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PABLO PICASSO (1881-1973)Hibou cachet en creux Madoura Plein Feu/Edition Picasso et marqué Edition Picasso sous la basepichet en terre de faïence blanche, décor à l'oxyde sur émail blancConçu en 1954 et exécuté dans une édition de 500 stamped Madoura Plein Feu/Edition Picasso, marked Edition Picasso (underneath)white earthenware ceramic pitcher with colored engobe and glazeConceived in 1954 and executed in an edition of 500Hauteur 24,5 cm. (9 7/16 in.)Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.253)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Oiseau n°82 marqué et numéroté Edition Picasso/Madoura/N°82/ 10/150 au reversterre de faïence blanche, décor à l'engobe sous couverte partielle au pinceau, patine noireConçu en 1963 et exécuté dans une édition de 150marked and numbered Edition Picasso/Madoura/N°82/ 10/150 (underneath)white earthenware ceramic plate with coloured engobe and glazeConceived in 1963 and executed in a numbered edition of 150Diamètre 25 cm. (9 13/16 in.)Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no. 482)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Trois Sardines cachet en creux Madoura Plein Feu/Edition Picasso, inscrit et numéroté I 113/ 158/200 au reversplat en terre blanche gravé, avec engobe et émailléeConçu en 1948 et exécuté dans une édition de 200 stamped Madoura Plein Feu / Edition Picasso, marked and numbered I 113/ 158/200 (underneath)white earthenware ceramic plate, partially engraved, with coloured engobe and glazeConceived in 1948 and executed in a numbered edition of 200Diamètre 38,5 cm (14 15/16 in.)Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no. 34)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Service Visage noir cachet Madoura Plein Feu, marqué d'après Picasso/CR/H/Madoura au reversterre de faïence blanche, décor aux engobes, gravé au couteau et émailléConçu en 1948 et exécuté dans une édition de 100stamped Madoura Plein Feu, marked d'après Picasso/CR/H/Madoura (underneath)white earthenware ceramic plate, partially engraved, with coloured engobe and glazeConceived in 1948 and executed in an edition of 100Diamètre 24 cm.Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.43)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Visage aux yeux ronds cachet Madoura Plein Feu/Empreinte originale de Picasso, inscrit et numéroté T 117 70/100 en creux au reversplat en terre de faïence blancheConçu en 1960 et exécuté dans une édition de 100stamped Madoura Plein Feu/Empreinte originale de Picasso, incised and numbered T 117 70/100 (underneath)white earthenware ceramic plateConceived in 1960 and executed in a numbered edition of 100Diamètre 19,5 cm. (7 1/2 in.)Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.452)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Visage de face en creux cachet en creux Madoura Plein Feu/Empreinte Originale de Picasso, inscrit et numéroté U104 2/100 au reversplat en terre de faïence blancheConçu en 1965 et exécuté dans une édition de 100stamped Madoura Plein Feu/Empreinte Originale de Picasso, inscribed and numbered U104 2/100 (underneath)terre de faïence plateConceived in 1965 and executed in an edition of 100Diamètre 42 cm. (16 9/16 in.)Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.527)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Visage cachet en creux Madoura Plein Feu/Empreinte Originale de Picasso, inscrit et numéroté U108 5/100 au reversplat en terre de faïence blancheConçu en 1965 et exécuté dans une édition de 100stamped Madoura Plein Feu/Empreinte Originale de Picasso, inscribed and numbered U108 5/100 (underneath)terre de faïence plateConceived in 1965 and executed in an edition of 100Diamètre 42 cm. (16 9/16 in.)Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.531)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Visage cachet en creux Madoura Plein Feu/Empreinte originale de Picasso, numéroté 490/500 au reversmédaillon ovale en terracottaConçu en 1954 et exécuté dans une édition de 500stamped Madoura Plein Feu/Empreinte originale de Picasso, numbered 490/500 (underneath)terracotta medallionConceived in 1954 and executed in a numbered edition of 500Diamètre 5 cm. (1 15/16 in.)Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.243)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Femme assise et têtes barbues, La Suite Vollard signéeau-forte et aquatinte sur vélin de Montval avec filigrane VollardExecuté en 1934 dans une édition de 260 exemplairesEdité par Ambroise Vollard, Paris, 1939.signed in penciletching and aquatint on Montval laid paper with Vollard watermarkExecuted in 1934 and from the edition of 260Published by Ambroise Vollard, Paris, 1939.34 x 43 cm. 13 3/8 x 16 7/8 in.Footnotes:BibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.216).Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume II, 1932-1934, Berne, 1992 (B.416.VI.B.d).This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Visage de femme 'Pomone' cachet Madoura Plein Feu/Empreinte Originale de Picasso, inscrit et numéroté J 220 / 40/200 /Madoura en creux au reversplaque en terracotta partiellement gravée avec engobe noireConçu en décembre 1968-janvier 1969 et exécuté dans une édition de 200stamped Madoura Plein Feu / Empreinte Originale de Picasso, marked and numbered J 220 / 40/200 /Madoura (on the reverse)terracotta plaque, partially engraved, with black engobeConceived in December 1968 - January 1969 and executed in a numbered edition of 200Diamètre 31,5 cm. (12 3/16 in.)Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.591)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Tête d'Homme Barbu inscrit H.C. et numéroté 17/400linogravureExécuté en 1966 dans une édition de 400 exemplaires pour une carte de voeux de la galerie Madoura, Cannes, 1967.inscribed H.C. and numbered 17/400linocutExecuted in 1966 for the edition of 400Published by Galerie Madoura as a New Year's card, Cannes, 1967.21,4 x 14,4 cm.8 1/4 x 5 1/2 in.Footnotes:BibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.1240)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre grave, Volume I, 1899-1931, Berne, 1990 (B.1850)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Pichet Yan petites têtes cachet Madoura Plein Feu/Edition Picasso, inscrit et numéroté Edition Picasso/V 101/ 196/300 en creux sous la basepichet en terracotta partiellement gravé avec engobe noireConçu en 1963 et exécuté dans une édition de 300stamped Madoura Plein Feu/Edition Picasso, inscribed and numbered Edition Picasso/V 101/ 196/300 (underneath)terracotta pitcher, partially engraved, with black engobeConceived in 1963 and executed in a numbered edition of 300Hauteur 28 cm. (11 in.)Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.515)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Personnages et cavalier cachet en creux Madoura Plein Feu/Empreinte originale de Picasso, numéroté 162/500 au reversplaque rectangulaire en terracota et engobe noireConçu en 1968 et exécuté dans une édition de 500stamped Madoura Plein Feu/Empreinte originale de Picasso, numbered 162/500 (underneath)terracotta plaque with black engobeConceived in 1968 and executed in a numbered edition of 500Diamètre 16,3 cm. (6 5/16 in.)Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no. 540)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Losange au barbu cachet en creux Madoura Plein Feu/Poinçon Originale de Picasso, marqué et numéroté J.168/ 124/500 au reverscarreau en terracottaConçu en 1971 et exécuté dans une édition de 500 stamped Madoura Plein Feu/Poinçon Originale de Picasso, marked and numbered J.168/ 124/500 (underneath) terracotta tile Conceived in 1971 and executed in an edition of 500Diamètre 15.2 cm. (6 in).Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.628)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Ovale a l'oeil B cachet en creux Madoura Plein Feu/Poinçon Originale de Picasso, marqué et numéroté J.166/ 36/500 au reverscarreau en terracottaConçu en 1971 et exécuté dans une édition de 500 stamped Madoura Plein Feu/Poinçon Originale de Picasso, marked and numbered J.166/ 36/500 (underneath) terracotta tile Conceived in 1971 and executed in an edition of 500Diamètre 14,8 cm. (5 1/2 in).Footnotes:BibliographieAlain Ramié, Picasso, Catalogue of the Edited Ceramic Works 1947-1971, Vallauris, 1988 (no.624)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

RAYMOND FABRE (XXe)Pablo Picasso, Paule de Lazerme, Paloma, Totote, Jacques de Lazerme et son caniche Witty, Germaine Lascaux, Javier Vilato et Rosita, Claude et Paulo Picasso, Cour de l'Hôtel de Lazerme, Perpignan 1953 photographie, tirage argentique d'époque chaque personne identifiée par Maya Picasso sur le passe-partout et porte la mention Moi j'étais à Madrid au crayon, tampon du studio Visages au dos.silver gelatin printannotated in pencil by Maya Picasso on the mount, with the studio stamp on the reverse17,9 x 23,7 cm. 6 11/16 x 9 1/16 in.Footnotes:BibliographiePicasso Perpignan : Le Cercle de l'Intime, 1953-1955, 2017, photographie reproduite page 22.For further information on this lot please visit Bonhams.com

RAYMOND FABRE (XXe)Pablo Picasso, Paloma et Claude, cour intérieure de l'hôtel de Lazerne, Perpignan, fin août 1954 photographie, tirage argentique d'époquelégendé par Maya Picasso au crayon sur le passe-partout, tampon du studio Visages au dos.silver gelatin printannotated in pencil by Maya Picasso on the mount, with the studio stamp on the reverse23,7 x 17,8 cm.9 1/16 x 6 11/16 in.Cette chaise a inspiré Picasso qui réalise plusieurs découpages en forme de chaises à porteurs dans du papier dessin en 1954.Footnotes:BibliographiePicasso Perpignan : Le Cercle de l'Intime, 1953-1955, 2017, photographie reproduite page 29.For further information on this lot please visit Bonhams.com

PABLO PICASSO (1881-1973)Sculpteur Songeant, modèle aux cheveux noirs et bol avec trois anémones, La Suite Vollard signéeau-forte sur vélin de Montval avec filigrane VollardExecuté en 1933 dans une édition de 260 exemplaires Edité par Ambroise Vollard, Paris, 1939.signed etching on Montval laid paper with watermark VollardExecuted in 1933 and from the edition of 260 Published by Ambroise Vollard, Paris, 1939.44.5 x 34cm 17 1/2 x 13 3/8 in.Footnotes:BibliographieGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1971 (Bl.177)Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre grave, Volume II, 1932-1934, Berne, 1992 (B.330.B.d)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A carved wooden panel 'Guernica', after Pablo Picasso, 2nd half 20th century, h 37 x w 72 cm.

Pablo Picasso offset lithograph of the linocut print entitled 'Bacchanal with Black Bull' published in New York with stamped signature - approx. 46.5cm x 43.5cm 

Picasso, Pablo nach "Les Dejeuners", nach dem Coversheet von 1962. Druck auf Lwd. 40x 59 cm. R.

In the manner of Pablo Picasso, framed abstract oil on board. 47 x 36cm Reasonable used condition

AFTER PABLO PICASSO (SPANISH, 1881-1973) Two colour lithograph plates from 'Le Gout de Bonheur', published in 1970 in an unnumbered edition of 1998 across three editions; together with another print of a Bullfighter, from unknown publishing The first sight size 30 x 22cm; the frames 66 x 59cm; the last 23.5 x 30cm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

Pablo PICASSO (1981-1973), D’AprèsLe Repos du Sculpteur, IV (1962)Lithographie pressée en 1962 sous la direction de Pablo Picasso : Le Repos du Sculpteur, IV (1933)Signée dans la planche en haut à gauche Picasso et datée.Feuillet 50 x 70 cm sur papier vélin par Studio d’Arte Perna, Milan.Edition hors commerce (limitée à 200 exemplaires)Certificat d’authenticité de la galerie et certificat de l’éditeur fournis.Vendue sans cadre.Provenance : Filiation de l’éditeur.

Pablo PICASSO (1981-1973), D’AprèsSculpteur avec son modèle (1962)Lithographie pressée en 1962 sous la direction de Pablo Picasso : Sculpteur avec son modèle (1933)Signée dans la planche en bas à gauche : “Picasso”.Feuillet 50 x 70 cm sur papier vélin par Studio d’Arte Perna, Milan.Numéroté à la main sur 200 exemplaires en chiffres romains en bas à gauche.Certificat d’authenticité de la galerie et certificat de l’éditeur fournis.Vendue sans cadre.Provenance : Filiation de l’éditeur

[PICASSO (Pablo)] ZERVOS (Christian). Pablo Picasso par Christian Zervos. Paris : Editions « Cahiers d Art », [1942]-1978. 28 volumes in-4, brochés. Ensemble incomplet du catalogue raisonné des oeuvres de Picasso, initié par le critique d art et éditeur, créateur des Cahiers d art, Christian Zervos (1889-1970). Il fut commencé en 1932 avec le concours de l artiste et terminé en 1978 grâce à Mila Gagarine qui poursuivit la publication après la mort de l éditeur. Ces 34 volumes couvrent l intégralité des réalisations de Picasso de 1895 à 1972. Chaque uvre est reproduite en noir et blanc selon la volonté de l artiste, l ensemble comprend ainsi près de 16000 reproductions.(VOLUMES : 1, 2 ,2*, 2* ,4,6,7,8,9,10,11,12, 13,14,15,18,19,20,22,23,24,25,26,27,28,29,30,31,32,33,34)

two prints from the 1980 edition of "Toros y Toreros" by 'Cercle d'Art Paris' || PICASSO PABLO, DIEGO, JOSÉ (1881 - 1973) twee prints in kleuren uit "Toros y Toreros", een uitgave van 1980 van 'Cercle d'Art Paris'

A Pablo Picasso exhibition poster, two Mario Testino photographic prints, Picasso and Kate Moss and one other

Pablo Picasso. (1881 Malaga - 1973 Mougins). Affiches originales des Maitres de l'École de Paris. 1959. Farblithographie auf Arches-Velin (m. Wz.). 63 x 45 cm (68,5 x 49,5 cm). Im Stein signiert und datiert. Punktuell unter Passepartout montiert. - Papierbedingt leicht gebräunt, die Montierung gering durchschlagend, insgesamt sehr gut. Ausgezeichneter und farbsatter Druck mit Rand. Czwiklitzer 35, Mourlot 323, Bloch 1285. - Eines von 1000 Exemplaren. Druck bei Mourlot, Paris, mit dessen Wasserzeichen. Colour lithograph on Arches wove paper (with watermark). Signed and dated in the stone. Spot-mounted to mat. - Due to paper delicately browned, mounting slightly seeping through, all in all very good. Superb and colour-rich impression with margin. - One of 1000 copies. Printed by Mourlot, Paris (with watermark).

Pablo Picasso. (1881 Malaga - 1973 Mougins). Cote d' Azur. 1962. Farblithographie auf Papier. 77,5 x 63 cm (99,5 x 66 cm). Im Stein signiert und betitelt. Im weißen Rand mit typographischen Editionsangaben. - An den Kanten leicht angestoßen. Vereinzelt leichte Lagerspuren. Insgesamt gut. Ausgezeichneter, farbkräftiger Druck mit schmalem Rand. Czwiklitzer 177, Rodrigo 118. - Eines von 15000 unnumerierten Exemplaren. - Hg. v. Ministerium für Öffentliche Arbeiten und Transportwesen, Paris. - Druck bei Mourlot, Paris 1962. Colour lithograph on paper. Signed and titled in the stone. In the white margin with typographic edition details. - Slightly bumped at the edges. Scattered slight signs of storage. All in all good. Superb impression with strong colours and narrow margins. - - One of 15000 unnumbered copies. - Pub. by the Ministry of Public Works and Transport, Paris. - Printed by Mourlot, Paris.

Pablo Picasso. (1881 Malaga - 1973 Mougins). Les Saltimbanques. 1959. Lithographie auf Vélin d'Arches (m. Wz.). 21,5 x 17 cm (33 x 26 cm). - Im oberen weißen Rand mit durchgehender unauffälliger Druckspur, eine Kante mit leichter Knickspur, insgesamt sehr gut. Prachtvoller, kreidiger Druck mit Rand, an einer Seite mit dem Schöpfrand. Bloch 855, Mourlot 285, Cramer 99. Entgegen Mourlot und Cramer jedoch nicht signier und nummeriert. - Eines von 100 Exemplaren. - Beigegeben: 4 Bl. nach Picasso, La Femme à la Résille - Buste de jeune femme - Françoise mit Haarschleife - Offset auf Marais - Don Quichotte. Lithograph on velin d'arches (with watermark). - In the upper white margin with a continuous inconspicuous pressure mark, one edge with a slight crease, all in all very good. Splendid, chalk-like impression with margin, deckle edge on one side. - Added: as listed above.

Pablo Picasso. (1881 Malaga - 1973 Mougins). Picasso 45 Linoleums Gravés. Plakat der Galerie "65" La Croisette, Cannes. 1960/61. Farblithographie auf Vélin. 63 x 46 cm (66 x 49 cm). Im Stein datiert, handsigniert. Vollkaschiert auf festes Papier (dieses verso leinwandverstärkt). - Papierbedingt zart gebräunt, in den Rändern etw. fleckig. Wenige unauffällige Einrisse, diese teils hinterlegt. Insgesamt prachtvoller, farbkräftiger Druck. Czwiklitzer 240. - Eines von 1700 Exemplaren. - Druck bei Arnéra, Vallautis, 1960. - Das Motiv nach dem in kleiner Auflage erschienenen Linolschnitt "Bacchanale" von 1959. Poster of the gallery "65" La Croisette, Cannes. 1960/61. Colour lithograph on wove paper. Dated in the stone, signed by hand. Fully mounted on strong paper (backed with canvas on verso). - Due to the paper delicately browned, somewhat stained at margins. Few inconspicuous tears, partly backed. Altogether a splendid print in strong colours. - One of 1700 copies. - Printed by Arnéra, Vallautis, 1960. - The motif after the linocut "Bacchanale" from 1959, which was published in a small edition.

Klassische Moderne nach Pablo Picasso (1881 Malaga - 1973 Mougins)Picasso et la tauromachie. Musée d'art moderne - Ceret. 1982. Farblithographie auf Velin. Ca. 64 x 49 cm (89 x 60 cm). Im Stein signiert und datiert. Verso punktuell unter Passepartout montiert. - Die Ecken je leicht bestoßen, die Kanten etw. knickspurig, insgesamt sehr gut. Ausgezeichneter und farbkräftiger Druck mit Rand. Vgl. Rodrigo 416. - Gedruckt bei Mourlot, Paris. Colour lithograph on wove paper. Signed and dated in the stone. Spot-mounted to mat on the verso. - Corners slightly bumped, light crease marks in edges, all in all very good. Excellent, colour-rich impression with margin. - Printed by Mourlot, Paris.

Klassische Moderne Pablo Picasso (1881 Malaga - 1973 Mougins)45 Linoléums Gravés. Plakat der Galerie Louise Leiris. 1960. Farblithographie auf glattem Papier. 38 x 45,4 cm (62,7 x 48,4 cm). Mit typographischen Ausstellungsangaben. - Leichte Fleckchen am Rand. Insgesamt etwas griffspurig. Unter dem Motiv mit horizontalem Falz. Verso Spuren der ehemaligen Montierung. Insgesamt noch gut. Ausgezeichneter, farbkräftiger Druck mit schmalem Rand. Czwiklitzer 152. - Eines von 1800 nicht nummerierten Exemplaren. - Anlässlich der gleichmaigen Ausstellung 1960 von der Galerie Louise Leiris hg. - Druck bei Mourlot, Paris 1960. - Das Motiv der Lithographie nach dem Linolschnitt "Bacchanale au Taureau Noir" von 1958. Colour lithograph on smooth paper. With typographic exhibition details. - Slight stains at margins. Overall a little bit worn. Below the motif with horizontal fold. Traces of former mounting on the verso. At all still good. Perfect impression with strong colours and narrow margins. - One of 1800 unnumbered copies. - Pub. by Galerie Louise Leiris as poster for the exhibition of the same name. - Print by Mourlot, Paris. - The motiv depicts Picassos linocut "Bacchanale au Taureau Noir".

Klassische Moderne Pablo Picasso (1881 Malaga - 1973 Mougins)Exposition de Céramiques. 1958. Farblithographie auf Velin. 60 x 45 cm (64,5 x 47,5 cm). Im Stein signiert, datiert sowie bezeichnet. Punktuell auf Unterlage montiert. - Entlang der Kanten minimal angegilbt. Punktuell mit leichten Schmutz- bzw. Lagerspuren. Insgesamt in gutem Zustand. Ausgezeichneter und kreidiger Druck der nahezu formatfüllenden Darstellung. Czwiklitzer 30, Bloch 1280, Mourlot 313. - Eines von 500 Exemplaren, die nicht nummeriert wurden. - Hg. von Maison de la Pensée Française, Paris 1958. - Druck bei Mourlot. - Anlässlich der Ausstellung von Picassos Keramiken als Ausstellungsplakat erschienen. Colour lithograph on wove paper. Signed, dated and inscribed on the stone. Spot-mounted to underlying mat. - Minimally yellowed along the edges. With slight traces of dirt or rather storage. At all in a good condition. Superb and chalk-like impression of the almost full-sized depiction. - One of 500 copies that were not numbered. - Published on the occasion of the exhibition of Picassos ceramics as a poster.

Klassische Moderne Pablo Picasso (1881 Malaga - 1973 Mougins)o.T., aus: Six Contes Fantasques. 1944/1953. Radierung auf Richard de Bas-Bütten (m. Wz.). 33 x 24,5 cm. Im Passepartout freigestellt und unter Plexiglas gerahmt (geöffnet). - In Blattkanten stellenweise leicht gebräunt, vereinzelte blassbraune Flecken, links leichte Knickspur, insgesamt gut. Ausgezeichneter Druck mit Rand. Bloch 365, Cramer 66. Abweichend von Cramer auf Richard de Bas-Bütten. - Aus der sechsteiligen Folge "Six Contes Fantasques", erschienen 1953 in Paris bei Flammarion. Etching on Richard de Bas laid paper (with watermark). Free-standing in mat and framed under glass (opened). - Lightly spot-browned in edges, isolated faint-brown stains, light crease mark on left, all in all good. Superb impression with margin.

Klassische Moderne Pablo Picasso (1881 Malaga - 1973 Mougins)o.T., aus: Six Contes Fantasques. 1944/1953. Radierung auf Richard de Bas-Bütten (m. Wz.). 33 x 24,5 cm. Im Passepartout freigestellt und unter Plexiglas gerahmt (geöffnet). - In Blattkanten stellenweise leicht gebräunt, vereinzelte blassbraune Flecken, insgesamt gut. Ausgezeichneter Druck mit Rand. Bloch 363, Cramer 66. Abweichend von Cramer auf Richard de Bas-Bütten. - Aus der sechsteiligen Folge "Six Contes Fantasques", erschienen 1953 in Paris bei Flammarion. Etching on Richard de Bas laid paper (with watermark). Free-standing in mat and framed under glass (opened). - Lightly spot-browned in edges, isolated faint-brown stains, all in all good. Superb impression with margin.

Klassische Moderne Pablo Picasso (1881 Malaga - 1973 Mougins)o.T., aus: Six Contes Fantasques. 1944/1953. Radierung auf Richard de Bas-Bütten (m. Wz.). Ca. 30 x 24,5 cm (33 x 24,5 cm). Im Passepartout freigestellt und unter Plexiglas gerahmt (geöffnet). - In Blattkanten stellenweise leicht gebräunt, vereinzelte blassbraune Flecken, insgesamt gut. Ausgezeichneter Druck mit Rand. Bloch 368, Cramer 66. Abweichend von Cramer auf Richard de Bas-Bütten. - Aus der sechsteiligen Folge "Six Contes Fantasques", erschienen 1953 in Paris bei Flammarion. Etching on Richard de Bas laid paper (with watermark). Free-standing in mat and framed under glass (opened). - Lightly spot-browned in edges, isolated faint-brown stains, all in all good. Superb impression with margin.

Klassische Moderne Pablo Picasso (1881 Malaga - 1973 Mougins)Sala Gaspar. 1961. Zwei (Farb-)lithographien auf Offsetpapaier. Blattmaß je 70,2 x 49,8 cm. - Punktuelle Griff-/Knickspur, v.a. in den Rändern, teils punktuell (finger-)fleckig, insgesamt gut. Hervorragende, kreidige Drucke der nahezu formatfüllenden Darstellungen. Czwiklitzer 43 und 45, Bloch 1292 und 1293, Mourlot 337 und 339. - Je eines von 500 Exemplaren, die Frablithographie entgegen Czwiklitzer weder signiert noch nummeriert. Jeweils gedruckt bei Foto-Repro, Barcelona, 1961. Two (colour) lithographs on offset paper. - Isolated grip-/ crease marks, especially in margins, partly isolated (finger-) stains, all in all good. Excellent, chalk-like impressions of the almost format-filling depictions.

After Joan Miró (1893-1983) SpanishSala Gaspar exhibition poster 1981Together with a further Pablo Picasso (1881-1973) exhibition poster for Sala Gaspar, a signed lithograph by Paul Rebeyrolle (1926 - 2005) "Guerilleros", a futher abstract lithograph by Pierre Tal-Coat (1905-1985) and another (5) (unframed)

** Pablo Picasso (1881-1973) after.Nature Morte (Ginestet & Pouillon E652)Etching with aquatint printed in colours, 1927-, signed in pencil, inscribed in the plate "Gravé par Jacques Villon 1927", numbered from the edition of 200, published by Galerie Bernheim-Jeune, Paris, on wove paper, with full margins, sheet 498 x 646mm (19 5/8 x 25 3/8in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** Pablo Picasso (1881-1973) after.Femme Verte au ChatCollotype printed in colours, 1955-8, signed in blue crayon, numbered from the edition of 100 in pencil, on wove paper, with full margins, sheet 474 x 390mm (18 5/8 x 15 3/8in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** Pablo Picasso (1881-1973) after.Untitled (Woman with Monkey and Buddha), from Suite de 15 Dessins de PicassoLithograph printed in colours, 1954, signed and numbered from the edition of 75 in pencil, published by Editions Verve, Paris, with their blindstamp, on wove paper, with full margins, sheet 281 x 372mm (11 1/8 x 14 5/8in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** Pablo Picasso (1881-1973) after.Tête de Femme (Marie-Thérèse)Lithograph printed in colours, 1958, signed in brown crayon, numbered from the edition of 150 in pencil, printed by Mourlot, Paris, on Marais wove paper, with full margins, sheet 752 x 538mm (29 1/2 x 21 1/4in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973) after.Les Deux Saltimbanques: L'Arlequin et Sa CompagneCollotype printed in colours, circa 1960, signed in blue crayon, numbered from the edition of 125, published by Guy Spitzer, Paris, on wove paper, with full margins, sheet 862 x 670mm (33 7/8 x 26 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973) L' Atelier (Bloch 80)Etching, 1927, a strong, richly inked impression, signed and numbered from the edition of 150 in red ink, on Japan paper, with full margins, sheet 460 x 560mm (18 1/8 x 22in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** Pablo Picasso (1881-1973) after.Ronde de la JeunesseLithograph printed in colours, 1961, signed in pencil, numbered from the edition of 200, on Arches paper, with full margins, 650 x 505mm (25 5/8 x 19 7/8in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** δ Pablo Picasso (1881-1973)Colombe (à L'Arc de Ciel) (Bloch 712, Mourlot 214)Lithograph printed in colours, 1952, signed in pencil, numbered from the edition of 200, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 550 x 762mm (21 5/8 x 30in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** Pablo Picasso (1881-1973) after.Clown et Cavalier de Cirque, from Suite de 180 DessinsLithograph printed in colours, 1954, signed and numbered from the edition of 75 in pencil, published by Editions Verve, Paris, with their blindstamp, with full margins, sheet 278 x 367mm (11 x 14 1/2in)LOT ESSAY"The 'Human Comedy' series of drawings, which Picasso created in the winter of 1953/54 during a period of intense personal crisis, provides the basis for the 'Portrait of the Artist as an Old Man'... A thematic analysis of the series not only shows how central the subject of artist and model was within the 'Human Comedy' staged by Picasso, but also how Picasso was to link the theme specifically with a questioning of old age and his own late style concerns. The 'Human Comedy' reads like a parody of the 1933 Vollard Suite, in which the artist is cast as a classical sculptor at the height of his powers. Twenty years later, we find that the idealized artist-god has shrunken in stature and shows his age in all too human terms. This comical about-face is marked by a significant shift in tone, from the ideals of classicism to a mocking of the grotesque body, which ultimately proves renewing and life-affirming despite the satirical self-caricature. It is this adoption of parody in both his style and his personal point of view that marks the 'Human Comedy' as the true beginning of Picasso's late period. Within these bittersweet drawings, Picasso self-consciously thematizes the issue of an artist's late style and begins in the process to confront both his own myth and historical identity, though always in masked terms" (Karen L. Kleinfelder, The Artist, His Model, Her Image, His Gaze: Picasso's Pursuit of the Model)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** Pablo Picasso (1881-1973) after.Le ClownLithograph printed in colours, 1961, signed in pencil, numbered from the edition of 200, on Arches paper, the full sheet printed to the edges, sheet 645 x 500mm (25 3/8 x 19 ¾ in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

** Pablo Picasso (1881-1973) after.L'Arrivée Du ChevalierLithograph printed in colours, 1951, signed and numbered from the edition of 350 in pencil, published by Fernand Mourlot, Paris, on wove paper, with full margins, sheet 479 x 748mm (18 7/8 x 29 3/8in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

Pablo Picasso, original colour lithograph poster, published by Louise Leiris Paris 1957, printed by Mourlot from an edition of 1500 copies (text with Exhibition details removed), sheet 40cm x 54cm, unframedGood condition

Pablo Picasso (1881-1973), lithograph in colours on paper, Exposition Vallauris 1958, poster printed by Mourlot Freres Paris 1959, 21cm x 18cm, mounted, framed and glazed. This lithograph is printed by Mourlot, the original printer of the poster. It is an exact reprint of the original 3 colour linocut poster in all but size

Pablo Picasso, Sur La Plage, 1922, pochoir print, published circa 1928, image 17cm x 21cm, mountedVery light foxing in the margin

Pablo Picasso, Nature Morte, 1924, pochoir print, published circa 1928, image 17cm x 21cm, mountedVery light foxing in the margin

Picasso, Pablo (1881-1973), nach "Abstrakter Akt", nach dem Original von 1938. Farblithographie, im Druck sign. und li. u. Ex. 59/200, li. u. Trockenstempel der Picasso Foundation, verso entsprechender Copyright-Stempel der Foundation. Bildmaß ca. 35x 46 cm, Blattmaß ca. 49x 69 cm. R.

Picasso, Pablo (Málaga, Mougins/Frankreich 1881-1973) Illustration für "Verve", 1948 Farbige Heliogravure. Ca. 13×19,4 cm. Aus: "Verve", Revue artistique et litteraire, 1948, "Couleur de Picasso". Ed. Teriade, illustr. von Picasso. Bd. V, No. 19-20. (Unter Glas gerahmt). Erworben in der Kunsthandlung F.K.A Huelsmann, Hamburg. R. (60319)

PICASSO, Pablo (nach)(1881 Málaga - 1973 Mougins) Weiblicher AktGranolithografie auf Bütten [Nach einem Linolschnitt von 1962]. Blindstempel "Picasso". Exemplar: 190/333, Blindstempel "Pablo Picasso Spadem Edition of 333".Passepartoutausschnitt: 18,8 x 22,8 cm, im Passepartout: 50 x 40 cm. Spanischer Maler, Grafiker und Bildhauer, zählt zu den bekanntesten Künstlern des 20. Jh.; Mitbegründer des Kubismus. "Wenn Kunstkritiker sich treffen, sprechen sie über Form, Struktur und Bedeutung. Wenn sich Künstler treffen, sprechen sie darüber, wo man preiswertes Terpentin kaufen kann." (Zitat: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/). PICASSO, Pablo (after)(1881 Málaga - 1973 Mougins) Female nudeGranolithograph on laid paper [After a linocut of 1962]. Blindstamped "Picasso." Copy: 190/333, blindstamp "Pablo Picasso Spadem Edition of 333".Passepartout cut: 18.8 x 22.8 cm, in passepartout: 50 x 40 cm. Spanish painter, graphic artist and sculptor, is one of the most famous artists of the 20th century; co-founder of Cubism. "When art critics meet, they talk about form, structure and meaning. When artists meet, they talk about where to buy cheap turpentine." (Quote: PP, https://beruhmte-zitate.de/autoren/pablo-picasso/).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MATISSE, Henri(1869 Le Cateau Cambrésis - 1954 Nizza) Vögel vor BlauOriginal-Farblithografie. Editions de la revue Verve.Blatt: 35,3 x 25,9 cm. Blatt aus dem extravaganten Pariser Kunst-Magazin "Verve. Revue artistique et litteraire.", das zwischen 1937 und 1960 vierteljährlich in 38 Ausgaben mit zahlreichen Lithografien der bekanntesten Künstler der Pariser Kunstszene der Zeit herausgegeben wurde; hier Vol. VII, Nr. 27/28, 1952; verso mit weiterer Lithografie und handschriftlichen Bleistiftnotizen Verso etwas lichtgebräunt.Französischer Maler, Grafiker, Zeichner und Bildhauer; Wegbereiter des Fauvismus; zählt neben Pablo Picasso zu den bedeutendsten Künstlern des 20. Jh. "Wer eine Rose malen will, muß zuerst alle Rosen vergessen, die jemals gemalt geworden sind." (Zitat: HM, www.altertuemliches.at). MATISSE, Henri(1869 Le Cateau Cambrésis - 1954 Nice) Birds against blueOriginal color lithograph. Editions de la revue Verve.Sheet: 35.3 x 25.9 cm.Sheet from the extravagant Parisian art magazine "Verve. Revue artistique et litteraire.", which was published quarterly between 1937 and 1960 in 38 issues with numerous lithographs of the most famous artists of the Parisian art scene of the time; here Vol. VII, No. 27/28, 1952; verso with further lithograph and handwritten pencil notes Verso somewhat light browned.French painter, graphic artist, draftsman and sculptor; pioneer of Fauvism; counts alongside Pablo Picasso among the most important artists of the 20th century. "Who wants to paint a rose, must first forget all the roses that have ever been painted." (Quote: HM, www.altertuemliches.at).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

AFTER PABLO PICASSOPicasso, 100 Estampes Originales 1930-1937, Novembre-Décembre 1973, Galerie Guiot - 18 Avenue Matignon, Paris exhibition poster 65 x 44cm ARRCondition reportThe sheet has been adhered to the backboard.  There are scattered abrasions to the edges of the sheet, scattered areas of staining, particularly off the lower right border and two surface abrasions between the figure's heads.