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Click here to subscribeLithografie Pablo Picasso1881 Málaga - 1973 Mougins "Figure" 1948 u. re. sign. Picasso Exemplar außerhalb der Auflage von 50 nummerierten Exemplaren. 66 x 50 cm, freiliegend gerahmt Wkvz.: Bloch 580; Mourlot 129 Provenienz: Privatsammlung Hessen. Guter Zustand, gleichmäßig gebräunt, keine Defekte oder Restaurierungen erkennbar. Freiliegend u. säurefrei gerahmt.
Radierung/Aquatinta Pablo Picasso1881 Málaga - 1973 Mougins "Le Peintre et son Modèle" 1963/65 u. re. sign. Picasso eines von insges. 15 Künstlerexemplaren, vor der nummerierten Auflage von insges. 50 Stück, verso gestempelt: "Succ. Pablo Picasso - Col. Marina Picasso" 35 x 42,5 cm Edition der Galerie Louise Leiris, Paris, 1965. Wkvz.: Bloch 1144; Baer 1142. Provenienz.: Galerie Herbert Meyer-Ellinger, Frankfurt (verso m. Etikett); Privatsammlung Hessen.
Lithografie Pablo Picasso1881 Málaga - 1973 Mougins "Don Quixote" 1955 unten li. im Stein sign. u. dat. Pablo Picasso 11.3.55 oben re. m. Wasserzeichen von Arches, Prägestempel Editions Combat Pou La Pae X Copyright S.P.A.B.E.M. Paris, am unteren Rand beschnitten, Lithografie auf Velin, 54 x 37,5 cm, o. R. Minimaler Lichtrand, gleichmäßig gebräunt.
Pablo Picasso (1881-1973) Illustration VI for Verve 1954 HeliogravureSigned in pencil lower rightCertificate of signature authenticity to verso signed by Hamilton Bland, Sportizus LimitedImage size 26 x 21cmTogether with its framed National Art Guild Certificate of Authenticity dated 1988 Provenance - From a good autograph collection.Overall this piece is in good condition.
PICASSO Pablo, " Picasso Lithographe - III 1949-1956" Andre Sauret Editions du Livre Monte Carlo, card boards, with paper wrappers, the front wrapper and the frontis are from original lithographs made by Picasso for this work, 33 x 25 cms , the front wrapper is detached from the hinge, the text and plates are clean
Pablo Picasso (1881-1973), ''Carnet de la Californie'', 25 Blatt in Spiralheftung mit 39 (davon 17 farbigen) Lithographien nach Zeichnungen aus der Schaffenszeit vom 8.11.55 bis 14.1.56. in orig. illustrierter Flügelmappe mit dazugehörigem Begleitheft, Paris, Cercle d'Art, 1959, Exemplar 1080 von insg. 1500, etwas gebräunt und lichtrandig, die Mappe fleckig, 43 x 28 cm
Konvolut von 4 Grafiken versch. Künstler des 20. Jh: Pablo Picasso (1881-1973): Helene, Lithographie gedruckt bei Georges Aubert, unsign., Paris 1955, Graham Vivian Sutherland (1903-1980), Hommage à San Lazzaro, Farblithgr. 1975, unsign., HAP Grieshaber (1909-1981), Panzer und Herbizide 1971, Farbholzschnitt, knapp beschn., Läsur am u. Rand, Ernest Engel-Pak (1885-1965), informelle Komp., Lithogr., u. re. handsign., jeweils hinter Pp., bis 50 x 40 cm
Pablo Picasso (Málaga 1881 – 1973 Mougins). "Caricature". 1958Kaltnadel auf festem Papier. 5,9 × 5,9 cm (12,1 × 13 cm) (2 ⅜ × 2 ⅜ in. (4 ¾ × 5 ⅛ in.)). Signiert.Baer 1023 A. a (von b) / Cramer 93.–Einer von 36 nummerierten Abzügen. Illustration zu: Pierres. Alès, Pierre André Benoit,1958. [3229]Zustandsbericht: Ex. 17/36. Schöner harmonischer Gesamteindruck. Im linken Randbereich die vertikale Pfalz der ursprünglichen Heftung (1,1 cm breit). Entlang der Falz vier Löcher der Bindung. Am oberen Rand der Darstellung minimal knittrig. Das Blatt schwach gebräunt und in den Randbereichen minimal angestaubt. Rückseitig in den oberen Blattecken jeweils mit einem kleinen Papierklebestreifen auf den Unterkarton montiert.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Picasso, Pablo (Malaga 1881 - 1973 Mougins, Studium an der KA Madrid, Maler, Grafiker und Bildhauer) nach, "Portraits Imaginaires", Lithografie auf Karton, datiert und signiert oben links 12.3.69 I Picasso, unten links nummeriert HC (horce comers) Drucker Marcel Salinas, 65 x 50 cm (Blattmaß), unter Glas gerahmt.Zertifikat von Kunsthaus Failer beiliegend
Picasso, Pablo (Malaga 1881 - 1973 Mougins, Studium an der KA Madrid, Maler, Grafiker und Bildhauer), "Ohne Titel", Aquatinta auf Papier, in der Platte datiert II.86.5.72, 12 x 6 cm (Plattenmaß), unter Glas gerahmtWVZ: Bloch 1603.Das Blatt ist die Illustration Nr. 64 der Tragikomödie "La Celestine" von Fernando de Rojas, Paris1968/71.
§ Chana Orloff (Ukranian / French 1888-1968) Jeune Fille A La Natte [Young Girl With a Braid], 1951 signed and dated 'Ch. Orloff 51', 'Susse Fondeur Paris' foundry mark, patinated bronzeDimensions:45cm high, 27.5cm wide (17 3/4in high, 10 3/4in wide)Provenance:Provenance:Christie's, New York, Fine 20th-Century Decorative Art, 22 March 1986, Lot 54;Private Collection.Note: Literature:Felix Marcilhac, Chana Orloff, Paris, 1991, no.322. " At first I am attracted by the plastic decorative side, if you prefer, and the character... I would like my works to be as alive as life... " (Chana Orloff - E.des Courières in Chana Orloff, Editions of the NRF, Gallimard. 1927) Born in Ukraine in 1888, Chana Orloff settled in Paris in 1910 becoming a naturalised citizen in 1926. She was associated with the Fauves and Cubists early in her career, and was a greatly admired and successful member of the École de Paris artists during the 1920s and 1930s. Alongside the likes of Amedeo Modigliani, Pablo Picasso, Jean Cocteau and Marc Chagall, she exhibited regularly in all the major Salons and exhibitions in Paris. She worked in a wide variety of media, sculpting primarily genre subjects and portraits of which the present model is a graceful example.
§ Pablo Picasso (Spanish 1881-1973) Meurtre, Avec Spectateurs, 1966 (B. 1436; Ba. 1466) 44/50, artist's stamped signature and numbered in pencil (in the margin), etching, printed by Crommelynck, published by Galerie Louise Leiris, Paris, on wove paperDimensions:22.4cm x 32cm (8 7/8in x 12 5/8in)
§ Pablo Picasso (Spanish 1881-1973) for Madoura Pottery Deux Oiseaux (no. 95, A.R.487), Conceived 1963 85/150, numbered, painted ‘Edition Picasso’ and ‘Madoura’, partially glazed and painted earthenware. Dimensions:25.7cm diameter (10 1/8in diameter)Provenance:Provenance: Galerie Ritthaler, Munich;Private Collection, London.
§ After PABLO PICASSO (SPANISH 1881-1973) Cote d'Azur lithographic poster, 1957, condition A; not backedDimensions:39 x 26 in. (99 x 65 cm.)Note: Note: In the 1960’s, President Charles de Gaulle, in the act of promoting France and French culture, appointed Andre Malraux as the Minister of Cultural Affairs. Malraux, who was a novelist and an art historian as well as a fervent supporter of de Gaulle, commissioned a series of lithographic posters by well known artists to promote French culture around the world.Many of the artists, if not French themselves, were active in France. Most of the artists (or the artist’s estates) agreed to have the best lithographers (mostly Charles Sorlier and Henri Deschamps) make faithful lithographic copies of their paintings.These lithographic posters were produced by the world-renowned lithographic printers – Mourlot of Paris.The current owner's father collected them at the time of the printing and has kept them flat and away from the light for 60 years.
PABLO PICASSO (Malaga, 1881- Mougins, 1973)."Pichet Poule", 1954, Vallauris.Glazed and painted ceramic.Print run of 500 copies.With Madoura and D'Apres Picasso stamp on the base.Size: 12 x 18 x 9 cm.Since Pablo Picasso discovered ceramics with his brilliant style in Vallauris (the town where the Madoura workshop was located), this town became the great town of ceramics in France. The artist had already known the town in 1936, but it was after the Second World War, in July 1946, that he became infatuated with ceramics. He was spending a holiday in Golfe Juan-les Pins, a nearby town, and after discovering the Madoura workshop, heir to a long family tradition of ceramic work, the artist began a frenetic production that gave birth to more than two thousand pieces in one year.Pablo Ruiz Picasso is the great genius of contemporary painting. Pablo Ruiz Picasso is the great genius of contemporary painting. The creator of cubism together with Braque, his capacity for invention and creation places him at the top of world painting. He was born in Malaga, where his father was a drawing teacher and director of the Municipal Museum. The Ruiz Picasso family soon moved to La Coruña, and from there to Barcelona, where the young Pablo began his artistic studies at the Provincial School of Fine Arts (1895). Although the school's style was entirely academic, the painter soon came into contact with modernist groups which changed his form of expression. Only two years later, in 1897, Picasso held his first solo exhibition at the café "Els Quatre Gats". Paris was to become Pablo's great goal and in 1900 he moved to the French capital for a short period of time. When he returned to Barcelona, he began to work on a series of works in which the influences of all the artists he had known or whose work he had seen could be seen. He is a sponge that absorbs everything but retains nothing; he is searching for a personal style. Between 1901 and 1907 he developed the Blue and Pink Stages, characterised by the use of these colours and by their subject matter with sordid, isolated figures, with gestures of grief and suffering. The painting of these early years of the 20th century was undergoing continuous changes and Picasso could not remain on the sidelines. He became interested in Cézanne, and based on his example he developed a new pictorial formula together with his friend Braque: Cubism. But Picasso did not stop there and in 1912 he practised collage in painting; from that moment on, anything goes, imagination became the master of art. Picasso was the great revolutionary, and when all the painters were interested in Cubism, he was preoccupied with the classicism of Ingres. The surrealist movement of 1925 did not catch him unawares and, although he did not participate openly, it served as an element of rupture with what had gone before, introducing into his work distorted figures with great force and not exempt from rage and fury. As with Goya, Picasso was also greatly influenced in his work by his personal and social situation. His often tumultuous relationships with women had a serious impact on his work. However, what had the greatest impact on Picasso was the outbreak of the Spanish Civil War and the bombing of Guernica, which led to the creation of the most famous work of contemporary art. Paris was his refuge for a long time, but the last years of his life were spent in the south of France, working in a very personal style, with vivid colours and strange forms.
Picasso (Pablo) Verve, Volume VIII No. 29/30, Suite de 180 Dessins de Picasso, 28 Nov. 1953 to 3 Feb. 1954, Paris, 1954, folio, a special double number of Verve devoted to Picasso, English text, chromolithograph and Heliogravure illustrations, original illustrated boardsComplete with all illustrations
Picasso (Pablo) & Jean Cocteau. Laporte (Genevieve) Les Cavaliers d'Ombre; Sous le Manteau de Feu, 2 parts in 1 bound dos à dos, Exemplaire d'Artiste, from an edition limited to 300, signed and inscribed by the author with 3 lines of verse to head of half-title of first, illustrations by Picasso and Cocteau respectively, loose as issued in original lithographed pictorial wrappers by Cocteau printed in red, green and black, 8vo, Paris, 1956 ⁂ Geneviève Laporte was mistress and model to Picasso in the early 1950s. very slightly soiled
MATISSE, Henry(1869 Le Cateau Cambrésis - 1954 Nizza) "Nu bleu"Farblithografie. In der Platte signiert. In der Platte datiert: [19]52. Passepartoutausschnitt: 58,5 x 45 cm. Gerahmt & hinter Glas : 69,5 x 56 cm. Aus einer Serie von ca. 12 abstrakten weiblichen Akten, die ursprünglich aus blau koloriertem Papier geschnitten wurden und zu den letzten Werken des Künstlers gehören. Er nannte diese Technik "mit der Schere zeichnen". Blatt knickspurig. Französischer Maler, Grafiker, Zeichner und Bildhauer; Wegbereiter des Fauvismus; zählt neben Pablo Picasso zu den bedeutendsten Künstlern des 20. Jh. "Wer eine Rose malen will, muß zuerst alle Rosen vergessen, die jemals gemalt geworden sind." (Zitat: HM, www.altertuemliches.at). MATISSE, Henry(1869 Le Cateau Cambrésis - 1954 Nice) "Nu bleu"Color lithograph. Signed in the plate. Dated in the plate: [19]52. Passepartout detail: 58.5 x 45 cm. Framed & behind glass : 69.5 x 56 cm. From a series of about 12 abstract female nudes, originally cut from blue colored paper, which are among the last works of the artist. He called this technique "drawing with scissors". Sheet creased. French painter, graphic artist, draftsman and sculptor; pioneer of Fauvism; counts, along with Pablo Picasso, among the most important artists of the 20th century. "Who wants to paint a rose, must first forget all the roses that have ever been painted." (Quote: HM, www.altertuemliches.at). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PICASSO, Pablo(1881 Málaga - 1973 Mougins) Weiblicher AktGranolithografie auf Bütten. Blindstempel "Picasso". Exemplar: 190/333, Blindstempel "Picasso", "Pablo Picasso Spadem Edition of 333". Abbildung: 18,7 x 22,7 cm, im Passepartout: 50 x 40 cm. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). PICASSO, Pablo(1881 Málaga - 1973 Mougins) Female nudeGranolithography on laid paper. Blind stamp "Picasso". Copy: 190/333, blindstamp "Picasso", "Pablo Picasso Spadem Edition of 333". Image: 18.7 x 22.7 cm, in mount: 50 x 40 cm. Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PICASSO, Pablo(1881 Málaga - 1973 Mougins) 2 Werke aus "Suite Vollard"Je in der Platte signiert. [1973]. Editeur S.P.A.D.E.M., Paris. Blatt je: 33 x 42 cm, je auf Karton montiert: 40 x 50 cm. 2 lithografische Abzüge nach den Radierungen aus "Suite Vollard": Blatt 84 - "Minotaure Caressant une Femme" (Exemplar: 476/1200) und Blatt 92 - "Minotaure, Buveur et Femmes" (Exemplar: 220/1200). Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literatur : WVZ Bloch Nr. 191 und Nr. 200. PICASSO, Pablo(1881 Málaga - 1973 Mougins) 2 works from "Suite Vollard"Each signed in the plate. [1973]. Editeur S.P.A.D.E.M., Paris. Sheet each: 33 x 42 cm, each mounted on cardboard: 40 x 50 cm. 2 lithographic prints after the etchings from "Suite Vollard": sheet 84 - "Minotaure Caressant une Femme" (copy: 476/1200) and sheet 92 - "Minotaure, Buveur et Femmes" (copy: 220/1200). Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literature : WVZ Bloch No. 191 and No. 200. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PICASSO, Pablo(1881 Málaga - 1973 Mougins) 2 Werke: "Le Bouquet" und "Toros y Toreros"2 Farblithografien auf Bütten. Max. 70 x 50 cm. "Le Boquet", Blatt: 65 x 49,5 cm, im Druck signiert, Blindstempel "Editions Combat pour La Paix, Copyright S.P.A.D.E.M Paris", Blatt knickspurig, rechter Rand mit Wasserschaden und Plakat "Toros y Toreros" zur Einbandgestaltung des gleichnamigen Buches mit Texten von Luis Miguel Dominquin, Blatt: 69 x 50 cm, oberer Rand verso mit Bereibungen. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). PICASSO, Pablo(1881 Málaga - 1973 Mougins) 2 works: "Le Bouquet" and "Toros y Toreros"2 color lithographs on laid paper. Max. 70 x 50 cm. "Le Boquet", sheet: 65 x 49.5 cm, signed in print, blind stamp "Editions Combat pour La Paix, Copyright S.P.A.D.E..M Paris", sheet creased, right margin with water damage and poster "Toros y Toreros" for the cover design of the eponymous book with texts by Luis Miguel Dominquin, sheet: 69 x 50 cm, upper margin verso with rubbing. Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Le Repos du Sculpteur devant une Bacchanale au Taureau"Abbildung: 16 x 22 cm, im Passepartout: 30 x 40 cm. Lithografischer Abzug nach der Radierung aus "Suite Vollard", 1 von 540 Exemplaren, Editorial Gustavo Gili, Barcelona, 1956; mit Expertise. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literatur : Bloch Nr. 165. PICASSO, Pablo(1881 Málaga - 1973 Mougins) "Le Repos du Sculpteur devant une Bacchanale au Taureau"Image: 16 x 22 cm, in mount: 30 x 40 cm. Lithographic print after etching from "Suite Vollard", 1 of 540 copies, Editorial Gustavo Gili, Barcelona, 1956; with expertise. Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). Literature : Bloch No. 165. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Picasso, Pablo Ruiz (Málaga 1881 - 1973 Mougins)Runde Schale "Toros", weißer Ton gedreht, Spiegel zweifarbig (hellblau und grün) engobiert mit schwarzer Paraffinbemalung, im Boden geprägte Werkstattmarke "MADOURA PLEIN FEU", "EDITION PICASSO" und geritzt in blauem Fond "EDITION PICASSO MADOURA", Ø 20,3 cm, Entwurf 29. Juli 1952, Edition Madoura Vallauris 1952 aus einer Auflage von 500 nicht nummerierten Exemplaren, sehr guter Zustand mit typischen kleinen Glasurfehlen 4901 Lit.: Alain Ramié 1988, Catalogue of the edited ceramic works 1947 - 1971, Seite 89, Nr. 161
Worobjowa-Stebelskaja, Maria Bronislawowna, gen. "Marevna" (Tscheboksary 1892 - 1984 London)Gemälde "Mutterglück", Öl auf Leinwand, Mutter mit Kleinkind neben einem offenem Kamin, unten links signiert und datiert "MAREVNA ´39", 70 x 50 cm, unten rechts kleine Fehlstelle, sonst sehr guter, wohl unberührter Zustand, sauber modern gerahmt in geschnitzter Prunkleiste (95 x 75 cm) 6001 Maria Bronislawowna Worobjowa-Stebelskaja studierte ab 1910 an der Stroganow-Hochschule für Gewerbekunst in Moskau, schon ein Jahr später ging sie nach Italien und erhielt auf Capri Unterricht bei Maxim Gorki, ab 1912 lebte sie in Paris, wo sie schnell Anschluss an Künstler der "Ecole de Paris" wie Georges Braque, Marc Chagall, Jean Cocteau, Moise Kisling, Fernand Léger, Henri Matisse, Amedeo Modigliani, Pablo Picasso fand, mit Chaim Chaim Soutine unterhielt sie zeitweise sogar ein Verhältnis, ab 1915 entwickelte sie ihren eigenen typischen Malstil, indem sie einen teils kubistischen Bildaufbau mit einer pointillistischen Malweise vereinte, den sie "Dimensionalismus" nannte, Maxim Gorki gab ihr den Namen der russischen Märchenfee "Marevna", mit dem sie ihre Gemälde signierte
Picasso, Pablo Ruiz (Málaga 1881 - 1973 Mougins)Kanne/Objekt "Sujet poule", weiße Fayence unterglasurblau bemalt, abstrahiertes Huhn als Karaffe verwendbar, im Boden geprägte Werkstattmarke "MADOURA PLEIN FEU", "EDITION PICASSO" und Pinselmarke "EDITION PICASSO MADOURA", L 17,5 cm, Edition Madoura Vallauris 1954 aus einer Auflage von 500 nicht nummerierten Exemplaren, sehr guter Zustand mit typischen kleinen Glasurfehlen 4902 Lit.: Alain Ramié 1988, Catalogue of the edited ceramic works 1947 - 1971, Seite 133, Nr. 250
SAMMELNUMMERN - VERSCHIEDENE KÜNSTLER: Cannes Film Festival 1953-1977: Stars bei den Filmfestspielen an der Côte d'Azur, meist bei Galas und Events. Photographien, anonym, 1953-77. 15 Bll. Schwarz/Weiß-Hochglanzabzüge 2009. Die Aufnahmen zeigen (meist mit weiteren Personen): Claudia Cardinale (wohl 1961), Gary Cooper (wohl 1953), Sammy Davis jr./Kirk Douglas (1966), „Easy Rider“ (Jack Nicholson, Dennis Hopper, Peter Fonda; 1969), Fernandel (1956), Alfred Hitchcock mit Tippi Hedren (1963) bzw. Grace Kelly (1972), Curd Jürgens/Dorothy Dandridge (1958), Sophia Loren mit Carlo Ponti (2; 1958) bzw. Marcello Mastroianni (1977), Pablo Picasso (1956), Omar Sharif (wohl 1954) und Elizabeth Taylor (2, Einzelaufnahme bzw. mit Mike Todd; 1957). Auf „Fujicolor Crystal Archive Paper Supreme for Digital Premium“-Papier, verso u.a. mit typographischer Kennzeichnung „Farbglanz Imaging... 18/03/2009). 21 x 29,5 (8) bzw. 29,5 x 21 cm (7). Beeindruckende Fotoserie mit Schwerpunkt auf den 1950er Jahren. [ms]
PABLO PICASSO Malaga 1881 - 1973 Mougins: Le Repos du Minotaure: Champagne et Amante. Blatt 83 aus der „Suite Vollard“. Radierung 1933. Bloch 190. Baer 349, B, d. - Eines von 260 Expl. der Ausgabe bei Lacourière 1939. Mit dem seitenverkehrten Datum „17 Mai XXXIII“ und Ortsbezeichnung „Paris“ in der Platte. Auf kräftigem chamoisfarbenem Montval-Bütten mit dem „Vollard”-Wasserzeichen. 19,2 x 26,7 cm (Blatt: 33,5 x 44,5 cm). Mit schwachem Fleckchen am rechten Rand. An den Ecken auf Unterlage montiert. Schöner vollrandiger Abdruck. [bg]
PABLO PICASSO Malaga 1881 - 1973 Mougins: Picasso. Dessins d’un Demi-Siècle. Plaquettes Berggruen No. 17. Mit 1 Orig.-Farblithographie (Umschlag), einem Text von Maurice Jardot und zahlr. Farbabb. Paris, Berggruen & Cie., (1956). 8°. Orig.-illustr. OBrosch. nnSS. Goeppert 82. Bloch 792. Mourlot 268. - Mit dem Namenszug im Stein. Auf leichtem Karton. Leicht gebräunt und minimal bestoßen. Buchrücken mit kleiner Beschädigung. [bg]
PABLO PICASSO Malaga 1881 - 1973 Mougins: Tête d`Homme. Photolithographie nach einer 1967 entstandenen Zeichnung Picassos 1968. Vgl. Czwiklitzer (dtv) 321. - Druckerexemplar „Epreuve d'imprimeur“ außerhalb der Auflage von 50 Expl. vor der Verwendung als Ausstellungsplakat des Centre Culturel international der Université de Genève 1968. Signiert sowie mit dem Namenszug, Datum „Le 24.8.67“ und Bezeichnung in der Darstellung. Auf kräftigem chamoisfarbenem Vélin. 39,5 x 33,5 cm. Breiter linker Rand mit winzigem Fleckchen. Untere linke Ecke gering bestoßen. [bg]
RICARDO OPISSO I SALA (Tarragona, 1880 - Barcelona, 1966)."Couple in a Parisian café".Pencil and crayon on paper.Signed in the lower right corner.Size: 26.5 x 21 cm; 43 x 35.5 cm (frame).Opisso was a painter, draughtsman and cartoonist. In his youth he participated in the Barcelona modernist environment, and in fact in 1894 he began to work as an apprentice with Antoni Gaudí in the works of the Sagrada Família. Two years later, backed by the architect, he became a member of the Círculo Artístico de Sant Lluc, with whom he would later exhibit at the Sala Parés. He was linked to the group Els Quatre Gats, together with Ramon Casas, Manuel Hugué, Isidre Nonell and Pablo Picasso, among others. In 1901 he made a trip to Paris, where Picasso and Hugué were already there. He worked as an illustrator in publications such as "Cu-cut!" and "L'Esquella de la Torratxa", signing drawings aimed at political satire, in a style close to art nouveau. In 1907 he took part in the Fine Arts Exhibition in Barcelona and was awarded a third-class medal. Due to the dictatorship of Miguel Primo de Rivera, Opisso abandoned political satire and his drawings moved towards genre themes, specialising in popular scenes. His works from this period are characterised by the presentation of motley crowds of people in popular Barcelona settings. After exhibiting several times in succession at the Sala Parés, he held his first solo exhibition in 1935 at the Syra galleries in Barcelona. During the post-war period he continued to exhibit in various galleries in Barcelona, and reaped considerable success with both critics and the public. In 1953 he received recognition from his hometown at the 4th Tarragona Art Fair. Most of his work is kept in the Opisso Museum in Barcelona, but it is also present in the National Art Museum of Catalonia and the Museum of Modern and Contemporary Art in Strasbourg. In terms of exhibitions, the one held at the Thyssen-Bornemisza Museum in 2004, entitled "Pintura catalana, del naturalisme al noucentisme" (Catalan Painting, from Naturalism to Noucentisme), was particularly noteworthy, in which his work "Carnaval" (Carnival) was exhibited. He has also had anthological exhibitions at the Saló del Tinell (1979), the Palau de la Virreina (1980), the Barcelona International Boat Show (1973), the Fundació La Caixa (1988, 2004, 2008) and the Caixa Tarragona (2003).
λ PABLO PICASSO (SPANISH 1881-1973)PROFIL DE TAUREAU (ALAIN RAMIE 315)Painted and glazed ceramic plaque, 1956, from the edition of 450Stamped Empreinte Originale De Picasso and Madoura Plein Feu (verso)25 x 25cm (9¾ x 9¾ in.)Literature:Alain Ramié, Picasso catalogue de l'oeuvre céramique édité 1947-1971, Vallauris, 1988, p. 161, no. 315Condition Report: Appears to be in good original condition. There are patches of glue residue to the reverse, together with a label still attached with pieces of tape. Condition Report Disclaimer
Picasso (Pablo, 1881-1973). La Pique, Le Picador II, Jeu de la Cape, Les Banderilles (from Toreros, by Jaime Sabartés. Picasso: Toreros, 1st English edition, London & Monte Carlo: Anton Zwemmer & André Sauret), 1961, 4 original lithographs by Picasso, including one in colour, as issued in the published volume, bound in original pictorial red cloth, a little fading to spine, pictorial card slipcase, oblong folio (24.5 x 32 cm)QTY: (1)NOTE:Bloch 1014, 1015, 1016 and 1017.
δ Pablo Picasso (1871-1973)Le FumeurLithograph, 1965, signed in pencil, a proof aside from the edition of 200, on BFK Rives paper, the full sheet, sheet 310 x 260mm (12 1/4 x 10 1/4in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Sculptures et Vase de Fleurs, from La Suite Vollard (Bloch 189; Baer 348)Etching, 1933, signed in pencil, from the edition of 260, printed by Roger Lacourière, Paris, published by by Ambroise Vollard, Paris, 1939, on Montval laid paper, watermarked Vollard, with full margins, sheet 445 x 340mm (17 1/2 x 13 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Colombe (à L'Arc de Ciel) (Bloch 712, Mourlot 214)Lithograph printed in colours, 1952, signed in pencil, numbered from the edition of 200, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 550 x 762mm (21 5/8 x 30in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Modèle Contemplant un Groupe Sculpté (Bloch 175)Etching, 1933, signed in pencil, the edition was 250, printed by Lacourière, published by Ambroise Vollard, Paris, on Montval laid paper with the Vollard watermark, with full margins, sheet 297 x 367mm (11 3/4 x 14 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973)Drypoint, from Pierres (Bloch 864; Cramer 93)Drypoint, 1958, signed in pencil, one of six proofs, printed and published by Pierre André Benoit, Alès, on Auvergne paper, with full margins, sheet 170 x 167mm (6 5/8 x 6 1/2in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) after.Venus et L'Amour Voleur de Miel (d'après Lucas Crancah l'Ancien)Lithograph printed in colours, circa 1957, signed in red crayon, with the lithographed text verso, printed by Mourlot, Paris, on Arches paper, with full margins, 710 x 555mm (28 x 21 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) after.One lithograph, from Verve No 29-30Lithograph printed in colours, 1954, from the edition of 75, published by Editions de la Revue Verve, Paris, with their blindstamp, on wove paper, with full margins, sheet 265 x 352mm (10 3/8 x 13 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Pablo Picasso (1881-1973) five prints of animals comprising of flamingo, horse, dog penguin and bird, with facsimile signature lower right, overall measurement including external frame 39.5cm x 104cmAt present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a full condition report
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