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PUNK/ WAVE/ INDIE/ ALT - 7" COLLECTION. A collection of around 73 7" singles. Artists/ titles include Japan - The Unconventional, Gentlemen Take Polaroids, Life In Tokyo. Ultravox - Slow Motion, Dangerous Rhythm, Rockwrok, Live Retro. Elvis Costello inc One Less Than Zero, Red Shoes, Pump It Up, Accidents Will Happen. Ian Diry. Squeeze inc Up The Junction, Pulling Mussels, Slap & Tickle, Goodbye Girl. Adams And The Ants inc Whip In My Valise, Car Trouble, Stand & Deliver. Dr Feelgood, Toyah inc Is There A Heaven, Four From Toyah, Danced, Sheep Farming In Barnet. Pretenders. Condition is generally VG to Ex+.
Hot Wheels - Matchbox - Corgi Rockets - A vintage Hot Wheels 'Rally' carry case containing some playworn diecast vehicles with two boxed Hot Wheels Rod Buster Power Boosters plus a quantity of boxed Matchbox Superfast Track accessories. The boxed carry case contains 15 diecast models including one Hot Wheels Redline Silver Shadow; Hot Wheels Redline Whip Creamer; Corgi Rockets Jaguar XJ6; Corgi Rockets Volvo P1800 'The Saint' and similar - all diecast appear playworn with conditions ranging Poor - Fair, in a Fair Plus case. Other accessories all have play wear and appear to range Fair - Good in Fair - Fair Plus boxes. All items are unchecked for completeness. (This does not constitute a guarantee) (K)
A group of Chinese ship wreck ceramics, Ming to Qing Dynasties, Comprising: a medicine jar with Chinese writing of the medicine’s names and the producer, with a matching dish; two small cups decorated with Buddhist lion or geometrical motifs; a small jar with elongated opening, and a small medicine pot with cover; height 4.5cm to 8cmProvenance: an East Anglian based collector明代及清代 青花海撈瓷器一組(共5件) The glaze are of typical whip wreck pieces. The medicine jar has a small dent on rim, the other smaller jar has a hairline, the lion cup has some small fretting, otherwise all ok.釉面均符合海撈瓷特徵,窯罐口有個小缺,另一個小罐口沿一條沖線,獅杯口沿小剝釉,其他均完整
Curiosa - - Schoettgen, Christian. De secta flagellantium commentatio, ad amplissimum senatum wurcensem. Mit gestochenem Frontispiz. Leipzig, Martini, 1711. 15 Bl., 104 S., 4 Bl. 16,5 x 10 cm. Pappband der Zeit (berieben und etwas bestoßen). Erste Ausgabe. - Largler, In praise of the whip 493 - De Backer-Sommervogel I, 1171, (16) - Hayn-Gotendorf II, 310: "Selten!". - Wichtiges Werk zur Kulturgeschichte des Flagellantismus. - Das Frontispiz zeigt eine Geißlerprozession ("Geißlerfahrt"), die trotz des Verbotes von Papst Clemens VI. abgehalten wurde. - Titel mit Nummerierung und schwachem Stempel.
Popish Plot. A collection of fourteen 17th century pamphlets relating to the Popish Plot, including impeachments & trial reports. Comprising: The Report of the Committee of the Commons, Appointed to Examine the Proceedings of the Judges, including the Resolutions of the Commons for the Impeachment of the Judges (being William Scroggs, Sir Thomas Jones & Sir Richard Weston), 145-147, 139-142, 153-159; 1679 The Information of David Morris, presented to His Majesty in Council by Mr. David Morris and Mr. John Serjeant, 5-7; 1678 Articles of Impeachment of High Treason against Thomas Earl of Danby Lord High Treasurer of England, 7-10; Jesuita Vapulans: or a Whip for the Fool's Back, and a Gag for his Foul Mouth, in a just Vindication of Sixteen Noble Peers of the Realm, Petitioning the King, 1-2; 1679 An Impartial Account of Divers Remarkable Proceedings the last sessions of Parliament Relating to the Horrid Popish Plot, 1-2; 1678 A Sermon at the Funeral of Sir Edmund-Berry Godfrey, one of His Majesties Justices of the Peace, who was Barbarously Murdered, 42pp; 1680 The Humble Address of the House of Commons, resented to his Majesty upon Tuesday the 21th day of December 1680, 133-143; 1680 An Exact and True Narrative of the Late Popish Intrigue to form a Plot, and then to cast the Guilt and Odium thereof upon the Protestants, collected by Col. Roderick Mansell, 1-68, 99-105; Articles of Impeachment of High Treason and other Crimes and Offences against William Earl of Powis, William Viscount Stafford, Henry Lord Arundel of Wardour, William Lord Petre, and John Lord Bellaris, now Prisoners in the Tower, 3-6; 1672 The Information of Mr. James Carroll, Junior, of the City of Dublin...the first discoverer of the Horrible and Bloody Irish Plot against the Protestants of that Kingdom, taken upon Oath before the Right Worshipful Sir George Treby, 12pp; 1680 The Report from the Committee of the Commons in Parliament to consider the Petition of Sir Richard Thompson of Bristol and the Resolution for his Impeachment; 161-164 followed by misnumbered 161-164; 1680 The Report of the Committee for Receiving Informations concerning the Popish Plot; upon the Complaint of Mr. Peter Norris, 123-129; An Intimation of the Deputies of the States General, in a late discourse with Mr. Sidney Extraordinary Envoy from His Majesty of Great Britain, 4pp; and 1681 The Arraignment and Plea of Edward Fitzharris Esq., 1-66. All presented unbound or disbound, edgewear & age-toning commensurate with age. A fascinating collection of loose pamphlets relating to the fictitious plot ignited by Titus Oates, which resulted in the trials and executions of twenty-two men.
A pair of riding boots and a race whip originally used by the jockey Frankie Durr,the boots in black & tan leather, inscribed inside F. DURR, very well used; the jockey whip also well used, inscribed in yellow paint F. DURR., (2).Jockey Frankie Durr rode between 1942 and 1978. He enjoyed classic successes with Mon Fils and Roland Gardens in the 2,000 Guineas and with Sodium and Peleid in the St Leger. He also won the Irish Derby on Sodium.
Three riding whips including one Swaine bone handled whip with monogramed silver collar (BMF) and a second silver collar, London (both rubbed hallmarks) and leather covered shank, a bone handled with silver monogramed collar (a single crown crest and letter D), by Brigg, London Charles Cooke, 1929, a hammer head riding whip by Ashford makers to the Queen with fox and horns decoration on a wooden shaft, and a Swaine bone handled riding crop with bamboo shaft and silver coloured collar monogramed IS. (4)
A SCRATCH BUILT ACCURATE WOODEN AND METAL MODEL OF A HORSE DRAWN MILK DELIVERY CART MADE BY K B HOBBY, WIMBORNE, IN EARLY 20TH CENTURY STYLE, LATE 20TH CENTURY Painted in the livery of Pales Dairy Greenwich London with well detailed milk churn, milk dispensing cups, side lamps, whip, etc. maker's name underneath 21cm high, 33cm long Condition Report: No serious damage or loss detected, all accoutrements appear to be present but that is not to say that one or two items are not lackingCondition Report Disclaimer
A group of hunting accessories, first half 20th centuryIncluding: A hunting whip with antler grip and part plaited leather shaft with twin silver collars, hallmark for Birmingham 1903 and stamped 'Deans Maker Lees'; a pair of plated boot pulls with running fox grips, 22.5cm; a James Dixon and son small glass hip flask with plated screw top, half leather mounted with detachable silver plated cup, 9.5cm; and James Dixon Sheffield tinned pewter sandwich tin, 12cm. (5)
A pair of 18th Century stipple engravings "Whip Top" and "Shuttle Cock", framed in late 18th Century pearwood frames with oval sunburst mounts. Ovals framed to the image. Both retaining printed titles verso, one retaining the publication line, published by "A. Poggi" 1788 and bearing a historic label for "Howison Carver & Gilder, Cowgate Edinburgh". Together with two antique portrait engravings in antique oval pearwood frames, a framed Medici Gallery print and a small modern signed print of a fisherman mending nets after Jean René Thellier (XXth Century) (6).
A blonde woman in a blue dress and yellow robe stands in a powerful pose, confidently holding a whip in her hand. Issued: 1985Dimensions: 5.5"L x 4.5"W x 11.25"HEdition Number: Limited Edition of 10,000Manufacturer: Duncan RoyaleCountry of Origin: United StatesCondition: Age related wear. Missing manufacturing and edition tag.
A mid 19th century Victorian silver pocket watch, fusee movement signed Fattorini & Sons and numbered 2864, signed white enamel dial with Roman numerals, spade and whip hands, seconds subsidiary, the case hallmarked; sponsor 'HB', Henry Buckland, London 1869, diameter 57mm. Condition - appears in working order, however sold without guarantee, slight loss to dial near subsidiary and hairline from centre running down, general wear to case including minor marks and scratches.
Taxidermy: An Eastern Whip-Poor-Will (Antrostomus vociferus), a full mount adult looking straight ahead, perched atop a small dry stump, a Graphium buttefly laid below, enclosed beneath a modern circular glass dome, diameter 20cm, overall height 31cm, this bird is very similar to the European Nightjar, but this species is endemic to North America, previously part of renowned bird sculptor Mike Wood's personal collection, imported into the UK circa 1990's, with CCS information document
A QUEEN ELIZABETH II CORONATION CHAIR, 1953, produced by North & Sons, West Wycombe, numbered 31, covered with blue velvet bearing the monogram ER II beneath a crown, stamped and branded to the underside, one corner block stamped "P.S" beneath a crown, 85cm high x 49.5cm x 43cm deep, Provenance: Sir Horace Holmes (1888-1971) and thence by descentBorn in Weston, Notts., Holmes received an elementary education before becoming a coal miner. During World War I, he served as a sergeant in the Leeds Rifles, and received the Distinguished Conduct Medal. After the war, he returned to mining, and from 1923 was secretary of his branch of the Yorkshire Miners' Association. From 1923 until 1946, he also served on Royston Urban District Council, and for eleven years, he additionally served on the West Riding County Council. Sponsored by his union, Holmes was elected unopposed as Member of Parliament for Hemsworth at a by-election in 1946 following the death of the sitting MP George Griffiths. Holmes held the seat at the next three general elections, each time with the largest Labour majority in the election. From 1947 until 1951, he was Parliamentary Private Secretary to the successive Ministers of Fuel and Power, Hugh Gaitskell and Philip Noel-Baker. He then became the Labour Whip for the Yorkshire members. Holmes stood down at the 1959 general election. He was knighted in 1966, and died in 1971. Sir Horace Holmes attended The Coronation of Her Majesty Queen Elizabeth II along with his wife Lady Nellie Holmes, in seat numbers 31 and 375 respectively. Lady Nellie Holmes's chair is offered in the following lot (260). The Coronation of Her Majesty Queen Elizabeth II was held on 2nd June 1953 at Westminster Abbey.The ceremony was a very large celebration with several thousand distinguished guests in attendance. The numbers of guests were fewer than George VI coronation, due to the reduction in seating behind the alter. Planning for such an important event took over 12 months. The design of the chairs and stools produced for the ceremony was taken from those created for the King George VI Coronation in 1937. The Ministry of Works were responsible for commissioning all furnishings for the coronation. As had been the case for George VI coronation furniture manufacturers based in High Wycombe, the centre of English chair making during this period, produced all of the chairs and stools. A range of companies manufactured the furniture including; B. North & Sons; W. Hands & Sons; Thomas Glenister Ltd.; Castle Bros. (all firms in High Wycombe); Maple & Co., and Waring & Gillow. The blue velvet coverings were made at Listers Mills in Bradford, Yorkshire.
Euro Indie / Industrial – 5 LP Records & 4x12”: The Sugar Cubes – Here Today, Tomorrow Next Week 1989 Ltd Ed Silver Vinyl & German Pressing, the Young Gods – TV Sky White Label 1992 & Skyflowers 12”, The Leather Nun – Alive, Belfegore LP, 12”s – Car Crash International – ‘The Title Track from The Whip’, KMFDM – Vogue and Bjork – Possibly maybe (Lucy Mix). (9)
Kleinplastik: KutscherBronze, dunkel patiniert. Höhe: 26 cm. Standfigur mit Zylinder, Mantel, Schal, Stiefel und Peitsche. Frontal Widmung: Reit- und Fahrturnier Hof 1928, signiert: A. Schley. Quadratische Serpentinstein-Plinthe. Plinthe minimal bestoßen. Der Reit- und Fahrverein Hof wurde 1926 gegründet und zählt aktuell 200 Mitglieder * Partnerauktion Bergmann. Aufrufzeit 24. | Okt. 2024 | voraussichtlich 15:32 Uhr (CET) Small sculpture: coachmanBronze, dark patina. Height: 26 cm. Standing figure with top hat, coat, scarf, boots and whip. Frontal dedication: Reit- und Fahrturnier Hof 1928, signed: A. Schley. Square serpentine stone plinth. Plinth minimally bumped. The Hof Riding and Driving Club was founded in 1926 and currently has 200 members * Partnerauktion Bergmann. Call time 24 | Oct. 2024 | probably 15:32 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Jagdreiter mit Peitsche. Nymphenburg. Prägemarke und grüne Stempelmarke, 1912-1975. Modell-Nr.: 277. Aus der Serie der "Roten Nymphenburger Jagd". Entwurf: 1900?/1910 nach einem alten Modell. KÄRNER, Theodor (1884 Hohenberg an der Eger - 1966 München) Polychrom bemalt, goldstaffiert. H 19 cm. 1 Zügel defekt, 1 Zügel, beide Sporen und Peitsche restauriert. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 13:20 Uhr (CET)Hunt rider with whip. Nymphenburg. Mint mark and green stamp mark, 1912-1975. Model no.: 277. From the "Red Nymphenburg Hunt" series. Design: 1900?/1910 after an old model. KÄRNER, Theodor (1884 Hohenberg an der Eger - 1966 Munich) Polychrome painted, gilt. H 19 cm. 1 rein defective, 1 rein, both spurs and whip restored. Call time 25 | Oct. 2024 | probably 13:20 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Jagdreiter mit Peitsche. Nymphenburg. Prägemarke, 20. Jh. Modell-Nr.: 278. Aus der Serie der "Nymphenburger Roten Jagd". Entwurf: 1900?/1910 nach einem alten Modell. KÄRNER, Theodor (1884 Hohenberg an der Eger - 1966 München) Polychrom bemalt, goldstaffiert. H 19 cm. Dolch und Zügel restauriert. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 13:21 Uhr (CET)Hunt rider with whip. Nymphenburg. Mint mark, 20th century Model no.: 278. From the "Nymphenburg Red Hunt" series. Design: 1900?/1910 after an old model. KÄRNER, Theodor (1884 Hohenberg an der Eger - 1966 Munich) Polychrome painted, gilt. H 19 cm. Dagger and reins restored. Call time 25 | Oct. 2024 | probably 13:21 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
6er Satz Jugendstil-Suppenteller. Meissen. 1903-1923. Modell von. VELDE, Henry van de ø 26,5 cm. Modell-Jahr: 1903. Reliefdekor "Peitschenhieb", kobaltblaue Unterglasurbemalung. Pressmarken, Malermarken, Künstler-Signet, Schwertermarken zweimal gestrichen. Van de Velde: Maler, Grafiker, Architekt, Designer, studierte an der Akademie in Antwerpen. 1907-1914 Leiter der Kunstschule in Weimar, 1907 Gründungsmitglied des Deutschen Werkbundes. 1926-1943 Direktor des Institut Supérior des Arts Décoratifs in Brüssel. Einer der vielseitigsten und bedeutendsten Künstler des Jugendstils * Partnerauktion Bergmann. Literatur : Just (1983) Nr. 89, Jedding (1981) Nr. 117. Provenienz : Süddeutsche Privatsammlung. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 15:35 Uhr (CET)Set of 6 Art Nouveau soup plates. Meissen. 1903-1923. model by. VELDE, Henry van de ø 26,5 cm. Model year: 1903. Relief decoration "whip lash", cobalt blue underglaze painting. Press marks, painter's marks, artist's signet, sword marks painted twice. Van de Velde: painter, graphic artist, architect, designer, studied at the academy in Antwerp. 1907-1914 director of the art school in Weimar, 1907 founding member of the Deutscher Werkbund. 1926-1943 Director of the Institut Supérior des Arts Décoratifs in Brussels. One of the most versatile and important Art Nouveau artists * Partner auction Bergmann. Literature : Just (1983) no. 89, Jedding (1981) no. 117. Provenance : South German private collection. Aufrufzeit 25. | Oct. 2024 | probably 15:35 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
6er Satz Jugendstil-Essteller. Meissen. 1903-1923. Modell von. VELDE, Henry van de ø 26,5 cm. Modell-Jahr: 1903. Reliefdekor "Peitschenhieb", kobaltblaue Unterglasurbemalung. Pressmarken, Malermarken, Künstler-Signet, Schwertermarken zweimal gestrichen. Van de Velde: Maler, Grafiker, Architekt, Designer, studierte an der Akademie in Antwerpen. 1907-1914 Leiter der Kunstschule in Weimar, 1907 Gründungsmitglied des Deutschen Werkbundes. 1926-1943 Direktor des Institut Supérior des Arts Décoratifs in Brüssel. Einer der vielseitigsten und bedeutendsten Künstler des Jugendstils * Partnerauktion Bergmann. Literatur : Just (1983) Nr. 89, Jedding (1981) Nr. 117. Provenienz : Süddeutsche Privatsammlung. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 15:36 Uhr (CET)Set of 6 Art Nouveau dinner plates. Meissen. 1903-1923. model by. VELDE, Henry van de ø 26,5 cm. Model year: 1903. Relief decoration "whip lash", cobalt blue underglaze painting. Press marks, painter's marks, artist's signet, sword marks painted twice. Van de Velde: painter, graphic artist, architect, designer, studied at the academy in Antwerp. 1907-1914 director of the art school in Weimar, 1907 founding member of the Deutscher Werkbund. 1926-1943 Director of the Institut Supérior des Arts Décoratifs in Brussels. One of the most versatile and important Art Nouveau artists * Partner auction Bergmann. Literature : Just (1983) no. 89, Jedding (1981) no. 117. Provenance : South German private collection. Aufrufzeit 25. | Oct. 2024 | probably 15:36 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
6er Satz Jugendstil-Durchbruchteller. Meissen. 1903-1923. Modell von. VELDE, Henry van de ø 22,5 cm. Modell-Jahr: 1903. Reliefdekor "Peitschenhieb", kobaltblaue Unterglasurbemalung. Pressmarken, Malermarken, Künstler-Signet, Schwertermarken zweimal gestrichen. Van de Velde: Maler, Grafiker, Architekt, Designer, studierte an der Akademie in Antwerpen. 1907-1914 Leiter der Kunstschule in Weimar, 1907 Gründungsmitglied des Deutschen Werkbundes. 1926-1943 Direktor des Institut Supérior des Arts Décoratifs in Brüssel. Einer der vielseitigsten und bedeutendsten Künstler des Jugendstils * Partnerauktion Bergmann. Literatur : Just (1983) Nr. 89, Jedding (1981) Nr. 117. Provenienz : Süddeutsche Privatsammlung. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 15:36 Uhr (CET)Set of 6 Art Nouveau breakthrough plates. Meissen. 1903-1923. model by. VELDE, Henry van de ø 22.5 cm. Model year: 1903. Relief decoration "whip lash", cobalt blue underglaze painting. Press marks, painter's marks, artist's signet, sword marks painted twice. Van de Velde: painter, graphic artist, architect, designer, studied at the academy in Antwerp. 1907-1914 director of the art school in Weimar, 1907 founding member of the Deutscher Werkbund. 1926-1943 Director of the Institut Supérior des Arts Décoratifs in Brussels. One of the most versatile and important Art Nouveau artists * Partner auction Bergmann. Literature : Just (1983) no. 89, Jedding (1981) no. 117. Provenance : South German private collection. Aufrufzeit 25. | Oct. 2024 | probably 15:36 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
6er Satz Jugendstil-Dessertteller. Meissen. 1903-1923. Modell von. VELDE, Henry van de ø 17,5 cm. Modell-Jahr: 1903. Reliefdekor "Peitschenhieb", kobaltblaue Unterglasurbemalung. Pressmarken, Malermarken, Künstler-Signet, Schwertermarken zweimal gestrichen. Van de Velde: Maler, Grafiker, Architekt, Designer, studierte an der Akademie in Antwerpen. 1907-1914 Leiter der Kunstschule in Weimar, 1907 Gründungsmitglied des Deutschen Werkbundes. 1926-1943 Direktor des Institut Supérior des Arts Décoratifs in Brüssel. Einer der vielseitigsten und bedeutendsten Künstler des Jugendstils * Partnerauktion Bergmann. Literatur : Just (1983) Nr. 89, Jedding (1981) Nr. 117. Provenienz : Süddeutsche Privatsammlung. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 15:38 Uhr (CET)Set of 6 Art Nouveau dessert plates. Meissen. 1903-1923. model by. VELDE, Henry van de ø 17,5 cm. Model year: 1903. Relief decoration "whip lash", cobalt blue underglaze painting. Press marks, painter's marks, artist's signet, sword marks painted twice. Van de Velde: painter, graphic artist, architect, designer, studied at the academy in Antwerp. 1907-1914 director of the art school in Weimar, 1907 founding member of the Deutscher Werkbund. 1926-1943 Director of the Institut Supérior des Arts Décoratifs in Brussels. One of the most versatile and important Art Nouveau artists * Partner auction Bergmann. Literature : Just (1983) no. 89, Jedding (1981) no. 117. Provenance : South German private collection. Aufrufzeit 25. | Oct. 2024 | probably 15:38 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Jugendstil-Essteller. Meissen. 1903-1923. Modell von. VELDE, Henry van de ø 26,5 cm. Modell-Jahr: 1903. Reliefdekor "Peitschenhieb", kobaltblaue Unterglasurbemalung. Pressmarken, Malermarken, Künstler-Signet, Schwertermarken zweimal gestrichen. Rand von unten leicht bestoßen. Van de Velde: Maler, Grafiker, Architekt, Designer, studierte an der Akademie in Antwerpen. 1907-1914 Leiter der Kunstschule in Weimar, 1907 Gründungsmitglied des Deutschen Werkbundes. 1926-1943 Direktor des Institut Supérior des Arts Décoratifs in Brüssel. Einer der vielseitigsten und bedeutendsten Künstler des Jugendstils * Partnerauktion Bergmann. Literatur : Just (1983) Nr. 89, Jedding (1981) Nr. 117. Provenienz : Süddeutsche Privatsammlung. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 15:38 Uhr (CET)Art Nouveau dinner plate. Meissen. 1903-1923. model by. VELDE, Henry van de ø 26,5 cm. Model year: 1903. Relief decoration "whip lash", cobalt blue underglaze painting. Press marks, painter's marks, artist's signet, sword marks painted twice. Rim slightly bumped from below. Van de Velde: painter, graphic artist, architect, designer, studied at the Academy in Antwerp. 1907-1914 director of the art school in Weimar, 1907 founding member of the Deutscher Werkbund. 1926-1943 Director of the Institut Supérior des Arts Décoratifs in Brussels. One of the most versatile and important Art Nouveau artists * Partner auction Bergmann. Literature : Just (1983) no. 89, Jedding (1981) no. 117. Provenance : South German private collection. Aufrufzeit 25. | Oct. 2024 | probably 15:38 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Jugendstil-Essteller. Meissen. 1903-1912. Modell von. VELDE, Henry van de ø 26,5 cm. Modell-Jahr: 1903. Reliefdekor "Peitschenhieb", Bemalung in Gold. Pressmarke, Künstler-Signet, Schwertermarke dreimal gestrichen. Van de Velde: Maler, Grafiker, Architekt, Designer, studierte an der Akademie in Antwerpen. 1907-1914 Leiter der Kunstschule in Weimar, 1907 Gründungsmitglied des Deutschen Werkbundes. 1926-1943 Direktor des Institut Supérior des Arts Décoratifs in Brüssel. Einer der vielseitigsten und bedeutendsten Künstler des Jugendstils. Die doppelt so teure Variante in Gold wurde nur bis 1912 in den Musterlisten angeboten * Partnerauktion Bergmann. Literatur : Just (1983) Nr. 89, Jedding (1981) Nr. 117, Reuter (2010) Seite 281. Provenienz : Süddeutsche Privatsammlung. Aufrufzeit 25. | Okt. 2024 | voraussichtlich 15:39 Uhr (CET)Art Nouveau dinner plate. Meissen. 1903-1912. model by. VELDE, Henry van de ø 26,5 cm. Model year: 1903. Relief decoration "whip lash", painted in gold. Press mark, artist's signet, sword mark crossed out three times. Van de Velde: painter, graphic artist, architect, designer, studied at the academy in Antwerp. 1907-1914 director of the art school in Weimar, 1907 founding member of the Deutscher Werkbund. 1926-1943 Director of the Institut Supérior des Arts Décoratifs in Brussels. One of the most versatile and important artists of Art Nouveau. The gold version, which was twice as expensive, was only offered in the pattern lists until 1912 * Partner auction Bergmann. Literature : Just (1983) no. 89, Jedding (1981) no. 117, Reuter (2010) page 281. Provenance : South German private collection. Aufrufzeit 25. | Oct. 2024 | probably 15:39 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
DANIEL GARDNER (1750-1805) A portrait of Thomas Cholmondeley of Vale Royal circa 1778, depicted full-length standing beside a tree, wearing a blue top coat, white waistcoat and breeches, holding a whip, a distant landscape beyond, pastel and bodycolour, 84cm x 59cmProvenance: The Grey-Egerton Family, formerly of Oulton Hall.Note: Thomas Cholmondeley (1726-1779), of Vale Royal, Cheshire, was a British landowner and Tory politician who sat in the House of Commons between 1756 and 1768. He was elected MP for Cheshire in 1756 and 1761. His son, also Thomas, was the 1st Baron Delamere.Literature: Sir Philip de Malpas, The descriptive catalogue of the pictures and other works of art at Oulton Park, Cheshire, published 1864, page 55.
Circle of George Morland (1763-1804) “Dasher and Slasher, Famous Hounds of Duke of Grafton Pack”, a pair, O.O.C., each approx. 99cms high x 125cms wide (39" x 49"). (2) According to an original label on the back, these two engaging canvases, by ‘Morland’, depict foxhounds of the Duke of Grafton Pack, a long-established hunt that still thrives in Northamptonshire. In the first painting, the hound is shown standing on a rocky ledge, with a master of hounds standing below. Wearing a black riding helmet, white cravat and red jacket, the master has longish brown hair and holds a whip in his gloved hand. The hound stands on all four legs, head up, as if sniffing the air for a quarry. In the background is a Scots Pine tree, silhouetted against a cloudy sky. The master’s face is slightly asymmetrical, and he has a determined expression, which lends the portrait a compelling quality. An accomplished artist, Morland was also a noted dandy, who delighted in associating with jockeys, punks and pugilists, and it is possible that the figure of the master is a portrait of him. Some aspects of the paintwork are slightly naif, indicating that this is a copy after an original. In terms of identifying the artist, while an old label attributes the work to ‘Morland’, the style is more in keeping with the work of George Stubbs. It has also been suggested that it maybe by a little-known painter named John Everard. In the second portrait, a huntsman is portrayed, again on the same level as the foxhound. Dressed in black helmet and red jacket, the huntsman is behind the hound, resting his hand on the animal’s back. The hound has its nose raised and tail curled, ready to spring into action. Again there is a tree in the background—an oak this time--and a cloudy sky, tinged with pink. A more appealing portrait than the first, huntsman and hound are portrayed in a closer, friendly pose. The man holds a hunting horn, and has a cord, tied in a bow, around his leg. The hounds in the portraits have the attributes of the best hunters: good shoulders, straight legs and strong backs. Based at Wakefield in Northamptonshire, the Grafton Hunt is named after its founder, the 2nd Duke of Grafton, who commissioned William Kent to design Wakefield house and gardens. Another family seat, Euston Hall, some eighteen miles from Newmarket in Suffolk, home to the 12th Duke, remains a centre for horse racing. The house and grounds at Euston were embellished by John Evelyn, and Sir Samuel Morland, the latter providing an engine to raise water to supply the fountains and a corn mill. Born in 1763, the painter George Morland is said to have been a descendant of Samuel Morland. The 2nd Duke commissioned William Kent to build a banqueting house at Euston, while the head gardener, ‘Capability’ Brown, added ornamental lakes. The 3rd Duke, Augustus Henry Fitzroy (1735-1811), was an avid huntsman, while his wife was an even more avid gambler. When he took up with a mistress, Fitzroy’s private life became a public joke, as retailed in letters by “Junius”. An associate of William Pitt, Fitzroy had a disastrous political career; during his term as prime minister, he alienated New England colonists, and set the stage for the American War of Independence. He was also notorious for absenting himself from a Cabinet meeting on Ireland, so as not to miss a race at Newmarket, where a horse of his was running. He resigned as prime minister in 1770, aged 34. The Grafton Hunt was continued by his successors, and, apart from a period between 1842 and 1861 when the hunt was in the hands of a relative, Lord Southampton, the pack name has remained unchanged to the present day. Nowadays it is owned by trustees, but the bloodlines of the present pack can be traced back to the original hounds, including Dasher and Slasher, the dogs depicted in this pair of portraits.

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