We found 9046 price guide item(s) matching your search
There are 9046 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
9046 item(s)/page
Dodgson (Campbell). Contemporary English Woodcuts, 1922, twenty-seven woodcut illusts., orig. linen-backed boards, a little rubbed and marked, slim 4to, (limited edition 423/550), together with The Woodcut. An Annual, edited Herbert Furst, no. 1, 1927, b & w woodcut illusts., plus two fabric samples, with designs by Enid Marx and Eric Ravilius, orig. linen-backed printed boards, a little rubbed and marked, slim 8vo, plus Sleigh (Bernard), Wood Engraving Since Eighteen-Ninety, 1st ed., 1932, num. b & w illusts. and a few col. decs., orig. cloth gilt in frayed d.j., slim 4to, plus others similar (34)
MARX, Enid. MARCO'S ANIMAL ALPHABET. Linocuts by Enid Marx. Colour scheme by Peter Allen. Introduction by Graham Moss. [Oldham] Incline Press, 2000. Limited Edition, No 51 of 160 copies. Imperial 4to; with two double-column text pages, followed by 27 original illustrations in black or various colours; in the original patterned cloth, spine lettered in gilt; fine.
Douglas (Norman) D.H. Lawrence and Maurice Magnus, frontispiece, original printed wrappers, covers slightly soiled, upper joint split, Privately Printed, 1924; Summer Islands: Ischia and Ponza, original cloth, 1931; An Almanac, illustrations by Enid Marx, 1945 ~ MacGillivray (Richard) Norman Douglas, number 49 of 59 copies, original cloth-backed boards, edges uncut, Florence, 1933 ~ Acton (Harold, translator ) The Last of the Medici, introduction by Norman Douglas, Florence, original boards, gilt, dust-jacket faded, edges uncut, 1930, first editions; and 10 others by or about Norman Douglas, 8vo (15).
[Morelly]. Code de la Nature, ou le Veritable Esprit de ses Loix, first edition, title in red and black with engraved vignette, ownership signature on verso of front pastedown scored out, light pencilled marginalia, contemporary calf, spine gilt with morocco label, [Kress 5457; Goldsmiths' Library 9074], 8vo, Par-tout, [Paris], chez le vrai sage, 1755. *** The first modern proposal for a communist society, this very rare work was a direct inspiration to Babeuf and numerous nineteenth century communist agitators and thinkers and was frequently referred to by Marx. It employs rhetoric and dogma to establish the ideas of abolition of property, except in cases of personal use, and public prosperity through state provision of work and living according to ability, strength, age and need.
LES MAÎTRES DE L’AFFICHE, premier volume. Préface de M. Roger-Marx, table des planches reproduites en chromolithographies. Volume complet des 48 planches d’après F. Bac, Cazals, J. Chéret, G. de Feure, Firmin Bouisset, Grasset, Dudley Hardy, H.G. Ibels, L. Lefevre, L. Métivet, G. Meunier, Boutet de Monvel, G. Noury, Pal, E. Penfield, J. Price, A. Rassenfosse, L. Rhead, M. Réalier-Dumas, Steinlen, Willette, Woodbury, notamment « le Divan Japonais » de Toulouse-Lautrec, « la Saxoléine » de Chéret, « Gismonda » de Mucha, « la Revue Blanche » de Bonnard et deux dessins de Cheret. Belle publication, avec des rousseurs (plus prononcées en début et fin de recueil), légers plis de manipulation, petite amincissure en bas à droite au verso à la planche XIV, petite déchirure dans la marge inférieure à 5 planches. Certaines un peu jaunies. Cachet sec de la publication par l’Imprimerie Chaix à chacune. Ensemble de 50 planches montées à onglets dans une reliure verte (quelques marques ou frottements sur les plats, petit défaut dans le haut du dos).
Lygia Clark (1920 - 1980), 'Animal LC1' sculpture manufactured by Unlimited, Widcombe Manor, Bath, circa 1970. This work consists of a series of hinged structures in flat aluminum sheet which can be manipulated into an extensive range of configurations. The LC1 sculpture is based upon the triangular unit and comprises seven pieces. Labelled ' lygia clark / series 1 / animal 1969/ no 10'. Provenance: Unlimited, Widcombe Manor, Bath. Lygia Clark was born in Brazil in 1920, and began her artistic studies in 1947 under Roberto Burle Marx. In 1950 she went to Paris and worked for Leger, Dobrinsky and Arpad Szene.

-
9046 item(s)/page