We found 5735 price guide item(s) matching your search

Two small leather cases, child's Christening gown, wooden wig stand, brass chestnut roaster, copper jelly mould, and a sundial

A bird bath sundial, together with plastic cherub and garden trough

Three garden ornaments to include a sundial (3)

Pair of Garden ornaments, a Garden sundial A/F and a Birdbath and a similar style lion (3)

Garden sundial with brass top

A Collection of Mauchline ware and tartan ware items; Money Box- Hawick, Pocket Sundial/ compass- St Andrews, Watch Stand, Rob Roy Tartan lidded box, Rare Barrel holder- Chillingham Park Wooler and many other items.

Soppelsa, George (*1939), "The sundial", Acryl/Lwd., 66 x 50, unten rechts signiert und datiert '89, R.

A late-Regency pocket sundial by Samuel Porter - the turned sycamore case with push-fit lid, the underside with pink paper maker's label, 'Porter's Magnetic Sun Dial on the Floating Compass Card', the printed ivory-coloured dial with brass gnomon, signed 'S. Porter Fecit Feby 16 1824 Entered at Stationer's Hall', under a convex glass, 5.5cm diameter.* In good, very original condition overall. There is some patchy wear to the polish to the exterior across the surface, and a few scratches to the wood to one edge of the base. A few small losses to the top edge of the lid label. The dial is in good condition and rotates correctly. The glass dome is dusty/cloudy to the underside.

Elizabeth Cope Owl, Lion, and Sundial from Conservatory, 2024 Watercolour and pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Irish Artist Elizabeth Cope was born in 1952 in Co. Kildare. She currently lives and works in Co. Kilkenny. Cope has exhibited in galleries and museums all over the world for the past 40 years and is found in many important public and private collections.   "I paint through the chaos of everyday life, if I were to wait for a quiet moment I would never paint. I believe that painting should also be like dancing and that the real 'work of art' is not so much the canvas when the paint is dry, but rather the physical rhythm of the process of painting it."   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Elizabeth Cope Seagull with Sundial and Dab Chickens on Pond, 2024 Watercolour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Irish Artist Elizabeth Cope was born in 1952 in Co. Kildare. She currently lives and works in Co. Kilkenny. Cope has exhibited in galleries and museums all over the world for the past 40 years and is found in many important public and private collections.   "I paint through the chaos of everyday life, if I were to wait for a quiet moment I would never paint. I believe that painting should also be like dancing and that the real 'work of art' is not so much the canvas when the paint is dry, but rather the physical rhythm of the process of painting it."   You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.

Antique Brass Sundial housed in an Oak Frame which measures approx 10 x 10 inches. See photos.

A brass sundial, 6" dia

A cast stone sundial with square top, on twisted fluted column, 13 1/2" sq x 34" high

A 19th century gilt brass mounted serpentine desktop sundial, compass and thermometer, 6 3/4" high (gnomon bent)

AN ARMILLARY SUNDIAL ON A WEATHERED BASE73cm high (needs re-fixing), another sundial with cast metal dial, on a cast base, and a garden pyramid 87cm high approx (3)

Brass sundial mounted on a rustic wooden pedestal

A TABLE GLOBE, A BAROMETER AND A MODEL SUNDIAL, comprising a Philips' True to Life 12'' Challenge Globe, with relief contours (dented in Indian Ocean, losses to equator sticker, some scratches), a Short & Mason Ltd ship's style barometer (some tarnish and wear to case, untested), and a ceramic model sundial, height 31cm (missing the gnomon - the part that casts the shadow, has been restored) (3) (Condition Report: generally ok, obvious specific damage as stated in description)

HERMÈS Seidencarré "CARPE DIEM". by Joachim Metz, Entwwurf erstmals erschienen 1994. Akt. NP.: 495,-€. 100% Seide. Zu Ehren der Sonnenuhren designed, Jahrhunderte an Kirchen, dann an Palästen und schließlich an öffentlichen Gebäuden. Anfang des 19. Jahrhunderts ist die Sonnenuhr in Mode. Handrollierte Säume. 90 x 90 cm. Box anbei. Sehr guter Zustand.| HERMÈS silk scarf "CARPE DIEM", by Joachim Metz, design first published in 1994. Retail price: 495,-€. 100% silk. Designed in honour of sundials, for centuries on churches, then on palaces and finally on public buildings. The sundial was in fashion at the beginning of the 19th century. Hand rolled hems. 90 x 90 cm. Box enclosed. Very good condition.

A two part sundial. The post in the form of a standing lady with draped robes, height circa 100cm. All items in this auction are sold as seen, We are unable to provide condition reports or additional photos.

Stone Garden square Sundial [63cm]

ROYAL DOULTON; twelve Bunnykins figures including 'Sir Gawain', 'Sundial Bunnykins', 'Shopper Bunnykins', etc (12).Condition Report: No boxes, light crazing and surface ware, milkman is missing an ear, out for a duck is missing its bat, plumber has had its head broken off and crudely re glued, sir Lancelot has had its head broken off and glued back on.

Corgi Classic Models, Matchbox The Dinky Collection, Lledo & similar, a boxed Car, Bus, Commercial & similar group. Includes Sundial Compass in a Wooden box.  Although unchecked for completeness condition generally appears to be Good to Excellent in Good boxes.  See photo.

CHAPOTOT, PARIS: A late 17th / early 18th Century Butterfield style silver pocket sundial by Chapotot, Paris thought to be circa 1680-1730. Octagonal form with engraved Roman chapter ring and hinged enamelled gnomon, with compass, 64mm x 57mm, housed within its original leather case (slight loss)This type of portable sundial was a fashionable traveller's accessory during the late 17th century. The latitudes of towns in Europe including Paris, Rome, London, Madrid and Dublin are engraved on the back. The hinged gnomon (triangular flap made to create a shadow) could be adjusted according to latitude. The gnomon folds flat and the sundial has cut corners to enable the dial to be enclosed in a case and carried in a pocket.The adjustable gnomon enabled the time to be read accurately in a variety of locations. Travellers still carried sundials even when watches became popular. Early watches were not always accurate for long and a dial enable them to be set regularly. A German travellers' guide of the time also recommended sundials over clocks while on the road because the chiming of clocks might attract thieves.This type of sundial is known as a Butterfield style dial as it was originally designed by Michael Butterfield, an English instrument maker who worked in Paris during the late 17th Century.

MICHAEL BUTTERFIELD OF PARIS: A circa 1680-1700 silver pocket sundial, octagonal form with multiple Arabic and Roman chapter rings and hinged gnomon, with compass, 65mm x 57mm, housed within its original leather case. This type of portable sundial was a fashionable traveller's accessory during the late 17th century. The latitudes of towns in Europe including Paris, Rome, London, Madrid and Dublin are engraved on the back. The hinged gnomon (triangular flap made to create a shadow) could be adjusted according to latitude. The gnomon folds flat and the sundial has cut corners to enable the dial to be enclosed in a case and carried in a pocket. The adjustable gnomon enabled the time to be read accurately in a variety of locations. Travellers still carried sundials even when watches became popular. Early watches were not always accurate for long and a dial enable them to be set regularly. A German travellers' guide of the time also recommended sundials over clocks while on the road because the chiming of clocks might attract thieves. This type of sundial is known as a Butterfield dial as it was originally designed by Michael Butterfield, an English instrument maker who worked in Paris during the late 17th century.

A late 17th / early 18th Century Butterfield style silver pocket sundial, octagonal form with engraved Roman chapter ring and hinged gnomon, with compass, 76mm x 60mm, housed within its original leather case. The reverse is engraved with locations such as Gore (New Zealand), Tinian (Northern Mariana Islands), Guadeloup (French Caribbean), Manille (Manila - Philippines) and Siam (Thailand), suggesting that it may have had a connection to maritime navigation or exploration, given that many explorers, traders, or military figures travelled to these regions during that time. It was likely made for a person involved in maritime navigation or colonial trade, and the locations could mark significant ports or destinations encountered during travels.This type of portable sundial was a fashionable traveller's accessory during the late 17th Century. The hinged gnomon (triangular flap made to create a shadow) could be adjusted according to latitude. The gnomon folds flat and the sundial has cut corners to enable the dial to be enclosed in a case and carried in a pocket.The adjustable gnomon enabled the time to be read accurately in a variety of locations. Travellers still carried sundials even when watches became popular. Early watches were not always accurate for long and a dial enable them to be set regularly. A German travellers' guide of the time also recommended sundials over clocks while on the road because the chiming of clocks might attract thieves.This type of sundial is known as a Butterfield style dial as it was originally designed by Michael Butterfield, an English instrument maker who worked in Paris during the late 17th Century.

A LARGE QUANTITY OF ASSORTED ORNAMENTS to include two boxed Royal Doulton Bunnykins figures comprising 'Mystic Bunnykins' DB197 and 'Sundial Bunnykins' DB213, a boxed Royal Doulton owl, assorted Czech and Russian figurines, a Beswick Kingfisher No. 2371, a pair of onyx bookends with mounted borzoi dogs, a large number of dog figurines, etc (qty) (Condition Report: s.d)

Vintage bronze Armillary sundial 24" tall

Small bronze sundial inscribed Thos Smith, Aylesbury 1764, 6" x 6" base and a Ward Lock book of the Dorset Coast

Tempus Fugit sundial Atop Concrete Garden Feature, 41cm diameter.

Marlen, Italy "Sundial" Limited Edition Fountain Pen .925 silver mounted with black resin accents, the barrel with adjustable clip modelled as a gnomon, the cap numbered 19, two-tone 18K nib, cased with booklet and outer box.The pen, booklet and case excellent, outer box worn.Private collection, North-West of England.

Garden sundial on composite Classical style stand

A late 18th century brass pocket compass/sundial, screw cover, brass hour circle, paper compass roses with moving indicator, gnomon lacking, 4cm diameter

A Cornish serpentine baluster desk top sundial, 11.5cm high, c.1900

An early 20th century bronze octagonal sundial, inscribed I mark the Bright Hours (sic), 15.5cm diam

A selection of concrete garden statues and planters to include a sundial

A very rare 18th century silver Butterfield dial travel pocket compass and sundial, the octagonal plate dial for use at 55, 49, 45 and 40 degrees latitude, the sun dial with alternating chapter rings of Arabic and Roman numerals, signed Butterfield, Paris, with fold out gnomon decorated with a seated bird with a partial chapter ring of 40 to 60 degrees, with an inset glazed compass, the reverse of the compass engraved with Montpellier 43, Bayonne 43, La Rochelle 46, Bordeaux 44, Marseille 43, the back plate with 16 further European cities and their relevant latitudes, 6.9 x 6 cm.Condition report: Very good condition, full working order, no significant damage 

Barocke Reise-Sonnenuhr. Ende 18. Jh. Obstholz oder Nussbaum, kolorierte Kupferstiche. 2 x 10 x 6,5 cm (zusammengeklappt). Taschensonnenuhr mit Haken-Schließe am Rechteck-Gehäuse. Auf dem Scharnier-Deckel alphabetische Liste mit Angabe der nördlichen Breitengrade für 47 Städte Europas. Als Horizontal- und Vertikal-Sonnenuhr verwendbar; innen entsprechende Ziffernblätter mit römischen und lateinischen Stundenziffern in ornamentaler Rahmung. Führungs-Löcher für die Schattenschnur entsprechend der Breitengrade (36 - 56). Mittig eingelassener Kompass mit kolorierter Windrose. Kompassverglasung fehlt (Nadel vorhanden), 1 Gehäusehaken und Schutzknauf fehlen, Skalen gebräunt, Fleck auf dem Deckel. Aufrufzeit 26. | Feb. 2025 | voraussichtlich 16:15 Uhr (CET)Baroque traveling sundial. Late 18th century Fruitwood or walnut, colored copper engravings. 2 x 10 x 6.5 cm (folded). Pocket sundial with hook clasp on the rectangular case. Alphabetical list on the hinged lid with the northern latitudes for 47 European cities. Can be used as a horizontal and vertical sundial; inside corresponding dials with Roman and Latin hour numerals in an ornamental frame. Guide holes for the shadow cord corresponding to the degrees of latitude (36 - 56). Central recessed compass with colored compass rose. Compass glazing missing (pin present), 1 case hook and protective knob missing, scales browned, stain on the lid. Call time 26 | Feb. 2025 | probably 16:15 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

A limestone sundial, 42 x 42cm wide16cm highalong with a reconstituted stone pedestal,32 x 32cm wide34cm high (2)Condition ReportChips and wear to the limestone. Some wear to the inscription on the dial, difficult to read because of the dirt. '... London' Please see additional images.

A Black Painted Cast Metal Sundial, 81cm high

A Green Painted Cast Metal Sundial, 81cm high

A HEAVY STONEWARE COLUMN with metal sundial topProvenance: private collection Flintshire

A small sundial sat upon cast concrete plinth

Boxed brass sundial compass

A collection of twelve Royal Doulton bone china Bunnykins series figures including characters 'Town Crier Bunnykins' DB 259 limted edition 1111/2500, 'Happy Birthday Bunnykins' DB 21, 'Sundial Bunnykins' DB 213 and 'Trumpet Player Bunnykins' DB 210 limited edition from the Jazz Band collection 714/2500 etc. All complete with boxes.

A brass multi sextant / sundial in brass bound teak box

A sundial on concrete, Top - no plinth

A brass multi sextant / sundial in brass bound teak box

A sundial on concrete plinth, 21" tall.

A late 18th century George III miniature travel sundial. The sundial of circular form having a silvered relief decorated cartouche with sun detailing and half Roman numeral chapter ring. Set within a polished lignum vitae mount.Measures approx. 4cm diameter.

Lemaire à Paris: Octagonal pocket sundial and compass in engraved brass. Early 18th century. Signed P. Lemaire à Paris. | 5.5 x 4.5 x 2.5 cm.

A concrete sundial, 85 cm high

Ivor Abrahams RA, British 1935-2015,Winter Sundial, 1975; Green Hedge, 1977; Blommande, 1977;each screenprint in colours on wove, (i) signed, numbered 15/95 and dated, sheet: 101 x 120 cm, (ii) signed, dated  and inscribed 'A/P', sheet: 140 x 120 cm, (iii) signed, dated and numbered 53/100, sheet: 140 x 120 cm, (unframed) (ARR) (3) (VAT charged on hammer price)

SCOTTISH REGENCY BRONZE SUNDIAL, BY ALEXANDER ADIE, EDINBURGH EARLY 19TH CENTURY the 15 ½ inch sundial plate engraved with 8 point compass rose, calendrical equation of time, hours marked with Roman numerals and divided by ten minute markers, pierced scrolling gnomon, signed ‘A. ADIE EDINBURGH’ 39.5cm diameter The Murray family, formerly at Dollerie House, Crieff, Perthshire Note: Alexander Adie was apprenticed to his uncle the eminent Scottish instrument maker John Miller in 1789. In 1804 his uncle took him into partnership trading under the name Miller and Adie. The business continued until Miller's death in 1815. Adie then continued operating under his own name, and later Adie & Son when his son joined the firm. Adie was particularly interested in meteorological instruments and is perhaps best known as the inventor of the Sympiesometer, a compact and lightweight type of barometer, in 1818. In recognition of his work, he was elected a Fellow of the Royal Society of Edinburgh in 1819.

RARE GEORGE III SCOTTISH POLYHEDRAL SUNDIAL AND COLUMN 18TH CENTURY formed of a carved fourteen-sided solid limestone block with multiple dials to all the side angles, mounted on a square tapering waisted carved limestone plinth (2) 122cm high, 54cm wide [overall]

Boxed brass sundial compass. UK P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots)

Lady Feodora Georgina Maud Gleichen ( British 1861-1922) A cast bronze maquette for a sundial. Signed to plinth base, 14.5cm high. See Bonhams 30/4/13 Lot 274

A BOXED BRASS SUNDIAL COMPASS

A CONCRETE SUNDIAL WITH BRASS DIAL (A/F CRACK TO THE MIDDLE OF THE COLUMN)

Six Royal Doulton Bunnykins figures, modelled as Sundial (2), Little Miss Muffet, Choir Members, Policeman Bunnykin, and Judge Bunnykins, boxed.

A garden statue of golfer, together with girl on bench ornament and a small sundial