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215354 Los(e)/Seite
Los 1270
Impressive, large-scale chimney pot prop carried by cast members during the Together section of the Birmingham 2022 Closing Ceremony. These hand-crafted foam chimney pots were used to represent the mass rebuilding of the city in the 1950s following the WWII devastation. This chimney pot and is decorated with incredible detail and colour. Items have been used in actual ceremony - condition as per image. THIS LOT IS COLLECTION ONLY
Los 1271
Impressive, large-scale chimney pot prop carried by cast members during the Together section of the Birmingham 2022 Closing Ceremony. These hand-crafted foam chimney pots were used to represent the mass rebuilding of the city in the 1950s following the WWII devastation. This chimney pot and is decorated with incredible detail and colour. Items have been used in actual ceremony - condition as per image. THIS LOT IS COLLECTION ONLY
Los 1272
Large-scale iron girder prop used by cast members during the Together section of the Birmingham 2022 Closing Ceremony. These hand-crafted foam construction girders were used to represent the mass rebuilding of the city in the 1950s following the WWII devastation. This iron girder is decorated with incredible detail and colour. Items have been used in actual ceremony - condition as per image. THIS LOT IS COLLECTION ONLY
Los 1365
Large-scale, hand-crafted Birmingham 2022 Perry mascot statue used around major event venues. This impressive Perry statue is a bespoke design made from fibreglass and uses all the iconic B2022 colours and branding on similar style base, there is damage and chipping to the tail on the reverse, with a visible crack at the tail join at the end, scratches visible on the back of the head, see images THIS LOT IS COLLECTION ONLY
Los 804
Impressive large-scale industrial tool stage props carried by cast members during the Carnival of Firsts section of the Birmingham 2022 Opening Ceremony. Full set of tools including a mallet, pickaxe, axe and hammer and are hand-crafted with incredible detail and colour. Items have been used in actual ceremony - condition as per image.
Los 805
Impressive large-scale industrial tool stage props carried by cast members during the Carnival of Firsts section of the Birmingham 2022 Opening Ceremony. Full set of tools including a mallet, pickaxe, axe and hammer and are hand-crafted with incredible detail and colour. Items have been used in actual ceremony - condition as per image.
Los 806
Impressive large-scale industrial tool stage props carried by cast members during the Carnival of Firsts section of the Birmingham 2022 Opening Ceremony. Full set of tools including a mallet, pickaxe, axe and hammer and are hand-crafted with incredible detail and colour. Items have been used in actual ceremony - condition as per image.
Los 104
* STEVEN CAMPBELL (SCOTTISH 1953 - 2007),UNTITLED oil on paper laid on linenoverall size 207cm × 157cm Unframed. Provenance: The Artist | Franklin Group, New York | Private Collection. Possibly from the Lytton Strachey Group of paintings, Circa 1985.Note: Steven Campbell was born in Glasgow and originally worked as a maintenance engineer in a steelworks in Cambulsang before attending Glasgow School of Art and becoming one of the leading Scottish figurative painters of his generation. Campbell worked alongside the artists Ken Currie, Peter Howson and Adrian Wiszniewski, a group which later became known as the 'New Glasgow Boys'. While their artistic output was not homogenous they all shared an interest in figurative painting during the early 1980s which broke away from the conceptual and minimal trends in Modern art at the turn of the twentieth century. After graduating from Glasgow School of Art in 1982 Campbell won a Fulbright Scholarship to study at the Pratt Institute in the United States. Campbell worked from a studio in Brooklyn until 1986 and this period was key in establishing his status as an internationally renowned artist whilst raising awareness of Scottish contemporary art on a global scale. "Young Camper Discovering Grotto in The Ground" is a major work representative of this period. It appeared in a solo show held at the Barbara Toll Gallery in 1983. Within days of the show, the doyen of the New York art critics, John Russell, fully endorsed the painterly qualities of a young, unknown Scottish artist in his New York Times review. From here it was purchased by significant US contemporary art collectors, Boake and Marian Sells. Campbell had further solo exhibitions across the world in locations as far-reaching as Galerie Pierre Huiber in Geneva (1986) and Marlborough Fine Art in Tokyo (1990). His work is influenced by a diverse range of literary fiction from tales by the author P.G. Wodehouse to murder mysteries, resulting in his artworks appearing to be humorous and unsettling. Campbell was also influenced by children's book illustrations accounting for his use of a rich and vibrant palette which intensified after his U.S. period. Campbell's surreal compositions cannot be read as a conventional fictional narrative and his imaginary worlds intentionally challenge the viewer with their dreamlike quality leaving his artwork open to multiple interpretations. Note 2: The current work is so far untitled and was painted during the artist's time painting in the USA. During this period Campbell exhibited with Barbara Toll Fine Arts, New York and Asher Faure Gallery, Los Angeles. However, the current painting was purchased directly from the artist by the Franklin Group a large media corporation based in the USA.
Los 2035
20th Century Soldiers Embroidery Industry Silk Curtain Worked in the Chinese Style, with large central multi petalled flower head in the Kakiemon palate of colours, surrounded by scrolling decorative flower heads and flying birds, interlined with silk backing, bears a stitched label to the reverse 'Soldiers Embroidery Industry, Made by the Totally Disabled, 42 Ebury Street' 260cm by 247cmThe Soldiers Embroidery Industry Operated between 1918 and 1955. It was perhaps the most successful and high-profile scheme that aimed to help disabled combatants, returning from the First World War, back to employment through the small-scale production of domestic and luxury textiles marketed to middle class and aristocratic consumers.Provenance: 1st Earl Mountbatten of Burma and thence by family descent The central part of the embroidery appears to be in the best condition, but on the right and left side the silk has split from top to bottom. slight discolouration to the silk.
Los 359
Mixed lot to include mahogany cased travelling thermometer, together with pocket compass in elliptical mahogany case, one other modern silver plated pocket compass, and a Fowler's long scale calculator in leather travel case (4)Fowlers calculator – right knob not working.Both compases – fully working.Thermometer – appears to be working.
Los 72
A Meissen Marcolini scalloped bowl painted with fruit under a gilt scroll and puce scale border, together with a Meissen Onion pattern lattice plate, another pair of German porcelain scalloped plates, a Dresden basket and other Continental porcelain (one tray)Meissen scalloped bowl - oversprayed crack inside the well and with some gilt wear. Meissen lattice plate - in good condition. Pair of German dishes - also in good condition. Dresden basket - good condition. Nymphenburg cup and saucer - good condition. Pair of Wien dishes - good condition. Puce and gilt saucer - good condition. The other puce saucer with some enamel scratches only.
Los 330
ASSORTED BOXED DIE-CAST VEHICLES comprising Meccano Dinky Supertoys Blaw-Knox Bulldozer No. 961, Meccano Dinky Supertoys B.B.C. T.V. Mobile Control Room No. 967, Meccano Dinky Supertoys B.B.C. T.V. Roving Eye Vehicle No. 968, Meccano Dinky Toys Elevator Loader No 564, Corgi Toys Major 'Bloodhound' guided missile with launching ramp, loading trolley and R>A>F> Land-Rover Gift Set No.4, Minc Electric Tri-ang Vanwall 1/20 scale (6)Provenance: private collection Carmarthenshire, consigned via our Carmarthen Office
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215354 Los(e)/Seite