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OTTO PETRI (Berlin 1860 - 1942), for Friederich Goldscheider."Young lady".Bust, Art Nouveau, Austria, 1904 .Patinated terracotta. Terracotta bust designed by Otto Petri for Goldscheider, of a young woman of fine beauty, with elegant features that denote a certain classical idealisation, although her restrained and emotive expressiveness is typical of the fin-de-siècle period. She has long hair, which she covers with a cape. It has a bronze patina, except for the face, which is of a whitish hue. On wooden corduroy lined with ochre-coloured cloth.Signed Petri, dated 904, with stamps and numbering on the reverse.Provenance: Spanish private collection, formed between 1970 and 2010.Good condition Normal wear and tear due to use and the passage of time.Measurements: 39 x 33 x 15 cm (bust); 2 x 36 x 18 cm (base).In 1885, the sculptor Friedrich Goldscheider left his native Pilsen and settled in Vienna, where he founded his own manufacture of terracotta pieces. He soon became one of the most influential artists in the fields of ceramics and bronze, with shops in Austria, Paris, Leipzig, Berlin and Florence. For more than half a century the Goldscheider firm, considered the finest modernist terracotta factory, created masterpieces of historicism, Art Nouveau and Art Deco. The founder was able to attract both acclaimed artists and young innovators to his factory, so that great ceramists of the time, such as W. Bosse, B. Geiger, J. Lorenzl, I. Meisinger and M. Powolny, among others, worked there. After Goldscheider's death, the factory was taken over by his widow Regina, who continued to produce her husband's models, together with new ones created by the artists who worked for the firm, such as D. Chiparus during the Art Deco period. Until its closure with the rise of National Socialism, the factory produced more than four thousand different models, both by Goldscheider himself and by other authors. From the very beginning, the factory won numerous awards, first prizes and gold medals at countless world fairs, exhibitions and trade fairs. Today its pieces are in great demand by collectors all over the world. They can now be admired in museums around the world, such as the Fine Arts Museum in San Francisco, the Metropolitan Museum in New York and the Minneapolis Institute of Arts. In 2007, Goldscheider's works were shown at the Vienna Museum and the following year at the LBI in New York.
Art Nouveau mirror, possibly from the GOLDSCHEIDER factory. Vienna, circa 1900.Art Nouveau mirror.Polychrome terracotta.Illegible signature in the lower left corner.With marks on one sideMeasurements: 57 x 79 cm.Mirror belonging to the Viennese Jugendstil. The terracotta soffit is decorated with a nymph who looks at the moon of the mirror as if she wanted to contemplate herself as a rapt narcissus. Next to her bare feet, caressed by the grass, we see a pond with water lilies. The Austrian ceramics and porcelain firm Goldscheider was founded in 1885 by the Bohemian sculptor Friedrich Goldscheider. For more than half a century the company created masterpieces of historicism, Art Nouveau and Art Deco. The founder was able to attract both acclaimed artists and young innovators to his factory, so that great ceramists of the time, such as W. Bosse, B. Geiger, J. Lorenzl, I. Meisinger and M. Powolny, among others, worked there. After Goldscheider's death, the factory was taken over by his widow Regina, who continued to produce her husband's models, together with new ones created by the artists who worked for the firm, such as D. Chiparus during the Art Deco period. Until its closure with the rise of National Socialism, the factory produced more than four thousand different models, both by Goldscheider himself and by other authors. From the very beginning, the factory won numerous awards, first prizes and gold medals at countless world fairs, exhibitions and trade fairs. Today its pieces are in great demand by collectors all over the world. They can now be admired in museums around the world, such as the Fine Arts Museum in San Francisco, the Metropolitan Museum in New York and the Minneapolis Institute of Arts. In 2007, Goldscheider's works were shown at the Vienna Museum and the following year at the LBI in New York.
A Group of Various Ceramics, including: 18th century Delft tiles, ceramic figure mounted as a lamp, possibly Goldscheider (a.f.), a Chinese hardstone figural lamp, a 19th century Famille Verte vase, Staffordshire flat back figures, Ironstone wears, terracotta jugs and pots, and various other items (one shelf and four boxes)
Friedrich Goldscheider Wien, Figur "Gefangener Vogel"Modell von Josef Lorenzl, um 1922. Keramik, polychrom glasiert. Am Boden bezeichnet: "Goldscheider Wien, MADE IN AUSTRIA, HAND-DECORATED" (schwarze Glasurstempel), 5930 3050 10 (geprägt), Malerzeichen. H 47 cm.- Leichte Altersspuren. Reparaturstelle (rechte Hand).
Friedrich Goldscheider Wien, Figur "Spanischer Shawl"Modell von Josef Lorenzl, 1928/29. Keramik, polychrom glasiert. Am Boden bezeichnet: "Lorenzl, Goldscheider Wien, MADE IN AUSTRIA" (schwarze Glasurstempel), 5 6345 116 16 (geprägt), Malerzeichen. H 37 cm.- Leichte Altersspuren. Minimaler Glasurchip (Frisur).
Friedrich Goldscheider Wien, Figur "Tänzerin im Schmetterlingskostüm"Modell von Josef Lorenzl, um 1929. Keramik, polychrom glasiert. Am Boden bezeichnet: "Goldscheider Wien, MADE IN AUSTRIA, HAND-DECORATED" (schwarze Glasurstempel), 18x 6206 119 (geprägt), Malerzeichen. H 30,5 cm.- Leichte Altersspuren. Reparaturstelle (linke Hand). Bestossung (Daumen rechte Hand).
Stefan Dakon for GoldscheiderFigural sculpture, model no. 6214, circa 1930Glazed earthenware.33cm highProduced by Goldscheider, Vienna, Austria. Underside with incised model number 6214 127 11, impressed and printed factory marks, and artist's facsimile signature.Footnotes:LiteratureOra Pinhas, Goldscheider, Richard Dennis, 2006, p. 152For further information on this lot please visit Bonhams.com
Goldscheider, Friedrich1845 Slabetz/Böhmen - 1897 Nizza.Dame mit Blumenbukett.Wien 1900 - 1918. Heller Scherben, polychrom bemalt und glasiert. Stehende junge Frau mit Blumenstrauß. Manufakturmarke, schwarzer Adlerstempel (1900 - 1918) und Modellnr. «4531», verso sign. «Podolay». H. 40, B. 23 cm.Echtheitsbestätigung: Wir danken Herrn Dr. Filipp Goldscheider, Goldscheider Keramik, München, für die Bestätigung der Echtheit via E-Mail, anhand von Photos, 03.05.2022.Zustandsbericht:Guter Zustand. Am Stand ber.- - - - - - - - - -
Terrakotta. Auf einer Plinthe stehender Knabe und ein Mädchen mit Musiktasche, einen Apfel reichend. Seitl. geritzte Signatur Cherc. Verso reliefierte Werkstattmarke Friedrich Goldscheider, Wien. Prägestempel: REPRODUCTION RESERVÉE bez., Modellnr. 3058. (Tafel des Knaben gebrochen, Fehlstück u. teilw. rest.). H. 41 cm.
Meier, EmilWeckelsdorf/Böhmen 1877 - 1958 Wien, Bildhauer und Kunstgewerbler, entwarf mit seiner Frau Modelle für Goldscheider. Keramikfigur "Biedermeiertänzerin im Rosenblütenkleid", E: um 1912/13, A: Goldscheider, Wien, nach 1912, Keramik, heller Scherben, glasiert und polychrom gefasst, Tänzerin in schreitender Pose, ihr Kleid mit beiden Händen seitlich haltend, auf rundem Natursockel stehend, seitlich signiert, Rückseite mit gepresster Modell-Nr.: 4616, 71, 14, Boden mit schwarzer Stempel- und Pressmarke sowie weitere Pinselzeichen, H: 31 cm. Part. min. ber..
GOLDSCHEIDER: POLYCHROME TERRACOTTA BUST OF A MANEarly 20th CenturyModelled as a bearded gentleman in buttoned textured coat and turban, on gilt plinth, incised to the underside, 33cm highCondition Report:Small losses to the paint on high points including small chips to the face. Generally in good condition otherwise with only very minor chips to the extremities.
FRAUENFIGUR "FASZINATION". Goldscheider, Friedrich. WienEntwerfer/Meister: Entwurf W. Thomasch, 1922. Technik: Heller Scherben, farbige Glasur. Beschreibung: Auf Sockel stehender weiblicher Akt mit langem Tuch und Federkrone. Maße: Höhe 47,5cm. Marke: Manufakturmarke, 5060 201 65, undeutlich am Sockel bez. "Thomasch". Literatur: Dechant. Robert E./Goldscheider, Fillip: Goldscheider. Firmengeschichte und Werkverzeichnis, Stuttgart 2007, Nr. 5060, S. 398. Friedrich Goldscheider Österreich Jugendstil / Art Déco 20. Jahrhundert Figur KeramikErläuterungen zum Katalog
B. HANIROFF FOR GOLDSCHEIDER, 'THE WATER CARRIER'LATE 19TH CENTURYA polychrome decorated terracotta model of a maiden carrying an amphoraImpressed marks verso88cm highcf. Bonhams 20202 -lot 22Condition Report: Marks, knocks, scratches, abrasions consistent with age and usechips and losses especially around the base, scratches to the decoration, the painted surface appears worn overallThe thumb of the left hand is detached but present with the lot in an envelope. Condition Report Disclaimer
Paar figürliche Jugendstilvasen, Goldscheider, Wien, Anf. 20. Jh., sign. Rudolf Podany (1876-1963), figürliche Vasen mit rechteckigem Ausschnitt, fronseitig plastsiche Bauernfiguren, Bäuerin mit Ährenbündel und Bauernpaar mit Sense, auf der Frontseite der Vase wird die Ernteszene malerisch fortgesetzt, bemalt im dezenten Blau und Grau, Stempel Depose 311, 1x geklebt, 40 x 16 x 25 cm
Große Jugendstil-Tischuhr, Goldscheider, 1903, Der Kuss, Bank in eine Stele übergehend, davor sich küssendes Paar, am oberen Ende die Uhr, bez. Japy Freres, um 1900, braunes geprägtes Metallziffernblatt mit arabischen Ziffern und gebräunten Zeigern, im Zentrum Beerenzweige , Werk mit Zylinderechappement läuft an, Gehäuse grünlich pattiniert, frontseitig Inschrift: FUGIAT AETAS MANEAT AMOR (Mag die Zeit auch vergehen, die Liebe wird bleiben), Modellnr. 2486/21/15, re. sign. E.Tell, 88 x 45 x 19 cm, Lit. Dechant/Goldscheider, Goldscheider Werkverzeichnis, S. 361
A Goldscheider pottery figurine of a classical maiden, naturalistically modelled as a water carrier standing atop a marbled stepped base and balancing a large two-handled pot on her shoulder, faintly signed 'Ruhs' to the base, the underside stamped with maker's marks and numbered 4779 85 6 37cm highIn seemingly good condition, with no apparent damages or restoration.
Biedermeier-Mädchen mit Katze. Wiener Manufaktur Friedrich Goldscheider. Stempelmarke GS 9, ca. 1900-1917. Um 1905. Verso am Sockel bezeichnet "Rosé", Entwurf: Josef KOSTIAL (1886-1953). Modell-Nr. 3077 106 27. Fayence, weiß glasiert. H 28 cm. Eine Schilduhr haltendes Mädchen mit spielender Katze, auf Rundsockel. Ohne Uhr. Am Kleidersaum, Katzenschwanz und Sockel restauriert. Biedermeier girl with cat. Viennese manufacture Friedrich Goldscheider. stamped mark GS 9, ca. 1900-1917. ca. 1905. verso on the base marked "Rosé", design: Josef KOSTIAL (1886-1953). Model no. 3077 106 27. Faience, white glazed. H 28 cm. A girl holding a shield clock with playing cat, on round base. Without clock. Restored at the dress hem, cat's tail and base. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Tanzende Mutter mit Kind. Wiener Manufaktur Friedrich Goldscheider. Stempelmarke GS 18, ca. 1917-1922. Am Sockel bezeichnet "Gruber". Entwurf: Franz(?) GRUBER (1878-1945), um 1917/18. Modell-Nr. 4837 126 5. Steingut, farbig staffiert. H 32 cm. Biedermeier-Dame und Mädchen in Krinolinenkleidern, auf Rundsockel. Linke Hand bestoßen. Dancing mother with child. Viennese manufacture Friedrich Goldscheider. stamped GS 18, ca. 1917-1922. inscribed "Gruber" on the base. Design: Franz(?) GRUBER (1878-1945), c. 1917/18. model no. 4837 126 5. Stoneware, colorfully painted. H 32 cm. Biedermeier lady and girl in crinoline dresses, on round base. Left hand bumped. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Stehende Rokoko-Dame mit Früchtekorb (Herbst). Wiener Manufaktur Friedrich Goldscheider. Stempelmarke GS 18, ca. 1917-1922. Am Sockel bezeichnet "Meier", Entwurf: Emil MEIER (1877-1958), ca. 1910/11. Modell-Nr. 4245 105 14. Steingut, farbig staffiert. H 20 cm. Elegante Dame in weitem, gelbem Barock-Kleid, einen Korb mit Weintrauben und anderen Früchten haltend. Standing rococo lady with fruit basket (autumn). Viennese manufacture Friedrich Goldscheider. Stamped GS 18, ca. 1917-1922. Marked "Meier" on the base, design: Emil MEIER (1877-1958), ca. 1910/11. Model no. 4245 105 14. Stoneware, colorfully painted. H 20 cm. Elegant lady in wide, yellow baroque dress, holding a basket with grapes and other fruits. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

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3379 Los(e)/Seite