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Lot 593
TWO BOXES OF CAMERA AND CINE EQUIPMENT, to include a vintage Holland Toffee tin full with vintage buttons, a pair of white kid leather evening gloves, a hinged wooden box, a wooden darning mushroom, a Marcasite and faux pearl necklace, a boxed Waltz Movie Editor III cine projector, a Polaroid Swinger II Land camera, a Kodak 35 camera, Olympus Trip 35 camera, a Minolta AF-Tele Super camera, a Baldi 29 camera, a Koroll 24 camera, and an Agfa box camera (Cameras not tested) (2 boxes)
Lot 678
TWO BOXES OF PHOTOGRAPHIC EQUIPMENT, VINTAGE ELECTRONICS AND 78S, to include a cased Olympus OM30 fitted with a 50mm f1.8 lens, a boxed cased Sony Watchman FD-210BE portable black and white tv, an ITT Fashion Flash 03 405-B, a Walt Disney Productions Donald Duck radio, a Motorola car radio, an Aldis 303 projector, a quantity of 78rpm records, etc (2 boxes) (all untested, sd)
Lot 87
Wooden paper printed Toy Theatre ‘Urania’, 1920s/30s, wooden base with decorative paper printed pediment and sides, interior backdrop and double sided scenes to the wings, together with a selection of dressed dolls, lead and composition wolves, with printed and hand written plays including Red Riding Hood, theatre 20 ½”x13 ¼” (52x33.5cm) and 24” (61cm) high, together with a boxed Faerie cinema projector and a box of wooden architectural blocks (incomplete).
Lot 213
A mixed collection of large vintage lenses. Lenses are: 1) Bolco condenser lens - Dia 10 - focus 20 - for use with a magic lantern, 2) Taylor and Hobson 3 1/2 x 3/12 90mm x 90mm Cooke Process Lens Prism - No. 220181 - Made by Taylor - Hobson, England - Pat No. 242755 - with original leather case, 3) Hunter - Penrose London Lens Prism - housed in Taylor Hobson leather case. 4) a very large possibly projector lens - diameter approx. 21cm.
Lot 55
Roy Lichtenstein (1923 New York - 1997 ebenda)'Sunrise', Farboffsetlithografie auf Vellum, 1965, 44 cm x 59 cm Plattenmaß, 46,5 cm x 61,5 cm Blattmaß, signiert, leicht gewellt, minimale Griffspuren, an den Kanten minimal aufgeworfen, eine Kante leicht knickfaltig, Literatur: Wvz. Corlett II.7, mit farb. Abb. S. 259; Döring/von der Osten, Lichtenstein Posters, Nr. 11.Der amerikanische Maler, Grafiker und Bildhauer, Roy Lichtenstein, ist ein Hauptvertreter der Pop Art. Er entnahm seine Bildthemen den populären Massenmedien: Reklame, Trickfilm, Zeitungsillustrationen etc. Vor allem arbeitete er mit Comicstripes, die er mit Hilfe eines Projektors bis auf die Rasterpunkte vergrößern konnte. So entwickelte er verschiedenste Motive, Landschaften und Stillleben. Lichtenstein übersetzte sie und experimentierte mit ihnen auf Papier und Leinwand, was sich dann auch in Skulpturen fortsetzte. Die vorliegende Offsetlithografie gehört zu einer Werkreihe von Landschaftsdarstellungen, die seit 1964 entstand. So wie Lichtenstein sonst das Banale monumentalisierte, wird in dieser Reihe das Monumentale banalisiert. Denn "[...] starre, gezeichnete Striche spiegeln einen Sonnenaufgang wider, der sich in natura nicht in unbewegte Formen pressen lässt." Das Blatt besteht aus stark formalisierter und vereinfachter Gestaltungsweise eines umfassend detailreichen Naturmotivs. Niemals würden nur die Primärfarben ausreichen um die tatsächlich naturgegebene und ständig verändernde Schönheit des Himmels, der Sonne und ihren Strahlen über dem Meer festzuhalten. Doch ist gerade die Durchrasterung der Darstellung wiederum bezeichnend für seine Arbeiten dieser Jahre. Auf diese Weise betont der Künstler die Flächigkeit des Motivs und entzieht ihm jegliche illusionistische Raumtiefe.Roy Lichtenstein (1923 New York - 1997 ibid.)Sunrise', colour offset lithograph on vellum, 1965, 44 cm x 59 cm plate dimension, 46.5 cm x 61.5 cm sheet dimension, signed, slightly curled, minimal handling marks, minimally raised at the edges, one edge slightly creased, literature: Wvz. Corlett II.7; Döring/von der Osten, Lichtenstein Posters, No. 11.The American painter, graphic artist and sculptor, Roy Lichtenstein, is a main representative of Pop Art. He took his pictorial themes from the popular mass media: advertising, cartoons, newspaper illustrations, etc. He worked especially with comic strips. Above all, he worked with comic strips, which he could enlarge down to the grid points with the help of a projector. In this way he developed a wide variety of motifs, landscapes and still lifes. Lichtenstein translated them and experimented with them on paper and canvas, which then continued in sculptures. The present offset lithograph belongs to a series of works depicting landscapes that was created from 1964 onwards. Just as Lichtenstein otherwise monumentalised the banal, in this series the monumental is banalised. For ''[...] rigid, drawn strokes reflect a sunrise that cannot be pressed into unmoving forms in natura.'' The sheet consists of highly formalised and simplified design of an extensively detailed natural motif. Never would only the primary colours suffice to capture the actual natural and ever-changing beauty of the sky, the sun and its rays over the sea. Yet it is precisely the screening of the representation that is again characteristic of his works of these years. In this way, the artist emphasises the two-dimensionality of the motif and deprives it of any illusionistic spatial depth.
Lot 84
Photography - A boxed Nikon FM2 camera, a boxed Nikkor 28 - 80mm 3.5 - 5.6D lens, Nikkor 50mm 1:1.4 lens, further accessories and a Kindermann projector. [2]Condition Report. The camera is in good overall condition some some dirt and light wear to the body. The light seals may need replacing. The camera cocks and fires but the light meter can not be tested as there are no batteries present. The 50mm lens appears to have fungus inside the elements. The 28-80mm lens is overall in working order but also appears to have slight fungus inside the elements.The 70-300mm lens has quite a large amount of dust and possibly some fungus in the elements.
Lot 204
World.- Harriott (John) Struggles through life, exemplified in the various travels and adventures in Europe, Asia, Africa, and America, 2 vol., second edition, stipple-engraved portrait frontispiece (detaching), folding engraved plate of 'Patent fire escapes', plate foxed, 2A3 lower marginal corner cut away, occasional spotting or light foxing, lightly browned, contemporary speckled calf, spines gilt and with red and black leather labels and paper labels at head with ms. shelfmark, stained and rubbed, Printed (for the author) by J. Skirven, 1808 § Canada.- [Shore (Mackworth Charles)] Two months on the Tobique, New Brunswick. An emigrant's journal, 1851, first edition, title lightly browned, occasional spotting, original red cloth, gilt, spine ends and corners little frayed, Smith, Elder, 1866; and 9 others, Travel, including a 3 vol. set of Coxe's Switzerland, 1791, v.s. (12)⁂ The first mentioned includes much on America. Harriott (1745-1817) was a seaman, inventor (including fire escapes depicted by the plate), projector of the Thames police, and resident magistrate at the Thames police court. He served in the navy in America and the West Indies, and was present at the recapture of Newfoundland. For some time he ran farms in New York and Rhode Island, and became involved in a British scheme to purchase 17,000,000 acres in Georgia.
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