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RUBY AND DIAMOND THREE STONE RING,the oval ruby flanked by round brilliant cut diamonds totalling approximately 0.86 carats, in eighteen carat white gold, size M, 3.6gGenerally worn. Ruby opaque - inclusions visible to the naked eye. Multiple chips to the girdle of the ruby. Diamonds of a good white colour. Very minor inclusions visible under magnification.
RUBY AND DIAMOND CLUSTER RING,the oval ruby within a halo of round brilliant cut diamonds totalling approximately 0.40 carats, unmarked, size M, 2.3gGenerally worn. Ruby is of a vibrant red colour. Diamonds slightly opaque. Grey tint to the stones. Some inclusions visible under magnification. All stones intact. One diamond claw has been noticeably re-tipped.
9ct gold diamond and ruby cluster ring, hallmarked, Victorian silver vesta case with bright cut floral decoration, Birmingham 1894, silver locket with engraved decoration, on fancy link necklace and a 9ct and silver paste stone set ringCondition Report:9ct gold cluster ring approx 3.2gm, size P-Q, silver and 9ct ring approx 1.7gm, silver approx 41.55gm vesta dented to base
Early-mid 20th century 18ct white gold calibre cut sapphire and ruby and old cut diamond swivel ring, in original boxCondition Report:Approx 6.2gm, tested to 18ct, K-L, calibre cut band depth = 2.5mm, max depth with two row diamonds and calibre cut band = 9mm, stones appear secure in setting and in good condition, evidence of a repair at one hinge joining one diamond swivel and centre section together, slightly deeper join, swivel joins secure, bright stones, well presented ring
A ruby and diamond 18ct white gold cross over cluster ring, the top comprising two flower cluster each set to the centrer with a round cut ruby approx 3.5mm, within a border of round brilliant cut diamonds to a tapered white gold cross over shank, size M, total gross weight approx 4.2gms in a vintage reailers box Rattray & Co DundeeFurther details: good- all stones present and intact, slight abrasions to one ruby, minor wear and tear
A multi stone set gold tuti fruitti ring, set with various types and cuts of stones, including emerald, pearl, ruby, garnet, chrysoberyl etc claw set to a domed top, split rope shoulders, size L, unmarked tested as 14ct gold, total gross weight approx 9.37gmsFurther details: good- stones intact, wear and tear commensurate with age with some tarnish
An early 20th century ruby, pearl and diamond 18ct gold ring, comprising a floral cluster set to the centre with a small diamond within a round cut ruby border, half pearls set to the shoulders, size O, total gross weight approx 3.2gms Further details: good- all stones present and intact minor wear and tear commensurate with age
A collection of 9ct gold and stones set dress rings to include a ruby and diamond cluster, size M, a green garnet cluster, size O, a blue topaz ring, size O and a green stone cluster possibly chrome diopside, size N, combined total gross weight approx 14.2gms (4) Further details: good all stones present and intact, minor wear and tear
A ruby and diamond 9ct gold cluster ring, comprising three small clusters set in a row, claw set central oval cut ruby within round brilliant cut diamonds set borders, letting length approx 18mm, size N, total gross weight approx 4.8gms Further details: good all stones present and intact, minor wear and tear
A ruby and diamond 18ct white gold dress ring, comprising a central double row of emerald cut rubies inset with small diamond accents with a outer border of round brilliant cut diamonds, width approx 11mm, tapering to 5mm, size O, total gross wieght approx 7gms Further details: good all stones present and intact, minor wear only
A collection of eight 9ct gold and gem set rings to include gem set rings, including a sapphire doublet and diamond ring, citrine three stone ring, a 9ct white gold and blue diamond set cluster, emerald three stone ring, tanzanite two and three stone ring and amethyst etc various sizes, combined total gross weight approx 20.3gms and a gold plated silver glass filled ruby and diamond cluster (9)Further details: good- all stones present and intact, minor wear commensurate with age
A collection of four 9ct gold and stone set rings to include a synthetic ruby and diamond cluster, size N, a rectangular synthetic pink corundum with diamond set shoulders, size N, a green synthetic cluster with diamond set surround, size N, along with a mystic topaz solitaire, size N1/2, combined total gross weight approx 18.7gms and a 14ct gold cubic zirconia cluster ring, size N, total gross weight apoprox 4gms 91 bag)
An ruby and diamond set floral cluster 18ct white gold ring, the centre set with a round brilliant cut diamond approx 0.07ct, within a petal border of small grain set diamonds set with alternate round cut claw set rubies, setting approx 12mm, size O, total gross weight approx 4gms, along with an aquamarine cluster 9ct white gold ring, set with oval aquamarine with white quartz accents, size P1/2,total gross weight approx 2.6gms (2) Further details: good, all stones present, some rubies with small chips to girdles, minor wear and tear commensurate with age
A ruby and 9ct gold dress ring, comprising a central claw set oval cut ruby approx 4 x 6mm, diamond accents set to the sides with channel set calibre cut rubies to cross over shoulders, size S, total gross weight approx 2.4gms Further details: stones intact, minor wear and tear commensurate with age
A ruby entourage converted pendant on chain, consisting of an oval natural ruby approximately measuring 13.4 x 10.8 mm, encircled with round brilliant diamonds, with an estimated total weight of 0.84cts, claw set on a white metal mount, with a yellow metal ring frame and bail, to a 39.0 cm cable chain stamped as 750, overal dimensions for pendant measuring 20.4 x 18.9 mm, total weight of item 12.4 grams.
A high carat gold ring with rubies, comprises a bright pink single-cut ruby in the centre approximately measuring 4mm, gypsy set on a pierced gold mount with forged foliate details, highlighted by pavé-set ruby accents, to a tapered shank, unmarked, ring size J½, total weight of item 3.9 grams.one stone missing.
An 18ct yellow gold five stone ruby and diamond carved half hoop ring, the central ruby and two diamonds measuring approximately 0.13 to 0.14 carats, with scrolled frame, stamped 18ct. Ring size N. 4.6 grams.This ring could be re-sized by a jeweller.In good overall condition with no notable damage.
An Art Deco ruby and diamond ring, consisting of fourteen round single-cut diamonds, pavé set on a volute formed ring head, with further twenty-one table-cut rubies calibré set on the lashing, with a pierced gallery to a cut-out flat shank, white metal stamped as platinum, head approximately measuring 1.9 x 1.1 cm, ring size L, total weight of item 10.0 grams.
A RUBY AND DIAMOND 'TOI ET MOI' RING, BY VAN CLEEF & ARPELSOf crossover design, set with two pear-shaped rubies within a scalloped surround set with brilliant-cut diamonds and similarly-cut diamond shoulders, mounted in 18K gold, diamonds approximately 1.20cts total, signed VCA, numbered, with maker's mark 'Sté LFV' for Lasbleiz Fournier Vitiello, French assay mark, ring size MLasbleiz Fournier Vitiello workshop was established in 1962, located 48 rue Meslay, in the 3rd district of Paris. They have worked for many houses including Chanel, Van Cleef & Arpels, Fred, René Boivin amongst others.Condition Report: Rubies: red hue, good transparency, medium tone, facets are smooth, both well matchedDiamonds: approx. 1.20cts, unable to estimate colour due to yellow mount, estimated clarity VSSignature 'VCA' and numbered 'B5148 C (orG?)25' located on the inside hoopEagle's head for French 18K gold and maker's mark 'Sté LFV' (horizontal lozenge, 'Sté' not visible, only the amphora and LFV visible)Lasbleiz Fournier Vitiello workshop was established in 1962, located 48 rue Meslay, in the 3rd district of Paris. They have worked for many houses including Chanel, Van Cleef & Arpels, Fred, René Boivin amongst others.Normal signs of wear, overall in good conditionTotal gross weight approx. 7.3g
A RUBY AND DIAMOND 'TOI ET MOI' DRESS RING, BY A. E. KÖCHERTOf crossover design, set with a pear-shaped ruby and a pear-shaped diamond, between tapered baguette-cut diamonds, mounted in 18K gold, principal diamond weighing approximately 0.90ct, remaining diamonds weighing approximately 0.50ct total, signed Köchert, with maker mark, ring size JThe House of Köchert actually begins with a man named Emanuel Pioté, a French goldsmith who opened a workshop in Vienna in 1814, where his deft skill quickly earned him a reputation among the city’s upper classes for quality work. In 1819, Heinrich Köchert, Pioté’s new brother-in-law, would join him in this venture as an associate. The reputation of the jewellers began to grow and in 1831 they were declared the personal jewellers of the Austrian Emperor, a position Köchert would hold until the dissolution of the empire in 1918. Pioté would retire in 1948, thus solidifying the house under Köchert’s name.Köchert was responsible for some of the most iconic pieces worn by Empress Elisabeth, or ‘Sisi’, herself a fashion icon of the age, including the diamond and pearl studded star-shaped hair ornaments that appear in her official 1865 portrait by Xaver Winterhalter now known as ‘Sisi Stars’. Köchert would continue to enjoy success throughout the 1800s by creating sumptuous pieces for European royalty, including overseeing the adding of pearls as part of the restoration of the Austro-Hungarian Imperial Crown. The outbreak of WWI would see this distinguished clientèle vanish, but the house survived by adapting with the times and embracing the Art Deco trends. Now in the hands of Erich and Wilfried Köchert, the painter Erwin Lang is taken on to design new jewellery for a new age. Lang’s stone rings quickly became popular and remain a staple of the brand to this day.Surviving both WWII and the rise of the Iron Curtain, Köchert would continue to innovate through collaboration, including with renowned architect Hans Hollein, who in 1986 released a collection with the jewellery house. Today, the sixth generation of Köchert’s are in command at house’s flagship boutique in Vienna and, if their history tells us anything, there they will be for a long, long while. Condition Report: Principal diamond: approx. 0.90 (approx. weight due to mount), estimated colour G/H, estimated clarity VSRemaining diamonds: approx. 0.50ct total, bright and well matchedRuby: Of purplish-red hue, medium tone, good saturation, good transparencySignature and maker's mark located inside hoop as well as 750 for 18K goldNormal signs of wear, overall in good conditionTotal gross weight approx. 5.2g
AN EARLY 20TH CENTURY DIAMOND AND RUBY DRESS RING, CIRCA 1925The octagonal plaque centring an old pear and oval-shaped diamond, within a surround of old cushion and brilliant-cut diamonds, accented by a calibré-cut ruby frame, mounted in platinum, diamonds approximately 2.00cts total, French import mark, ring size L¼Condition Report: Principal diamonds: estimated colour I/J, estimated clarity one VS2/SI1 and one SI2Remaining diamonds: similar colour and clarity estimated SI1Rubies: of purplish-red hue, dark tone, overall well matchedFrench import mark for platinumNormal signs of wear
A GEM-SET AND ENAMEL NOVELTY BROOCH, BY FRASCAROLO, CIRCA 1965The whimsical duck, with textured gold body and wings, oval-shaped ruby eye accented with brilliant-cut diamond eyebrows, embellished with orange enamel beak, black enamel feet and yellow enamel belly, mounted in 18K gold, with maker's mark 'FC' for Frascarolo, length 6.8cmPierino ‘Rino’ Frascarolo was born in Milan in 1928. He began his jewellery career as an apprentice with the Fratelli Lunati company, before going on to find his own firm with his partner, Aldo Lenti. In 1948 he moved his factory to Valenza in Corso Matteotti. It was here that Frascarolo began to design and craft his signature enamel and gold animal creations, the ‘Bestiario’, for which he would become best known.Frascarolo's animal jewels were produced throughout the 1960s and proved so popular that he was unofficially dubbed the ‘David Webb of Italy’. Admirers included HRH The Princess Margaret who owned a tiger bangle and ring by him. It was during this time that the maison of Frascarolo was at its height and his exquisite creations attracted clientele from all over Europe and beyond, who were enchanted by his lively and colourful portrayal of animals in the form of wearable pieces.The manufacture of these pieces was not an easy feat, and their huge popularity is a credit to Frascarolo’s skill as a craftsman. He used casting techniques and machinery that was hugely advanced for the time and employed up to fifty craftsmen at once. Frascarolo and his partner Lenti went their separate ways and the former then established his own brand, Frascarolo & Co., in New York City. Through this venture, Frascarolo brought the work of Italian jewellery masters to new heights of international renown.Pierino Frascarolo died in Valenza in 1976 at just forty-eight years old, whilst his jewellery business was at its peak. Following Pierino’s untimely death, Frascarolo & Co closed its business activities the same year, but due to their collectible nature, his pieces remain in very high demand.Condition Report: Minor signs of wear, overall in good conditionTotal gross weight approx. 32.60g
A GEM-SET AND ENAMEL BRACELET, BY FRASCAROLO, CIRCA 1965Designed as a horse, applied with variously coloured enamel and ruby eyes, the muzzle and tail set with single-cut diamonds, mounted in 18K gold, with maker's mark for Frascarolo, Italian assay mark, inner diameter 5.4cmPierino ‘Rino’ Frascarolo was born in Milan in 1928. He began his jewellery career as an apprentice with the Fratelli Lunati company, before going on to find his own firm with his partner, Aldo Lenti. In 1948 he moved his factory to Valenza in Corso Matteotti. It was here that Frascarolo began to design and craft his signature enamel and gold animal creations, the ‘Bestiario’, for which he would become best known.Frascarolo's animal jewels were produced throughout the 1960s and proved so popular that he was unofficially dubbed the ‘David Webb of Italy’. Admirers included HRH The Princess Margaret who owned a tiger bangle and ring by him. It was during this time that the maison of Frascarolo was at its height and his exquisite creations attracted clientele from all over Europe and beyond, who were enchanted by his lively and colourful portrayal of animals in the form of wearable pieces.The manufacture of these pieces was not an easy feat, and their huge popularity is a credit to Frascarolo’s skill as a craftsman. He used casting techniques and machinery that was hugely advanced for the time and employed up to fifty craftsmen at once. Frascarolo and his partner Lenti went their separate ways and the former then established his own brand, Frascarolo & Co., in New York City. Through this venture, Frascarolo brought the work of Italian jewellery masters to new heights of international renown.Pierino Frascarolo died in Valenza in 1976 at just forty-eight years old, whilst his jewellery business was at its peak. Following Pierino’s untimely death, Frascarolo & Co closed its business activities the same year, but due to their collectible nature, his pieces remain in very high demand.Condition Report: Enamel: some normal wear, overall in good conditionSecurity clasp: does not click properly - advisable to have this tightenedNormal signs of wear, overall in good conditionTotal gross weight approx. 142g
From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RING, BY CARLO ILLARIO FOR FASANOThe central cushion-shaped ruby within collet-setting, between calibré-cut ruby shoulders, between calibré-cut diamonds, mounted in 18K gold, diamonds approximately 2.50cts total, signed Fasano, Italian registry mark '26AL' for Carlo Illario, ring size Q½Born to a family of cotton manufacturers in Chieri in 1900, Mario Fasano’s undoubted eye for beauty would lead to him opening his first jewellery business, ‘Gioielleria Fasano’, in Turin in 1928. Throughout his work, Fasano adhered to the traditional practices of Parisian jewellers, and, while styles changed, the craftmanship that lay at the heart of their work was honoured by him throughout his life. He married Stella Piovano in 1932 and she was to be his life-long partner in every sense of the term. Together in 1935 they opened their first store in Piazza Castello, the heart of Turin’s lively social scene.As the white gems and platinum of the 1930s gave way to the bold colours and yellow gold of the 1940s and 50s, Fasano’s signature pheasant or ‘Fagiona’ brooch, the emblem of his maison, became a recognisable staple in the world of fine Italian jewellery. As the 50s progressed, Fasano’s and Stella’s attention moved more towards the selection of precious and unusual stones, favouring cabochon cuts and those less traditional cuts. When their son Dario Fasano joined the family business in the 1960s, the older generation drew on his experiences studying abroad to bring a fresher spin on their materials and techniques, such as lava stone and gold/bronze combinations.Fasano Jewellers closed operations in 2013, but their pieces still embody some of the best in mid-century jewellery.Condition Report: Central ruby: please note the weight to be very approximate due to collet setting, approx. 2.10cts, of purplish-red hue, good transparency, medium to dark tone, facets are smoothRemaining rubies: of purplish-red hue, medium to dark tone, good transparency, overall well matched in colourDiamonds: approx. 2.50cts total, unable to assess colour due to yellow mount, estimated clarity VSSignature and Italian assay mark located inside the hoop, 750 for 18K gold located inside hoopMinor signs of wear, overall in good conditionTotal gross weight approx. 8.6g* Please note that the ruby was verbally tested at GCS laboratory in London in February 2022. It was found to be natural, Thai origin with indications of heating with minor residue in healed fissures.
From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RINGThe oval-shaped ruby weighing approximately 2.30cts within collet-setting, to a stylised dome gallery set with half-moon and fan-shaped rubies accented with brilliant-cut diamonds, mounted in 18K gold, diamonds approximately 1.40ct total, maker's mark 'Sté HV' for Abysse Hamard-Vitau, French assay mark, ring size LAbysse Hamard-Vitau was registered in 1982, located 62, rue Lafayette in the 9th district of Paris. They have worked for Van Cleef & Arpels, Mellerio and Fred amongst others.Condition Report: Ruby: Of purplish-red hue, medium tone, good transparency, facets are smoothRamaining rubies: of purplish-red hue, medium to dark tone, good transparency, overall well matched in colourDiamonds: approx. 1.40ct total, unable to assess colour due to yellow mount, estimated clarity VSEagle's head for French 18K gold located on the outside hoop with the maker's mark: horizontal lozenge with 'Sté H (diamond) V)Normal to minor signs of wear, overall in good conditionTotal gross weight approx. 11.30g.* Please note that the ruby was verbally tested at GCS laboratory in London in February 2022 and was found to be natural, of Thai origin, with indications of heat treatment with minor residue in healed fissures.
From the private collection of a continental ladyA RUBY AND DIAMOND DRESS RING, BY CARLO ILLARIOThe central cushion-shaped ruby within a calibré-cut ruby surround and between baguette and tapered baguette-cut diamond shoulders with gold reeded detailing, mounted in 18K gold, diamonds approximately 0.50ct total, Italian registry mark '26AL' for Carlo Illario, ring size M½Brothers Carlo, Vincenzo and Luigi Illario were a family of goldsmiths from Valenza. They established a jewellery firm in 1920, with each brother taking on their own position. Carlo, who was trained in Paris, headed the production, Vincenzo was a stone setter who also selected the precious gems, and Luigi was head of administration.The brothers worked under their own name, as well as for bigger firms, and were involved with several different jewellery companies. Some of the most renowned goldsmiths in Valenza practised in their workshop, guaranteeing that each product was crafted with exceptional quality.The company brand from 1935 had been 26AL and the business name was under Carlo Illario e Filli. Traditionally, ownership was handed down from father to son and, in 1953, even Luigi's sons, Giovanni and Vittorio, became a part of the family business. From the end of the 1900s, Vittorio and his sons, Pier Luigi and Edoardo, carried on as owners of the company with the 'Illario 1920' logo.In 1996, Giovanni Illario, along with his sons Carlo and Gian Luca, agreed with Vittorio and his sons to set up a new company that would allow them to be more active in the foreign market. This led to a split in Societa Carlo Illario and to the creation of the new Societa Carlo Luca della Quercia which pursues the traditions and spirit of the original company.Their skilled craftsmanship, reputation of excellence and use of innovative goldsmith techniques caught the attention of well-established retailers. Throughout the 20th century, Casa Illario created unique pieces of haute joaillerie for the most famous Italian maisons: Bvlgari, Cusi, Faraone, Fasano, Fecarotta, Settepassi, Ventrella and others. The company's partnership with Bvlgariwas particularly long standing, running from the 1950s through until the 1970s.In this time, Illario made many pieces for Bvlgari, including the now iconic Serpenti watch bracelet. Elizabeth Taylor was a consistent patron, whose personal style and love of dramatic jewels found its home in Illario's creations.Alongside manufacturing for other brands, Illario produced a vibrant assortment of jewellery under their own name. They were known for their fine gemstones and unusual materials, such as polychrome enamel, tortoiseshell and mother of pearl. Striving to stand out, Illario used new techniques in its pieces, such as black rhodium plating to create a contrasted look. The quality of the craftsmanship is clear in all jewels that bear the Illario name, making them highly desirable.Condition Report: Ruby: of purplish-red hue, medium to dark tone, good transparencyCalibré-cut rubies: of medium to dark tone, overall well matched in colourDiamonds: unable to assess colour due to yellow mount, estimated clarity VSNormal signs of wear, overall in good conditionTotal gross weight approx. 14.2g
Two 9ct yellow gold dress rings, being a ruby and diamond chequerboard style square cluster ring, featuring four rows of four round rubies alternating with three rows of three round brilliant cut diamonds, ruby dimensions each approx 2.55 x 1.61mm, total weight estimated as 1.28 carats, diamond diameters each approx 1.5mm, total weight estimated as 0.09 carats, size Q½, gross weight 3.1g, hallmarked 9ct, Birmingham 2004, sponsor QVC; and a tanzanite and diamond three-row half hoop eternity ring, featuring two rows of seven round tanzanites with six melee cut diamonds in between, tanzanite dimensions each approx 3 x 1.71mm, total weight estimated as 1.40 carats, diamond diameters each approx 1.15mm, total weight estimated as 0.03 carats, size R, gross weight 2.6g, hallmarked 9ct, Birmingham 2004, sponsor QVC (2)
A yellow and white metal, ruby and diamond lozenge shaped panel cluster ring, featuring six round faceted rubies and twenty-nine old and rose cut diamonds, in grain and bezel settings, ruby dimensions each approx 2.4 x 1.55mm, total weight estimated as 0.42 carats, diamond dimensions between approx 1 x 0.75mm and 2.55 x 1.7mm, total weight estimated as 0.15 carats, size N, gross weight 3.4g, not marked but tested as 18ct
A rose metal, ruby and pearl circular cluster ring, comprising a centre 4.65mm cultured pearl within two borders of 12 and 15 oval faceted rubies, all in bezel settings, ruby dimensions between approx 1.65 x 1.5 x 0.89mm and 2.8 x 2.3 x 1.05mm, total weight estimated as 1.14 carats, size M, gross weight 3g, not marked but tested as 9ct
A continental 18ct gold dress ring, arranged as three cabochon coloured stones in red, blue and green, stamped 18k and 750, 3.5g, size QSmall hairline crack to inside shoulder by 750 mark, otherwise condition is good.Modern.Stones are sapphire, ruby and emerald.Sapphire dimensions approx 5.7 x 3.8 x 2.25mm, weight esimtated as 0.5 carats.Ruby dimensions approx. 6.6 x 5 x 2.8mm, weight estimated as 0.96 carats.Emerald dimensions approx. 5.8 x 4 x 2mm, weight estimated as 0.32 carats.

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