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Chuck Close was an American artist known for his remarkable photorealist and large-scale portrait paintings. He was born on July 5, 1940, in Monroe, Washington, and passed away on August 19, 2021, in Oceanside, New York. Close's distinctive style involved creating highly detailed portraits using a grid system. He would break down an image into a grid and meticulously transfer each section onto a larger canvas or surface. Close's paintings were often close-up portraits of his family, friends, fellow artists, and himself. His works were characterized by a meticulous attention to detail and a focus on capturing the individuality of his subjects. In addition to his use of the grid technique, Close experimented with various mediums and materials throughout his career. He initially gained recognition for his large-scale airbrushed black-and-white portraits in the late 1960s and early 1970s. Later on, he incorporated other techniques such as finger painting and the use of handmade paper pulp to create texture and depth in his works. Close's art was not limited to painting. He also explored printmaking, photography, and collage, constantly pushing the boundaries of his creativity. Despite facing physical challenges, including partial paralysis due to a spinal artery collapse in 1988, Close continued to produce artwork using adaptive techniques and tools. He became an inspiration for many with disabilities and an advocate for accessibility in the arts. Chuck Close's work has been exhibited extensively in major museums and galleries worldwide. He received numerous awards and honors throughout his career, including the National Medal of Arts, presented to him by President Clinton in 2000. Close's contribution to the art world is widely celebrated, and his portraits remain iconic examples of contemporary American art. Measures 10 x 12 Verso is blank.Mounted to archival quality paper.

Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador Dalí. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 6.02 x 8 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.74 x 7.75 Verso is blank.Mounted to archival quality paper."

Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 6.01 x 9 Verso is blank.Mounted to archival quality paper.

Chuck Close was an American artist known for his remarkable photorealist and large-scale portrait paintings. He was born on July 5, 1940, in Monroe, Washington, and passed away on August 19, 2021, in Oceanside, New York. Close's distinctive style involved creating highly detailed portraits using a grid system. He would break down an image into a grid and meticulously transfer each section onto a larger canvas or surface. Close's paintings were often close-up portraits of his family, friends, fellow artists, and himself. His works were characterized by a meticulous attention to detail and a focus on capturing the individuality of his subjects. In addition to his use of the grid technique, Close experimented with various mediums and materials throughout his career. He initially gained recognition for his large-scale airbrushed black-and-white portraits in the late 1960s and early 1970s. Later on, he incorporated other techniques such as finger painting and the use of handmade paper pulp to create texture and depth in his works. Close's art was not limited to painting. He also explored printmaking, photography, and collage, constantly pushing the boundaries of his creativity. Despite facing physical challenges, including partial paralysis due to a spinal artery collapse in 1988, Close continued to produce artwork using adaptive techniques and tools. He became an inspiration for many with disabilities and an advocate for accessibility in the arts. Chuck Close's work has been exhibited extensively in major museums and galleries worldwide. He received numerous awards and honors throughout his career, including the National Medal of Arts, presented to him by President Clinton in 2000. Close's contribution to the art world is widely celebrated, and his portraits remain iconic examples of contemporary American art. Measures 10 x 12 Verso is blank.Mounted to archival quality paper.

Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.75 x 7.75 Verso is blank.Mounted to archival quality paper."

Richard Misrach is a contemporary American photographer known for his large-scale photographs of the American landscape. Born on February 25, 1949, in Los Angeles, California, Misrach began his career in the 1970s and has since become renowned for his captivating and thought-provoking images. One of Misrach's most notable bodies of work is titled ""Desert Cantos,"" a series that explores the vast desert landscapes of the American West. These photographs depict the interplay between human presence and the natural environment, often highlighting the impact of human activity on these seemingly untouched spaces. Through his meticulous compositions and use of color, Misrach prompts viewers to contemplate issues related to ecology, politics, and the intersection of nature and civilization. Another significant project by Misrach is ""The Golden Gate,"" a series of photographs focusing on the Golden Gate Bridge in San Francisco. These images capture the iconic landmark from various angles and distances, showcasing its beauty and symbolic importance within the urban landscape. Misrach's work has been widely exhibited in galleries and museums around the world. His photographs are held in numerous prestigious collections, including the Museum of Modern Art (MoMA) in New York, the National Gallery of Art in Washington, D.C., and the San Francisco Museum of Modern Art (SFMOMA). Over the course of his career, Richard Misrach has received numerous awards and honors for his contributions to the field of photography. His work continues to inspire and provoke discussions about the relationship between humans and the natural world. Measures 14.01 x 10.52 Printed Circa 1970'sVerso is blank.Mounted to archival quality paper."

Zhang Huan is a Chinese contemporary artist known for his performance art, sculpture, and installations. He was born in 1965 in Anyang, Henan Province, China. Zhang Huan's work often explores themes of spirituality, cultural identity, and the human body. In the 1990s, Zhang Huan gained recognition for his provocative and daring performance art pieces. His performances were often physically demanding and involved endurance, ritualistic actions, and interactions with his own body. Through his performances, he addressed cultural and social issues in China, including the effects of rapid urbanization and globalization. One of Zhang Huan's notable performances is "12 Square Meters" (1994), where he covered his naked body in honey and fish oil and sat in a public restroom covered in flies. Another well-known performance is "To Add One Meter to an Anonymous Mountain" (1995), where he and a group of friends lay naked on a mountain, adding their bodies to its height. In the late 1990s, Zhang Huan shifted his focus to sculpture and installation art. His works often incorporate traditional Chinese materials and techniques, such as incense ash, wood, and metal. He created large-scale installations that referenced Chinese culture, history, and Buddhism. Zhang Huan's artworks have been exhibited internationally in major galleries and museums. His notable exhibitions include solo shows at the Shanghai Art Museum, the Asia Society in New York, and the Musée d'Art Contemporain de Lyon in France. His contributions to the art world have earned him critical acclaim and recognition. Zhang Huan is considered one of the most influential contemporary artists from China, and his work continues to inspire and provoke discussions about culture, spirituality, and the human condition. Measures 7.25 x 11 Verso is blank.Mounted to archival quality paper.

Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador Dalí. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 9.74 x 12 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Richard Misrach is a contemporary American photographer known for his large-scale photographs of the American landscape. Born on February 25, 1949, in Los Angeles, California, Misrach began his career in the 1970s and has since become renowned for his captivating and thought-provoking images. One of Misrach's most notable bodies of work is titled ""Desert Cantos,"" a series that explores the vast desert landscapes of the American West. These photographs depict the interplay between human presence and the natural environment, often highlighting the impact of human activity on these seemingly untouched spaces. Through his meticulous compositions and use of color, Misrach prompts viewers to contemplate issues related to ecology, politics, and the intersection of nature and civilization. Another significant project by Misrach is ""The Golden Gate,"" a series of photographs focusing on the Golden Gate Bridge in San Francisco. These images capture the iconic landmark from various angles and distances, showcasing its beauty and symbolic importance within the urban landscape. Misrach's work has been widely exhibited in galleries and museums around the world. His photographs are held in numerous prestigious collections, including the Museum of Modern Art (MoMA) in New York, the National Gallery of Art in Washington, D.C., and the San Francisco Museum of Modern Art (SFMOMA). Over the course of his career, Richard Misrach has received numerous awards and honors for his contributions to the field of photography. His work continues to inspire and provoke discussions about the relationship between humans and the natural world. Measures 14.01 x 10.52 Printed Circa 1970'sVerso is blank.Mounted to archival quality paper."

Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 5.76 x 8.98 Verso is blank.Mounted to archival quality paper.

Zhang Huan is a Chinese contemporary artist known for his performance art, sculpture, and installations. He was born in 1965 in Anyang, Henan Province, China. Zhang Huan's work often explores themes of spirituality, cultural identity, and the human body. In the 1990s, Zhang Huan gained recognition for his provocative and daring performance art pieces. His performances were often physically demanding and involved endurance, ritualistic actions, and interactions with his own body. Through his performances, he addressed cultural and social issues in China, including the effects of rapid urbanization and globalization. One of Zhang Huan's notable performances is "12 Square Meters" (1994), where he covered his naked body in honey and fish oil and sat in a public restroom covered in flies. Another well-known performance is "To Add One Meter to an Anonymous Mountain" (1995), where he and a group of friends lay naked on a mountain, adding their bodies to its height. In the late 1990s, Zhang Huan shifted his focus to sculpture and installation art. His works often incorporate traditional Chinese materials and techniques, such as incense ash, wood, and metal. He created large-scale installations that referenced Chinese culture, history, and Buddhism. Zhang Huan's artworks have been exhibited internationally in major galleries and museums. His notable exhibitions include solo shows at the Shanghai Art Museum, the Asia Society in New York, and the Musée d'Art Contemporain de Lyon in France. His contributions to the art world have earned him critical acclaim and recognition. Zhang Huan is considered one of the most influential contemporary artists from China, and his work continues to inspire and provoke discussions about culture, spirituality, and the human condition. Measures 7.25 x 11 Verso is blank.Mounted to archival quality paper.

Chuck Close was an American artist known for his remarkable photorealist and large-scale portrait paintings. He was born on July 5, 1940, in Monroe, Washington, and passed away on August 19, 2021, in Oceanside, New York. Close's distinctive style involved creating highly detailed portraits using a grid system. He would break down an image into a grid and meticulously transfer each section onto a larger canvas or surface. Close's paintings were often close-up portraits of his family, friends, fellow artists, and himself. His works were characterized by a meticulous attention to detail and a focus on capturing the individuality of his subjects. In addition to his use of the grid technique, Close experimented with various mediums and materials throughout his career. He initially gained recognition for his large-scale airbrushed black-and-white portraits in the late 1960s and early 1970s. Later on, he incorporated other techniques such as finger painting and the use of handmade paper pulp to create texture and depth in his works. Close's art was not limited to painting. He also explored printmaking, photography, and collage, constantly pushing the boundaries of his creativity. Despite facing physical challenges, including partial paralysis due to a spinal artery collapse in 1988, Close continued to produce artwork using adaptive techniques and tools. He became an inspiration for many with disabilities and an advocate for accessibility in the arts. Chuck Close's work has been exhibited extensively in major museums and galleries worldwide. He received numerous awards and honors throughout his career, including the National Medal of Arts, presented to him by President Clinton in 2000. Close's contribution to the art world is widely celebrated, and his portraits remain iconic examples of contemporary American art. Measures 10 x 12 Verso is blank.Mounted to archival quality paper.

Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 6 x 9 Verso is blank.Mounted to archival quality paper.

Irving Penn (1917-2009) was an American photographer known for his innovative and influential contributions to fashion, portrait, and still life photography. He was born on June 16, 1917, in Plainfield, New Jersey. Penn began his career as a graphic designer and illustrator before transitioning to photography. He started working at Vogue magazine in 1943, where he would remain for much of his career. Penn's work at Vogue helped redefine fashion photography by introducing a fresh and modern approach. Penn's photography was characterized by its meticulous attention to detail, simplicity, and formal elegance. He had a unique ability to capture the essence and personality of his subjects, whether they were fashion models, celebrities, or indigenous tribespeople. He often used a minimalist approach, employing plain backdrops and natural lighting to create a sense of intimacy and focus on the subject. Penn's iconic fashion photographs were renowned for their innovative compositions, inventive use of props, and the way he showcased both the clothing and the individual wearing it. He played with scale, texture, and form, pushing the boundaries of traditional fashion photography. His images had a timeless quality and transcended trends, making them highly influential. In addition to fashion photography, Penn also excelled in portraiture, capturing the essence of renowned individuals such as Pablo Picasso, Audrey Hepburn, Marlene Dietrich, and Salvador Dalí. His portraits were often characterized by their simplicity and directness, allowing the personality and character of his subjects to shine through. Throughout his career, Penn's work was exhibited in prestigious galleries and museums around the world. He received numerous awards and accolades, including the Medal of Arts from the National Endowment for the Arts in 1985. Penn continued to work well into his later years, exploring new subject matter and experimenting with new techniques. Irving Penn passed away on October 7, 2009, in New York City, leaving behind a remarkable body of work that continues to be celebrated and admired for its artistic excellence and lasting impact on the world of photography. Measures 9.74 x 12 Printed circa 1990sVerso is blank.Mounted to archival quality paper.

Richard Misrach is a contemporary American photographer known for his large-scale photographs of the American landscape. Born on February 25, 1949, in Los Angeles, California, Misrach began his career in the 1970s and has since become renowned for his captivating and thought-provoking images. One of Misrach's most notable bodies of work is titled ""Desert Cantos,"" a series that explores the vast desert landscapes of the American West. These photographs depict the interplay between human presence and the natural environment, often highlighting the impact of human activity on these seemingly untouched spaces. Through his meticulous compositions and use of color, Misrach prompts viewers to contemplate issues related to ecology, politics, and the intersection of nature and civilization. Another significant project by Misrach is ""The Golden Gate,"" a series of photographs focusing on the Golden Gate Bridge in San Francisco. These images capture the iconic landmark from various angles and distances, showcasing its beauty and symbolic importance within the urban landscape. Misrach's work has been widely exhibited in galleries and museums around the world. His photographs are held in numerous prestigious collections, including the Museum of Modern Art (MoMA) in New York, the National Gallery of Art in Washington, D.C., and the San Francisco Museum of Modern Art (SFMOMA). Over the course of his career, Richard Misrach has received numerous awards and honors for his contributions to the field of photography. His work continues to inspire and provoke discussions about the relationship between humans and the natural world. Measures 14.01 x 10.52 Printed Circa 1970'sVerso is blank.Mounted to archival quality paper."

Chuck Close was an American artist known for his remarkable photorealist and large-scale portrait paintings. He was born on July 5, 1940, in Monroe, Washington, and passed away on August 19, 2021, in Oceanside, New York. Close's distinctive style involved creating highly detailed portraits using a grid system. He would break down an image into a grid and meticulously transfer each section onto a larger canvas or surface. Close's paintings were often close-up portraits of his family, friends, fellow artists, and himself. His works were characterized by a meticulous attention to detail and a focus on capturing the individuality of his subjects. In addition to his use of the grid technique, Close experimented with various mediums and materials throughout his career. He initially gained recognition for his large-scale airbrushed black-and-white portraits in the late 1960s and early 1970s. Later on, he incorporated other techniques such as finger painting and the use of handmade paper pulp to create texture and depth in his works. Close's art was not limited to painting. He also explored printmaking, photography, and collage, constantly pushing the boundaries of his creativity. Despite facing physical challenges, including partial paralysis due to a spinal artery collapse in 1988, Close continued to produce artwork using adaptive techniques and tools. He became an inspiration for many with disabilities and an advocate for accessibility in the arts. Chuck Close's work has been exhibited extensively in major museums and galleries worldwide. He received numerous awards and honors throughout his career, including the National Medal of Arts, presented to him by President Clinton in 2000. Close's contribution to the art world is widely celebrated, and his portraits remain iconic examples of contemporary American art. Measures 10 x 12 Verso is blank.Mounted to archival quality paper.

Ellsworth Kelly (1923-2015) was an American painter, sculptor, and printmaker. He was known for his minimalist and abstract art, often characterized by bold shapes, vibrant colors, and precise geometric forms. Kelly was born on May 31, 1923, in Newburgh, New York. He served in the U.S. Army during World War II and afterward studied art in Boston and Paris. During his time in France, he was exposed to European modernism, which greatly influenced his artistic style. In the 1950s, Kelly emerged as a prominent figure in the art world, associated with the abstract expressionist and minimalist movements. He developed a distinctive style that emphasized the pure form, color, and space. Kelly's work often featured simple shapes like squares, rectangles, circles, and curves, arranged in a way that explored the interplay between positive and negative space. Throughout his career, Kelly created various series of works, including paintings, sculptures, drawings, and prints. He produced large-scale installations as well, often integrated with architectural spaces. Some of his most famous works include "Colors for a Large Wall" (1951), "Spectrum I" (1953), and "Austin" (1985-1998), a monumental building featuring colored glass windows and stone panels. Ellsworth Kelly's art has been exhibited extensively in major museums and galleries around the world. His contributions to abstract art and minimalism have had a significant impact on the development of contemporary art. His work is celebrated for its simplicity, precision, and vibrant use of color. Kelly passed away on December 27, 2015, in Spencertown, New York, leaving behind a remarkable artistic legacy. Measures 6.01 x 9 Verso is blank.Mounted to archival quality paper.

Richard Misrach is a contemporary American photographer known for his large-scale photographs of the American landscape. Born on February 25, 1949, in Los Angeles, California, Misrach began his career in the 1970s and has since become renowned for his captivating and thought-provoking images. One of Misrach's most notable bodies of work is titled ""Desert Cantos,"" a series that explores the vast desert landscapes of the American West. These photographs depict the interplay between human presence and the natural environment, often highlighting the impact of human activity on these seemingly untouched spaces. Through his meticulous compositions and use of color, Misrach prompts viewers to contemplate issues related to ecology, politics, and the intersection of nature and civilization. Another significant project by Misrach is ""The Golden Gate,"" a series of photographs focusing on the Golden Gate Bridge in San Francisco. These images capture the iconic landmark from various angles and distances, showcasing its beauty and symbolic importance within the urban landscape. Misrach's work has been widely exhibited in galleries and museums around the world. His photographs are held in numerous prestigious collections, including the Museum of Modern Art (MoMA) in New York, the National Gallery of Art in Washington, D.C., and the San Francisco Museum of Modern Art (SFMOMA). Over the course of his career, Richard Misrach has received numerous awards and honors for his contributions to the field of photography. His work continues to inspire and provoke discussions about the relationship between humans and the natural world. Measures 14.01 x 10.52 Printed Circa 1970'sVerso is blank.Mounted to archival quality paper."

"Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.74 x 7.75 Verso is blank.Mounted to archival quality paper."""

The Lamborghini Diablo SE30 is a limited-production, high-performance sports car produced by the Italian automaker Lamborghini in the early 1990s. The "SE" stands for "Special Edition," and "30" signifies the 30th anniversary of Lamborghini.Here are some key features and details about the Lamborghini Diablo SE30:1. **Engine**: The Diablo SE30 is powered by a 5.7-liter V12 engine that produces 523 horsepower. It features a multi-point fuel injection system and is paired with a 5-speed manual transmission.2. **Performance**: With its powerful engine and lightweight construction, the Diablo SE30 could accelerate from 0 to 60 mph in just around 4 seconds and had a top speed of approximately 207 mph (333 km/h).3. **Limited Production**: Lamborghini produced a very limited number of Diablo SE30 models. Initially, they planned to make only 150 units, but the final production number was slightly higher, with some sources suggesting around 150 to 170 cars were built.4. **Special Features**: The Diablo SE30 was notable for its unique and distinctive features. It featured rear-wheel drive (most Diablos were all-wheel drive), a magnesium intake manifold, a lighter body, and a stripped-down interior with carbon fiber seats and racing harnesses.5. **Design**: The SE30's design was distinctive, with a striking color scheme typically featuring a metallic purple exterior with gold wheels. It also had various "SE30" badging to signify its special edition status.6. **Handling**: The car's suspension was tuned for improved handling and performance, making it a more track-focused variant compared to the standard Diablo.7. **Collector's Item**: Today, the Lamborghini Diablo SE30 is highly sought after by collectors and enthusiasts due to its limited production, unique features, and its significance as a special edition model celebrating Lamborghini's 30th anniversary.The Lamborghini Diablo SE30 represents a rare and iconic member of the Diablo lineup and is celebrated for its performance, distinctive design, and exclusivity.1/18 Scale model.

"Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.52 x 7.74 Verso is blank.Mounted to archival quality paper.

Donald Sultan is an American painter known for his distinctive still-life compositions characterized by bold, graphic imagery. He was born on May 10, 1951, in Asheville, North Carolina. Sultan is recognized for his large-scale works that often combine abstract and representational elements.Sultan's early works from the 1970s and 1980s gained him prominence in the art world. He gained recognition for his use of industrial materials like tar, vinyl tiles, and spackle to create textured surfaces. These materials became a signature of his style and added a sculptural quality to his paintings. One of Sultan's most famous series is the Disaster Paintings created in the 1980s. These works depict natural and man-made disasters, such as fires, floods, and industrial accidents, using his characteristic style of bold, black forms against vibrant, colorful backgrounds. In addition to his disaster-themed works, Sultan is also known for his still-life subjects, particularly flowers. His flower paintings often feature large-scale blooms with rich, vibrant colors, emphasizing the contrast between the organic subject matter and the industrial materials used in his process.Throughout his career, Sultan has exhibited his work in numerous galleries and museums around the world, including the Museum of Modern Art (MoMA) and the Solomon R. Guggenheim Museum in New York City. His paintings can be found in the collections of major institutions and private collectors. Donald Sultan's work has had a significant impact on contemporary art, and he continues to create and exhibit his art to this day. Measures 7.75 x 7.75 Verso is blank.Mounted to archival quality paper."

A fine scratch-built scale model of a 1962 Matchless G50, by Glen English,numbered 13 of a limited edition of 50 examples, finely detailed model constructed from over 400 individual parts, featuring engine detailing with cabling, linked chains and wire-spoked wheels fitted with rubber tyres, approximately 48cm with wooden base applied with numbered plaque and Perspex display case. Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

A fine scratch-built scale model of a 1962 AJS 7R Motorcycle, by Glen English,numbered 13 of a limited edition of 50 examples, finely detailed model constructed from over 400 individual parts, featuring engine detailing with cabling, linked chains and wire-spoked wheels fitted with rubber tyres, approximately 48cm with wooden base applied with numbered plaque and Perspex display case. Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

A fine scratch-built scale model of a 1961 500cc Manx Norton Motorcycle, by Glen English,numbered 13 of a limited edition of 50 examples, finely detailed model constructed from over 400 individual parts, featuring engine detailing with cabling, linked chains and wire-spoked wheels fitted with rubber tyres, approximately 48cm long with wooden base applied with numbered plaque and Perspex display case. Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com

A large scale Honda dealer signmoulded plastic and dating from c.1968, this item was acquired by the vendor in 1976 while working at a Honda dealership, mounted onto a wooden board, the sign measures approximately 1.2 x 1m, wooden mount measures 1.16 x 1.15m. Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.Lot to be sold without reserve.This lot is subject to the following lot symbols: ◊◊ £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com

Pair of Japanese porcelain ginger jars & covers decorated with Koi Carp and repeating 'scale' design, plus a matching circular dish (approx 19.5cm diameter)

After George Wright "His Same Old Game" A colour reproduction, together with three further prints of a similar subject matter to include "Coarsing the Ford" "The Pink of Condition" and "Full Cry through the Homestead", together with six further hand-coloured prints plates 1-6 from Bachelors Hall series, a collection of vignette scale hand-coloured etchings of hunting and sporting subject matter, and four further hunting reverse prints on glass, various sizes (a collection)This lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium.

Twelve DeAgostini Atlas Editions small scale model warships, all sealed

Nine Military Giants of The Sky scale model aircraft

A mahogany cased laboratory balance scale.

Three Franklin Mint 124 scale diecast cars comprising 1930 Bugatti Royale Coupe Napoleon, a 1935 Mercedes Benz 500K Special Roadster and a 1907 Rolls-Royce Silver Ghost (3).

Four Bburago 1:18 scale diecast models comprising Ferrari 250 GTO (1962) cat no. 3011; Ferrari 250 Le Mans (1965) cat no. 3033; Ferrari 40 (1987) cat no. 3032; and a Ferrari Fifty (1995) cat no. 3352, all boxed (4).

Three Bburago 1:18 scale diecast models comprising Mercedes Benz SSK (1928) cat no. 3009; another Mercedes Benz 300SL (1954) cat3013; and a 1:20 scale Mercedes Benz 500K Roadster (1936) cat no. 3020, all boxed (3).

Three Bburago 1:18 scale diecast models comprising Lancia Aurelia B24 Spider (1955) cat no. 3010; Alpha Romeo 8C2300 Monza (1931) cat no. 3014; and Alpha Romeo 2300 Spider (1932) cat no. 3008, all boxed (3).

A Maisto 1:12 scale Jaguar XJ220 diecast model mounted on a plinth, boxed.

Three Bburago 1:18 scale diecast models comprising Ferrari 250 Testa Rossa (1957) cat no. 3007; Ferrari 348 TB Evoluzione (1991) cat no. 3029; and Ferrari 455GT (1992) cat no. 3036, all boxed (3).

Three Bburago 1:18 scale diecast models comprising Porsche 356 Coupe (1961) cat no. 3031; Dodge Viper RT/10 (1992) cat no. 3025; and Chevrolet Corvette (1957) cat no. 3024, all boxed (3).

Four 1:18 scale diecast models comprising Bburago Mercedes Benz SSKL (1931) cat no. 3007; Mercedes Benz 500K Roadster (1936) cat no. 3020; Maisto Premier Edition Mercedes Benz 300SLR Mille Miglia 1955; and a Polistil BMW 328 Roadster, all boxed (4).

A Gwilo International Ltd 1:18 scale Porsche Boxter, mounted on a plinth, boxed; together with a Lamborghini SE 30th Anniversary Special Edition 1:18 scale diecast model, mounted on a plinth, boxed (2).

Four 1:18 scale diecast models comprising Bburago Jaguar 'E' Type (1961) cat no. 3016; Jaguar SS100 (1937) cat no. 3006; Maisto Special Edition Jaguar S-Type and Ertl 1961 Austin Healey 3000 Mk II, all boxed (4).

Four 1:18 scale diecast models comprising Solido Bugatti Royale, cat no. 8001; Bugatti EB110 (1991) cat no. 3035; Bugatti Grand Prix (1955) cat no. 3012; Bugatti EB110 (1991) cat no. 3035; and Bugatti Type 59 (1934) cat no. 3005, all boxed (4).

WILLIAM KENTRIDGE (B. 1955)Office Love 2001 signed with the artist's signature woven into the reverse; signed, titled, dated 2003, numbered 3/3 and variously inscribed on a label affixed to the reversemohair, acrylic and polyester tapestry341 by 451.6 cm. 134 1/4 by 177 13/16 in. This work was executed in collaboration with Marguerite Stephens in 2003, and is number 3 from an edition of 3 and 2 APs.Footnotes:ProvenanceAnnandale Galleries, SydneyAcquired directly from the above by the present owner in 2004ExhibitedSydney, Annandale Galleries, William Kentridge: Learning The Flute / Automatic Writing, 2004, illustrated on the cover in colourSydney, S.H. Ervin Gallery, 2004: The Year in Art, 2004 Philadelphia, Philadelphia Museum of Art, William Kentridge Tapestries, 2007-2008, p. 65, no. 17, another example exhibited and illustrated in colourSydney, University of Technology Sydney, 2010-2015, work on loan to the University Another example of this edition is held in the permanent collection of the Philadelphia Museum of Art, Philadelphia.Incisively political and yet profoundly poetic, Office Love belongs to a series of tapestries which William Kentridge began in 2001. This present work is from an edition of three that were executed between 2001 and 2005; the first edition of which is held in the permanent collection of the prominent Philadelphia Museum of Art. The monumental scale and intricate execution of this present work, along with the foundations of cultural and historic sensibility, sets Kentridge apart as an artist who has achieved an extraordinary, compelling contribution to the disciplines of 21st century art. Office Love illustrates an intricate map of Johannesburg with almost life size silhouettes dramatically set against the cartographical formality of the chart. The duality of his composition is arresting; the darkness of his silhouettes, or protagonists, as they so boldly encompass the composition, rest atop the delicate pastel threads delicately woven to construct a map of the city, in an almost collaged fashion. The silhouettes depict a stocky businessman with a typewriter for a head, who purposefully approaches three pieces of what one might decipher as 'feminine' office furniture, the largest of which is a transcriber's table. Interestingly, typewriters started to become standardised in the 1890s, shortly after the years in which Johannesburg was founded and developed as a city. It might be considered that everyday objects such as typewriters recall an early 20th-century colonial world as perceived by the artist that would be apparent to a child growing up in the 50s and 60s.  The title Office Love contributes to the assertion of male and female receptivity and possibly contains a more profound meaning; perhaps the depiction of the stocky male advancing is sexual tension or perhaps it is simply progress in today's age. Born in Johannesburg in 1955, William Kentridge has become one of the most highly regarded and sought after living contemporary artists. He has produced a searing interdisciplinary body of work ranging from drawing, film, animation, theatre, sculpture, tapestry and even opera, that explores themes of colonial oppression and social conflict, loss and reconciliation, alongside the transient nature of both personal and cultural memory.  He seeks to transmute sobering political events into powerful poetic allegories that resonate profoundly, still to this present day. Setting his oeuvre in context, Kentridge was the son of prominent anti-apartheid lawyers; Sir Sydney Kentridge and Felicia Geffen. His father famously defended Nelson Mandela during the Treason Trials of 1956 – 1961, and his mother was a highly respected human rights advocate who set up an organisation to provide free legal support to marginalised members of South African society, that is still in service today. This political background and family lineage proved vital to shaping Kentridge's artistic career.  Upon graduating from the prestigious University of Witwatersrand with a bachelor's degree in politics and African studies, Kentridge enrolled at the Johannesburg Art Foundation, where he studied Fine Arts. His interest in African history and politics remained with him and influenced his work. Due to his parents' involvement in South African politics, Kentridge grew up acutely aware of the injustices in the country, and art became a form of expression for him. Reputed perhaps more widely are his compelling animations that reveal the process of their own creation by showing how individual frames have been drawn, adapted, erased, and otherwise transformed from one image to the next; but William Kentridge introduced the medium of tapestry into his repertoire as another way to tell difficult and harrowing stories akin to his native homeland and the period in which he grew up in. Like his animations, Kentridge's tapestries are also developed from his drawings, the first media his artistic practise evolved from. These preparatory collaged drawings conjure shadowy figures from ripped construction paper which he then collaged onto the web-like background of nineteenth-century atlas maps of Europe and Johannesburg. He began making tapestries in collaboration with the Stephens Tapestry Studio, run by the mother and daughter team of Marguerite Stephens and Tina Weavind, whom he would collaborate with for 24 years. The tapestries are woven from mohair harvested from Angora goats farmed in the Eastern Cape, South Africa, and in Lesotho. The raw mohair was processed and dyed in northern Eswatini before being transferred to the looms at the studio in Diepsloot on the outskirts of Johannesburg. The mapping of geography across many South African cities to produce these tapestries, perhaps speaks to Kentridge's heritage and underlying political preoccupations that resonated in his art. Kentridge's tapestries, which included the first edition of Office Love, were the subject of an important exhibition dedicated solely to this medium organised by the Philadelphia Museum of Art in 2007. Exhibited were eleven works from a multiple of series that showcase similar silhouetted figures set against the backdrop of maps, carrying bundles and belongings as they move forward. The backgrounds of the beautifully woven and embroidered maps, along with the juxtaposition of hulking figures couldn't be more direct. The curator of the exhibition, Carlos Basualdo, explained, 'Kentridge initially thought of his tapestries as 'permanent projections. While they evoke the moving image, his tapestries also illuminate the centrality of drawing in his practice. He uses the language of one medium to talk about another medium, while at the same time dealing with societies that are themselves in a state of transition'.  (Carlos Basualdo, William Kentridge Tapestries https://philamuseum.org/calendar/exhibition/notationswilliam-kentridge-tapestries, 19 September 2023). It is plausible to argue that no other South African artist has achieved greater status than William Kentridge. His career has brought him international recognition as one of today's major living artists. This reputation is confirmed by the stature of the global institutions and art museums that have exhibited his work. 

FERNANDO BOTERO (1932-2023)Dog on a cushion 1976 incised with the artist's signature and numbered 5/6bronze34 by 37 by 40 cm.13 3/8 by 14 9/16 by 15 3/4 in.This work was executed in 1976, and is number 5 from an edition of 6.Footnotes:Provenance Didier Imbert Fine Art, ParisPrivate Collection, Saint Tropez (acquired from the above in 1993)Thence by descent to the present ownerExhibitedMonte Carlo, Marisa del Re Gallery, Fernando Botero, 1992, another example exhibitedParis, Avenue Des Champs-Élysées, Grand Palais and Galerie Didier Imbert Fine Art, Botero Aux Champs-Élysées - Sculptures et Œuvres sur Papiers, 1992-1993, p. 156, another example exhibited and illustrated in colour Literature Jean-Clarence Lambert, Benjamín Villegas (Ed.), Botero Sculptures, Colombia 1998, p. 61, another example illustrated in colour, n.p., another example illustrated in colour Renowned for his distinctive style characterised by voluptuous and exaggerated forms, the Colombian artist Fernando Botero has left an indelible mark on the history of art. His works evoke a sense of affection and endearment, transcending cultural and linguistic boundaries and animals often play a quintessential role in them. Having studied under Roberto Longhi, a distinguished authority on Italian Renaissance and Baroque art, Botero obtained a remarkable art historical knowledge of Western Classicism that transfuses his oeuvre and made him one of the world's most revered and sought-after artists of the present day. The canon of art history, especially the European one became a rich source of inspiration, and no subject is quite as interwoven into the history of art as the humble dog, man's best friend and faithful companion. Dog on a Cushion from 1976 is a beautifully playful example of Botero's celebrated sculptural practice, with the small well-rounded canine proudly perching on a fluffy cushion- an emblem of domesticity and comfort but also a nod to the importance we give to the pets in our lives. The artist's fascination with horses, cats, birds, and dogs is a prominent feature throughout his oeuvre. Characterised by an intentional exaggeration of his subjects' forms, Botero's ability to infuse life into his sculptures is striking. The present work is not a mere imitation of a dog but a celebration of its essence, the exaggerated curves and humorous expectantly outstretched tongue emphasize the joviality and charm of the animal, which might at any moment jump off the cushion.Dogs have held a significant role in art history as subjects of fascination, symbolism, and companionship. From ancient cave paintings to the masterpieces of the Renaissance and beyond, dogs have been depicted in various contexts, reflecting their diverse roles in human societies. As companions and symbols of fidelity, dogs often appear in portraits, signifying loyalty, trust, and the bonds of friendship. Furthermore, their depictions in hunting scenes highlight their utilitarian roles as skilled hunters and trackers. In the broader context of art history, dogs have served as allegorical symbols, representing virtue, faithfulness, or even human qualities, reminding us of their enduring importance in the human experience.Profoundly influenced by the classical masterworks he saw during his studies and travels, Botero dedicated his life to critically re-interpret iconic paintings, paying homage to the great artists of the past whilst finding true originality doing so. Not unlike Picasso, whose Cubist breakthrough came after experimenting with the construction of a guitar, Botero had his artistic revolution with a mandolin. In 1956, the artist painted an image of a mandolin resting on a table and decided to place a disproportionately small hole in the body of the instrument, thus transforming it into an object of exaggerated mass and monumentality; a lifelong fascination with the exploration of volume was born.World-renowned for his often epic paintings, Botero's foray into sculpture has further enriched his artistic repertoire over the decades. Dog on a Cushion stands as a prime example of his prowess in this medium. His sculptures are characterised by the same aesthetic principles that define his paintings—exaggerated volumes, harmonious proportions, and a playful approach to form. The transition from canvas to three-dimensional sculpture however allowed the artist to bring his iconic subjects to life in a tangible and interactive way with a tactile quality that invites viewers to engage on a more physical level. Dog on a Cushion exemplifies this approach, with its smooth, sensuous surfaces inviting touch and exploration. The artist said that 'For my entire life, I've felt as if I had something to say in terms of sculpture. It's a very strong desire...pleasure—that of touching the new reality that you create. Certainly, in a painting you give the illusion of truth, but with sculpture, you can touch its reality . . . . If I paint a knife in my pictures, it's imaginary, but if I sculpt it, then the sensation of having it in your hand is real— it's an object from your spirit, it's a sensual experience even in its execution. It brings a special joy to touch the material with your hands.' (the artist in: E. J. Sullivan, Botero Sculpture, New York 1986, p. 13.Fernando Botero's contributions to the world of art are substantial and far-reaching and his unique style and unwavering commitment to his artistic vision have earned him a significant place in art history. His oeuvre serves as a bridge between traditional and contemporary art, drawing from classical techniques while infusing them with a modern and innovative sensibility. Embracing diversity and celebrating the inherent charm in all subjects, he challenges conventional notions of beauty and representation and forces viewers to reconsider their preconceived notions and stereotypes. The same dog of undefined breed as in the present work can be found in many of the artist's paintings, and a large-scale sculpture version, without the plump cushion, can be found in the Plaza Botero in the artist's hometown of Medellín. Other Botero works are presently held in the collections of The Museum of Modern Art in New York, the Art Institute of Chicago, and the Museo Botero in Bogotá. In 1958 and 1992 Botero participated in the Venice Biennale and represented Colombia in the 5th São Paulo Biennial, Brazil. He has had major retrospectives at the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC (1979); Seibu Museum of Art, Tokyo (1981); Museo Nacional Centro de Arte Reina Sofía, Madrid (1987); Museo de Bellas Artes, Bilbao (2012); and many others. Botero's international recognition and ability to transcend geographical and cultural boundaries has elevated the visibility of Latin American artists on the global stage. Unequivocally timeless, his work continues to inspire artists worldwide, encouraging them to explore new dimensions of expression and representation and Dog on a Cushion offers a wonderful opportunity to acquire a charming example from the contemporary master's celebrated oeuvre.For further information on this lot please visit Bonhams.com

FUTURA 2000 (B. 1955)Untitled 1982 tagged twicespray paint on canvas121 by 304.3 cm.47 5/8 by 119 13/16 in.This work was executed in 1982. Footnotes:ProvenanceAcquired directly from the artist by the present owner in 1982Exuding an exhilarating new aesthetic while reigning supreme in its expansive scale, Untitled from 1982 emerges as an extraordinary and iconic masterpiece created by one of the most important graffiti artists of our time. Made in one of the most experimental years of the artist's career, the present work, alongside other remarkable works from 'New York City Rap' tour gained notability due to an enduring collaboration between American graffiti artists Futura 2000 and Dondi. Works like these identified by their distinct visual language, played a pivotal role in not only shaping visual aesthetics in popular culture but also in elevating graffiti art from the fringes of subculture to the forefront of mainstream consciousness. In Untitled, the sprayed striking primary colours overlayer a black tag, reminiscent of graffiti on a street wall, but created on a white canvas instead, the artist elevates it to the permanent, to the realm of high art. Monumental and expressive in its appearance, Futura used his whole body to create these vast works. Executed next to Dondi in the vibrant heart of Paris, the present work was a backdrop to hip-hop performers during 'New York City Rap' tour and exudes a distinct blend of abstract elements and textual nuances. Tagged twice and marked with the letters 'CC' symbolising the initials of his former wife, who he met in Paris on the tour, Untitled 1982 is brimming with personal significance, marking a pivotal and prolific chapter in the artist's oeuvre. These thoughtfully crafted components encapsulate the very essence of its place of origin, rendering it an unmistakable creation within the 'New York Rap City' paintings. Futura 2000's works from the 1980s are by far the most highly sought-after within the artist's market. This era not only witnessed the peak of his artistic productivity but also marked a surge of creativity and innovation in his work, whilst boldly challenges established artistic norms of the time. Drawing direct inspiration from the revolutionary political climate of the 1960s, Futura 2000 embarked on excursions with friends in the early 70s, equipped with spray paint and an inclination for the cutting edge. These expeditions into the cityscape became acts of reinvention, transforming mundane public fixtures into vibrant canvases that brought art directly to the people. With each stroke, he redefined the conventional canvas, making art accessible to everyone in New York. His signature abstract forms and dynamic lines demonstrated in the present work, resonated with the spirit of the times. Graffiti art emerged as an unapologetic voice of rebellion and self-expression, artists painted their unique identities on break trains and public fixtures through 'tagging,' a crucial act in a country where public graffiti was prohibited, rendering them anonymous pioneers of urban expression. It was precisely this fascination with the concept of identity that beckoned Leonard Hilton McGurr into the realm of street art. Amidst the apex of advertising and consumer culture, he forged his artistic persona as Futura 2000, taking direct inspiration from the film '2001: A Space Odyssey,'.Weathering challenges and unforeseen detours, he eventually found himself embracing an unexpected interlude in the Navy, a compelling twist that would soon enrich the captivating tapestry of his artistic journey. Upon his return the very landscape he once embellished had transformed, streets pulsated with a new artistic rhythm. The early 80s emerged as a turning point for Futura's work, fostering his unique style and refining his technical expertise. In this incubator of creativity, he gathered valuable wisdom from his avant-garde comrades, figures like Jean-Michel Basquiat, Keith Haring, and Fab 5 Freddy. A group of audacious visionaries, they formed a pioneering ensemble reshaping artistic boundaries, their creations igniting cities globally with the electric vibrancy of artistic expression.In 1981, Futura's career started to gain traction after a celebrated collaboration with the legendary band 'The Clash'. An electrifying fusion of art and sound, this collaboration not only redefined the concert experience but also transcended creative realms, leaving an enduring mark on both music and visual expression. Furthermore, it shattered the conventions of traditional stage design, replacing static backdrops with a living, breathing masterpiece that evolved with every performance. This groundbreaking event was an innovation serving as a unique platform that united artists and performers, celebrating the vibrant culture of hip-pop. Futura's work brims with stories of rebellion, identity, and the city's beating heart. His art captures the pulse of a generation, reflecting the socio-political climate and the human experience within it. The artist's encounters with likeminded innovators of the graffiti movement infused his work with a sense of camaraderie and collective spirit, elevating his creations beyond the canvas and into the realm of cultural conversation. Futura's contribution to the street art movement is not limited to the streets alone. His journey from subway cars to gallery walls signifies the evolution of an art form once considered subversive. He not only navigated this transition but also flourished within it, bringing the energy of the streets into spaces traditionally reserved for 'high art'. Untitled 1982 is an electrifying fusion of creativity and urban dynamism. It captures the essence of a moment, a movement, and a mindset. His style transcends medium and canvas, reaching deep into the collective subconscious of a city, a generation, and an art world transformed by his style.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Prof. Uche Okeke (Nigerian, 1933-2016)Primeval Forest signed and dated 'Uche Okeke/ 1965' (lower right), signed, dated and inscribed 'UCHE OKEKE/ ENUGU/ 1965/ 'Primeval Forest'' (verso) and '44' (verso of frame); further accompanied by a gallery label inscribed 'UCHE OKEKE/ PRIMEVAL FOREST/ 1965' (attached to verso)oil on board179.5 x 118.5cm (70 11/16 x 46 5/8in).(framed)Footnotes:ProvenanceA private collection.ExhibitedPendulum Art Gallery, Lagos,The Triumphs of Asele, works of Uche Okeke: an Exhibition Organized by Pendulum Art Gallery in Association with Art-in-Art Project in Conjunction with Professor Uche Okeke's 70th Anniversary at Pendulum Art Gallery (May 17 - 31, 2003).Uche Okeke (1933-2016), the Nigerian painter, poet, and scholar, was a leading figure in Nigerian and African postcolonial modernism. He is best remembered as the leader and founding member of the Zaria Society (1958-1961), formed by a group of art students at the Nigerian College Art, Science and Technology, in the northern Nigerian city of Zaria. The Art Society, inspired by the movement toward political decolonization in Nigeria and Africa had called for a new modernist art that was based on vigorous experimentation with specific art forms associated with Nigerian artistic heritage. For him this meant the close study of traditional Igbo Uli body drawing and mural decoration, as well as folktales, as sources of artistic inspiration.On graduation from Zaria, in the autumn of 1962, Okeke received a one-year scholarship to Munich, Germany, where he worked for nearly one year in a stained glass and mosaic studio. While in Lagos to process his travel papers, however, he began work on the Oja Suite drawings in which he translated key formal elements of Uli—the insistently lyrical, organic line; dynamic positive and negative space; and, primarily, the agwọlagwọ (spiral) and ọkala isi-nwaọji (concave three- or four-pointed star)—into a modernist pictorial language. He continued these experimental drawings in Munich. These he called the Munich Suite. The major difference between the two is that whereas the lines of pen-and-ink Oja Suite are clean and ascetic, the ink-and-brush Munich Suite avoid compositional details and thus more expressive. Both, without doubt represent Okeke's first successful invention of a personal visual language based on the organic lyricism of Igbo Uli body drawing.In 1965, the year Okeke painted this featured work, he effectively broke away from his fixation on ink drawing (and gouaches), which spanned his Nok Suite (1958-59) and the Oja and Munich suites, returning to oils as his primary medium for the first time since Zaria. But the solid forms and flat shapes of colour that define his Zaria-period style (as in Jumaa and Ana Mmuo, both 1961), gave way to fervid brushwork and loosely defined forms. In the work presented here, Primeval Forest, and in other similarly-scaled 1965 paintings, including his masterpiece, Women's War, as well as Oyoyo (in the collection of the Museum of Modern Art, New York), Okeke arguably achieved mastery of expressive painting. Given the elemental power and unprecedented scale of these 1965 paintings (in subsequent years he worked on a smaller scale), it is safe to conclude that he reached the height of his powers as a painter that year. Earlier in 1962, Okeke made several gouache paintings, including one titled Primeval Forest, in which we see a dramatic transformation of his painting, from the flat planes and solidly modelled forms of the Zaria-period to a new pictorial attitude dominated by deliberate swooshes of vigorous, lyrical brushwork. Whereas in the 1962 Primeval Forest the pictorial space is flat and the forms are completely abstract (despite that it clearly insinuates vegetal growth with floral elements), this substantially scaled up 1965 version is less flat and more descriptive, with the ground and tree trunks rendered in umbers, barely distinct from the rich blue-greens and hot cadmiums of leaves and flowers. The disciplined and assertive brushwork of the 1962 works, gave way to more fervid painterly gesture and modelled forms. Moreover, the Uli spiral motifs that dominated his earlier gouaches and drawings, are largely gone, transformed into inchoate brushwork; in a few of the 1965 paintings, such as the Princeton University Art Museum's Adam and Eve, these motifs occur only sparingly.While Okeke tempered the resolute flatness of space of his post-Oja Suite paintings of 1962, in this 1965 Primeval Forest, the forest scene, without any indication of perspectival space, is pictorially impenetrable. The tree forms stand like spiky sentinels and formless monstrosities. Here, Okeke is interested in the forest not so much as marker of the tropical, natural landscape, as a stage for the dramatic encounters with the metaphysical—of ancestral beings, deities and often-malevolent spirits and incarnate forces. This is the forest of folklore, that is the theatre of actions that shaped the world of the ancients, when the world was young, and a place where in lived memories only the strong dared enter, or where the luckless were banished. We are grateful to Professor Chika Okeke-Agulu for his assistance with the compilation of the above footnote.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Dylan Lewis (South African, born 1964)Leopard, S186 signed and numbered 'Dylan Lewis/ 14/15/ S186', further bears the foundry mark 'SCS/ FOUNDRY' (to the trunk below the back left leg)bronze on Perspex base 33 x 93.3 x 33cm (13 x 36 3/4 x 11 7/16in). (including Perspex base) Footnotes:Widely considered to dominate the in the animal sculptural arena on a global scale, Dylan Lewis presents us with a striking work, emblematic of his distinctive style, yet wonderfully distinctive from his wider oeuvre. The sculptor's overwhelming success can be credited not only to the bold technique of his application, but also the sheer passion in which he executes his sculptures. Fed by an intuitive love for the rawness of the African wilderness, his work wholeheartedly reflects his commitment to his subjects. Lewis's devotion the outdoors and wilderness are stooped in his upbringing, holidaying with his family in wilderness and areas of outstanding beauty. These groundings in his artistic process have remained present to this day with a mountain range viewable from his Stellenbosch home. The terrain of the mountainous landscape resonates with the iconic impasto texture that his sculptures adopt.Robust yet gracefully tranquil, the gravitas of the present work makes it an impactful and striking work. Differing from his other feline studies, the present subject is presented in a resting state, a testament to the sculptor's well-rounded studies and understanding of the leopard form. Resonating with its solitary nature, the leopard became a favoured subject following an interaction he had with a captured leopard kept in a sanctuary near his home. Indeed, beyond their metaphorical reflective presence as the subject of Lewis's work, the subject is here displayed as a wild animal interacting with it's habitat, also bringing attention to the environments threatened existence.For further information on this lot please visit Bonhams.com

Uzo Egonu (Nigerian, 1931-1996)A New Lease of Life (Third) signed and dated 'UZO Egonu 89' (lower left)/ titled 'A new lease of life (Third) Oil 1989'; further bears the label 'Uzo Egonu/ 019' (to the stretcher bar, verso)oil on canvas 135 x 200cm (53 1/8 x 78 3/4in).(framed)Footnotes:ProvenanceA private collection.Paired with his developed cataracts in both eyes from the years 1979 to 1983, the period of painting that followed was known as his period of 'Painting in Darkness'. The works created in this period may well have had their palette mixed from memory. This would have been a time of anxiety for the artist who described it as a period of 'pulling through'. (Uzo Egonu, 'Painting in Darkness 1979-1983', undated manuscript, p 2. Artist's private papers.) Ironically included in this dark period, the palette of the present work is bright and vivacious, a technique that would transcend into the following years after Egonu received his last eye operation in 1983 restoring his sight. While his eyesight improved, the decline in Egonu's physical health given two heart attacks and a diagnosis of limited time to live motivated the artist to get his estate and administration in order, preparing for the end of his life. Outliving his health predictions, Egonu's work would again evolve, stimulated by what he believed to be 'a new lease of life'. (Egonu, 'The Circumstances leading to the creation of the work', undated paper. Artist's private papers.) It was this newly found defiance and energy that would turn Egonu's attention to a more contemplative observation of himself. This commentary began with self-portraits in the form of large-scale heads in the first of a series of paintings under the shared title A New Lease of Life. 'A person may detest exercise or walking, prefers [sic] butter to low cholesterol margarine, likes drippings... but circumstances, due to the consequences of that particular life style which affects the health, may wipe out all the detestations'.(Egonu, 'The Circumstances leading to the creation of the work', undated paper. Artist's private papers.)Aligning with the above quotation, the present work shows us the theoretical elements of a traditional still life. Depicting his reality, and the objects that surround his life, using them as a self-reflective metaphor, we see tins of food labelled 'Low Fat Yogurt', 'Sunflower margarine', 'Sunflower Oil' , and 'Skimmed milk'. Accompanied by illustrations of vegetables and fruit, this food lies beneath a building labelled 'Natural Health Clinic'. An inscription to the upper left of the work reads 'Lecithin Granules', commonly used to treat high cholesterol and further acts as an emulsifier to extend the life of food. It is an extremely rare element of Egonu's practise whereby he would include labelling and words in his art, promoting this idea that his later works following his health issues where more intentional and self-reflective in their meaning, rather than ambiguous and up for interpretation. This could be classed therefore as a type of self-portrait depicting the elements of his life that were relevant to his everyday life.Our thanks to Prof. Olu Oguibe author of 'Uzo Egonu, An African Artist in the West', pub 1995 for his assistance with the compilation of the above footnote.BibliographyChinua Achebe, 'Onitsha: Gift of the Niger', Morning Yet on Creation Day, (London: Heinemann, 1975)For further information on this lot please visit Bonhams.com

Amoako Boafo (Ghanaian, born 1984)Self-Portrait 2019 signed, dated and titled 'AMOAKO M/ BOAFO 2019/ KING' (lower right) oil on card 69.5 x 49.5cm (27 3/8 x 19 1/2in).(framed)Footnotes:ProvenanceAcquired directly from the artist, 2019;A private collection. In 2014, after studying at the Ghanatta College of Art and Design in Accra, Amoako Boafo won a scholarship to study at the Vienna Art Academy in Art and Design in Austria. With a body of work that is centred around figurative portraiture, Boafo's first recognition was in 2017 when he receive the Jury Prize and Walter Koschatzky Art Prize. In 2019 he would also win the STRABAG Artaward International. With a career stimulated by passion and self-motivation, given that as a child he was told he would never be able to attain and retain a career as an artist, Boafo has defied his humble beginnings. He has beaten the odds to become one of the most successful and exciting contemporary artists today.Painted in 2019, the present work may have acted as a precursor to his major exhibition I STAND BY ME at Chicago's Mariane Ibrahim Gallery in 2021. The title of the exhibition reflects the artists observation of individuality and one's role in society, to define how one sees themselves. Speaking on his self-portraiture:'Before I actually painted myself a lot, because I had to be okay with myself and how I portrayed myself for others to kind of understand my work. And so what I will look at is facial expressions, how celebratory they are, the self-confidence right? Then I will look at ... I mean, that's also another angle: that whatever the person is doing in society, how they are creating spaces.' ('Amoako Boafo gets online with Idris Elba', Christian Dior, (extract from a YouTube interview, 17 July 2020) 4:38-5:10).The present work possesses the artist's iconic finger painting technique, a motif he associates with freedom and an embrace of the natural state of lack of control. By eliminating a tool between himself and the art he creates, Boafo defines himself as a sculptor, rendering his subjects directly from his hand. Famous also for his lively and bold palette, the colour yellow is also significant in the colour's association with optimism and celebration.The intimate crop of the work characterises this self-portrait as unusual in the artist's oeuvre. Given he commonly works with oversized canvases and compositions that allow us to see more of the figure's body, it could be said, that the smaller and closer scale position the artist places us in in relation to the subject, enables an intimate view of the artist.In some instances, Boafo has been compared to Egon Schiele, a label which the artist welcomes:'I enjoy bringing Black portraiture to Europe. I am interested in creating work that incorporates multicultural elements rooted in my experiences in both Europe and Africa, including Egon Schiele. (Amoako Boafo in conversation with Dean Kissick, 'Figurative painter Amoako Boafo on his stratospheric rise', GQ Magazine, (29 January 2021, online).As he exclusively portrays people from the Diaspora and beyond, Boafo celebrates his community whilst also reflecting on the complexities of subjectivity. Challenging the historic representation of people from the Diaspora, Boafo aims to create a fresh narrative on the reality of his community's identity.For further information on this lot please visit Bonhams.com

Benedict Chukwukadibia Enwonwu M.B.E (Nigerian, 1917-1994)Bust of a young boy bronze on wooden plinth 33 x 18 x 19cm (13 x 7 1/16 x 7 1/2in). (including base)Footnotes:ProvenanceA private collection.The qualities of the present lot show the refined rendering and the textual qualities that the artist had also favoured in his wood sculptures. It could be said that Ben Enwonwu's earliest artistic depictions were in sculpture given that he used to carve his own toys as a child. In his later bronze works, often depicting people of personal significance to Enwonwu, sculptural portraiture was an practise of the artist that displays an extension of his extensive artistic talents. So skilful was his technique that in 1956 he received a portrait commission of Queen Elizabeth II to commemorate her visit to Nigeria earlier that year. Working in London, he conducted preliminary sketches and clay models of the monarch in his own studio before relocating to the Maida Vale studio of his colleague at the Royal Society of British Artists, Sir William Reid-Dick, as the work increased in scale. In an interview conducted with the artist in 1988, Sylvester Ogbechie relates, 'Enwonwu completed his clay model of the Queen's portrait in July 1957 and had it cast in bronze by Guilio Galicie, an Italian bronze caster resident in London, from a plaster cast prepared in the studio of Frederico Mancini' (Ogbechie, 2008: p. 138).BibliographySylvester Okwunodu Ogbechie, Ben Enwonwu: The Making of an African Modernist (Rochester, NY: 2008)For further information on this lot please visit Bonhams.com

Ibanez Artcore arch top guitar with Gator case Ibanez Artcore mdoel AK-95 arch top guitar, double bound cutaway body with wood scratchplate, pearl and abalone block maker inlaid fingerboard, double bound headstock with pearloid capped tuners, gold hardware and twin humbucker pickups, serial number S09122315, with Gator hard case.63.3cm scale lenth.

Early 19th century mahogany stick barometer by Francis Pelegrino Early 19th century mahogany stick barometer by Francis Pelegrino, silvered plate signed 'F. Pelegrino Fecit' with Fahrenheit mercury thermometer, manual vernier scale and seven weather predictions to the 27-31' scale, in a mahogany case with broken swan neck pediment and central brass finial, over a glazed door, with chequered strung borders throughout, terminating in a circular turned cistern cover98cm highGood overall condition, plate in good order and stringing all present. There is evidence of a small repair to the bottom left, see image.

A 19th century mahogany mercurial wheel barometer with silvered dial, level hygrometer and temperature scale. 38½" high.

LEWIS (S & Co) A Map of England and Wales, Drawn by R. Creighton, Engraved by J. Dower, 4 large scale folding sections with hand colour, no date; Map of Scotland, 3 folding sections; all folding into modern green cloth slip cases (7)

A collection of folding touring maps, 20th century mainly Great Britain from circa 1920s, including Bartholomew, Burrow's RAC, Ordnance Survey, and others; also to include Philip's Large Scale Military Map of the Seat of War on the Natal Frontier, 66 x 52cm, and G W Bacon two-section linen backed folding map of England Wales, for The Chart Publishing Co, Oxford; and - Taschen (publisher) Cities Of The World, complete edition of the colour plates of George Braun & Franz Hogenburg, 2008, dust jacket, in card case

Large 19th century English measuring instrument made of brass. Througton & Simms London. Possible shipping compass for maps. With bone wheels and scale. Signed, and in mahogany case. Dimensions: 94 x 16 x 10 cm. In good condition.

Full title: An exceptional massive Chinese blue, white and copper-red fish bowl with antiquities and 'Master of the rocks'-style panels, KangxiDescription:Dia.: 60,5 cm - H.: 48 cm The present fish bowl is unique. There appears to be no record of another surviving example combining the vivid 'Master of the Rocks'-style panels with magnificently painted arrangements of scholar's objects. The landscape panels are captured in leaf-shaped medallions, while the arrangements of scholar's objects are left unframed, yet remain in perfect balance with the leaves. The upper band is decorated with underglaze blue and copper-red peony scrolls. The lower band features five kui dragons surrounded by lotus scrolls, where the lotus flowers stand out as executed in a vibrant shade of copper-red. The copper-red is fired to perfection throughout, an impressive realisation on such a grand scale piece. Provenance:- An important Belgian private collection.Condition:The absence of a condition report does not imply that a lot is in perfect condition.Condition reports are provided on request. They will be made available, together with additional images, on our website at www.rm-auctions.com. Condition reports are given as a service, we can not be held liable for errors in such a report. The full list of condition reports for this sale is available on the following URL: https://www.rm-auctions.com/en/condition-report/75Further questions are always welcome at info@rm-auctions.com

ALEXANDER NASMYTH (SCOTTISH 1758 - 1840), ITALIAN LANDSCAPE AT DUSK oil on canvas, signedframedimage size 68cm x 96cm, overall size 92cm x 119cm Provenance: Private German Country House Collection. Christies, Glasgow stencil mark and label verso.Note: By the 1800s Alexander Nasmyth's skill as a landscape painter was such that he was confident working on an ambitious scale, yet due to the numerous demands on his time relatively few pictures survive from this period. Between 1790 and 1810 he was remarkably industrious: in addition to supporting his large young family, he was setting up an art school where he taught classes and was also working on an ever-expanding portfolio of theatrical, engineering and landscape design projects. Nasmyth came from a line of architect-builders, and as a youth had been trained to take over the family business by his father but opted to pursue painting instead. It was not until later in life that he began to take on architectural and landscape-design commissions, embodying the Italian ideal of the architetto-pittore. James Nasmyth wrote: ‘My father was much employed in assisting the noblemen and landed gentry in improving the landscape appearance of their estates, especially when seen from their mansion windows. His fine taste, and his love of natural scenery gave him great advantages in this respect… he designed alterations of the old buildings so as to preserve their romantic features, and at the same time to fit them for all the requirements of modern domestic life.’ (ed. S. Smiles James Nasmyth, Engineer: An Autobiography,London, 1883, pp.36-37)

GEORGE HOUSTON RSA RSW (SCOTTISH 1869 - 1947), SPRING, RIVER AYR oil on canvas, signed, titled versoframedimage size 71cm x 91cm, overall size 85cm x 105cmProvenance: Gifted in 1963 by Edward Houston, son of the artist. The scene is The River Ayr.Note: George Houston was born in Dalry, Ayrshire. He was a prolific artist in both oils and watercolours. He specialized in the landscapes of Ayrshire and Argyll and his exceptional talent lay in creating the atmosphere, climatic conditions and season of each scene. He sometimes worked on a large scale but unlike many artists, the quality of his work remained constant. His style was not influenced by modernist trends and is best described as "late Impressionism". Houston achieved substantial commercial success, which funded a comfortable lifestyle for his ever growing family. He received widespread critical acclaim and was admired by his contemporaries for the apparent ease with which he painted. He only started painting professionally in his late thirties but "quality" came naturally to him as it usually does for truly "gifted" painters. Houston loved fishing and he loved country life. This love of the natural environment has always been (and remains) clear and obvious to the many who appreciate his paintings.