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PICASSO PABLO: (1881-1973) Spanish Painter, a co-founder of the Cubist movement. A good signed and inscribed paperback edition of an exhibition catalogue entitled Pablo Picasso Exhibition Japan 1964, the works appearing at the National Museum of Modern Art in Tokyo, 23rd May – 5th July, the National Museum of Modern Art in Kyoto, 10th July – 2nd August, and the Prefectural Museum of Art in Nagoya, 7th August – 18th August. The exhibition catalogue is published by the National Museum of Modern Art and Mainichi Newspapers and contains printed text in Japanese, French and English, as well as numerous illustrations (some of them colour plates) of works by Picasso. Signed by Picasso in bold blue fountain pen ink to the half title page, ‘Pour Monsieur, Villefranche, Picasso’ and dated 12th October 1964 in his hand. Accompanied by the publisher’s yellow, red and black printed paper wrappers and with two loosely inserted errata slips. Contained within a custom made red cloth case with a gilt stamped black leather label to the spine. A few very slight, minor stains and light age wear to the paper wrappers, otherwise VG
Propert (W.A.). The Russian Ballet in Western Europe, 1909-1920, with a Chapter on the Music by Eugene Goossens..., John Lane, The Bodley Head, 1921, 66 tipped-in plates, mostly colour, on 56 thick grey paper leaves (latter with some water-staining to top edge), five b & w plates, including portrait frontispiece, endpapers spotted, hinges splitting, top edges gilt, remainder rough-trimmed, original cream cloth-backed marbled boards, spine darkened, edges rubbed (and showing in places), folio in 8s Limited edition, 199/500 copies. With illustrations after Leon Bakst, Henri Matisse, Pablo Picasso, and others. (1)
Picasso (Pablo & Aragon, Louis). Shakespeare, New York, 1965, limited edition 829/1000, numerous monotone illustrations, original red cloth in dust jacket, covers slightly marked and rubbed, folio, together with Nachtwey (James, et al), War: USA Afghanistan Iraq, 2004, numerous colour and monochrome illustrations, original boards in dust jacket, covers lightly rubbed to head and foot, large 4to, and Bernard (Bruce), Humanity and Inhumanity, The Photographic Journey of George Rodger, 1994, numerous monochrome illustrations, original black cloth in dust jacket, large 4to, plus other modern photography and art reference and reference, mostly original cloth, many in dust jackets, G/VG, 8vo/folio (3 shelves)
19th Century School, Floral Still Life, watercolour, together with a Dutch School engraving of windmill and man, signed indistinctly 'Margot Pflaum', 28cm x 21cm, framed, also after Pablo Picasso, Bullfight II and III and Rider IV, prints, 30cm x 42cm, framed and a 19th century gilt framed mirror, bevelled glass, 61cm x 45cm (6)
δ Pablo Picasso (1881-1973)Composition au verre a pied (Bloch 431; Mourlot 77)Lithograph, 1947, a proof aside from the book edition, on wove paper, as included in Dans l'Atelier de Picasso, with margins, sheet 445 x 330mm (17 1/2 x 13in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) (after)L'Homme a la Fraise (CZW. 448)Lithographic poster printed in colours, 1973, a proof before the text, on Arches paper, printed by Mourlot, Paris, with full margins, sheet 680 x 505mm (26 3/4 x 19 7/8 in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Pablo Picasso (1881-1973) (after)Avignon Prolongation (Rodrigo 252)Offset lithograph printed in colours, 1973, on Arches wove paper, printed by Henri Deschamps, Paris, with full margins, sheet 705 x 575mm (27 ¾ x 22 5/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
* Lydia Corbett [b.1934]- Antique Greece,:- signed bottom right further signed Sylvette David bottom left watercolour, pen and ink drawing 47 x 40cm. * Notes 'I'm always grateful to Picasso for his huge kindness. He gave me confidence in life and I have followed in his footsteps. I was very lucky. There were lots of beautiful girls around and he encouraged me to be a painter'. Lydia Corbett * Notes In 1954, the pony-tailed teenager, Lydia Corbett was introduced to Pablo Picasso at Vallauris on the French Riviera when the artist was separating from his wife Francois Gilot. Her presence brought a new energy to his work and she became the favoured model for various works of art, including The Heads of Sylvette, a series of moulded metal sculptures produced by Picasso. She was known then as Sylvette David, and changed her name to Corbett during this period.. In 1968, Lydia moved to England and gave her creative energy to painting. She has since exhibited in London, Europe and Japan. The Anthony Petullo Foundation in America has a collection of her watercolours. In 1993 the Tate Gallery staged a major exhibition of Picasso's sculpture and paintings to coincide with a documentary film on Lydia and Picasso shown on BBC2. In 2014 parallel exhibitions in London and Germany showcased the work of Corbett and Picasso. Corbett's fluid lines bring life to familiar themes and her 'assured and gentle approach to the human figure', recalls the work of Marc Chagall.
Art. A carton. Includes: 'Alexander Calder: Performing Sculpture'; London: Tate, 2015. 'Pablo Picasso 1881-1973'; Koln: Taschen, 2006. 'Dante's Inferno: translated and illustrated by Tom Phillips'; London: Thames and Hudson, 1985. 'The Complete Work of Michelangelo'; London: Macdonald, 1966. Two volumes. Housed in slipcase. And, 8 others. (12)
A collection of thirteen Château Mouton Rothschild wine label posters, comprising of 1973 - after Pablo Picasso; 1982 - after John Huston; 1983 after Saul Steinberg; 1984 - after Agam; 1985 - after Paul Delvaux; 1986 - after Bernard Séjourné; 1987 - after Hans Erni; 1988 - after Keith Haring; 1989 - after Georg Baselitz; 1990 - after Francis Bacon; 1991 - after Setsuko; 1992- after Per Kirkeby; 1993 - after Balthus, the wine label lithographic posters in colours, on arches paper, signed in stone by the artists and Baron Philippe de Rothschild, each measuring 22 x 17in. (56 x 43.2cm.), the central lithograph on each measuring approximately 9½ x 7in. (24.2 x 17.8cm.), together with a vinyl poster depicting 48 Château Mouton Rothschild wine labels from 1945-1992.* Condition: All posters in excellent condition with great colour and no rips or tears, some fingerprint marks which will be easily cleaned. All unframed, not mounted - rolled and stored in a cardboard tube.
Pablo Picasso (1881 - 1973), after, a folio of 4 giclee prints from the Domaine Picasso Collection; The Family; Seated Woman; Portrait of Maya with Doll; Woman with a Flower, each signed 'Collection Domaine Picasso in pencil to margin, each limited to 500 copies, giclee prints; another, Salvador Dali, facsimile signature, lithograph (5)
Pablo Picasso (1881 - 1973), after, a folio of three giclee prints from the 'Domaine Picasso Collection'; The Women of Avignon, Still Life with Guitar, and Woman with a Flower, signed 'Collection Domaine Picasso' in pencil to margin, each limited to 500 copies, Giclee prints; another print after Picasso, La Pique, No. 47 of 500, Giclee print; others, Joan Miro, Salvador Dali, facsimile signatures (7)
Pablo Picasso (1881 - 1973), after, two original giclee prints from the 'Domaine Picasso Collection', Woman in Hat, Orange Background, and The Women of Avignon, signed 'Collection Domaine Picasso, in pencil to margin, each limited to 500 copies, giclee prints; others, Picasso, Joan Miro, Salvador Dali, facsimile signatures (7)
Pablo Ruiz Picasso (1881 - 1973), after, Jeune femme assise contemplant le Minotaure endormi derrière un rideau - 1933, No. 21 from the Vollard Suite, signed in pencil Picasso, titled and numbered in pencil, monogrammed red seal stamp to recto, stamped Magadelen Street Gallery, Cambridge to verso, lithograph, 19.5cm x 26.5cm; another, Quatre modeles devant une téte sculptée - 1934, No. 7 from the Vollard Suite, signed in pencil Picasso, titled and numbered in pencil, stamped Copie D'Epreuve and monogrammed to recto, stamped 20c Art International, Nice, France to verso, lithograph, 19.5cm x 26.5cm, [2]

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8816 item(s)/page