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An Arthur Wood deep red vase and four other planters/posy vases **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**

Arthur Wood Royal Bradwell Sports Series golf themed tankard, similar themed cricket mug, three other tankards (5)

Four Arthur Wood pieces of Art Deco vases

Various cups saucers and plates, including Minton and Paragon, and 3 vases - Sylvac, Arthur Wood, and Wedgwood, tallest 25cm

A late 19th Century Chromo-Litho Quarto Scrap Album, cut out' scraps including flowers, children, ships, animals, events from reign of Queen Victoria, at least one by Arthur and Harry Payne, Lifeguards, zoo, circus, carriages, and other scraps and prints, scraps generally G, wood-pages crumbling, with small modern stamp collection and framed Pre-Decimal Currency coin and note set (a lot)

Breweriana. A quantity of Worthington earthenware ashtrays and German grained wood drink trays for Worthington or Bass, a lithographed biscuit tin for Arthur Davy & Sons Ltd, etc Good condition

AFTER BENJAMIN WILLIAMS LEADER etching - Surrey Pine Wood, published 1893 by Arthur Tooth & Sons, and etched by Charles Chauvet, 32 x 51.5cms

A Late XIX Century Jug, with a plated lid handle, 1920's Arthur Wood jugs, cruet etc:- one Tray.

Arthur Wood Jug with Floral Decoration, biscuit barrel, corkscrew, Royal Doulton figurine group 'First Love, etc:- One Tray. Cottage ware musical Teddy bear, pressed glass bowl, etc:- One Tray.

A mixed lot of teapots to include Sadler, Harvest oven to table ware, KPM Krister, Arthur Wood, Gibsons, Burslem, J.M and Co, etc

A mixed lot of 18 blue and white teapots to include Arthur Wood, Booths Willow, Frank Beargmore, Copeland Spode 'tower' etc

A mixed lot of teapots, some novelty, to include one Russian in the form of an eagle, Arthur Wood, Sadler, Grays pottery etc

A group of character teapots, comprising a Tony Wood camel teapot., Angler teapot., Arthur Wood Cream Tea teapot., clock face teapot., Refreshments Van teapot., Wade Apres Ski teapot, and a Coronation Street Rovers Return teapot. (AF). (7)

Wood-engraving and woodcuts 25 volumes, including Daglish, Eric Fitch How to see Insects. 1934, dustwrapper; How to See Flowers. 1933, dustwrapper; How to see Beasts. 1933, dustwrapper; The Smaller Beasts. 1928, dustwrapper; Birds of the British Isles. 1948. 4to, original blue buckram, t.e.g.; Armstrong, Martin Desert. Woodcuts by Ravilious. 1926, number 1 of 100 copies, dustwrapper; Harling, R. Notes on the Wood-Engravings of Eric Ravilious. 1946, dustwrapper; another copy, without dustwrapper; Wragg. Arthur The Lord's Prayer in Black and White. 1946, dustwrapper; Housman, A.E. A Shropshire Lad, engraved by Agnes Miller Parker. 1953, dustwrapper; Miller, P. Ana the Runner. 1937, engravings by Clifford Webb, dustwrapper; Tomlinson, H.M. The Sea and the Jungle. Wood engravings by Clare Leighton. 1930, dustwrapper; Landor, W.S. The Sculptured Garland. 1948. 4to, number 104 of 500 copies, wood engravings by Iain Macnab, original brown half morocco, t.e.g, slipcase; Shaw, Bernard. Negerpigen der Dorg ud for at Opsoge Gud. Copenhagen, 1943, 4to, one of 96 copies, wood engravings by John Farleigh, original boards, dustwrapper; Edwardes, Patrick and Moira Thus we go to Australia. n.d., wood-engravings, original pictorial wrappers; League of Nations Union Welsh National Council Ninth Annual Conference. 1930. 8vo, wood engraving by Blair Hughes-Stanton, original wrappers; Balston, Thomas English Wood-Engraving 1900-1950. 1951. 4to, quarter cloth, dustwrapper; McLean, Ruari The wood-engravings of Joan Hassall. 1960, dustwrapper price clipped; Burne Jones, Dan. The prints of Rockwell Kent, a catalogue Raisonne. 1975. 4to, cloth, dustwrapper; Hughes-Stanton, Penelope The Wood-Engravings of Blair Hughes-Stanton. Pinner, 1991, folio, original cloth; Kernoff, Harry Thirty-six Woodcuts. 1931, 4to, signed by Kernoff, original cloth, lightly soiled; Mitchison, Naomi The Alban Goes Out. Raven Press, 1939. 4to, wood-engravings by Gertrude Hermes, original pictorial wrappers, slightly discoloured; Warner, S.T. Boxwood. Sixteen engravings by Reynolds Stone. 1957, original cloth; Stone, Reynolds Engravings. 1977. 4to, dustwrapper; Bone, Gertude Oasis. Woodcuts by Stephen Bone. 1924, 8vo, presentation copy, original quarter cloth

Two trays of ceramics, together with a tray of glassware to include: one tray of Royal Worcester Palissy 'Game Series' teacups and saucers and assorted plates, a selection of Royal Winton 25th Anniversary and Silver Wedding anniversary teaware decorated in white and silver, together with Arthur Wood Silver Wedding Anniversary teapot, jug and sugar basin, together with a tray of cranberry glassware to include; four brandy balloons with etched floral decoration, six punch glasses with clear glass feet, cranberry glass vase and a white metal and cranberry glass bowl. (3)(B.P. 21% + VAT)

Selection of ceramics to include Crown Devon and Arthur Wood

Attributed to Arthur Spooner, oil on board, study of a figure with horse by a wood, signed verso, 12ins x 14ins

An Arthur Wood oversize ceramic pig money bank: together with a Maddock's chamber pot and an unmarked pig themed cookie jar (3).

LOT OF ROYAL DOULTON BUNNYKINS CERAMICS,along with an Arthur Wood Noah's Ark tea pot, blue and white tureen and jugs, and other ceramics

Miscellaneous jardinieres, a duck on nest, Arthur Wood vase, etc.

Arthur Wood 'Ritz vase', Tamsware tray, and Limoges gilt metal mounted bowl, 19cm high and smaller

A CLOISONNE VASE, DENBY CUP AND SAUCER, PLATED SWING BASKET, AN ARTHUR WOOD PIG TEA POT ETC.

Five 1930s and mid century vases - floral interest. Includes hand painted Radford vase, Royal Winton, Arthur Wood, Crown Devon and Kensington. Tallest vase 28cm

A cased set of bead pattern silver plated flatware by Arthur Price of England, c.1992, twelve place settings, the dark wood case with green velvet interior, in excellent condition.

* Vanity Fair. A collection of 50 artists and musicians, late 19th and early 20th century, colour lithographs, including examples after Sic, Spy, Ritchie, Ape and Lib, including Arthur Sullivan, Pietro Mascagni, Henry Wood, Joseph Joachim, Max Beerbohm, Phil May and John Singer Sargent, each approximately 350 x 215 mmQty: (50)

Neale (Frederick Arthur). Narrative of a Residence at the Capital of the Kingdom of Siam; with a description of the manners, customs and laws of the modern Siamese, 1st edition, London: Office of the National Illustrated Library, 1852, wood-engraved portrait frontispiece, additional title with vignette, map, illustrations, advertisements at end, frontispiece, additional title and one plate detached, a little light spotting, previous owner signature, hinges broken, textblock detached, original blindstamped cloth gilt, spine faded, light dust soiling to margins, 8vo, together with Thomas Witlam Atkinson's Oriental and Western Siberia, 1858 (defective, lacking several text leaves at end, although all 20 lithographed plates and the map are present), original green cloth gilt, some stains and wear, thick 8voQty: (2)

After B.W. Leader, engraving, A Surrey Pine Wood, published June 2nd 1893 by Arthur Tooth & Sons (40cm x 58cm)

Late Victorian heated entrée dish and cover with hand painted decoration to the cover and gilt highlights, Arthur Wood Royal Bradwell Astoria blue lustre ware butter dish and cover, Royal Doulton Bunnykins plates, Victorian Majolica jardinière stand, H37cm and other ceramics (2 boxes)

A Queen's Silver Jubilee 1977 Arthur Wood Burslem teapot and a Prince Charles and Lady Diana 1981 Royal Wedding teapot

Teapots - Arthur Wood, Wade, Sadler, Royal Harvey, etc:- One Box

Pair of Arthur wood spaniel dog figured ornaments (Staffordshire style)

Four boxes of assorted china to include: 19th Century toby jug, Royal Doulton miniature vase, Victorian cheese dish and cover, Royal Myotts Staffordshire cups and saucers etc. Royal Worcester Imari style china, 'Indian Tree' china, Art Deco style coffee pot with pewter lid, Arthur Wood Ironstone cow creamer in red and white, pewter coffee pot with copper handle, German ornately decorated copper bowl with a scene of the Rhein to the centre, florally shaped Windsor china plates decorated in Imari colours, Staffordshire fruit bowl decorated with different fruits and a gilt decorated, fluted edge etc. (4)(B.P. 21% + VAT)

A FLOWER DECORATED ARTHUR WOOD JUG & A 2 HANDLED VASE

A large treacle glazed Arthur Wood pitcher

A pair of German Rococo style porcelain inkwells, h.8cm; together with an Art Deco style Arthur Wood pottery water-jug (2)

Shakespeare (William). A Midsummer Night’s Dream by William Shakespeare. Illustrated by Robert Anning Bell. Edited with an Introduction by Israel Gollancz, London: J. M. Dent & Co., 1895. 4to, original white buckram over bevelled boards, title and Art Nouveau decoration gilt to front, top edge gilt, others untrimmed, with an additional suite of 12 wood-engravings on india paper, mounted (comprising duplicates of the frontispiece, title-page, 9 plates and the tailpiece; requisite number unknown), partly unopened, tear to duplicate plate facing p. 31, Wyndham (Richard). A Book of Towers and Other Buildings of Southern Europe. A Series of Dry-Points. With an Introduction and Brief descriptions by Sacheverell Sitwell, London: Frederick Etchells & Hugh Macdonald, 1928. Folio, original yellow half vellum, edges untrimmed, half-title, engraved additional title-page, 24 engraved plates, with original slipcase (sunned and worn),Lawrence (John). John Clare. The Shepherd’s Calendar, London: Paradine, 1978. 4to, original quarter cloth, top edge gilt, others untrimmed, 13 tipped-in woodcut headpieces, laid-in tissue-guards, original slipcase, Krutch (Joseph Wood). Edgar Allan Poe. A Study in Genius, New York: Alfred A. Knopf, 1926. 8vo, original vellum-backed patterned boards, edges untrimmed, 12 halftone photograph plates, unopened,Thomson (Hugh, illustrator). The Chase by William Somerville. Reprinted from the Original Edition of 1735, with a Memoir of the Author, London: George Redway, 1896. 4to, original quarter vellum, top edge gilt, others untrimmed, printed on japon,and one other (Arthur Rackham, A Midsummer Night’s Dream, 1st edition, 2nd impression, 1911, browned, frontispiece tissue-guard loose, not collated) (qty: 6)Footnote: Shakespeare: first edition thus, deluxe issue, number 4 of 50 copies on hand-made paper.Wyndham: first edition, number 325 of 350 copies only, printed on Zanders hand-made paper.Lawrence: first edition thus, number 218 of 400 copies (numbered 101-500) signed by the artist and printer.Krutch: first edition, number 111 of 140 copies on Borzoi rag paper signed by the author, from the total edition of 150 copies.

A collection of china to include Wedgwood jug, beer mugs, decorative plates, pottery jugs, rose bowl and plate, Arthur Wood teapot, jug and sugar bowl, Art of chokin plate, Keswick teapot, various plates and bowls and 18 bells including Wedgwood.

A collection of pottery and ceramics, featuring an early 19th century Staffordshire pearlware circular bowl decorated with flowers, an Arthur Wood wall pocket, Wedgwood Jasperware lidded pot and more

Late Victorian heated entrée dish and cover with hand painted decoration to the cover and gilt highlights, Arthur Wood Royal Bradwell Astoria blue lustre ware butter dish and cover, Royal Doulton Bunnykins plates, Victorian Majolica jardinière stand, H37cm and other ceramics (2 boxes)

Pair of 1930's Arthur Wood wall pockets, with hand painted floral decoration, Burley Ware jug with squirrel handle and other similar 1930's decorative ceramics

Two Arthur Wood jugs, Limoges porcelain jug with gilt coloured handle, small collection of Evesham ware, early Capodimonte study of fruit in a wicker basket, etc

Teapots - Calyx, Hammersley 'Blue Cornflower', Sadler, Arthur Wood, etc, 'Elizabethan' coffee ware:- One Box.

A collection of mid 20th Century and later glassware and ceramics to include Wade Bells Whisky Decanters, Arthur Wood Tankards, Hornsea vase, Art glass flower vases, collector plates and other wares (4).

Arthur wood astoria jug together with maling peony rose items etc

A group of prints and paintings to include a large abstract oil of a figure running through woodland, after Arthur Secunda; hand carved on polychrome wood, 'Distant Mountain', abstract, a large print 'Abbaye Royal de Pontevraud', a map of the British Empire, etc, all framed, some framed and glazed, the largest 91 x 81cm (9).

Arthur Price Bros & Arthur Wood Jugs (height 20.5cm & 18.5cm)

Two Boxes of Collectibles, comprising assorted glass vases, bowls, plates, mugs, cake stand, etc., an Arthur Wood vase No. 4453, a collection of green glass, a figure scene of a boy and girl on a tree stump, a metal figure scene of a fisherman, plant pots, a box of spoons with a serving spoon, two Russian Matryoshka dolls, etc.

Old Stile Press.- Grimm (Jakob Ludwig and Wilhelm Carl) Faithful John, letter Z of 26 special copies with a portfolio of signed proofs and signed by the artist, from an edition limited to 240, wood-engravings by Harry Brockway, colour decorations, original cloth-backed pictorial boards, uncut, additional proofs loose as issued in original cloth portfolio, together in slip-case, 1998 § West (Arthur Graeme) The Diary of a Dead Officer, number 67 of 150 copies signed by the artist, linocuts by John Abell, 2014 § Brown (George Mackay) The Girl from the Sea, a play for voices, number 39 of 195 copies signed by the artist, wood-engravings etc. by Michael Onken, 2008, original cloth-backed pictorial boards, uncut, Llandogo, Old Stile Press; and 4 others from or about the press, v.s. (7)

* Park (Nick, 1958-). Wallace and Gromit, ink, depicting Wallace with his arm around Gromit, inscribed 'To Mrs D. Curtis Best wishes Wallace and Gromit', signed to right margin, paper laid on board, 8.4 x 13.5cm (3 2/8 x 5 2/8ins), mounted, 15.2 x 20.2cm, together with a signed pencil drawing of Judge Dredd by Ian Gibson, a signed pencil drawing on Smurfette by Joel Seibel, signed ink drawing of Bob the Builder and Fifi by Keith Chapman, an ink drawing of Tracy Beaker signed by Nick Sharratt, a trio of ink drawings on one sheet - Trailblazer, Roy of Rovers and Sonic, signed by Mike White, a black felt tip drawing of a cartoon cat's face on green paper signed by Dom DeLuise, an ink drawing of Elvis inscribed 'For Alun Brown, Best Wishes - Arthur Ranson', ink drawing of Yakko Warner from Animaniacs signed by Joel Seibel, mounted, all various sizes, together with: Wood (Lilian and May). The Adventures of Frederick, circa 1944, 23 original illustrations, pen and ink on board, some with bodycolour, depicting various scenes including Frederick at a welcome home party, Frederick on an airplane, Frederick landing in a jungle, etc, publishers notes in margins, 18.4 x 26cm (7 2/8 x 10 2/8ins), mounted, plus the artwork for the front cover, publishers notes in margins, along with a proof of the original book signed and dated '12.XII.44', lacking front covers, 15 x 20cmQty: (34)

* Longfellow (Henry Wadsworth, 1807-1882). American poet. Autograph Quotation Signed, ‘Henry W. Longfellow’, no place, no date, being the seventh quatrain from Longfellow’s poem The Fire of Drift-wood, '‘The very tones in which we spake / Had something strange, I could but mark: / The leaves of memory seemed to make / A mournful rustling in the dark', 70 x 150mm, matted together with a carte-de-visite portrait of the poet, framed and glazed, 38 x 25cm overallQty: (1)Footnote: Provenance: Formerly from the autograph collection of Arthur Bryant Triggs (1868-1936), Australian grazier and collector.

Pink Jasperware, tiles, Coalport dish and Arthur Wood pot.

Barbara Winroe glazed teapot, Arthur Wood earthenware teapot and other earthenware tepots.

Arthur Wood floral planter, 2 Portmeirion Botanical Garden vases, Royal Doulton lady Autumn Breeze and Coalport lady Flora.

Arthur wood money box.

MISCELLANY, 20th CENTURY - Muriel SPARK (1918-2006). The Ballad of Peckham Rye, London, 1960, original cloth, dust-jacket. FIRST EDITION. With 8 other works in 9 vols. (10)MISCELLANY, 20th CENTURY - Muriel SPARK (1918-2006).  TheBallad of Peckham Rye. London: Macmillan, 1960. 8vo (190 x130mm). Original eggshell blue cloth, spine lettered in red, dust-jacket withprice of “15s net” unclipped (edges of jacket a little creased and frayed, somelight staining to lower wrapper). Provenance: “Engle – March 60” (pencilinscription on front free endpaper). FIRST EDITION. With 8 other 20th-centuryworks in 9 volumes, namely Luc de Clapiers, Marquise de Vauvenargues' Maximes (London, Arthur L.Humphreys, 1903, 2 vols., morocco, joints rubbed), George Eliot’s Scenes of ClericalLife (London, 1906, illustrations by Hugh Thomson, original pictorial clothgilt), William Caine’s The Glutton’s Mirror (London, 1925, originalbuckram, FIRST EDITION, inscribed [?by a relation of the author] “To HughBradby because he was such a help in [?]bringing out this book, Gordon Caine,Nov. 13, ‘25”), Erich Lachmann’s Erich Lachmann Collection of HistoricalStringed Musical Instruments (Los Angeles, 1950, mounted photographedplates, original pictorial boards), J. R. R. Tolkien’s The Hobbit (London,1956, eighth impression, original cloth, without the dust-jacket), the sameauthor’s The Adventures of Tom Bombadil and other verses from The Red Book(London, 1962, illustrations by Pauline Baynes, original pictorial boards,dust-jacket, FIRST EDITION), The Wood Engravings of Robert Gibbings(Chicago, Quadrangle Books, 1959, original buckram) and Hockney’s Alphabet.Drawings by David Hockney & Written Contributions [by 27 notable modernwriters] edited by Stephen Spender ([London, 1991], original buckram,dust-jacket designed by Hockney). Provenance: From the Library of the late Sir George Engle. Please note that only a part of this lot is illustrated. The lot sold not subject to return. (10)

(Toni Savage, Rigby Graham, New Broom Private Press), Duine Campbell (illustrated): 'From the Wood', Leicester, Toni Savage at the New Broom Private Press, 1978, limited edition, (one of 80 copies only), 14 engraved ills. by Duine Campbell, [18]pp, original stitched printed wraps; David Rogers: 'New Oceans to Explore', illustrated Hans Erni, Leicester, Toni & Athena Savage at the New Broom Private Press, 1979, limited edition, (5/100), numbered & signed by Toni Savage, 3 ills. by Hans Erni (including cover), [6]pp, Sheepstor handmade paper, original stitched printed wraps; Arthur Caddick: 'The Virtues of Bacchus', illustrated Rigby Graham, Leicester, Toni Savage at the New Broom Private Press, 1984, limited edition, (5/120), numbered and signed & inscribed by Toni Savage for Mike Clutten, 3 ills. by Rigby Graham (including cover), [20]pp, original stitched printed wraps; John Adlard: 'Water Eaton', illustrated Robert Tilling, Leicester, Toni Savage at the New Broom Private Press, 1990, limited edition, (39/90), numbered & signed by Toni Savage, cover illustration by Robert Tilling, [6]pp, Sheepstor handmade paper, original stitched printed wraps; plus 2 Cynthia Savage broadsheets 'Al Pacino at Burrator', ill. Rigby Graham, 'Falsies', ill. Paul Humphrey, each 1995 (6). From the estate of Michael Clutton (1934-2016), resident of Leicester from the 1950's who had a longstanding career in the paper trade and supplied handmade papers to Toni & Cynthia Savage, Trevor Hickman, Rigby Graham et al for their various Private Press publications/collaborations

A coral mantle clock, together with Wade ashtrays, Arthur Wood mugs, cake stands, meat plates, glass bottles, toast rack, orange glass vase etc

A Spode Chelsea gardens pattern part tea set together with a Villeroy and Boch part tea and dinner set, Arthur Wood jugs etc

A good Great War 1917 ‘Ypres operations’ stretcher bearers’ M.M. and Second Award Bar awarded to Private A. Robinson, 7th Australian Infantry Battalion, Australian Imperial Force, a veteran of Gallipoli who was later Mentioned in Despatches Military Medal, G.V.R., with Second Award Bar (2653 Pte A. Robinson. 7/Aust: Inf:) cleaned, very fine £800-£1,000 --- M.M. London Gazette 11 December 1917. The original recommendation states: ‘During the operations near Polygon de Zillebeke, east of Ypres, on 20-22nd September 1917. Private Robinson as a stretcher bearer worked with great courage under heavy shellfire, collecting wounded and assisting at the Regimental Aid Post.’ M.M. Second Award Bar London Gazette 25 January 1918. The original recommendation states: ‘Near Ypres on 4/5th October 1917 as a stretcher bearer he showed great courage and devotion to duty. Under heavy shellfire he rendered continuous assistance to wounded men. By his energy and coolness he materially assisted in clearing, the wounded from his company sector and then undoubtedly saved many lives.’ M.I.D. London Gazette 28 October 1919. Arthur Robinson was born near Talbot, Victoria, Australia in 1890. He served with the Australian Imperial Force in the Gallipoli theatre or war, before serving in the French theatre of war from March 1916. Robinson is mentioned for his gallantry during operations in Ypres in Our Dear Old Battalion - The Story of the 7th Battalion, A.I.F., 1914-1919, including: ‘Rather than halting as they entered the mist-covered Glencourse Wood, the two right hand companies ventured a further 500 metres into the shell-shattered wood. Bill Peach who was to win the M.M. that day, described the scene: “The form-up in Glencourse Wood, our three minute barrage, then on it lifting, the quick move forward under its cover looking not unlike the crowd getting away immediately on the finish of a football match. Unfortunately, some of the boys, in their eagerness to press on, failed to await the successive artillery lifts, with the result they got caught up in our own barrage.” The R.M.O. Captain Doug Barlow, followed behind the creeping barrage, and set up the R.A.P. in Remus Wood, and throughout the morning his team of stretcher bearers brought in the wounded for Barlow to dress their wounds, whereupon the casualties were handed over to the field ambulance bearers. Privates William Glasspool, Benjamin Joyner, Percy Payne, and Arthur Robinson (died 29 September 1959) upheld the reputation of the regimental stretcher bearers by constantly going out under heavy shell fire to bring in the wounded, acts which were later recognised by the award of the M.M. to each man.’ Robinson returned to Australia in November 1919, and was discharged in January the following year.

A LARGE AMOUNT OF POTTERY AND CHINA TO INCLUDE, GROSVENOR CHINA TRIOS, ROYAL ASCOT CHINA TRIOS, AN ARTHUR WOOD SILVER ANNIVERSARY TEAPOT, SUGAR AND CREAM JUG, INDIAN TREE DINNERWARE ETC