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SELECTION OF VARIOUS MODEL KITSincluding a Heller 1/24 scale Talbot-Lago Record 1950 motor car, Hellar 1/24 scale Delahaye 135 motor car, Lindberg 1/24 scale 1931 Bugatti Royale Victoria, Monogram 1/25 scale '59 Cadillac Convertible, an Italeri 1/24 scale Cadillac Town Car and a Tamiya 1/24 scale motorized Lancia Stratos Turbo (6)
SELECTION OF VARIOUS MODEL KITSincluding a Matchbox 1/25 scale Peterbilt 359 tractor unit, Revell 1/24 scale Mercedes 300 SLR Mille Miglia, Nitto Kagaku 1/24 scale Ferrari Dino Special Racing, an AMT Ertl 1/25 scale 1949 Mercury Sedan, an AMT Ertl 1/25 scale 1940 Ford Coupe and a Matchbox 1/32 scale Citroen 11 Legere (6)
Two pairs of Stevens and Williams two-colour cut glass wine glasses, late 19th century, the ogee bowls cut with Turkish arched panels with floral and foliate decoration divided by scale cutting, over petal basal cutting, one pair in olive green over cranberry, the other pair on purple over yellow, on a facet knopped hexagonal baluster stem, on a star cut foot, 19.5cm. high. (4)* Condition: One green/cranberry glass with small frit to edge of scale cutting, and the other similar glass with an even smaller frit to the scale cutting (which may be factory, as it has been polished). No other faults.
A 19th century patinated and lacquered brass Theodolite, the telescope with rack and pinion focusing, dust cap and level, located on the limb, with vertical full circle inset with a silvered scale with vernier, the 'V' frame supports mounted on vernier plate with level and silvered compass signed 'J. Halden & Co. London & Manchester', level and cross bubble, on four screw adjustment tripod support, in fitted mahogany case.
A GEORGE III MAHOGANY BRACKET CLOCK, the break arch Roman dial signed Jonathan Moore & Sons, Clerkenwell, London with strike/silent to the arch, the five pillar twin chain fusee movement with anchor escapement, pull repeat mechanism, shouldered plates and pendulum hold fast, the break arch single pad top case with four brass ball finials over side handles and fish scale frets, brass stop flute quarter columns upon ogee bracket feet, 41cm high
'Dawn' a Moorcroft Pottery vase designed by William Moorcroft, shouldered form with waisted neck and flaring rim, tubeline decorated with a band of trees and hills, below fish scale and chevron borders to the neck, in shades of blue and cream highlighted in pink flambe on a pale blue ground, impressed marks, painted blue signature, 25cm. high
A pair of H.G. Murphy Falcon Studio silver tablespoons, London 1934, plain form, stamped marks, length 22.5cm, approx. weight 4.9oz. (2) Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner. H.G. Murphy was born in Birchington-on-Sea in Kent on 27th October, 1884. His father, a groom, died when Harry was only six and the family was obliged to seek lodgings in London, where they settled in premises located just off Kensington Church Street. A shy and introspective boy, Harry was largely self-taught and spent much of his spare time in the local library where, according to family tradition, he devoured Encyclopaedia Britannica from cover to cover firing a lifelong passion for many of the subjects which were to influence his designs including botany, astronomy, astrology and zoology. At the age of 14, a chance meeting at a local Arts and Crafts exhibition was to have a radical bearing on Harry's life and career. While admiring the silverware on display he fell into conversation with Henry Wilson, the celebrated designer and craftsman who, clearly impressed by the boy's enthusiasm, offered Harry a six-year apprenticeship at his studio in Kensington. Wilson was probably England's greatest teacher and mentor of young talent in the Arts and Crafts tradition and by the end of his apprenticeship Harry had mastered many of the skills necessary to be a highly competent goldsmith and silversmith, such as hammering, engraving, gem polishing, gem setting, niello work and enamelling. Unsurprisingly, much of his output before and after the First World War was strongly influenced by nature and naturalism and it was not until the 1920s that he started to experiment with a range of different ideas and concepts. In 1928, Harry Murphy established retail premises in Marylebone called the Falcon Studio. By the early 1930s, his output was prodigious encompassing silver commissions from City institutions, churches, schools and sporting associations as well as small-scale jewellery in silver and gold, such as a splendid topaz, sapphire, diamond and polychrome enamel tiara designed and made for the Princess Royal. The Falcon Studio prospered through the late 1930s but Murphy's health had begun to deteriorate. In 1938 he received the award of Royal Designer for Industry (RDI) from The Duke of Gloucester and Harry was appointed the Faculty's First Master. He died on 10th July, 1939, at the tragically young age of 54.
A rare Martin Brothers stoneware model of a fish probably by Edwin Martin, modelled with raised tail, incised scale decoration, glazed ochre and green highlighted with white and black, unsigned, professional restoration to fins, 27cm. long Literature Malcolm Haslam The Martin Brothers Potters, Richard Dennis Publications, page 91 for a model of a Pike similar and dated to circa 1890. A Large Collection of Martin Brothers Stoneware - The Property of Roy Aitken, Sotheby's Belgravia 19th April 1978 lot 65 page 17 for an identical fish.
A George III mahogany stick barometer,by George Adams, London, c.1780, the broken arch pediment over a silvered vernier scale engraved 'G Adams, Fleet Street, London. Inst. Maker to His Majesty', above a thermometer, tube and orb-shaped cistern cover with a rounded base,98cm highProvenance: The Estate of a Gentleman Dealer.George Adams Junior is recorded by Edwin Banfield as being apprenticed to his father, also called George, in 1765 and taking over the family business, at 60 Fleet Street, London, on his father's death in 1773. He continued his father's tradition of producing outstanding instruments and became instrument maker to George III and optician to the Prince of Wales. He died in 1795 leaving the business to his younger brother, Dudley.
Blaeu (Johannes). Atlas Maior of 1665, by a facsimile published by Taschen, 2005, numerous colour (including some folding) maps throughout, publisher's cloth gilt, dust jacket, large folio, together with De Jode (G.), Speculum Orbis Terrarum, published Antwerp, 1578, facsimile published Theatrum Orbis Terrarum Ltd., 1965, numerous black & white illustrations throughout, publisher's cloth gilt, dust jacket, folio, with Waghenaer (Lucas Jansz), Spieghel der Zeevaerdt, Leydem 1584 - 1585, published N. Israel & Meridian Publishing Ltd., 1964, numerous black and white illustrations throughout, publisher's cloth gilt, spine faded, folio, with another eleven facsimile atlas volumes and large scale maps similar (14)
British Isles. Elwe (Jan, & Jaillot Alexis Hubert), Les Isles Britanniques qui contiennent les Royaumes d'Angleterre, Escosse et Irlande..., published Amsterdam, 1792, engraved map with contemporary outline colouring, inset map of the Orkney and the Shetland islands, large uncoloured cartouche and mileage scale, 480 x 600 mm, together with Covens (J. & Mortier C.), Regnorum Magnae Britanniae sive Angliae, Scotiae nec non Hiberniae nuperrima delineatio..., circa 1720, engraved map with contemporary hand colouring, inset map of the Orkney Islands, large decorative cartouche, old folds, 510 x 595 mm The first map described:- R. W. Shirley. Printed Maps of the British Isles, 1650 - 1750. Jaillot 4 state 5. (2)
France. A collection of six large scale maps of Saumur, Bressuire-Niort, Loches, Confolon, St. Jean D'Angely and Aigurande, published by the Depot de la Guerre, circa 1860, six uncoloured engraved maps, sectionalised and laid on linen, each approximately 570 x 840 mm, each with a contemporary marbled paper chemise and contained in six individual marbled card slipcases with calf gilt title labels to spines, slight wear Each map has a printed label 'Librairie Militaire de J. Dumaine. Cartes du Depot de la Guerre et du Depot des fortifications. The date on the maps would indicate that they were published for the military campaigns of the French second empire. The imperial Bonapartist regime of Napoleon III from 1852 to 1870, which was sandwiched between between the Second Republic and the Third Republic. (6)NB: This should read - Seven maps contained in six slipcases
Yorkshire. Jefferys (Thomas), A Map of the county of York, reduced from the large survey in twenty sheets of the late Thomas Jefferys and drawn from a scale of two statute miles to one inch revised and corrected in the present time by Wm. Faden..., Jany. 1st. 1816, engraved map with bright contemporary hand colouring, sectionalised and laid on linen on four sheets, calligraphic cartouche, inset town plan of Kingston upon Hull, uncoloured engraved vignette of the South East view of York Minster, slight offsetting, each sheet with contemporary green endpapers with printers labels, each sheet approximately 600 x 725 mm, contained in a contemporary quarter morocoo gilt slip case, worn, stained and frayed A clear and highly accurate copy of Jefferys's earlier map of 1771. Uncommon. (1)
Updated description A 1950’s Oriosa Gentlemans Chronograph wristwatch, in Chrome plated case, with stainless steel back the black dial with outer tachymeter scale, subsidiary dials, batons, silvered hands, the dial signed Oriosa Swiss, 17 jewel Incabloc, fitted with a Manual wind movement, calibre Landeron 248; 17 jewels, hour, minute, second, chronograph together with an Ancre Rubis gentleman watch and a Carronade Gentleman's chronograph wristwatch.. Oriosa lacks bracelet, minor scratches on glass, and case worn.All watches work, at time of inspection, we can offer no guarantee of accurate time keeping or future working

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