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Lot 612
Tray containing eight Triang coaches and passenger train vehicles: R334 diesel centre car M59120 (E-BA); R224 restaurant car; R228 brown & cream Pullman ‘Mary’ (E-BG); R28 1st/2nd maroon & cream (VG-BP); R328 Pullman brown & cream Br/2nd (E-BVG); R222 BR(S) green suburban 2nd (E-BVG); R227 utility van maroon (E-BVG); R226 SR utility van green (E-BE)
Lot 2373
A very large quantity of Citroen Type H vans, mainly unboxed in trays, contains many variations by Hachette Collections France unboxed plus 4x Eligor Citroen vans boxed and a Atlas Editions and a Matchbox Collectables YFE13-M boxed Citreon van, 2x biscuit tin models and a large scale tin plate China made model unboxed. 27 items in total.(VG-M) (BM).
Lot 2424
One box containing a quantity of vintage diecast and plastic fire service vehicles and accessories, to include a Dinky Toys Merryweather Marquis fire tender, a Dinky Toys Ford Transit fire service van, and other related examples, also sold with an empty box for a Dinky Toys No. 521 Bedford Articulated Lorry
Lot 1284C
An Italian ceramic basket, a Staffordshire ironstone tureen bottom (Boston Tea Party), a black and white bowl, two Staffordshire spaniels, an Adderley china pin dish, red glass bowl and a Royal Doulton character jug, Rip van Winkle **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR POSTING AND PACKING**
Lot 1332
A LARGE ICON SHOWING THE ANNUNCIATION OF CHRIST FROM A CHURCH ICONOSTASIS Greek, circa 1600 Tempera on wood panel, executed on a gold ground. Set in its original carved wooden and gilded frame. Vertical crack, minimally restored. 52 x 40.5 cm. rest. Literature: Exhibition catalogue: Van een andere wereld, Kononklijk Museum voor schone kunsten Antwerpen, Antwerpen 1997, Nr. 61. GROSSFORMATIGE IKONE MIT DER VERKÜNDIGUNG DER GOTTESMUTTER AUS EINER KIRCHEN-IKONOSTASE Griechenland, um 1600 Verbund dreier Bretter mit zwei Rückseiten-Sponki (einer verloren). Geschnitzter Rahmen. Eitempera auf Kreidegrund, Hintergrund vergoldet. 52 x 40,5 cm. Vertikaler Riss, min. rest. Literatur: Ausstellungskatalog: Van een andere wereld, Kononklijk Museum voor schone kunsten Antwerpen, Antwerpen 1997, Nr. 61. Please note: this lot has been imported from outside the EU for sale to be sold at auction under Temporary Admission. When Hargesheimer releases such property to buyers in the EU, the buyer will become the importer and Import VAT is payable at 7% on the hammer price. To receive a refund of VAT amounts/Import VAT a non-EU must have registered to bid with an address outside of the EU and provide immediate proof of correct export out of the EU. Exports made by companies from other EU member states will be exempt from VAT if they state their VAT identification number. Bitte beachten Sie, dass dieses Lot aus einem Drittland temporär für die Versteigerung eingeführt wurde. Bei der Übergabe des Kunstwerkes durch Hargesheimer Kunstauktionen Düsseldorf an den Käufer wird dieser zum Importeur und schuldet Hargesheimer Kunstauktionen Düsseldorf die Einfuhrumsatzsteuer in Höhe von z.Zt. 7%. Von der Umsatzsteuer befreit sind Ausfuhrlieferungen in Drittländer (d.h. außerhalb der EU) und bei Angabe der UmsatzsteuerIdentifikationsnummer Lieferungen an Unternehmen in EUMitgliedsstaaten.
Lot 1426
A RARE ICON SHOWING JESUS AND THE SAMARITAN WOMAN AT JACOB'S WELL Greek, 16th century Tempera on wood panel with kovcheg. Finely executed on a gold ground. Losses to the lower border. 29.5 x 20 cm. Literature: Exhibition catalogue: Van een anderen wereld, Kononklijk Museum voor schone kunsten Antwerpen, Antwerp 1997, Nr. 53. SELTENE IKONE MIT CHRISTUS UND DER SAMARITERIN AM BRUNNEN Griechenland, 16. Jh. Holztafel, Kowtscheg, Eitempera auf Kreidegrund, Goldgrund. 29,5 x 20 cm. Substanzverluste am unteren Rand. Literatur: Ausstellungskatalog: Van een anderen wereld, Kononklijk Museum voor schone kunsten Antwerpen, Antwerpen 1997, Nr. 53. Please note: this lot has been imported from outside the EU for sale to be sold at auction under Temporary Admission. When Hargesheimer releases such property to buyers in the EU, the buyer will become the importer and Import VAT is payable at 7% on the hammer price. To receive a refund of VAT amounts/Import VAT a non-EU must have registered to bid with an address outside of the EU and provide immediate proof of correct export out of the EU. Exports made by companies from other EU member states will be exempt from VAT if they state their VAT identification number. Bitte beachten Sie, dass dieses Lot aus einem Drittland temporär für die Versteigerung eingeführt wurde. Bei der Übergabe des Kunstwerkes durch Hargesheimer Kunstauktionen Düsseldorf an den Käufer wird dieser zum Importeur und schuldet Hargesheimer Kunstauktionen Düsseldorf die Einfuhrumsatzsteuer in Höhe von z.Zt. 7%. Von der Umsatzsteuer befreit sind Ausfuhrlieferungen in Drittländer (d.h. außerhalb der EU) und bei Angabe der UmsatzsteuerIdentifikationsnummer Lieferungen an Unternehmen in EUMitgliedsstaaten.
Lot 467
A SMALL DOUBLE-SIDED ICON SHOWING THE APOSTLES PETER AND PAUL AND THE DORMITION OF THE MOTHER OF GOD Greek, early 16th century Tempera on wood panel with kovcheg. Oone side depicting the Dormition of the Mother of God, at her head and feet the apostles and other mourning figures, St. Peter leading the group to the left swinging a censer, in the middle Christ holding the soul of his Mother in the form of an infant within a mandorla flanked by two angels in grisaille, the scene overlooked by a seraph. The other side portraying St. Peter and St. Paul, both shown in three-quarter profile, St. Peter holding an inscribed scroll and St. Paul holding the Book of Gospels. Minor losses to the borders, minimally restored. 22 x 16.5 cm. Literature: Exhibition catalogue: Van een andere wereld, Kononklijk Museum voor schone kunsten Antwerpen, Antwerpen 1997, Nr. 132. KLEINE DOPPELSEITE IKONE MIT DEN APOSTELN PETRUS UNS PAULUS SOWIE DEM ENTSCHLAFEN DER GOTTESMUTTER Griechenland, Anfang 16. Jh. Holztafel, Kowtscheg, Eitempera auf Kreidegrund, Goldgrund. 22 x 16,5 cm. Kleinere Substanzverluste im Randbereich, punktuelle Retuschen. Literatur: Ausstellungskatalog: Van een andere wereld, Kononklijk Museum voor schone kunsten Antwerpen, Antwerpen 1997, Nr. 132. Please note: this lot has been imported from outside the EU for sale to be sold at auction under Temporary Admission. When Hargesheimer releases such property to buyers in the EU, the buyer will become the importer and Import VAT is payable at 7% on the hammer price. To receive a refund of VAT amounts/Import VAT a non-EU must have registered to bid with an address outside of the EU and provide immediate proof of correct export out of the EU. Exports made by companies from other EU member states will be exempt from VAT if they state their VAT identification number. Bitte beachten Sie, dass dieses Lot aus einem Drittland temporär für die Versteigerung eingeführt wurde. Bei der Übergabe des Kunstwerkes durch Hargesheimer Kunstauktionen Düsseldorf an den Käufer wird dieser zum Importeur und schuldet Hargesheimer Kunstauktionen Düsseldorf die Einfuhrumsatzsteuer in Höhe von z.Zt. 7%. Von der Umsatzsteuer befreit sind Ausfuhrlieferungen in Drittländer (d.h. außerhalb der EU) und bei Angabe der UmsatzsteuerIdentifikationsnummer Lieferungen an Unternehmen in EUMitgliedsstaaten.
Lot 152
Equestrian Interest - Book - The Country Life Library of Antique Horse Brasses (Peter Brears), together with RSPCA Van Horse Parade 1920 horse brass, Bishops Stortford and District Horse Parade 1913, and another horse brass Condition: Dust jacket of book having creases in places, and some staining. **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms.
Lot 189
Books - Quantity of Folio Society books to include; Vincent Van Gogh Portraits of Provence, Eileen Power - Medieval Women Folio, Nelson and Emma, The Folio Book of Days, The First Colonists, etc Condition: Some covers having stains and creases present, please check the extra images provided which show some condition issues - **Due to current lockdown conditions, bidders are unable to view lots in this online-only sale. Please therefore read the following: As this is a sale of second-hand and antique items, bidders should expect items to exhibit general wear and tear commensurate with age and use unless otherwise stated. Please carefully examine the images as they form part of the overall condition. Clevedon Salerooms are happy to provide further detailed information on request, if received by email or telephone at least 24 hours prior to the sale. The mention of a specific flaw or fault does not automatically mean that no other faults exist. Reports are provided as a goodwill gesture and are a general assessment, not a forensic survey. Further category-specific condition information can be found in our Standard Terms and Conditions. The placing of a bid by you is taken by us as an indication that you have read, understood and agreed to these terms. Unless specifically stated, books have not been collated (ie checked for correct pagination and the presence of all stated prints. Due to the large nature of many books, reports are not prepared for every page and a general overview is given.
Lot 3043
Derbyshire Interest: Pieter van Lisebetten (1630-1678) after Abraham van Diepenbeeck (1596-1675) - Monsiegneur le Marquis a Cheval (Groupades par le Droite) with Bolsover castle behind, monochrome engraving, plate no: 31, 43 x 52.cm from William Cavendish, the Duke of Newcastle's "Methode et Invention Nouvelle de Dresser les Chevaux' [Antwerp: 1658] folded, tears to border, foxing p
Lot 12
Follower of Rembrandt Harmensz. van Rijn (Leiden 1606-1669 Amsterdam)The head of a bearded man oil on panel20.6 x 17.8cm (8 1/8 x 7in).Footnotes:The present work is related to a Rembrandt etching, in the opposite sense (see: New Hollstein (Rembrandt) I.128.84.iii).For further information on this lot please visit Bonhams.com
Lot 122
Follower of Sir Anthony van Dyck (Antwerp 1599-1641 Blackfriars)Portrait of a lady, half-length, in a brown dress and blue wrapoil on canvas 73.6 x 62.2cm (29 x 24 1/2in).Footnotes:ProvenanceWith Olivia Rumens, Ludlow (according to a label on the reverse)For further information on this lot please visit Bonhams.com
Lot 133
Circle of Sir Anthony van Dyck (Antwerp 1599-1641 Blackfriars)Portrait of Virginio Cesarini (1595-1624), bust-length, in clerical dress oil on canvas55.3 x 46.7cm (21 3/4 x 18 3/8in).Footnotes:Virginio Cesarini was a poet and defender of Galileo who was a courtier in the service of Cardinal Barberini, the future Pope Urban VIII. The present composition, which shows Cesarini in clerical dress, is related to van Dyck's portrait of circa 1623-4 in the Hermitage, Saint Petersburg.For further information on this lot please visit Bonhams.com
Lot 153
After Eglon Hendrik van der Neer, circa 1700Judith oil on copper33.5 x 25.6cm (13 3/16 x 10 1/16in).Footnotes:ProvenanceProbably, The Collection of J. Inglis (as Frans van Mieris, according to literature)With Dr. Ir. A.M. de Wild, The Netherlands (according to a label on the reverse)ExhibitedPossibly, Edinburgh, 1883, no. 201 (as 'Das abgeschnittene Haupt, according to literature) LiteratureProbably, C. Hofstede de Groot, A catalogue raisonné of the works of the most eminent Dutch painters of the seventeenth century, London, 1926, vol. X, p.2, no. 6 (as Frans van Mieris)E. Schavemaker, Eglon van der Neer (1635/36-1703): his life and his work, Doornspijk, 2010, p.482, cat. no. 77.II (copy?)The present work is after van der Neer's original composition, now in The National Gallery, London.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 176
Studio of Daniel Mytens (?Delft 1590-1644 The Hague)Portrait of King Charles I, three-quarter-length, standing, wearing a brown and gold doublet and hose, the sash of the Order of the Garter and the Great George, holding a pair of gloves, beside the Scottish crown laid on a table oil on canvas 109.2 x 83.4cm (43 x 32 13/16in).Footnotes:Although the composition of the present portrait does not appear to be directly derived from any hitherto known portrait of the King, it can be related to a number of portraits of King Charles I by Daniel Mytens. The head in the present work can be compared to the Mytens in the Royal Collection which is signed and dated 1628. The composition which shows the Great George suspended from the Garter sash is known through engravings, published by Franciscus van Hoeye after Mytens. Perhaps most interesting of all is the presence of what must be a representation of the Scottish royal crown, which is unique to the present portrait, all the other portraits of Charles I that depict him with a crown having shown him beside the Tudor Crown, otherwise known as the Crown of Henry VIII. Although Charles succeeded his father in 1625, his long-delayed and long-awaited Scottish coronation did not take place until he finally returned to his native Scotland in the early summer of 1633, making a magnificent civic entry, the first such royal pageant in Edinburgh since 1590. It is possible that the present portrait was commissioned to record this event and is a rare contemporary depiction of the Scottish crown. The regalia known as the Honours of Scotland, which include the Crown along with the Sceptre and Sword of State, unlike their English equivalent of the time, still exist. Following the Act of Union of 1707, which unified the Kingdom of Scotland and the Kingdom of England to form the Kingdom of Great Britain, and having no ceremonial role to play in the proceedings of the new Parliament of Great Britain in London, the Honours were locked away in Edinburgh Castle. There they remained all but forgotten in a chest until 1818, when a group of people including Sir Walter Scott set out to find them to great public acclaim. Charles's complicated relationship with Scotland was summarized by the historian C. V. Wedgwood: 'It was not the least of this king's misfortunes that he was always too much of a Scotsman for England and too much of an Englishman for Scotland. In many ways he was the type of the absentee Scot, rootless in England and uprooted in Scotland.'For further information on this lot please visit Bonhams.com
Lot 58
Frans van der Myn (Dusseldorf 1719-1783 London)Portrait of a lady, three-quarter-length, in a grey and blue satin dress, holding a bouquet of flowers oil on canvas92.2 x 72.3cm (36 5/16 x 28 7/16in).Footnotes:ProvenanceSale, Sotheby's, London, 9 December 1987, lot 161 (sold £7,700)Sale, Christie's, London, 2 November 2001, lot 60For further information on this lot please visit Bonhams.com
Lot 59
Circle of Adam Frans van der Meulen (Brussels 1632-1690 Paris)King Louis XIV before a besieged cityoil on canvas 67.1 x 103.2cm (26 7/16 x 40 5/8in).Footnotes:ProvenanceSale, Christie's, London, 16 March 1918In the collection of the present owner's family since the 1920sThe figures in the foreground of the present composition are based on van der Meulen's Louis XIV before the Siege of Lille, a version of which was offered at Drouot, Paris, 15 June 2001, lot 15. There is also study for a tapestry of the same subject, also by van der Meulen, which is now at the Palaces of Versailles.For further information on this lot please visit Bonhams.com
Lot 65
Follower of Gaspar van Wittel, called Vanvitelli (Utrecht circa 1653-1736 Rome)Lake Maggiore with Isola Bella; and Isola Madre a pair, oil on canvas28.6 x 72.6cm (11 1/4 x 28 9/16in). (2)Footnotes:ProvenanceThe Collection of Lady Victor PagetWith Wildenstein, London, 1950Private Collection, UKExhibitedSarasota, John and Mable Ringling Museum, The Fantastic Visions of Monsu Desiderio, February 1950, nos. 30 and 31LiteratureA. Scharf, The Fantastic Visions of Monsu Desiderio, exh. cat., Florida, 1950, pp. 21-22, cat. nos. 30 and 31, ill. p. 65, pl. XXXVI ns XXXVIIFor further information on this lot please visit Bonhams.com
Lot 69
Follower of Pieter Coecke van Aelst (Aelst 1502-1550 Brussels)The Rest on the Flight into Egypt oil on panel, shaped top89.2 x 56.7cm (35 1/8 x 22 5/16in).Footnotes:The present work is derived from Coecke van Aelst's original work in the church of Saints Sulpice and Denis in Diest, Brussels.For further information on this lot please visit Bonhams.com
Lot 1193
A collection of 9 pairs of Dutch shoulder badges, to include: Field Artillery, Anti Aircraft Artillery, Signals Corps, Infantry, Menno Van Coehoorn Infantry, Mobile Defence, together with 9 single Dutch Military badges, to include: Military Corps, Army Pay Corps, Cavalry, Infantry, Rifle Guards, etc. (9 pairs and 9 single)
Lot 1194
A collection of 33 Dutch collar badges on boards, to include: Infantry, Training Reserve Officer, Air Supply Corps, Training Reserve N.C.O.'s, Korps Nationale Reserve, Engineers, Technical Service, Field Artillery, Army Pay Corps, Transport Corps, Signal Corps, Van Heutsz, Course Artillery, Mobile Defence Corps, Military Police, Royal Military Acadamy, Grenadier Guards, etc. (33)
Lot 647
The 1st, 2nd and 3rd Marquess's of Castelo RodrigoPortrait of Cristovão de Moura (1538-1613), 1st marquess of Castelo Rodrigo Drawn by Nicolaus van der Horst (1598-1646), engraved by Coenrad Waumans (1619-1675) and published by Pieter de Jode II (1606-1674) Portrait of D.Manuel de Moura (1590-1651) 2nd marquess of Castelo Rodrigo Engraved by Antoon van der Does (1609-1680) and published by Pieter de Jode II (1606-1674) D. Francisco de Moura e Corte-Real (1610-1675), 3rd marquess de Castelo Rodrigo Drawn by Anselmus van Hulle (c.1601-1674) and engraved by Pieter de Jode II (1604-1674)17x11,5 cm
Lot 21
Make & Model: Peugeot Partner CRC HDIDate of Reg: NX62 VWBColour: Whitecc: 1560MoT: 24-06-2021Fuel Type: DIESELMileage: 162kTransmission: MANUALSummary: Crew van. 2 Registered keepers - Last registered keepers sinice Feb 2016.Vehicle Check Sheet: https://angliacarauctions.co.uk/umbraco/surface/auction/GetVehicleCheckSheet?id=145909
Lot 538
Peter (Pieter) van Mol1599 Antwerpen - 1650 Paris, nachDie Beweinung ChristiÖl auf Lwd. 142 x 102 cm. Doubliert. Rest. Besch. Rahmen min. besch. Peter (Pieter) van Mol1599 Antwerp - 1650 Paris(after) The Lamentation of ChristOil on canvas. 142 x 102 cm. Relined. Restored. Damaged. Minor damage to frame.
Lot 668
Monogrammist Th.M.19. Jh. FrüchtestilllebenR. u. monogrammiert Th.M. Rücks. bezeichnet "Theodor Mattenheimer" und "Mala mea". Öl auf Karton. 31 x 41 cm. Rest. Rahmen. Provenienz: Van Ham, Köln, Auktion 185, März 1999, Kat.-Nr. 1754. - Südwestdeutsche Privatsammlung. Monogrammist Th.M. 19th century Still life with fruit Monogrammed Th.M lower right. Inscribed "Theodor Mattenheimer" and "Mala mea" verso. Oil on cardboard. 31 x 41 cm. Restored. Framed. Provenance: Van Ham, Cologne, Auction 185, March 1999, catalogue number 1754. - Private collection, Southwest Germany.
Lot 1031
Arnulf Rainer1929 Baden b. Wien - lebt in Wien und Enzenkirchen/Oberöst.Nachtigall. 1970/71Aus der "Werkgruppe Face Serie". Rechts unten signiert, datiert und betitelt. Verso mit der Werknummer 668/72. Mischtechnik (Öl, Ölkreide, Kratztechnik) über Fotografie auf Karton auf Hartfaserplatte. Blattgröße: 100 x 79 cm. Rahmen. Bei Arnulf Rainers "Nachtigall" aus dem Jahre 1970/71 handelt es sich um ein übermaltes Selbstporträt, dass aus der Werkgruppe "Faces" stammt. Arnulf Rainer beschreibt seine Faces folgendermaßen: "Wenn ich mich selbst reproduziere, dann auch als Versuch einer Erweiterung: visuelle Formulierungen von Möglichem, Ausgedachtem." (Arnulf Rainer Körpersprache, 1980, S. 112) Wir danken dem Museum Arnulf Rainer, Baden b. Wien für die wissenschaftliche Bearbeitung. Die Authentizität des Werkes wurde vom Atelier Arnulf Rainer, Baden b. Wien anhand von Fotos mündlich best Provenienz: Privatsammlung Süddeutschland Vgl. Van de Loo und Prelinger. Körpersprache. München 1980, S. 123. Es handelt sich hierbei um eine frühere Version des hier angebotenen Werkes. Arnulf Rainer1929 Baden near Vienna - lives in Vienna and Enzenkirchen/Upper AustriaNightingale. 1970/71From the work group "Faces Serie". Signed, dated and titled lower right. Work number 668/72 verso. Mixed technique (oil, oil pastel, scratch technique) over photograph on cardboard mounted on hardboard. Sheet size: 100 x 79 cm. Framed. We thank the Museum Arnulf Rainer in Baden for the scientific work. The authenticity of the work was orally confirmed by the studio of Arnulf Rainer on the basis of photographs. Provenance: private collection, South Germany Cf. Van de Loo und Prelinger. Körpersprache. Munich 1980, page 123. This is an earlier version of the offered work.
Lot 700
CINEMA, postcards, actors & actresses, inc. Betty Hutton, Betty Grable, Greer Garson, Cary Grant, Ingrid Bergman, Gary Cooper, Dorothy Lamour, Claudette Colbert, Victor Mature, Kathryn Grayson, Charles Boyer, Van Johnson, Lana Turner, Rita Hayworth, Spencer Tracy, Bing Crosby, Gene Aubry, Roy Rogers, Robert Young, Humphrey Bogart, Douglas Fairbanks Jnr., Glenn Ford, Robert Donat, Doris Day, Joan Fontaine, John Wayne, Marlon Brando, Gregory Peck, Mai Zetterling, Tony Curtis, Richard Widmark, Burt Lancaster etc., neatly laid down to black pages of photo album, VG to EX, 108*
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