The Beatles And Others Approximately 100 autographs in an autograph book, majority 1963, some clipped, some on publicity postcards, subjects include: John Lennon, Paul McCartney and Ringo Starr on one page, the page additionally inscribed by McCartney Beatles, and by Lennon xxx, the opposite page signed by George Harrison and John Lennon, additionally inscribed by Harrison To Jean over there..; The Hollies; The Everly Brothers; Gene Vincent (clipped); Billy Fury; Bo Diddley (clipped); Helen Shapiro; Gerry Marsden; The Merseybeats; Little Richard; Chris Montez; Joe Brown; and Roy Orbison (clipped), page size -- 3 1/2x5 1/2in. (9x13.3cm.)
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The Beatles And Others Approximately 46 signatures in an autograph book, 1960s, majority on individiual album pages, subjects include: all four Beatles on one page, the page additionally signed by Allan Clarke of The Hollies, the rest of The Hollies having signed the opposite page; other subjects include: The Swinging Blue Jeans; The Walker Brothers; Sonny Boy Williamson [clipped]; The Animals [clipped on a magazine cutting]; The Kinks; Jimmy Savile; Billy J. Kramer; and Chuck Berry [clipped], page size -- 5x6 1/2in. (12x16.5cm.)
The Beatles A page from an autograph book signed in blue ink by John Lennon, Paul McCartney and Ringo Starr and in blue ballpoint pen by George Harrison, 1963, the page additionally annotated in an unknown hand in black ballpoint pen with four beetle doodles -- 2 7/8x3 7/8in. (7.3x9.8cm.). The vendor's father-in-law, Owen McCabe, was the drummer with the Jimmy Shand Band and obtained these autographs when he met the Beatles at some time during 1963.
The Beatles Two pages from an autograph book, one signed in black ballpoint pen by John Lennon and additionally inscribed with George Harrison's signature in Lennon's hand, the other page also inscribed by Lennon with Paul McCartney and Ringo Starr's signatures, each page -- 2x3in. (5x7.5cm.) framed. According to the vendor, these signatures were obtained at the Rialto Cinema, Fishergate, York on 27th February, 1963.
The Beatles A very rare, early set of autographs, 23rd May, 1960, on five pages from an autograph book signed and inscribed during the Beatles' first ever tour of Scotland, one page signed in blue ballpoint pen by Paul McCartney and George Harrison with their then stage names Paul Ramon and Carl Harrison and by John Lennon as Johnny Lennon, the page additionally inscribed in McCartney's hand The Beatles, another page signed and inscribed in blue ballpoint pen love Stuart xx [Sutcliffe], additional pages signed and inscribed Thomas Moore, Drums; love Johnny Gentle; and With best wishes, Margie xxxx, all -- 2x3in. (5x7.6cm.).
STUART SUTCLIFFE Three pages of life studies taken from various art school sketch books circa 1960: two from a small sketch book each depicting a backview of a naked model in black ink and wash, both -- 7x4 1/2in. (17 1/2x12cm.), the other annotated on both sides of the page with ink and crayon studies of dancer in various poses -- 10 1/2x8in. (26x20.3cm.); a clipped signature in blue ink S.Sutcliffe -- 0 1/2x2in. (2x5cm.); and a black and white portrait photograph of Sutcliffe circa 1960 [printed later] -- 9 1/2x7in. (23.5x17 1/2cm.) (5)
STUART SUTCLIFFE Three pages of studies taken from various art school sketch books circa 1960: two from a small sketch book in black ink and wash, one a naked life study, the other an interior sketch, both -- 7x4 1/2in. (17 1/2x12cm.), the other annotated on either side of the page in black ink with sketches of human forms in various poses -- 10 1/2x8in. (26x20.3cm.); and the detached cover of a ""BUSHEY"" Sketch Book For Pen Or Pencil.. inscribed by Sutcliffe in black ink SFU Sutcliffe Liverpool College of Art Hope St. -- 4 1/2x7in. (12x17 1/2cm.) (4)
John Lennon A rare autograph manuscript Daily Howl page; and a scarce watercolour, pen and ink cartoon sketch, circa 1957, the page from Lennon's unpublished comic strip the Daily Howl, the top section titled Readers Letters, the lower section titled Weather Report, annotated with an illustration in coloured crayon and black ink of a weather chart showing the UK, the humorous text and illustration headed Price = 1 body (dead) DAILY HOWL, on a page of lined paper taken from an exercise book -- 9x7in. (22.9x17.8cm.); and John Lennon Dad's just not awake until he's had his Shwedded Feet This is not Robert Mitchum watercolour, pen and ink sketch, circa 1957, 8x6 1/2in. (20.3x16.5cm.), on a page of drawing paper glued to the verso of the Daily Howl page.
ISAAC SPACKMANTWO BASSO RELIEVO PICTURES, 18TH CENTURY The Fork Tail'd Indian Butcher-Bird, 1754 set, bears label 'Fork tail'd butcher bird' and indistinct elaborate Rococo trade label, 'Robert... Book & Printseller/ ... Cornhill', 25cm x 18cm; and The Pompadour, 25cm x 18.5cm (2)(1) From George Edwards' Natural History of Uncommon Birds vol. II, (1748), no. 56. (2) From George Edwards' Gleanings of Natural History, vol. III (1764), no. 341 (the plate dated May 30th 1759)
A PAIR OF ENGLISH PLASTER FIGURES OF CLASSICAL MUSES IN THE ATTITUDE OF DANCE After Antonio Canova, early 19th century 70in. (178cm.) high (2) The present casts are two representations of the original three marble sculptures by Canova, 'Dancer With Hands on Hips', 'Dancer With Finger Touching Her Chin', and 'Dancer With Cymbals', executed between 1805 and 1814. Fred Licht states in his book Canova, Abbeville Press 1983. ..Canova had already prepared the way with earlier experiments: The Dance of the Sons of Alcinous (plate 258) and Hebe (plate 162). Although these three dancers do not have any of the conventional attributes of divinities or mythological figures, they can be included among the mythologies because Canova himself variously referred to the first among them (plate 192) as Muse of the Dance, Nymph of the Dance, or Erato, Muse of Amorous Dancing. All three also pertain to the contemporaneous fashion of ""tableaux vivants."" Emma Hamiltons' curious performances are only the most widely known example of the kind of attitudinizing, half-dance, half-charade, that was immensely polular in Canova's day. For further comparative literature see Giuseppe Pavanello, L'opera completa del Canova, Rizzoli Editore, Milano. Ref.172-3.
AN ENGLISH COADE STONE FIGURE OF FLORA BY COADE, LAMBETH, LATE 18TH CENTRY Shown standing, classicaly draped, the circular base with impressed stamp COADE, LONDON 59sin. (151cm.) high Coade produced various models entitled 'Flora', including the Antique Farnese Flora and one to John Bacon's design. This lot conforms to No.14 in the Etchings Catalogue book of circa 1785. A Flora to the same model as the present lot is at Heveningham Hall, Suffolk, paired with a figure of Pomona, in niches of the Orangery by James Wyatt.
A LARGE ARTIFICIAL STONE FOUNTAIN BY AUSTIN & SEELEY, CIRCA 1835 Modelled with a merman blowing a conch, seated above the shell basin, supported to the underside by three adorsed dolphins, signed in relief on the rocky outcrop below the Merman AUSTIN & SEELEY, with further indistinct inscription and date 183* 104in. (264cm.) high, 60in. (152.3cm.) wide An article by J.C.Loudon on Austin & Seeley's fountains illustrates this model, this appears to confirm the indistinct dating of the present piece to the mid 1830's. The remains of a fountain by the firm with similar dolphin base stands in the Swiss Garden, Biggleswade, Bedfordshire (see Davis, page 204). The fountain also appears on the cover of the SPECIMEN BOOK OF AUSTIN & SEELEY'S ARTIFICIAL STONE MANUFACTORY, a catalogue of 1844. A line drawing on page 18 of the catalogue lists it: Entwined Dolphin Fountain with Shell and Triton. The fountain was also available with a plain tazza above the dolphins. It is rare to find a signed piece by the company.
A Kodak brown leather covered, Model B cine camera in original box with accessories and instruction book. Together with a Kodascope Model K projector and a Kodascope Rheostat, each boxed. NOTE: This equipment was bought in America circa 1932 by Harry Welchman, a star of The London Musical Comedy Stage.
Early 19th Century pencil portrait of a gentleman - William Challenor, seated in a chair, indistinctly signed and dated 1820, 26cm x 21cm and an early 19th Century pencil portrait of a young lady - Mary Ann Challenor (nee. Hildyard), seated in a chair holding a book, 30cm x 25cm, both in fine quality gilt gesso frames mounted in glazed outer rosewood frames
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