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Click here to subscribeSilver teapot on stove. Comfoor, 934/000, with curled legs with a floral decoration, MT.: Bonebakker, Amsterdam, jl.: B:1886, plate is made of metal, with a teapot on top, 833/000, with a decorated foot and decorated with acanthus leaf and flower element. MT.: JM van Kempen, Voorschoten. 1838-1858. 24x13x13cm. Silver about 550 grams. In good condition
Silver bonbonniere, 833/000, with blue glass. Oval sawn basket, placed on an oval ring with fillet and pearl edges. Along the top edge and the handle are provided with a pearl edge. The basket has a blue glass inner tray. MT.: G. van Dussen, Schoonhoven, jl.:y:1908. 12x8x12cm. Silver weight approx. 98 grams, without glass, In good condition
18th century Dutch bible + a 17th century Dutch tile. Bible States General 1761, in Amsterdam, by PH Losek and H. Brandt, Onder de Linden. O. van Grafhorst, G. de Groot. P. Schouten and Company. Restoration. In decent shape. and a 17th century tile with a fox image, size: 13 x 13 cm. In fair/good condition.
Three leaves from a Book of Hours, each with delicately painted flowers and in one case a jewel, attributable to Cornelia van Wulfschkercke, a Carmelite nun from the Carmelite convent of Sion, Bruges, or her immediate workshop, in Latin, manuscript leaves on parchment [Low Countries (Bruges), c. 1510-20] Three leaves, each with 17 lines in a rounded late gothic bookhand with numerous ornamental penstrokes, terracotta-red rubrics, one leaf with a single 2-line initial in brown heightened with liquid gold penstrokes on burgundy grounds, each with finely painted realistic flower cuttings and on one occasion a medieval jewel in the form of cross in its vertical outer border, these identifiable as the work of Cornelia van Wulfschkercke or her immediate workshop (see below), some small spots and stains, else excellent and fresh condition, each leaf 126 by 87mm. From a dispersed Book of Hours identified by A.M.W. As-Vijvers as part of a small group of such books produced in Ghent or Bruges c. 1500-10 with single motifs in the borders. The subsequent tracing of miniature leaves enabled the identification of the artist as Cornelia van Wulfschkercke or her immediate workshop (see A.M.W. As-Vijvers, 'Manuscript Production in a Carmelite Convent: the Case of Cornelia van Wulfschkercke, Books of Hours Reconsidered, 2013, pp. 279-96 and 519-20, especially the prayerbook now Amsterdam, Free Library, MS. XV.05502, and the Ayala-Rodriguez Hours now Brussels, Bibliothèque Royale, MS. IV 104; compare also the flowers here with those in the border of the Prayerbook of Marguerite Clerckx, now Princeton, Garrett MS. 63, reproduced as fig. 10 on p. 290 and pl. 70 on p. 520). Cornelia van Wulfschkercke (d. 1540) entered the Carmelite convent of Sion, Bruges, by 1495, took her vows in 1501, and forged a career as a female illuminator producing numerous books for patrons outside of the convent (see As-Vijvers, 2013 on their commercial output, and note that in 1512 and 1513 Sion rented a stall in the Bruges market arcade where luxury goods were sold: see J. Wilson, 'Marketing Paintings in late Medieval Flanders and Brabant', in Artistes, Artisans et Production artistique at Moyen Age, 1990, p. 624). She was trained as an artist by Grietkin Scheppers in 1503, who herself may have been the widow of an illuminator, and they appear to have both worked on a Gradual (now Paris, Bibliotheque Mazarine, MS. 432), where she is named in the colophon. Many of the convent's inmates were involved in book production and some twenty-three surviving manuscripts can now be identified as their work, with Cornelia van Wulfschkercke at its head. Any Book of Hours attributable to a named artist is a rarity, but a Book of Hours illuminated by a woman is altogether exceptional.From the collection of Roger Martin (1939-2020) of Grimsby.
‡ Document of the Raad van Vlaanderen, reissuing a long grant of Andries Velle, bailiff, and other officials and men of the villages of Voormezele for estates there and in nearby Dikkebus and Vlamertinge, in favour of Roegier Stutin and others, in Flemish, manuscript on parchment [Flanders (probably Gravensteen in Ghent), dated 8 May 1460] Large single-sheet document, in 78 long lines of a small Flemish secretarial hand, opening words in enlarged calligraphic letters, endorsed on turn up on behalf of the council, slits for seal tag, but no seal tags or seal present, endosements of various dates on reverse, damage to head of document repaired with paper on reverse, folds and slight discolouration overall, else in good condition, 513+98 by 645mm. The 'council of Flanders' emerged gradually as a ruling institution over the region, with Duke Philip II the Bold (1342-1404) attempting to found a permanent court at Lille, but Ghent, Bruges, Ypres and the Brugse Vrije refused to recognise its authority. By 1407 it had consolidated its hold over most of Flanders and was relocated to Ghent and its formal statutes were issued in 1409. It then continued as the highest legal authority in Flanders until 1795, when the Austrian Netherlands were annexed by the First French Republic. Few of its surviving records date from as early as the present document, and the grant here and its reissue are not to be found in J. Butinx, Inventaris van het archief van de Raad van Vlaanderen, 1964-79, but Vormezele is noted in a document of 1497-98 (ibid., no. 27799). ‡: A double dagger (‡) indicates that the lot is being sold whilst subject to temporary importation and that VAT is due at the reduced rate (5%) if the lot remains in the UK.
Netherlandish School, 16th CenturyThe Adoration of the Magi oil on panel90.5 x 119cm (35 5/8 x 46 7/8in).Footnotes:The present Adoration of the Magi is an early 16th century Netherlandish School painting, and is presumably the work of an artist active in the Circle of Lucas van Leyden (1494-1533) and reflects the composition of a major work by the Master which is now lost.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Master of the Embroidered Foliage (active in Brussels and Bruges 1480-1510)Adam and Eve in the Garden of Eden oil on panel50.2 x 33.8cm (19 3/4 x 13 5/16in).Footnotes:ProvenanceCollection of John Linnell, until sold by order of his trusteesLinnell sale, Christie's, London, 15 March 1918, lot 135Collection of Leopold Hirsch, 10 Kensington Park Gardens, LondonHis sale, Christie's, London, 11 May 1934, lot 105 (for £819 to J.R. Thomas)Mrs George Kidston and thence by descent through the family ExhibitedLondon, The Royal Academy, Exhibition of Flemish and Belgian Art 1300-1900, 1927, no. 80 (lent by Leopold Hirsch)Bristol, Art of the West Country, 1937, no. 196Manchester, City of Manchester Art Gallery, Art Treasures Centenary Exhibition, 30 October - 31 December 1957, no. 29 (lent by John Kidston)LiteratureM.J. Friedländer, Altniederländishe Malerei, vol. IV, pp. 70 and 134, no. 36 (as the work of a follower and free imitation of the Vienna picture)A. Scherer, 'Vom Andachtsbild zum Sammlerbild. Varianten des Sündenfalls von Hugo van der Goes', in K. Bergdolt, G. Bonsanti (ed.), Opere e giorni. Studi su mille anni di arte europea dedicati a Max Seidel, Venice, 2001, pp. 363-70, ill., p. 365, pl. 3F. Gombert, 'Un réseau de collaborations d'artistes', in Le Maitre au Feuillage brodé. Primitifs flamands. Secrets d'ateliers, Lille, 2005, p. 33A. Scherer, 'Adam et Ève dans l'atelier du Maître au Feuillage brodé et la question de l'anonymat', in F. Gombert en D. Martens (ed.), Le Maître au Feuillage brodé. Démarches d'artistes et méthodes d'attribution d'oeuvres à un peintre anonyme des anciens Pays-Bas du XVe siècle, Lille, 2007, p. 33The unusual name for this early Netherlandish artist was penned by Max J. Friedländer in 1926 when he attributed a group of Madonna and Child in a landscape to 'The Master of the Embroidered Foliage'. In these works he likened the meticulous, repetitive foliage to the repeated pattern of embroidery stitches. Florence Gombert's research reveals that the Master's works were created by a variety of artists from different workshops across Flanders, rather than by a single artist (Gombert, op. cit., 2005). In 2001, Annette Scherer attributed three paintings, including our picture of Adam and Eve to the Master of the Embroidered Foliage (see: A. Scherer, 'Vom Andachtsbild zum Sammlerbild. Varianten des Sündenfalls von Hugo van der Goes', in K. Bergdolt, G. Bonsanti (ed.), Opere e giorni. Studi su mille anni di arte europea dedicati a Max Seidel, Venice, 2001, pp. 363-70). One of the other two versions was formerly in the collection of Dr. Otto Scheider and offered at Christie's, 20 November 2012, lot 86 (49.6 x 33cm). The second version is in the Wilhelm-Hack Museum, Ludwigshafen (47.5 x 33cm, inv. no. 457/42) (see A. Scherer, op.cit., 2005, cat. nos. 24,25,26). All three works are derived from the Hugo van der Goes altarpiece in the Kunsthistorisches Museum, Vienna (fig. 1) but each differs in the details; a doe only appears in the Ludwigshafen version and a kingfisher can be seen in the left foreground of the present work. The Ludwigshafen and Christie's versions have more in common for each depicts a similar lion, left and Adam in an identical loin cloth. The present work relates closest to the van der Goes altarpiece, as it is the only version where Eve holds the apple in her hand, and Scherer argues that it is likely to be the earliest of the three versions (op. cit, 2007, p. 36). This workshop practice of creating several versions, each with different backgrounds and details, suggests that this composition of 'Adam and Eve' was clearly popular at the time.For further information on this lot please visit Bonhams.com
Jacob Grimmer (Antwerp circa 1525-1590)A View of Kiel on the Scheldt with Antwerp beyond bears signature '**** BRUEG***' (lower right)oil on panel42.8 x 51.2cm (16 7/8 x 20 3/16in).Footnotes:The present, unpublished, painting is related to the large View of Kiel with Antwerp beyond, dated 1578, in the Royal Museum of Fine Arts in Antwerp, which measures 121 x 196 cm (47 6/8 x 77 1/8in) (fig.1). Although different in size, the compositions are very similar, but the 1578 painting shows a more elaborate landscape and also a greater variety of staffage. It seems likely that Grimmer received a commission to make a smaller rendition based on one of his masterpieces. The execution of the landscape elements but also the figures in the present painting are typical for Jacob Grimmer. A date in the 1580s is feasible for the present work. Almost an exact contemporary of Pieter Brueghel the elder, Jacob Grimmer was among the most important 16th century Antwerp landscape painters. His rural landscapes show a clear development moving away from the fantastic panoramas with gigantic rocks of Joachim Patinir, Herri met de Bles and their followers towards a more intimate rendition of the Flemish countryside. Jacob Grimmer was born in Antwerp, the son of Nicolaas and Elisabeth Cops. According to Karel van Mander - in his Schilder-boeck, Haarlem 1604 - Grimmer first learned to paint landscapes from Matthys Cock and later from the unknown Christian van den Queborn. He became a master in the Antwerp Guild of Saint Luke in 1547, and the next year later he married Lucia van de Wouwer. Their son Abel, born in the early 1570s, became a landscape and architectural painter in his own right. The city of Antwerp succeeded in the 15th century in becoming the successor of Bruges, which until then had been the most important mercantile metropolis of western Europe. At the end of the 15th century, when nearly all the Low Countries were united under the Burgundian and Habsburg dynasties, the economic preeminence of Antwerp over Bruges is indicated by the fact that the majority of foreign merchants transferred their residence to Antwerp. It quickly became the leading commercial centre of western Europe, benefiting from the beginnings of colonial trade and stimulated by the great discoveries of the Portuguese and Spaniards. Extensive urbanization plans were developed to lodge the increasing population, who earned their livelihood in trade, transport, and industry.We are grateful to Dr. Luuk Pijl who endorses the attribution to Jacob Grimmer on the basis of high definition photographs.This lot is subject to the following lot symbols: αα Buyers from within the UK: VAT is payable at the prevailing rate on just the Buyer's Premium (NOT the Hammer Price). Buyers from outside the UK: VAT is payable at the prevailing rate on both Hammer Price and Buyer's Premium. If a Buyer, having registered under a non-UK address, decides that the item is not to be exported from the UK, then they should advise Bonhams immediately.For further information on this lot please visit Bonhams.com
Attributed to Juan van der Hamen y León (Madrid 1596-1632)A still life with a basket of quinces on a wooden table and damsons hanging from strings on either side oil on canvas39.6 x 57.8cm (15 9/16 x 22 3/4in).Footnotes:Only a handful of artists in Spain would have been capable of painting this hitherto unknown early still life which may, with its centrepiece flanked by fruit hanging from strings, be compared to the unsigned Still life of a Faience Fruit Bowl with Passion Fruit, Crab Apples and Pears, which was thought by the distinguished van der Hamen scholar, the late William B. Jordan to be the artist's work and date from circa 1621 (oil on canvas, 54 x 65 cm., Serra de Alzaga collection, Valencia; see W. B. Jordan, Juan van der Hamen y León and the Court of Madrid, New Haven, 2006, no. 6). The wooden table is unusual in the oeuvre of this artist who more often went on to employ light coloured marble ledges; but a similarly coloured wooden table was employed by Hamen y León in his early Still Life of Sweets and Glassware, in the Museo del Prado which is oil on canvas, signed and dated, 1622 (op. cit. no. 4). It was during this early period that this master established the working pattern of his studio practice and like most early still life painters in Europe, he established a range of picture formats, compositional types and favoured objects that became his stock in trade. Jordan, after 40 years of research on the artist, wrote in his monograph: 'Most of the compositional types for which Van der Hamen is best known are represented by superb examples dated 1621 and 1622.'Adopting some of the essential compositional devices employed by Sánchez Cotán, such as the hanging of fruit and game from strings, van der Hamen fashioned a type of still life uniquely suited to his public at court. In doing this he is believed to have been aware of developments in still life painting outside of Spain as well – such as could be seen in the works of north Italians such as Panfilo Nuvolone and Fede Galizia, or those of Flemish masters like Osias Beert the Elder, Clara Peeters and Frans Snyders. 'Although his fame today has been eclipsed by the long career of Velásquez,' in Jordan's words 'Van der Hamen's star was very bright when his Sevillian rival was just finding his way at the court of the young King Philip IV. When that fire was unexpectedly extinguished at the age of thirty-five, some of his contemporaries, such as the playwright Juan Pérez de Montalvan, lamented the passing of 'the greatest Spaniard of his art who ever lived'.'This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Studio of Wolf Huber (Feldkirch circa 1485-1553 Passau)Saint Jerome in prayer bears monogram 'Aa' (lower centre)pen and brown ink on paper, heightened with white, watermark serpent around a cross (close to Briquet 13847)18.7 x 11.7cm (7 3/8 x 4 5/8in).Footnotes:ProvenanceCollection Landau Finaly (L. 1334c (on a separate label) Sale, Christie's, London, 4 July 1984, lot 136 (as follower of Wolf Huber).Sale, Christie's, London, 9 December 1986, lot 344 (as follower of Wolf Huber)Private Collection, USALiteratureF. Winzinger, Wolf Huber: Das Gesamtwerk, Munich and Zurich, 1979, vol. I, no. 39, vol. II, ill. (as Wolf Huber).A.J. Elen, Missing Old Master Drawings from the Franz Koenigs Collection , The Hague, 1989, under no. 225The present drawing was published by Franz Winzinger in 1979 as by Wolf Huber (see literature). Winzinger includes The Crucifixion, dated 1514, previously in the Franz Koenigs Collection, now in the Boijmans Van Beuningen Museum (Inv. D.I. 112) as a copy of the present sheet (see: ibid, cat. no. 39a). Another drawing of the same subject, signed and dated 1517, now in the Kupferstichkabinett, Berlin (Inv. 4325) shows Huber's distinctive style and meticulous hatching on the cross.Modern scholarship has advanced in recent years and many works accepted by Frans Winzinger in 1979 have now been given to artists in Huber's circle or to his followers, who often produced extremely fine copies of his drawings.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Floris van Acker (Belgian, 1858-1947)'Oude Jaars avond'signed 'FL.Van Acker' (lower left); further signed, inscribed and dated 'Oude Jaars avond./F.VanAcker/(Schets) 1938.' (on the reverse) oil on canvas 61 x 50.1cm (24 x 19 3/4in).For further information on this lot please visit Bonhams.com
Louis Franciscus Hendrik Apol (Dutch, 1850-1936)Riverside houses in winter with a figure crossing a bridgesigned 'Louis Apol' (lower left); inscribed 'Aan Klaas Mantel ter gelegenheid van zijn huwelijk met Elisabeth Krook 8 mei 1930 Louis Apol' (on the reverse) oil on board 19.7 x 26.4cm (7 3/4 x 10 3/8in).Footnotes:ProvenanceKlaas Mantel, 1930.With Kunsthandel P.A. Scheen, The Hague.Anon. sale, Sotheby's, Amsterdam, 21 October 2003, lot 156.With Simonis & Buunk, Netherlands.Private collection, Netherlands.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
1976 VW Late Bay Window Camper VanRegistration number LGY 254PWhite over blue with blue interiorPresent owner purchased van in 2014 Previous owner had van restored in 2010 Folder of invoices and photos available Weber carbs and Vintage Speed exhaust fitted in 2014Full interior refit (Seymour Automotive, Newbury) in 2015New SSP 100bhp engine (VW Heritage) fitted in 2015All new parts, including lightened flywheel, upgraded valves and springs, Engle 110 camOil cooler and temp gauge fittedDual brake servo fitted 2016Heated blue leather front seats (Newtown Commercials)VW OE steel wheels, chrome h/caps (VW Heritage) and whitewall tyres, dark oak 17? s/wheel (Just Kampers)Pertronix electronic ignition Full body bare metal restoration and respray by Terry?s Beetles, HanwellChassis repairs to MOT standard New front axle beam, springs and dampersWaeco fridge, 2 burner gas stove, ample storage, full width rock and roll bedWith nine month?s MOT and an engine that?s driven just over 6,000 milesProbably one of the best late bays available
Corgi 1980s/70s boxed models, including, 2008 mc-8 americuiser, 437 Coca Cola van, 2029 mack fire pumper, 201 Mini 1000, 422 riot police Polizei, 498 ford British gas, 1157 Ford Esso tanker, 471 silver jubilee bus, boxes only 154 and 151, 50s classics, three 810, two 811, 812, 814, two 806, 804, 803, 813, 805 and 815, all models are in near mint to excellent condition, boxes are in good to excellent condition, (24 items)
Corgi Toys unboxed Gift Set 40 Batmobile, Batboat and Batcopter, 267 Batmobile, black gloss body, black wheels with chrome detailed hubs, blue tinted windscreens, grey plastic aerial, original Batman figure, cast gold towing hook, 107 Batboat 2nd issue, blue plastic windscreen, plastic rear fin, gold trailer, whizzwheels and 925 Batcopter, Corgi Junior Blakes 7 Liberator, opened, unboxed Corgi Juniors Kojak Buick, Batmobile, Buck rogers star fighter, Ertl The A Team GMC van, Ertl small remote control A Team GMC van, Knight Rider plastic rough riders model, Ertl Thomas Tank engine and one other, Ertl Air wolf, Bandai Popy Terrahawks, Rainbow Toys Dempsey & Makepeace Ford Escort Cabriolet, all in excellent original condition. (15 items)
Corgi Toys 441 Volkswagen “Toblerone van” blue body with lemon interior, spun shaped wheel hubs ‘Chocolat Tobler’ transfers to sides, Trans-O-Lite headlamps, in good original condition, some small paint chips, yellow/blue picture box, complete with end flaps, in good original condition, some edge/age wear, creasing to one picture side.
Quantity of Unboxed Dinky Toys Commercial Delivery Vans, 450 Trojan Van Esso, 451 Trojan Dunlop, 452 Trojan, Chivers Jellies,454 Trojan Cydrax, 455 Trojan Brooke Bond, 470 Austin A40 Van, Shell BP, 471 Austin A40 Van ‘Nestles’ 472 Austin A40 Van ‘Raleigh Cycles’ 480 Bedford CA van Kodak, 481 Bedford CA van ‘Ovaltine’ and 482 Bedford CA van ‘Dinky Toys, all in fair to good original condition. (11 items)
Hornby 0 gauge locomotive and boxed rolling stock, c/w 0-4-0 LMS locomotive and tender 5600, boxed No.30 BR locomotive and unboxed tender, boxed rolling stock flat truck with insulate3d container4, Shell Oil tank wagon and Manchester Oil tank wagon in a Shell box, No.50 Goods brake van, Goods van and Side Tipping wagon, No.1 Crane truck, No.2 Single arm signal and an unboxed crane, condition: generally very good, boxes good, (11 items).
Large selection of Hornby 0 gauge locomotive and wagons, c/w 0-4-0 LNER tank engine 326, together with over forty wagons including Tank wagons, Guards vans, Cattle wagons and Milk goods van, Trinidad Lake Asphalt rotary tipping wagons, various open wagons and more including Station and two boxed signals, condition: generally fair some poor, (lot).
Five Boxed Dinky Toys Cars,124 Rolls Royce Phantom V, light metallic blue body, cast wheels, in window display box,131 Jaguar E Type 2+2, metallic red body, light blue interior, speedwheels, in bubble pack, 178 Mini Clubman, bronze body, speedwheels, in bubble pack, 189 Lamborghini Marzal, green/white body, red interior, cast wheels in bubble pack, 216 Dino Ferrari, metallic blue body, white back, orange interior, spoked wheels, models are in good to near mint original condition, boxes are fair to good, plus No 111 Camper van, in blister punched card. (6 items)
Twenty various Dinky toy cars and vehicles, 108 Sam’s car with WIN badge, 102 Joe’s car, wings detached, 165 Humber Hawk black/green, spun hubs, inner windows loose, 128 Mercedes-Benz 600 metallic red with figures and luggage, 153 Aston Martin DB6 metallic silver, 158 Rolls Royce Silver Shadow metallic red, 160 Mercedes 250-SE metallic blue, 164 Ford Zodiac metallic silver, 165 Ford Capri metallic purple, 188 Jensen FF, 190 Monteverdi in plastic box lacks card base, 217 Alfa Romeo, 218 Lotus Europa in plastic box lacks card base, all generally good condition, together with a Superior Ambulance with stretcher lacks light cover, Kenwood Ford Transit van, both transfer loose, both fair to good, 110 Aston Martin DB5 one door loose, Jaguar E-type 2+2, Mini Police car, Dodge tipper and Dublo Austin truck all played with condition, and a hard plastic box, lacks card base, (20 items).
Two Boxed Dinky Toys Vans,274 A.A. Mini Van ‘Patrol Service’ yellow body, blue interior, spun wheel hubs and 407 Ford Transit Type I van ‘Kenwood’ blue/white body, spun wheels, models are in excellent to near mint original condition, 274 box is excellent, 407 box is good, one end flap has been repaired. (2 items)
Four Boxed Dinky Toys, 281 (29G) Luxury coach, maroon body, cream flashes, red wheel hubs, 283 B.O.A.C. Coach, dark blue/white body,796 Healey Sports Boat on Trailer and 988 ABC TV Transmitter Van, with aerial dish, models are in fair to good original condition, boxes are fair to good, both end flaps on 281 box loose. (4 items)
Dinky Supertoys 905 Foden flat truck with chains and other vehicles, 905 Foden flat truck with chains red cab and chassis, grey flatbed, good condition few chips, together with 430 Commer Breakdown truck, tan cab and green back, excellent condition, 970 Jones Fleetmaster crane, good condition, 978 Bedford Refuse wagon, metallic green cab, grey back with two bins, very good condition, 965 Euclid dump truck, 255 Mersey Tunnel Police van, 562 Muir-Hill dumper, Esso AEC articulated truck and tanker and an Army recovery tractor, all with paint chips/rubs, (9 items).
Collection of 00 gauge Trix-Twin Railway, 0-4-0 locomotive and tender in BR blue and three passenger coaches, two 0-4-0 tank engines BR black and five wagons, quantity of track and two boxes for goods train set and passenger train set, generally fair some poor condition, Shell oil tank wagon lacks one end to tanker, boxed Trix 274 Train Whistle set with parcel van signs, controller and instructions, good condition box fair, quantity of track and manuals.
00 gauge trains and coaches, continental SNCF CC7140 electric locomotive and two SNCF Diesel engines 67001, boxed Tri-ang Hornby R.150S 4-6-0 BR locomotive and tender 61572, R.152 0-6-0 Diesel Shunter, unboxed R.357 and R.751 BR Diesel engines, six Jouef Campagnie International coaches, five Tri-ang Southern coaches and four BR coaches and a Royal Mail van, and more, condition: generally very good, (lot).
French Dinky Toys 32E Berliet First Aid Vehicle, red body, red ridged wheel hubs, silver ladder, two hose reels, in blue/white striped box and 25D Citroen 2CV Fire Service Van, red body/ridged wheel hubs, yellow carded illustrated box, models are in good to very good original condition, some slight age wear, paint chips, original boxes are good, with edge wear, tear to one end flap of 25D box (2 items)
A Quantity of Boxed Hornby Dublo 00 Gauge 3 Rail Locomotives, including L30 Bo Bo Diesel Locomotive, 3231 0-6-0 Diesel Electric Shunting locomotive, EDL12 Locomotive B.R. “Duchess of Montrose” EDL 17 0-6-2 Tank Locomotive B.R. EDL 18 Standard 2-6-4 Tank Locomotive B.R. Tender D12, plus T.P.O Royal Mail van set, Rolling stock D1 Tank Wagen Vacuum oil Co, SD6 Goods Brake Van, Goods Brake Van D1 B.R. High Capacity wagon, Bogie Bolster Wagon B.R. High capacity wagon and unboxed Bogie Bolster Wagon, Cable drums wagon and Tank wagon ‘Esso Royal Daylight’ models are in fair to excellent original condition, boxes fair to very good. (15 items)
Matchbox Major Pack M-6 Racing Car Transporter, green body, red plastic hubs ‘Le Mans-Sebring-Silverstone-Nurburgring, in good to excellent condition, picture box is good, plus 47a Trojan Van Brooke bond, metal wheels, in mint condition, box is fair and five Morestone Modern Vehicle Series, No.5 Wolsey Police Car, No.7 Mercedes Benz Racing Car, No.14 Packard Convertible, No.19 Rover 105 and No.26 Aveling & Barford Diesel Roller, all in mint boxed condition .(7 items)
Twelve Boxed Matchbox Lesney Superfast Models, including:MB-11f Car Transporter, orange cab, MB-23f Atlas Truck, red cab/silver back, MB-27f Swing Wing red/white red glass, MB-31e Caravan, white with blue door,MB-38g Model A Van Champion spark plugs,MB-40e Horse Box, orange cab, MB-42e Mercedes Container Truck Sea-land, MB-54e Mobile Home, MB-66e Ford Transit, MB-69e Security Truck, MB-71e Cattle Truck and MB-73e Model A Ford, models are in near mint to mint original condition, boxes are good to excellent, except for 42e, 71e which are fair.(12 items)
Twelve Boxed Matchbox Lesney Superfast Models, including: MB-10f Plymouth Gran Fury Police Car, MB-20e Rola-Matics Police Patrol ‘County Sheriff’ MB-36f Refuse Truck, met red cab,MB-39e Rolls Royce Silver Shadow, silver, MB-50e Harley Davidson, MB-55g Ford Cortina, MB-57e Wild Life Truck Rola-Matics white body, black/white Zebra prints, MB-59f Porsche 928 black body, red interior, MB-67c Rola-Matics Hot Rocker Capri, red body, MB-68d Cosmobile metallic red body, MB-68e Chevy Van, silver ‘Vanpire’ and 73e Ford Model A Car models are in near mint to mint original condition, boxes are good to excellent.(12 items)
A Quantity of Boxed Hornby Dublo 00 Gauge Railway, including: 2206 Tank Locomotive BR black, 2207 Tank Locomotive BR green 0-6-0, 2232 CO-CO Diesel Electric Locomotive B.R. 2 x 4036 Pullman Car No 74,4047 Composite restaurant car, 4063 Open corridor coach, 4078 Composite sleeping car B.R. 4300 Blue spot fish van,4305 Passenger fruit van,4318 Packing van for Breakdown crane,4620 Breakdown crane, 4630 8-Ton cattle wagon and 4665 Saxa Salt Wagon,models are in fair to excellent original condition, boxes fair to very good. (14 items)
Twelve Boxed Matchbox Lesney Superfast Models, including:MB-16f Pontiac Firebird, white body, MB-17f Code 3 The Londoner bus ‘Buy British Buses’ MB-28f Lincoln Continental, MB-30e Swamp Rat, MB-32e Field Gun, MB-43e Steam Locomotive, MB-44e Passenger Coach, MB-50e Harley Davidson, MB-60d Holden Pick Up, metallic red MB-68e Chevy Van, orange 73e Ford Model A Car and MB-75e Helicopter MBTV News, models are in near mint to mint original condition, boxes are good to excellent, except for 16f box which is fair.(12 items)
Twelve Boxed Matchbox Lesney Superfast Models, including: MB-5 US Mail Truck,MB-19 Peterbilt Cement Truck,MB-24 Diesel Shunter yellow body, MB-30f Artic Truck, MB-38g Model A Van, code 3 Sussex Coast model club, MB-47e Pannier Locomotive, MB-53f Flareside Pick Up, MB-61e Peterbilt Wrecker, MB-63e 4x4 Open Back Truck, MB-65e Airport Coach TWA MB-66f Tyrone Malone and MB-73e Ford Model A Car, metallic green,models are in near mint to mint original condition, boxes are good to excellent, except for 61e which is fair.(12 items)
Twelve Boxed Matchbox Lesney Superfast Models, including: MB-4g 57’Chevy MB-5 US Mail Truck, MB-9f Ford Escort RS.2000 metallic green with Seagull labels,MB-13f Simon Snorkel Fire Engine, red body, blue glass, MB-38f Camper, MB-41e Ambulance, MB-42e Mercedes Container Truck ‘Matchbox’ MB-46e Ford Tractor & Harrow, MB-56e Mercedes 450SEL Taxi, MB-61e Peterbilt Wrecker in 61d box, MB-68e Chevy Van green body and MB-69e Security Truck, dark green ‘Dresdner Bank’ German promo, models are in near mint to mint original condition, boxes are good to excellent, except for 46e which is fair.(12 items)
Quantity Of Matchbox 1:75 Superfast Models including: MB4 57’ Chevrolet, MB 13 Snorkel Fire Engine MetroFire Dept,MB17 London Bus, MB 22 Jaguar XK-120, MB41 Team Porsche, 2 x MB44 Citroen, MB 73 Ford Model A, 14 x Code 3 17f Londoner buses, 4 x 17f buses in blister packs, WD2 Walt Disney Donald, plus other models including unboxed Matchbox Queens Royal Coach, Corgi Mr Softee Ice Cream Van, Dinky 702 in a reproduction box. (60 items)
Bing gauge 1 live steam 2-6-0 GNR K1 Mogul locomotive and tender, engine No.1630 finished in green lined livery, with twin outside cylinders, cab with water gauge, regulator, reversing lever and whistle, condition: locomotive boiler professionally repainted, buffer repainted and some retouching to lining, tender chassis repainted and some retouching to lining, locomotive converted to two-rail electric, together with a wooden goods van housing batteries for electric running and with a remote control.
Boxed Tri-ang Minic 107M British Railways Delivery van, with working motor, standard cab, finished in maroon and cream, British Railways transfers and Cheap Tickets and Excursions advertisements, condition: excellent, small paint chip to roof, good Delivery van box with BR stamp, few creases.2
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