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Lot 1783
A collection of thirteen graduated natural salt water pearls, the pearls graduated from query query query to query query query and weigh query query query. A ruby and diamond cluster ring. The octagonal shaped ruby is set within the surround of ten cushion shaped diamonds and two larger cushion shaped shoulder diamonds. Set in gold. Size L. Accompanied by report number 5777-9022 dated 14th March 2017 from GCS, London stating that the thirteen pearls weigh 36.06cts in total and are natural saltwater.
Lot 1502
A late Victorian gold brooch, mounted with emeralds, a ruby and seed pearls. A Victorian gold target brooch mounted with a central cluster of turquoise cabochons. A gold bolt ring. A cruciform pendant. A gold mounted shell cameo pendant. A George III black enamel mourning brooch. With two further brooches and two further pendants.
Lot 1797
An Edwardian ruby and diamond oval-shaped cluster ring, the slightly oval-shaped ruby is set within a surround of graduated circular-cut diamonds in platinum. With a small diamond to each bifurcated shoulder. Size M. Accompanied by report number 2105763557 dated 11th May 2009 from GIA, stating that the cushion-shaped ruby weighs 1.13cts, with purplish red colour and is a natural ruby with no indications of treatment.
Lot 1886
An Art Deco ruby and diamond cluster ring, the oval shaped ruby is set with two baguette-shaped shoulder diamonds and eight graduated old circular-cut diamonds in platinum. Size M 1/2 Accompanied by report number 5777-8706 dated 6th February 2017 stating that the cushion-shaped ruby weighs approximately 1.60cts and is a natural ruby with no evidence of heating. Origin: Burma.
Lot 1896
A ruby mounted white gold ring, the cushion shaped ruby is rub over set in a white gold gypsy ring with brushed finish. Size H. Accompanied by report number 5777-8886 dated 8th March 2017 from GCS, London stating that the cushion-shaped ruby weighs approximately 1.60cts and has no indications of heating. Origin: Burma.
Lot 1913
An Edwardian ruby and diamond cluster ring, the oval shaped ruby is millegrain-set within a surround of old circular cut diamonds and within a border of calibre cut rubies. Set in platinum and gold. Stylised Fleur-de-lis shoulders. Size K. Accompanied by report number 5777-9093 dated 14th March 2017 from GCS, London stating that the cushion-shaped ruby weighs approximately 0.80cts and is a natural ruby with no indications of heating. Origin: Burma.
Lot 1887
A ruby cluster ring, the oval-shaped ruby is set within a surround of tapered baguette-shaped rubies in platinum with two small diamonds to each shoulder. Size N. Accompanied by report number 5776-5484 dated 16th May 2016 from GCS, London stating that the oval-shaped ruby weighs approximately 1.80cts and is a natural ruby with no indications of heating. Origin: Burma.
Lot 1849
A carved ruby and diamond set ring, the oval-shape ruby has carved foliate decoration and is set in a surround of round brilliant-cut diamonds and two larger diamonds in gold. Gilt metal shank. Size R, but expands. This ring was made for Elizabeth Taylor when she starred in the Franco Zeffirelli film Young Toscanini in 1988. She was cast as the opera diva Nadina Bulichoff. Accompanied with the book Franco Zeffirelli Complete Works. On page 465 Elizabeth Taylor can be seen wearing the carved ruby and diamond ring and is talking to Zeffirelli. Accompanied with a postcard of Elizabeth Taylor with a note to the reverse from Tom Rand dated September 2016 saying, "In 1988 I was asked by Franco Zeffirelli to design the costumes for his forthcoming film Young Toscanini. C Thomas Howell was to play the conductor and Elizabeth Taylor was to play an Opera Diva, the mistress of the Emperor of Brazil. A true story. After a performance of Aiola in the 1870s the Emperor sent the singer a bouquet of roses with a ruby ring hidden within. Knowing Elizabeth Taylor's love of jewels, Zeffirelli though it would be amusing for the ring not be the paste reproduction I was planning to do, but to be a ruby and diamond ring. A Roman jeweller made the ring. At the end of the film the ring was given to Elizabeth. What she actually wanted, and she always got what she wanted, particularly jewels, was a pair of costume earrings which I had made in London. So she gave me the diamond and ruby ring in exchange for the earrings which remained in her collection of "costume jewels" for the rest of her life. Both the earrings and the ring are in the photograph".
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