of a prayer mat (L115cm X W68.5cm); and an oriental style rug with a central medallion and fringed ends (L163cm x 101cm)

HANNAH DARYL: (1960- ) American Actress. Well-known for her roles in films such as Blade Runner (1982), Splash (1984), Wall Street (1987) or Steel Magnolias (1989). A good colour signed 10 x 8 photograph by Hannah, the image showing the actress in an artistic full-length nude pose. Signed in bold blue ink to a clear area of the image. VG

A green velvet table runner of 17th century design with scroll embroidery, 16" x 54", an eiderdown and a pair of tassels

A Persian runner with tendril and scroll in shades of brown on a cream ground, 118" x 30" approx

North west persian heriz runner, 295cm x 80cm

A South West Persian Lori runner, 200cm x 78cm

A Great War ‘Vimy Ridge’ M.M. awarded to R. F. L. Sheldon-Williams, 10th Canadian Machine-Gun Battalion Military Medal, G.V.R. (181115 Pte. R. F. L. Sheldon-Williams. 10/Coy. Can: M.G.C.) extremely fine £400-£500 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK --- --- M.M. London Gazette 9 July 1917. The original Recommendation states: ‘For exceptional devotion to duty while acting as a runner from 9 to 12 April [1917] at Vimy Ridge. He displayed great courage and bravery throughout, being on duty practically the whole time without sleep.’ Ralf Frederic Lardy Sheldon-Williams was born in Elvetham, England, on 4 March 1875 and having emigrated to Canada attested for the Canadian Overseas Expeditionary Force at Victoria, B.C. He served with the 47th Battalion, Canadian Infantry during the Great War on the Western Front from 21 August 1916, and was seconded on attachment to the 10th Brigade, Canadian Machine Gun Company on 6 October 1916. Awarded the Military Medal for his gallantry at Vimy Ridge in April 1917, he was promoted Sergeant on 22 February 1918. Returning to Canada following the cessation of hostilities, he was discharged at Toronto on 21 June 1919. Sold with copied service papers and other research.

Linen and Lace - a mid 20th century orange bed throw;   crochet table runner;   lace collars;  a pair of clogs;  etc

1968 BSA A65L Lightning 654cc, registration No. unknown, swing arm frame, frame No. A65LB455Z, OHV, two cylinders, 654cc capacity, engine No. A65LB455Z This blue/chrome tank 2-cylinder motorcycle is the twin carb sports version of the A65, with close ratio box, alloy rear rim, uprated suspension and TLS front brake, no registration document present and no V5C history Not crash damaged, no old vehicle licence, an American importNon runner, ready to restore90% complete - no speedo or headlamp