Spiegel ''Tänzerin'' F. Gross (Entwurf), Friedrich Goldscheider, Wien, um 1905 Junge Dame in Tanzpose. Terrakotta, bunt bemalt. Spiegel bestosssen. Bez.: F. Gross (geritzt), Firmenmarke Sculpture, REPRODUCTION RESERVÈE, 294(?), 18, 9 (eingestempelt). H. 76 x 44 x 33 cm Lit.: R.E. Dechant/F. Goldscheider, Goldscheider - Firmengeschichte und Werkverzeichnis, Arnoldsche, Stuttgart 2007, S. 58
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Uhr ''Théodora'' Friedrich Goldscheider, Wien, um 1903 Sarah Bernhardt als 'Théodora' auf einem Thron sitzend. Terrakotta, bunt bemalt mit Goldstaffage, mit Glasperlen und Cabochons besetzt. Bez.: Goldscheider WIEN, GESETZLICH GESCHÜTZT, 2690, 29, 69 (eingestempelt). 61 x 55 x 33 cm Lit.: R.E. Dechant/F. Goldscheider, Goldscheider - Firmengeschichte und Werkverzeichnis, Arnoldsche, Stuttgart 2007, S. 364
''Lampe''Frauenakt Friedrich Goldscheider, Wien, um 1903 Stehender Frauenakt mit Schleier vor zwei Bäumen. Terrakotta, bronzefarben patiniert. Firmenmarke Sculpture, REPRODUCTION RESERVÉE, 2477, 36, 24 (eingestempelt). Spinnennetz aus Metalldraht mit Libelle in mehrfarbigem Pressglas. Elektrisch montiert mit 6 Lampen (Glühbirnen nicht vorhanden). Höhe: 96 cm
Mädchen mit Blütenbäumchen (Lampe) Stanislaus Czapek (Entwurf), Friedrich Goldscheider, Wien, um 1903/05 Neben einem Blütenbäumchen stehendes Mädchen in langem Gewand. Terrakotta, bronzefarben patiniert mit Goldstaffage. Bunte Glasblüten, Metall. Sockelrand mit Haarriß. Bez.: Capeque (geritzt), Firmenmarke Sculpture, REPRODUCTION RESERVÉE, 2631, 107, 24 (eingestempelt). Elektrisch montiert mit drei Lampen (Glühbirnen). H. 73 cm
Kaminuhr mit Biedermeier-Liebespaar Simon (Entwurf), Friedrich Goldscheider, Wien, um 1905 Terrakotta, bunt bemalt. Bez.: Simon (geritzt), Goldscheider Wien, REPRODUCTION RESERVÉE, 3113, 22, 7 (eingestempelt). H. 41 cm Lit.: R.E. Dechant/F. Goldscheider, Goldscheider - Firmengeschichte und Werkverzeichnis, Arnoldsche, Stuttgart 2007, S. 354, Modell 2305
Große Kaminuhr ''URSUS'' mit mythologischer Figurengruppe und Stier Goldscheider, Wien (zugeschr.), 1904 Geschwungenes Uhrengehäuse mit kräftig reliefierten Löwenmaskarons und antikisierendem Figurenfries. Terrakotta, bemalt. Sockelrand und zwei Finger bestossen. Bez.: nicht identifizierte Entwerfersignatur, REPRODUCTION RESERVÉE, MADE IN AUSTRIA (eingestempelt), 1199, 5 (geritzt). Auf Holzsockel. 62 x 74 x 34 cm (m. Holzsockel)
Gruppe ''Der kleine Doktor'' E. Tell (Entwurf), Friedrich Goldscheider, Wien, um 1899 Biedermeier-Kinderpaar mit Kätzchen auf Achtkantsockel mit Schemel. Terrakotta, bemalt mit reicher Goldstaffage. Bez.: E. Tell (geritzt), Friedrich Goldscheider Wien, REPRODUCTION RESERVÉE, 1768, 55, 10 (eingestempelt). H. 45 cm Lit.: R.E. Dechant/F. Goldscheider, Goldscheider - Firmengeschichte und Werkverzeichnis, Arnoldsche, Stuttgart 2007, S. 331
Kaiser Napoleon I. Bonaparte Lecheumanod (?) (Entwurf), Friedrich Goldscheider, Wien, um 1898 Auf Rechtecksockel stehend, mit verschränkten Armen. Terrakotta, bemalt. Bez.: Lechemanaud (?) (geritzt), Friedrich Goldscheider Wien, REPRODUCTION RESERVÉE, 1074, 4, 5 (eingestempelt). H. 105 cm Lit.: R.E. Dechant/F. Goldscheider, Goldscheider - Firmengeschichte und Werkverzeichnis, Arnoldsche, Stuttgart 2007, S. 311
A pair of Goldscheider cold painted terracotta figures of a barefoot boy and girl, 1897-1914, seated on rocks with a fish, 43 and 44cm h, rectangular applied mark and impressed reproduction reserve and on one incised signature Some flaking of paint mainly on figure of girl and small restorations
HANIROFF FOR GOLDSCHEIDER; a large terracotta figure group c.1895 modelled as three young boys seated upon a wall, impressed marks, also numbered 1180 28 35 and with artist's facsimile signature to the side, height 59cm, width approx 38cm.Provenance: Private collection in North West.Additional InformationThe left hand figure has had its big toe broken and repaired. Apart from this, the only other thing to note is some very minor rubbing to the toes. There is some polychrome painted decoration throughout, overall a good example.
Art Déco-Figur "Carmen". Originaltitel Steingut. Unregelmäßiger, profilgerahmter Sockel. Auf einem Stuhl, mit übereinander geschlagenen Beinen sitzende Spanierin mit extravagantem Kopfschmuck, gekleidet in einen schwarzen, knielangen Rock und bunten, geometrisch gemusterten Umhang. Den Kopf nach rechts gewandt. Die linke Hand zur Brust führend, die Rechte einen Fächer haltend. Polychrome Unterglasurmalerei. Entw. um 1928. Manufakturmarke. H. 40,5 cm. Vgl. Dechant/Goldscheider, Wvz. S. 547, Nr. 319.A Vienna Art Deco figure of a spanish woman "Carmen". Polychrome painted and glazed earthenware. Manufacturer's mark.Österreich. Wien. Marcell Goldscheider. Um 1928 - 1939.
Art Déco-Figur einer Dame mit Windhund Steingut. Auf ovalem, schwarzem Sockel stehende junge Dame in einem blütengemusterten Kleid mit großem Hut, in den Händen einen Muff haltend. Ihr Blick nach unten zu einem Windhund gerichtet. Polychrome Unterglasurmalerei. Entw. Klára Herczeg (Claire Weiss), um 1930/1931. Modell-Nr. 7720. Manufakturmarke. H. 33 cm. Vgl. Dechant/Goldscheider, Wvz. S. 5469, Nr. 7720.A Vienna Art Deco figure of woman with greyhound. Polychrome painted and glazed earthenware. Manufacturer's mark.Österreich. Wien. Friedrich Goldscheider. Um 1930 - 1940.
Art Déco-Figur "Kongress". Originaltitel Steingut. Auf rundem, schwarzem Sockel, in Tanzhaltung stehende junge Dame mit weit ausgebreitetem, blütengemustertem Kleid, die Tänzerin Lilian Harvey darstellend. Polychrome Unterglasurmalerei. Entw. Stephan Dakon, um 1931. Modell-Nr. 6330. Manufakturmarke. H. 32,5 cm.A Vienna Art Deco figure of a woman representing the female dancer L. Harvey. Polychrome painted and glazed earthenware. Manufacturer's mark.Österreich. Wien. Friedrich Goldscheider. Um 1931 - 1941.
Art Déco-Figur "Susette". Originaltitel Steingut. Auf ovalem, schwarzem Sockel seitlich schreitende Dame in blauem, blütengemustertem Kleid, die junge Tänzerin Lilian Harvey darstellend. Polychrome Unterglasurmalerei. Entw. Stephan Dakon, um 1937. Modell-Nr. 8083. Künstler-Sign.; Manufakturmarke. H. 32,5 cm. Vgl. Dechant/Goldscheider, Wvz. S.782, Nr. 8083.A Vienna Art Deco figure "Susette" representing the female dancer L. Harvey. Polychrome painted and glazed earthenware. Signed. Manufacturer's mark.Österreich. Wien. Friedrich Goldscheider. Um 1937 - 1941.
Art Déco-Figur "Beauty". Originaltitel Steingut. Auf ovalem, schwarzem Sockel, in Tanzhaltung stehende junge Dame mit nach hinten geneigtem Oberkörper in bordeauxrotem, blütengemustertem, flügelartig hochgezogenem Kleid. Polychrome Unterglasurmalerei. Entw. Stephan Dakon, um 1935. Modell-Nr. 7996. Minim. best.; Manufakturmarke. H. 26,5 cm.A Vienna Art Deco figure of a dancing woman. Polychrome painted and glazed earthenware. Minor chipped. Manufacturer's mark.Österreich. Wien. Friedrich Goldscheider. Um 1935 - 1941.
Art Déco-Figur "Madelaine". Originaltitel Steingut. Auf ovalem, schwarzem Sockel in Tanzhaltung stehende junge Dame in bordeauxrotem, blütengemustertem Kleid mit nach vorn geschwungenem rechten Bein. Polychrome Unterglasurmalerei. Entw. Stephan Dakon, um 1933. Modell-Nr. 6704. Künstler-Sign.; Manufakturmarke. H. 31,5 cm. Vgl. Dechant/Goldscheider, Wvz. S. 438, Nr. 6704.A Vienna Art Deco figure of the dancing woman "Madelaine". Polychrome painted and glazed earthenware. Signed. Manufacturer's mark.Österreich. Wien. Friedrich Goldscheider. Um 1933 - 1941.
Stephan Dakon (1904 Wien - 1997 ebenda)Tanzendes MädchenBronze, silber- und goldfarbene sowie türkisgrüne Kaltpatinierung; Elfenbein, geschnitzt. Sign.; Hellgrüner Onyxsockel. Auf einer kleinen Plinthe auf einer Fußspitze stehendes, ausgelassen und beschwingt tanzendes Mädchen. Dakon gehört neben Josef Lorenzl zu den bedeutendsten Wiener Bildhauern des Art Déco, außer als Schöpfer von Kleinbronzen wurde er als einer der bedeutendsten und kreativsten Entwerfer für Goldscheider-Figuren mit Tänzerinnen, Schauspielerinnen etc. bekannt. Ges.-H. 27 cm.Cold painted bronze and carved ivory figure on green onyx base. Signed.
Two Goldscheider pierced eye pottery wall masks,No. 6427/3, modelled as a lady, with orange curling hair and lips, pierced eyes, with a turquoise shoulder, impressed and printed marks,25cm high, and No. 7089/65, modelled as a lady with curling turquoise hair and eyeliner, with a white and blue trimmed collar,26cm high (2)Condition report: Orange hair - missing pieces across the head. Chips to the other.
Two Goldscheider pottery wall masks, No. 6427, modelled as a lady with gold curling hair, orange lips, pierced eyes and with a blue beaded necklace, impressed and printed marks,24cm high, and No. 6428, modelled as a lady with orange curling hair and lips, pierced eyes, and a turquoise hat, incised number and printed marks,22cm high (2)Condition report: Both restored. Gold hair - to the hair and visible crack to front curl, base area restored. Pierced eyes - restored to the lower section in particular.
A Goldscheider pottery wall mask, No. 6775, modelled as a lady with curly orange hair and lips, green eyelids, and a turquoise collar, with original silvered label, impressed number and printed marks,26.5cm high Condition report: Two chips to the back of the mask - on the collar. Hole for suspension with wire.
A Goldscheider pottery wall mask, No. 7950, modelled as a lady with flowing turquoise hair and eyes, orange lips and with a yellow beaded necklace, incised and printed marks,24cm highCondition report: The face with faint crazing. The top of the hair with small glaze chip. Additional images uploaded.
A Goldscheider plaster work figure of a standing schoolboy with satchel and slate and with moulded and impressed marks verso Fabrique En Autriche, and rectangular seal mark with seated figures, numbers 38737415 and incised signature petri (for Ottro Petri (1860-1942), 51 cm tall approximately, together with a further plaster work figure of a seated cherub drawing on a tablet and with plaque to front Enfant Ecrivant after Canova, 35 cm approximately (2)
A FREDERICK GOLDSCHEIDER ART NOUVEAU TERRACOTTA JARDINIERE, patinated bronzed finish, modelled as a female nymph looking over the edge of a pool, signed 'Honeker', impressed Goldscheider signature and 'REPRODUCTION RESERVEE 01047 21 10', extensive damage and glued repairs to the nymph, chips to feet, crack along one side of jardiniere chips to base, height 58cm
AUGUSTE RODIN (1840-1917)Mouvement de danse, étude type G signed and numbered 'A. Rodin, No. 11' (on the sole of the raised foot), inscribed '© by Musée Rodin 1959.' (on the figure's right arm) and further inscribed with the foundry mark 'Georges Rudier Fondeur. Paris.' (on the sole of the lower foot)bronze with a brown patina33.7 cm (13 1/4 in). highConceived circa 1911, this bronze version cast in 1959 by the Georges Rudier foundry in a numbered edition of 13, numbered 0-12.Footnotes:This work will be included in the forthcoming Auguste Rodin catalogue critique de l'Ĺ“uvre sculpté currently being prepared by the Comité Auguste Rodin at Galerie Brame & Lorenceau under the direction of Monsieur Jérôme Le Blay.ProvenanceMusée Rodin, Paris.Roland, Browse & Delbanco Gallery, London (acquired from the above in October 1959).Lucia Moreira Salles Collection; her sale, Sotheby's, New York, 5 November 2009, lot 104.Private collection, UK (acquired at the above sale).LiteratureR. Descharnes & J-F. Chabrun, Auguste Rodin, London, 1967 (plaster version illustrated pp. 248 & 251).I. Jianou & C. Goldscheider, Rodin, Paris, 1967, fig. 79 (another cast illustrated; dated 1910).Exh. cat., Rodin, Sculpture and Drawings, London, 1970 (another cast illustrated p. 91).J. Miller & G. Marotta, Rodin, The B. Gerald Cantor Collection, New York, 1986 (another cast illustrated p. 122).T. Marlow, Rodin, London, 2001 (another cast illustrated p. 103).A. Le Normand-Romain, The Bronzes of Rodin, Catalogue of Works in the Musée Rodin, Vol. II, Paris, 2007, S.506 (another cast illustrated p. 538).Exh. cat., Matisse & Rodin, Paris, 2009, no. 207 (another cast illustrated p. 121).The present work is part of a series of nine sculptures titled Mouvements de danse. In the latter part of his career Rodin took a particular interest in dance but, unlike his colleagues Edgar Degas and Henri de Toulouse Lautrec, he was inspired by a new generation of dancers who propelled ballet into the era of modernism. Dancers such as Loie Fuller and Vaslav Nijinsky left the perfected style of ballet behind and substituted it with a new narrative of free flowing and unusual movements. These new trends in performing arts required a new sculptural form whereby traditional ballet poses were largely ignored. In Mouvement de danse, étude type G Rodin captured the body of the dancer in an unconventional position. The figure is standing on the tip of their toes with a slightly bended leg, whilst the other leg leaps into the air. Similar to a cancan dancer, the torso twists towards the upper leg, with arms raised overhead, the palm of their hands facing upwards. The unusual stance of the figure suggests that Rodin tried to capture the overall essence of the dance rather than a specific pose. The Mouvement de danse statuettes were conceived between 1910-1919, when Rodin was at the height of his career. In more recent years, the series has received institutional attention. In 2016, a major retrospective dedicated to these sculptures was held at the Courtauld Gallery, which later travelled to the Musée Rodin. The plaster versions of the works are part of the collection of the Musée Rodin, and all bronze versions were cast posthumously by the museum.For further information on this lot please visit Bonhams.com
Art Deco figure of a woman in summer hat and dress walking a beautiful borzoi. Dress lavishly painted in burgundy and reds with floral accents throughout - hat to match. Gloves, heels, the works....she's lovely. Marked Goldscheider Wien MADE IN AUSTRIA to base - also marked 7367 217 2 and Initialed F. Designed by Claire Weiss. #glam #artdeco #decolady #goldscheider #fabulous #Borzoi #claireweiss Artist: Claire WeissIssued: 1920sDimensions: 9.5"L x 6.5"W x 16.5"HManufacturer: GoldscheiderCountry of Origin: Austria
Josef Lorenzel - Goldscheider - A 1930s Art Deco figure, model 7064, modelled as a fashionable lady in a green plaid dress and beret standing with two suitcases at her feet, one painted with Paris and a hatbox in her hand, painted with London, impressed and printed marks, height 28cm, restored.

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