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Lot 485
Picasso, PabloMalaga, 1881 - Mougins, 1973Blattgröße: 44,5 x 33,5 cm; 26,7 x 19,4 cm, R."Jeune sculpteur au travail", 1933. Radierung auf Bütten mit Picasso Wasserzeichen. Blatt 46 aus der Folge "Suite Vollard". In Bleistift unten rechts signiert, in der Platte datiert. Auflage: 260 Exemplare.Bloch, 156.Galerie Schrade - Schloß Mochental, Ehingen.Privatsammlung, Baden-Württemberg, dort 1995 erworben.
Lot 11008
Das Gebetbuch der Claude de France Entstanden: 1517, Tour, Frankreich New York, Morgan Library & Museum Format: 6,9 x 4,9 cm Umfang: 104 Seiten Miniaturen: Ganz- und doppelseitige Miniaturen mit 132 Szenen, zahlreiche Partien aus schimmerndem Muschelgold, feinste Farbabstufungen, Goldschnitt, Exlibris von Pablo Picasso Einband: Burgunderroter Samteinband mit vergoldeten Auflage: 980 limitierte Exemplare inkl. Kommentarband. Expl. Nr. 324 New York, The Pierpont Morgan Library, MS M.1166, Verlag: Luzern, 2009
Lot 306
Picasso, Pablo(1881-1973)Modèle et Sculpteur surréaliste, 4. Mai 1933 (aus La Suite Vollard)RadierungSignaturstempel rechts unten, in der Platte signiert und datiert rechts untenBlattgröße: 33,8 x 26,5 cm / Plattengröße: 26,4 x 19 cmMit Zertifikat von Gerd Rostan, beauftragter Sachverständiger für Kunst und Antiquitäten von Auktionshäusern. München 3/92
Lot 11
Estate / Collection: Property of a New York Art CollectorPendant signed Lassaw. Length 16 inches. Egyptian-born American artist Ibram Lassaw was an early to mid-century pioneer of abstract sculpture. Born to Russian parents in 1913, Lassaw's family immigrated to Brooklyn in 1921. He was educated in the arts and developed his techniques at the Brooklyn Children's Museum, Clay Club, and New York's Beaux Arts Institute of Design and City College. Lassaw learned his welding technique while serving in the U.S. Army during World War II, which he applied heavily to his art. He was influenced by Pablo Picasso, Joan Miro, Julio Gonzàlez, the Russian Constructivists, among others, as well as his passions and studies of biology, cosmology and Zen Buddhism. His first solo show debuted at Kootz gallery in New York City in 1951. After that, he exhibited widely until his passing in East Hampton, NY in December of 2003.Condition Report:Some silvery patina of another metal on center. 3 1/4 x 2 7/8 inches.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.
Lot 87
Two offset lithographs on paper from Picasso's Guernica limited edition published by Harry N. Abrams in 1990. These sketches are part of 42 studies on paper based on Picasso's preliminary studies for the painting Guernica that depicts abstractions of the atrocities caused by the German Nazis during the Spanish Civil War. These two lithographs are numbers 42 and 43 that include the Weeping Head and a dead civilian. Dates in the plates: 3 Juin 1937. Housed in a silver brush frame with a mauve color mat. Sight sizes: 11"L x 9"H. Frame size: 21"L x 30"H x 2"W. Certificate of Authenticity included. Artist: After Pablo Picasso (Spanish, 1881-1973)Issued: c. 1990Country of Origin: SpainCondition: Age related wear.
Lot 765
After Pablo Picasso (1881-1973) - 'Portrait of Sylvette', limited edition (21/500) giclee print on 350gsm conservation grade Arches Aquarelle paper using archival quality inks, published in 2004 and authorised for sale by the Picasso Estate, official limited edition estate blind stamp lower right, together with Certificate of Endorsement, sheet size: 41.7 x 52 cm
Lot 1782
Willy Ronis (1910 – Paris – 2009). „Avenue Simon-Bolivar“, Paris. 1950Silbergelatineabzug, 1996. 28,3 × 25,7 cm (40,3 × 30,4 cm) (11 ⅛ × 10 ⅛ in. (15 ⅞ × 12 in.)). Im Blattrand unten rechts mit schwarzem Filzstift signiert. Rückseitig mit Bleistift und schwarzem Kugelschreiber monogrammiert, datiert (Aufnahme sowie Abzug), betitelt und bezeichnet sowie Photographen- bzw. Copyrightstempel: „© WILLY RONIS 46, Rue de Langny, 75020 PARIS [...]“. Von weiterer Hand mit Bleistift beschriftet und beziffert.[2011]Literatur und Abbildung: Willy Ronis: Sur le fil du hasard. Paris 1980, S. 59 (dort betitelt und datiert: L'avenue Simon-Bolivar, Belleville-Ménilmontant. Date probable de prise de vue: fin d'hiver 1948) / Willy Ronis: Belleville-Ménilmontant. Paris 1989 [3. ergänzte Auflage], T. 77 (dort betitelt: Avenue Simon-Bolivar et rue Lauzin) / Ausst.-Kat.: Willy Ronis. Photographs 1926-1995. Oxford, Museum of Modern Art Oxford; Warwick, The Mead Gallery, Warwick University; Manchester, City Art Galleries, 1995/96, S. 33, Abb. 19 (dort betitelt: Avenue Simon-Bolivar, Belleville - Ménilmontant, Paris) / Ausst.-Kat.: Willy Ronis 'La vie en passant'. Aachen, Suermondt-Ludwig-Museum; Stuttgart, Vhs-Photogalerie, 2004/05, S. 43 / Jean-Claude Gautrand: Willy Ronis. Stolen Moments. Gestohlene Augenblicke. Instants dérobés. Köln, London, Los Angeles, 2005, S. 49 / Ausst.-Kat.: Willy Ronis. Une poétique de l'engagement. Paris, Jeu de Paume et La Monnaie de Paris, 2010, S. 38 (dort betitelt: L'Avenue simon-Bolivar depuis la rue Barrelet-de-Ricou (XIXe arrondissement), Paris) / Ausst.-Kat.: Willy Ronis. Eine Retrospektive. Münster, Kunstmuseum Pablo Picasso, 2013, T. 78 / Willy Ronis by Willi Ronis. The Master photographer's unpublished albums. Paris 2018, Album 1, Nr. 79 (dort betitelt: Avenue Simon-Bolivar, from the staircase of rue Barrelet-de-Ricou, Paris)Zustandsbericht: In sehr gutem Zustand. Seidenmattes festes Papier. Im Bild keine Mängel erkennbar. Im weißen Blattrand um das Bild, leicht gelblicher, kaum wahrnehmbarer Lichtrand, ca. 1 cm breit, unterhalb des Bildes ca. 1,5 cm breit. Obere rechte Ecke im Blattrand mit zwei kurzen matten Wisch- oder Fingerflecken, sichtbar im Streiflicht. Oberkante minimal wellig.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 185
Original vintage advertising poster for Pablo Picasso artwork exhibition at the Moderna Museet in Stockholm from 15 October 1988 to 8 January 1989, featuring a 1942 painting by Spanish artist Pablo Picasso (1881-1973) titled Seated Woman with Fish-Hat / Femme assise avec poisson. Good condition, creasing, small tears, staining. Country of issue: Sweden, designer: Pablo Picasso, size (cm): 100x70, year of printing: 1988.
Lot 100
Original vintage art advertising poster for an exhibition of rare Pablo Picasso engravings (from 1905 to the present day) / Gravures Rares (de 1905 a nos jours) at Galerie 65 Cannes from 9 April to 12 May 1966 featuring Picasso's 1904 etching The Frugal Meal / Le Repas Frugal printed in 1913 of a thin man with his arms around a lady sitting behind a table with a small piece of bread and bottle of wine for their meal set within a border, the exhibition information text above and below with Picasso's signature. The notable Spanish artist and sculptor Pablo Picasso (1881-1973) was one of the founders of Cubism in the early 20th century. Fair condition, staining, creasing, tears, paper skimming. Country of issue: France, designer: Pablo Picasso, size (cm): 76x53, year of printing: 1966.
Lot 186
Original vintage advertising poster for Pablo Picasso artwork exhibition at the Moderna Museet in Stockholm from 15 October 1988 to 8 January 1989, featuring a 1912-13 collage titled Bouteille, verre et violon / Bottle, glass and violin, by Spanish artist Pablo Picasso (1881-1973). Good condition, creasing, staining. Country of issue: Sweden, designer: Pablo Picasso, size (cm): 100x70, year of printing: 1988.
Lot 89
Sam Gilliam (American, 1933-2022). Small acrylic on birch plywood titled "Mark Squared" depicting a colorful abstract composition, 2000. With a three-dimensional element in the form of an irregular-shaped wedge projecting from the lower half of the artwork. Signed, titled, and dated along the verso.Provenance: Private Minnesota collection.Lot Essay:Sam Gilliam was one of America's foremost Black artists and a leader in the color field and lyrical abstraction movements. He was influenced by German Expressionists such as Emil Nolde, Paul Klee, and Nathan Oliveira. He was additionally influenced by Vladimir Tatlin, Frank Stella, Hans Hofmann, Georges Braque, Pablo Picasso, and Paul Cezanne. An artist from an early age, he was always interested in art and eventually studied fine arts at the University of Louisville, admitted as the second class of black undergraduate students to the school.Around 1965, he became the first artist to introduce the idea of an unsupported canvas, draping the paintings from ceilings, walls, and floors. These works were immensely popular and led to exhibitions and commissions worldwide including representing the United States at the 36th Venice Biennale. He moved away from this in later years to focus on jazz-inspired works like his Black Paintings, so-named because they are painted in shades of black. His works shifted once more in the 1980s to resemble the African patchwork quilts of his childhood. Though he was largely overlooked throughout the late 1980s and 1990s, his career saw a resurgence following a retrospective at the Corcoran Gallery in 2005.From then until his death in 2022, his works came into the collections of the Museum of Modern Art (MoMA) and the Metropolitan Museum of Art among others. He also had successful exhibitions including a second show at the Venice Biennale (2017), a large-scale draped painting titled "Yves Klein Blue" in Giardini's central pavilion for the show "Viva Arte Viva," and his first European retrospective in 2018 hosted by the Kunstmuseum Basel.His honors and awards were plentiful including eight honorary doctorates, several National Endowment for the Arts grants, the Longview Foundation Award, and a Guggenheim Fellowship. In 2015 he was awarded the Medal of Art by the U.S. State Department for his longtime contributions to art in embassies and other diplomatic facilities as well as his cultural diplomacy, which showcased his works in over 20 countries during his career.From 1962 until the 1980s, Gilliam was married to Dorothy Butler, the first African-American female columnist at The Washington Post. They had three daughters together. In 2018, after a 35-year partnership, he married Annie Gawlak, owner of the former G Fine Art gallery in Washington, D.C. On June 25, 2022, Gilliam died in his home at the age of 88 after a long, varied, and ultimately successful career creating the art that he loved.Height: 12 in x width: 12 in x depth: 4 in.br/>Condition:The artwork is structurally sound. All pieces are firmly attached. There are no splits, losses, or repairs to the wooden components. Natural bubbles to the paint surface original to the artistic process. Along the lower right of the red panel there are three small spots (the largest measuring 3/4 inch x 3/4 inch) that fluoresce under UV light and appear uneven when compared to the rest of the work which is quite smooth, save for the aforementioned bubbles. This is likely an area of pooled varnish. There is some slight yellow discoloration to the varnish throughout. Some scratches to the metal along the verso of the work.
Lot 199
Salvador Dali (Spanish 1901-1989) 'Coronation of Gala' Etching (2) items including undated, pencil signed lower right, #12/250 etching matted behind acrylic in a gold-tone metal frame; together with an after Pablo Picasso (Spanish, 1881-1973) undated, printed signature within image 'Pierrot And Harlequin' silkscreen print, behind glass in a wood frame Property from: a Private Collector, Chicago (Kenwood), Illinois Height: 16 1/4 inches, Width: 12 3/4 inches (plate, larger)Frame Size: 27 1/4 inches by 22 3/4 inches Condition: no damage to artwork noted, light wear to frames Disclaimers: not examined out of the frames Category: Fine Art > Prints & Multiples Estimated Sale Time: 12:46 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7
Lot 135
AFTER PABLO PICASSO (1881-1973) mid-century monochrome print titled Don Quichote, printed in Denmark by I P Jensen, copyright reserved 1964, 60 x 43cms and a mid-century Conservation Week New Zealand 1974 poster by FRIEDENSREIC HUNDERTWASSER, published by Glarus, Switzerland, 59 x 41cmsProvenance: private collection AngleseyComments: framed and glazed
Lot 306
PABLO PICASSO TWO WOMEN OF GÓSOL, FROM THE 'LIVING ART' PORTFOLIO - 1906/1923 Lithograph, 367/500, signed in plate, from 'Living Art (Twenty Facsimile Reproductions after Paintings, Drawings and Engravings and ten photographs after sculptures by Contemporary Artists),' printed at Ganymed Press, Berlin, 1923, published by Scofield Thayer & Dial Publishing Company, New York 51.5cm x 35.5cm (20.25in x 14in)
Lot 1646
Pablo Picasso (Málaga 1881 – 1973 Mougins). „Peintre et modèle avec un spectateur“. 1965Aquatinta auf Velin. 22 × 32 cm (30,9 × 42 cm) (8 ⅝ × 12 ⅝ in. (12 ⅛ × 16 ½ in.)). Signiert.Baer 1191.–Einer von 50 nummerierten Abzügen. Paris, Galerie Louise Leiris, 1966. [3265]Zustandsbericht: Ex. 47/50. Die Blattränder umlaufend nach hinten gefaltet(1,5 - 2,5 cm). Das Blatt ungleichmäßig gebräunt. Im Motiv technikbedingt leicht gewellt. Unten links In der Faltkante eine kleine Bestoßung mit winzigem Einriss (0,1cm), sowie zwei kleine Papiermontierungsreste. An der Unterkante rechts eine kleine Fehlstelle (2,1 x 0,1 cm). Rückseitig stellenweise Stockfleckchen. In den oberen Ecken Reste alter Papiermontierung.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 1647
Nach Pablo Picasso (Málaga 1881 – 1973 Mougins). Visages. 1967Lithografie auf BFK Rives-Velin. 40,2 × 31,3, cm (63,8 × 46,1 cm) (15 ⅞ × 31,3, in. (25 ⅛ × 18 ⅛ in.)). Signiert.Einer von 100 nummerierten Abzügen. Titelillustration für die Zeitschrift "Le Patriote" vom 7. Oktober 1967. [3817]Zustandsbericht: Harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Das Papier im Randbereich stellenweise leicht knittrig und mit vereinzelten schwachen Knickspuren (max. 22,4 cm). In der oberen rechten Blattkante eine kleine Bestoßung mit bogenförmigen Quetschfältchen (1 cm). Vereinzelt minimal fleckig.Wir berechnen auf den Hammerpreis 32% Aufgeld.
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8816 item(s)/page