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A Vintage Elephant Whip, with iron tap and braiding, approx 145 cms

An unusual Essex crystal stage coach brooch depicting a pair of horses head-on with the second pair, driver with whip and passengers on the coach behind; set in oval beaten gold mount on bar brooch with pearl trefoil terminals, 51mm long, 11.6g.

Studio of Francis CotesWilliam, 6th Baron Craven,three quarter length, holding a hunting whip under his left arm,oil on canvas,29.5cm x 24cm.William, 6th Baron Craven (1738-91), served as Governor of Massachusetts.

DRIVING WHIP - a leather coachman's driving whip.

Late 19th C bulls pizzle whip with braided leather grip

A late 19th century oak and ash boot jack, together with a pair of contemporary lady's riding boots (size 5) and a riding whip. Condition Report: Makers of boots = Hawkins.

Childs Owens riding hat and crop /whip

A collection of Art Nouveau Jewellery comprising of a pair of continental silver cufflinks both depicting maidens one with enamel detail, with chain and post fitting, a 9ct gold brooch with both flower and whip lash design and a gold plated circular locket, depicting a maiden with water lilies and bullrushes

An Art Nouveau flower pendant brooch of classic whip lash design set with an amethyst and split pearls, with a large baroque pearl pendant to the base, engraved 15ct to the reverse with a vintage 9ct gold trace chain length of pendant 50mm length of chain 44cm

Miscellaneous Collectables, including a large cloth stars and stripes flag, a fire-eating stick, a boxed 'magic' set, whip and tops, etc:- One Box

AFTER BRUNO ZACH A BRONZE GILDED SEMI CLAD STANDING GIRL, holding a whip. Signed, on a circular base. 14ins high.

Marc Antony AR Denarius. Rome, April - May 44 BC. Bearded head of Antony to right, wearing veil; capis to left, lituus to right / P•SEPVLLIVS MACER, desultor on horseback to right, wearing conical cap and holding whip, second horse behind; palm frond and wreath to left, P•SEPVLLIVS above, MACER below. Crawford 480/22; CRI 142; RSC 74; Sydenham 1077; Kestner –; BMCRR Rome 4178. 3.89g, 19mm, 12h. Good Very Fine. Very Rare.

S. Afranius AR Denarius. Rome, 150 BC. Head of Roma right, wearing winged helmet ornamented with griffin’s head; X behind / Victory driving galloping biga right, holding reins in left hand and whip in right; SAFRA below; ROMA in exergue. Crawford 206/1; RSC 1. 3.50g, 19mm, 8h. Near Extremely Fine; beautiful light red-golden tone, bold strike. From a Private Swiss Collection.

Constantine I BI Nummus. London, late AD 314 - early 315. CONSTANTINVS P AVG, laureate and trabeate bust left / SOLI INVIC-TO COMITI, Sol standing left in quadriga seen from front, with raised right hand, holding globe and whip in left; MSL in exergue. CT 8.07.031 (this coin); RIC -. 3.10g, 21mm, 6h. Very Fine. Very Rare. Ex Vecchi 12, 5 June 1998, lot 896.

Cilicia, Kelenderis AR Stater. Circa 425-410 BC. Nude rider, holding whip in his left hand, jumping from horse galloping to left; A below horse / Goat kneeling to left, head turned back to right; KEΛEN and ivy branch above. Kraay, The Celenderis Hoard, NC 1962, 4b (same dies); SNG Paris 53; SNG von Aulock 5617 (same dies). 10.58g, 20mm, 10h. Fleur De Coin. Perfectly centred on a broad flan, and in a perfect state of preservation. From the collection of an antiquarian, Bavaria c. 1960s-1990s.

P. Cornelius Sulla AR Denarius. Rome, circa 151 BC. Head of Roma right, wearing winged helmet ornamented with griffin’s head; X behind / Victory, naked to the hips, driving galloping biga right, holding reins in left hand and whip in right; P•SVLA below; ROMA in exergue. Crawford 205/1; RSC 1. 3.86g, 17mm, 2h. Near Extremely Fine; beautiful light red-golden tone, bold strike. From a Private Swiss Collection.

Indo-Skythians, Azes AR Tetradrachm. Mint in central or northern Gandhara, circa 58-12 BC. King on horseback right, holding whip; Vi before, ΒΑΣΙΛΕΩΣ ΒΑΣΙΛΕΩΝ ΜΕΓAΛΟΥ ΑZOΥ around / Zeus standing right, holding sceptre; monogram to left, Si to right. Senior 99.60T. 9.60g, 24mm, 10h. Good Extremely Fine. Excellent metal - a choice example. From the estate of an English numismatist.

L. Hostilius Saserna, Denarius, Rome, 48 BC; AR (g 3,56; mm 21; h 6); Bearded and draped male bust r.; behind, Gallic shield, Rv. Biga r., driven by charioteer holding whip and reins; behind on biga, warrior holding shield and spear; above, L HOSTILIVS; below, SASERN. Crawford 448/2a; Hostilia 2; Sydenham 952.Cabinet tone and large flan. Die shift on reverse, good very fine - about extremely fine.

L. Saufeius, Denarius, Rome, 152 BC; AR (g 4,04; mm 16; h 8); Helmeted head of Roma r.; behind, X, Rv. Victory in biga r., holding whip and reins; below, L SAVF; in ex. [R]OMA. Crawford 204/1; Saufeia 1; Sydenham 384.Lightly toned, extremely fine.

Spurius Afranius, Denarius, Rome, 150 BC; AR (g 4,23; mm 29; h 5); Helmeted head of Roma r.; behind, X, Rv. Victory in biga r., holding whip and reins; below, S AFRA; in ex. ROMA. Crawford 206/1; Afrania 1; Sydenham 388.Lightly tone, extremely fine.

Decimius Flavus, Denarius, Rome, 150 BC; AR (g 3,58; mm 18; h 5); Helmeted head of Roma r.; behind, X, Rv. Luna in biga r., holding reins and whip; below, FLAVS; in ex. ROMA in linear frame. Crawford 207/1; Decimia 1; Sydenham 391.Lustrous, about extremely fine.

Pinarius Natta, Denarius, Rome, 149 BC; AR (g 3,88; mm 18; h 6); Helmeted head of Roma r.; behind, X, Rv. Victory in biga r., holding reins and whip; below, NATTA; in ex. ROMA. Crawford 208/1; Pinaria 1; Sydenham 390.Lustrous, about extremely fine.

M. Marcius Mn.f., Denarius, Rome, 134 BC; AR (g 3,90; mm 20; h 3); Helmeted head of Roma r.; before, *; behind, modius, Rv. Victory in biga r., holding reins and whip; below, M MAR C, divided by two ears of corn; in ex., RO MA. Crawford 245/1; Marcia 8; Sydenham 500.Lustrous, large flan, extremely fine / good extremely fine.

M. Aburius M.f. Geminus, Denarius, Rome, 132 BC; AR (g 3,94; mm 20; h 6); Helmeted head of Roma r.; behind, GEM; before, *, Rv. Sol in quadriga r., holding reins and whip; below, M ABVRI; in ex. ROMA. Crawford 250/1; Aburia 6; Sydenham 487.Lustrous, about fdc.

Mn. Acilius Balbus, Denarius, Rome, 125 BC; AR (g 3,87; mm 18; h 12); Helmeted head of Roma r.; behind, BALBVS; before, *; below, ROMA; around, laurel wreath , Rv. Jupiter, holding spear and thunderbolt, in quadriga r. driven by Victory, holding reins and whip; below, shield; in ex. MN ACILI. Crawford 271/1; Acilia 1; Sydenham 498.Lightly toned, extremely fine / about extremely fine.

C. Porcius Cato, Denarius, Rome, 123 BC; AR (g 3,89; mm 19; h 5); Helmeted head of Roma r.; behind, X, Rv. Victory in biga r., holding whip and reins; below, C CATO; in ex. ROMA. Crawford 274/1; Porcia 1; Sydenham 417.Lustrous, graffito on obverse, extremely fine.

Thumb sticks, whip, riding crop

Eleven tribal type spears, the longest 158cm, one example being double-ended with metal shaft covered in decorative wire binding, the remainder with wooden shafts; together with a riding whip

German Reich three Marks, 1913, mounted as a brooch, a silver large locket and necklet, a Scottish chalcedony and cairngorm brooch and five others, various. Condition Report All in good condition apart from the hook on the horseshoe and whip brooch, which is broken. Birmingham/Chester hallmarks. Nothing on the pebble brooch.

Hunting interest; A silver bar brooch (no Hallmark) no , with a marcasite fox head set with red paste eyes mounted on a hunting whip. Approx length 5cm with a total gross weight of 5.7grams.

A nine carat yellow and rose gold bar brooch (hunting interest); horn, whip and horse shoe design and has a length of approx 4.5cmapprox and gross weight approx 1.9grams

A pair of black leather men's boots 1950/60s - a large gold brocade 1960 dress - a blue and pink brocade late 1950s Every dress and a pair of men's black patent shoes 1940s, a dominatrix leather whip- a pair of Chamois leather gloves, a late 1950s Derby Technical scarf and an Observers arm band (8)

A group of vintage horse riding crops to include a silver topped example and a long training whip.

A German WW2 leather whip, found in the attic of a local Guernsey house used by the occupying forces during WW2, the curved, semi-rigid whip with knop-top handle and leaf shaped tip with cut lettering, 'INTP', 37½in. (95cm.) long; together with a French WW1 M1892 Berthier Carbine bayonet with scabbard; and a small aluminium water flask. (3)

An African hardwood comb, with concentric ring carving 25cm high, a camel whip, and a glass bead work belt (3)

Twenty five Red Wolf fishing whipsTelescopic whip, 5mitres, Fl6

Twenty five Red Wolf fishing whipsTelescopic whip 5m F16

A LEENEZONNE "Head Study of a Hunter with a Tromp L'oeille surround wih crop and whip" oil on canvas laid on panel signed bottom right

A Mahogany Glazed Display of Truncheons, comprising a William IV ebonised example, painted in gilt and red with Royal cypher; a Victorian mahogany example with painted Royal cypher; four plain examples in lignum vitae, mahogany and oak; a Naval persuader/cosh of twisted baleen; a leather covered beagling whip with weighted pommel (sealed into the case)

A collection of various Brass and Copperware items, including two bed pans, a hunting horn and another horn, horse brasses, a Duplex oil lamp and a whip, plus more

Pair of prints after Cecil Aldin, 'The Huntsman' and 'The whip'

CBS PROMOS - 1969-73 - Brill selection of 26 x 7" promotional red/white issues, with many obscure and collectable titles. Artists/titles/cat. numbers inc. My Kind Of People - Somebody's Coming (S5133), The Keith Mansfield Orchestra - Face On The Wind (7738), High Noon - Old Fashioned Feeling (4972), Gordon Haskell (4795), Salamander - Crystal Ball (5102), Humbug - Groovin' With Mr. Bloe (4811) and I Got A Feeling (5208), Mark Lindsay - Silver Bird (5055), Mashmakhan - As The Years Go By (5170), Toast (4768), Penny Lane, Mark Lindsay, It Takes Two (5167), Peters World (7562), Whip - I Never Win, American Spring and Stormy Petrel. Condition is seldom less than Ex to Ex+.

An Edwardian brass mounted oak Whip or Walking Stick Rack; a pair of 4, 19th Century rectangular Racing Prints, in two frames, and an attractive 19th Century print in the style of Bartollozi "A Sacrifice to Cupid," in black and gilt glass mount, gilt frame. (4)

A Riding Whip / Crop, with bone handle and 9ct gold mount inscribed "For God's Sake do Something, he's Going to have all he Wants Today - 1922," together with another bone handled Whip / Crop. (2)

NINETEENTH-CENTURY HUNTING WHIP54 cm. long (without whip)

Mixed Lot: two various Far Eastern riding crops, one of white metal construction with plaited leather shaft (A/F), the second with red and white plaited whip to a handle with further plaited leather detail and whistle to the end, various dates and makers (2)

A Swain and Isaac brass horse whip Finial, in the form of a horse's head, approx 2 ¼ in (6cm)

A leather hunting whip with horn handle

A leather hunting whip with horn handle and silver plated collar engraved to Lieutenant Colonel F.B Edmead

An unusual silver plated condiments set by Elkinton & Co, of equestrian interest, the base in the form of a horseshoe accommodating a salt and pepper pot each in the form of boots, set before a salt in the form of a jockey cap, accommodating a spoon in the form of a whip, 9cm tall x 11cm wide approx, together with six good quality side knives and forks with chased blades and worked mother of pearl handles

Two good quality woven leather whips, one tan, the other black together with related DVDs - Fundamental Whip Cracking Techniques and Two Handed Whip Cracking Level 1 together with a volume titled The Bull Whip Book

Sir John Lavery RA RSA RHA (1856-1941) AN EAST WIND, 1912 oil on canvas laid on board inscribed [To The Countess Becdelievre from John Lavery 1912] lower left; signed and titled on reverse 10 x 14in. (25.40 x 35.56cm) Adam's, 1 April 2009, lot 131;Private collection 'Exhibition of Irish Art', Milmo-Penny Fine Art, Dublin, June 1991, catalogue no. 5 In the autumn of 1912 Lavery sent his recently completed full-length portrait of Cécile Marie Ernestine Roger de Villers, Countess Becdelièvre, to the annual Autumn Exhibition at the Walker Art Gallery, Liverpool. Nothing is known about the circumstances of the commission and the portrait in which the countess wears, 'a wonderful Parisian creation in shimmering satin' remains unlocated. The present seascape, probably given to the countess at the time of the sittings, is the only evidence we have of the friendship that was formed as a result of the commission. Sketches, personally inscribed to favoured sitters, are not uncommon in the Lavery oeuvre. The fact that this represents a familiar group of rocks on the shore at Tangier may also indicate that the painter and his subject met in the 'White City'. In March 1912 while Lavery was working at his Tangier studio, and anticipating the wedding of his daughter, Eileen, General Lyautey invaded Morocco, making it a French protectorate. The numbers of diplomats and military personnel in the city immediately increased. Since the illustrious Becdelièvres were a military family, it is possible that the portrait commission resulted from this intervention - it was one of a number of portraits of the French nobility painted around this time, when the painter's reputation in Paris was consistently high. Between March and September 1912, at the International Society's exhibition in June, the painter had exhibited five small recent seascapes to which the present example may relate. All of these were 10 x 14 canvasboards, of which he had an ample supply. In the present case, the rocks on the left, stretching into a choppy sea, are likely to be those depicted on other occasions - most notably in A Rough Sea (Paisley Art Institute). At low tide, on a calmer day, these same rock pools would attract his wife and step-daughter, and their presence would be used to punctuate compositions that would then be re-worked on a larger scale. The beach also became a convenient thoroughfare for passers-by as in The West Wind 1911 (Private Collection). Few beach scenes however, apart from the Paisley picture and possibly, Tangier Bay, Rain 1910 (Ulster Museum), show inclement or potentially stormy conditions - as here. During the early months of 1912, as Lavery noted in a letter, the weather was colder and less predictable than usual, and strong easterlies swept the Straits of Gibraltar. While his painting activities were restricted, he was nevertheless a seasoned campaigner and small studies such as the present example were always possible. While the wind may whip up the sands on the shore, and threaten to overturn a larger easel, it made no impact upon the delightful freshness of the present sketch held securely in a field-box. Professor Kenneth McConkeyJanuary 2017

Beano 132 (1941). Propaganda war issue. Wild Boy escaped the Whip and captures the jeering Nazis [fr]. No Reserve

A Spanish Toledo whip/sword stick, having a white metal horse head finial, (the steel blade 61cm).

19th Century driving whip by Crawley & Sons of Peterborough with brass ferals one with the trade mark

AFTER BRUNO ZACH A BRONZE GILDED SEMI CLAD STANDING GIRL, holding a whip. Signed, on a circular base. 14ins high.

A RUBY AND SPLIT PEARL HORSESHOE AND WHIP BROOCH, IN GOLD, 8.7G

* Britains two sets 146, Army Service Corps two horse Supply Wagons, grey finish, each with two seated men (one F, part of whip and one helmet ball missing, tailgate and wagon bed loose, the other G-F, two not matching seated men, repinted but not finished, driver helmet ball missing) 1908 (10)

A lady's side-saddle whip with ivory handle and rope-bound stem.

Victorian mahogany boot & whip stand with 2 single drawers on turned feet 96H x 76Wcm PLEASE always check condition before bidding or email condition report request.