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A vintage tailors/shop display mannequin labelled Aubin & Wills raised on a cast alloy stand with castors

A vintage foam mannequin torso.

A wirework mannequin

A mannequin; together with a glass figurine

Three tailors dummies on stand and one child mannequin

A female mannequin on stand

HARRY POTTER; a large foam Dobby the House Elf figure, height including base 80cm, a mannequin dressed as Hermione Granger, action figures including Voldemort, Harry, troll etc, also a miniature model Hogwarts.

STAR WARS; two large figures of Darth Vader, height approx 200cm, and Stormtrooper (latter consisting of armour assembled on mannequin) (2).Additional InformationLeft arm of Stormtrooper loose.

SAW; two Billy masks, the first mounted on a mannequin in suit, height approx 185cm, the second on associated body posed on tricycle, a rubber mask of woman in reverse bear trap, a Billy toy (af) and a replica tooth prop. Additional InformationSmall Billy toy doesn't work, tooth prop is just a replica, the mask is on a body that the owners have put together.

A futuristic-style pod believed to have been used in a Lynx deodorant advert housing mannequin, height approx 190cm.

A tailors mannequin

WW1 German Motor Driver / Tank Drivers Mannequin Display, ex museum built mannequin. Made of original and replaced parts. Large black overalls with zinc buttons, large waist belt and red piping to the leg. Pair of Imperial German field grey simplified shoulder boards with red chain stitched “K” to each. Black leather pistol holster and boots. Sold with mannequin. C&T Auctioneers and Valuers Ltd have not removed any item from the mannequin, interested parties should satisfy themselves as to originality of the make up, sold as viewed.

WW1 French Foreign Legion Full Uniform Display, ex museum built mannequin display of a French other ranks soldier in the Foreign Legion (Legion Etrangere). Made of original and replacement items. Consisting of light weight wool greatcoat with brass buttons to the front. Khaki trousers with yellow stripe to the leg, long puttees and brown leather boots. Mounted to the coat is a three piece French medal group including the colonial medal with Algerie bar. Brown leather waist belt, ammunition pouches and brace straps. Khaki wool forage / side cap with green piping to the curtain and brass flaming grenade badge. Sold with the mannequin. C&T Auctioneers and Valuers Ltd have not removed any item from the mannequin, interested parties should satisfy themselves as to originality of the make up, sold as viewed.

WW1 French Officers Full Uniform Display, ex museum built mannequin display of a French WW1 officer. Made of original and replacement items. Consisting of four pocket officers horizon blue tunic with flaming grenade buttons. Horizon blue trousers with yellow stripe to the leg. Officers brown leather boots with fixed gaiters. Brown leather officers equipment, including binoculars, map case, holster, cloth covered canteen, side bag, etc. Complete with an officers pattern kepi in ribbed horizon blue cloth and gilt numeral “9” to match collar patches. Sold with the mannequin. C&T Auctioneers and Valuers Ltd have not removed any item from the mannequin, interested parties should satisfy themselves as to originality of the make up, sold as viewed.

Four Late 20th Century Plastic Mannequin Heads

A female mannequin

*Vintage female torso shop mannequin (Lot subject to VAT)

§ John Armstrong, ARA (British, 1893-1973) Rain Dance signed 'John Armstrong' (lower right); dated 1952 oil on canvas laid on board 56 x 74cm (22 x 29in) Provenance: Sotheby's, London, Sale, 20 July 1988, Lot 218; Brandler Galleries, Brentwood, Essex; Private Collection, UK Literature: A. Lambirth, A. Armstrong and J. Gibbs, John Armstrong: The Paintings, Catalogue Raisonne (London, 2009), no. 448 Other Notes: Born in Hastings, the son of a clergyman, John Armstrong attended St Paul's School in London before pursuing a law degree at St John's College, Oxford. However, he changed his mind and decided to study art instead at St John's Wood Art School in 1913-14. During the First World War, Armstrong served in the Royal Field Artillery in Salonika. After the war he embarked on a career as a theatre designer in London and went on to become a distinguished painter and muralist. It was particularly thanks to his friendship with the actors Elsa Lanchester and Charles Laughton that he succeeded in attracting numerous private collectors. Even though he is best known for his whimsical surrealist paintings, he was far from a conventional Surrealist. His first solo exhibition was at the Leicester Galleries in 1928, at which he showed paintings of mannequin-like figures reminiscent of the model theatre, as the critic Anthony Bertram remarked. In 1933, Armstrong joined the Unit One group formed by Paul Nash and exhibited a series of highly textured semi-abstract works in tempera - a medium which he preferred to oil. It was in the late 1930s that his work became much steeped in Surrealism and French Neo-Romanticism. At the same time, he was an equally prolific designer, notably producing posters for Shell and the Royal Mail, as well as designing costumes for film and theatre productions. During the Second World War, he worked as an official war artist, being commissioned by the War Artists' Advisory Committee to record the consequences of war. In the late 1940s, Armstrong gradually distanced himself from Surrealism and espoused the use of symbols in his work. Dirty, would benefit from a clean. Little scuffing just below the pink umbrella.

SHOP MANNEQUIN ON A WOODEN PEDESTAL BASE

CINEMA, posters, inc. Another Woman (1988), Gena Rowlands (French); Bait (1995), Bertrand Tavernier (Quad); Cobra Verde (1987), Klaus Kinski (Quad); Cromwell (1970), Richard Harris (UK 20x30); End of Violence (1997), Wim Wenders (Quad); Garden of the Finzi-Continis (1970), Dominique Sanda (Quad, pinholes); House of the Seven Hawks (1959), Robert Taylor (Quad); King Elephant (1971), Simon Trevor documentary (Quad); Lola Montes (1978 re-release), Martine Carole (Quad); Mannequin (1987), Andrew Mccarthy (Quad); National Lampoon's Loaded Weapon 1 (1993), Emilio Estevez (UK 2-Sheet); Pleasure Game (1975), Claude Chabrol (Quad); Scenic Route (1978), Mark Rappaport (UK); Stir Crazy (1980), Gene Wilder The Blue Lagoon (Quad); Toy Story 2 (1999), Walt Disney (French), folded, G to VG, 15

Decorative Glass - A substantial amethyst glass oversized goblet shaped vase; Bohemian glass; Bristol blue vases; blue glass head mannequin; etc

A SET OF EIGHT GEORGE III MAHOGANY DINING CHAIRS, in the manner of Thomas Chippendale, with serpentine cresting rails carved with oval and circular paterae hung with bell flowers over three horizontal bars carved with interlocking foliate scrolls, on square-moulded front legs carved with circular foliate paterae united by squared stretchers and terminating in block feet. Comprising a pair of elbow chairs upholstered in contemporary gross and petit point needlework with musicians and figures carrying a cat in a mannequin and six single chairs, (8) The distinctive carving on the toprails centred on oval paterae is comparable to chairs supplied by Thomas Chippendale to Brocket Hall circa 1773 and Goldsborough Hall circa 1772.

A wire metal female mannequin torso on stand

A female mannequin

A wirework mannequin

Gold painted male torso mannequin and two other torso mannequins

A mannequin

A mirror, milking stool, half mannequin, violin case and one other

An articulated mannequin on stand

Three mannequins on stands converted into lamps plus a female mannequin in sitting position

A vintage 20th Century shop display female mannequin having metamorphic posable limbs, with original white paintwork. 

A set three graduating Christian Dior factice display perfume bottle, Diorella, from approx 14 cm in height to 9.5 cm; a Guerlain Shalimar perfume bottle, approx 10 cm in height, another similar, approx 8 cm; an Yves Saint Lauren Champagne factice, approx 13 cm in height, another, 10 cm; a Pupa Fleurs de Pecher display stand, three test atomiser bottles as flower heads; a Christian Dior shop display miniature mannequin etc (11)

Early to mid 20th century mannequin.

A Vintage mannequin on stand

Interior Sculpture: ▲ A pair of polished aluminium mannequins designed by Nigel Coates, circa 1990, 170cm and smaller (height adjustable) Made for the Jigsaw Clothing Company, Knightsbridge, London, with sectional constructed torsos, these are some of the most striking design of mannequin ever made. Nigel Coates is an English architect, author, and prolific designer of interiors, exhibitions, products, and lighting. He grew up in the town of Malvern, Worcestershire and was educated at Hanley Castle Grammar School before studying at the University of Nottingham (1968-71) and the Architectural Association (1972-4). He formed Branson Coates Architecture with Doug Branson in 1985-2006.

Sandman's (Thomas Haden Church) costume from Sam Raimi's superhero sequel Spider-Man 3. Escaped convict Flint Marko (Thomas Haden Church) wore his costume as he fell into an experimental particle accelerator, transforming him into Sandman, with the power to control and turn himself into sand. The costume consists of two parts: a deliberately torn and tattered T-shirt and a pair of khaki trousers. The T-shirt is deliberately distressed and fraying around the neck. The components are assembled on a custom-made life-size mannequin set atop a black display stand with the Spider-Man 3 logo etched into it. There is a light inside the display stand which, when activated, illuminates the film's title. The display also features Sandman's arm in gigantic sand-form, with the hand curled into a fist. The arm and hand are made of foam with a grainy covering painted the colour of sand.The arm shows some signs of age and storage, most notably in two minor cracks running in parallel lines along the width of the forearm. The costume is distressed and shows signs of wear, but the whole ensemble remains in good, production-used condition. The lot is accompanied by a photograph of the character autographed by Church, and two Columbia Pictures certificates of authenticity. Dimensions (displayed): 38 cm x 56 cm x 188 cm (15" x 22" x 74")£8000-10000 M *Contains electronics; see electronics notice in the Buyer's Guide*Special shipping required; see special shipping notice in the Buyer's Guide

Catwoman's (Michelle Pfeiffer) cowl and costume components from Tim Burton's superhero sequel Batman Returns. Having survived Max Shreck's (Christopher Walken) attempt to murder her, Selina Kyle was reborn as Catwoman and sought vengeance against Shreck by any means necessary. These all-black costume components comprise a foam-latex cowl; a latex-coated corset with leather ties; a pair of knee-high leatherette boots with four-inch heels and leather laces; and two latex-coated gloves with resin-and-foam rubber claws. The corset is marked "M. Phieffer [sic], STAGE 1-2, FIRST FOR CAMERA" and the boots are marked "TRISH PETERS" (for stuntwoman Patricia M. Peters). Also included are three strips of stitching from Kyle's catsuit. The cowl is in delicate but stable condition, having undergone some conservation and minor restoration work, with some visible cracks. It is permanently affixed to a mannequin head for optimal preservation. Dimensions (cowl display): 28 cm x 25.5 cm x 40.75 (11" x 10" x 16")£6000-8000 Ω

Blade's (Wesley Snipes) costume from Guillermo del Toro's vampire action-thriller sequel Blade II. Blade wore his costume for much of the film, such as in the scene where he was first introduced to The Bloodpack, and during the climactic fight at Damaskinos' (Thomas Kretschmann) lair against Reinhardt (Ron Perlman) and the Reaper Nomak (Luke Goss). The costume was designed by Emmy-nominated designer Wendy Partridge, who also worked with del Toro on Hellboy. It differs from the one designed by Sanja Milkovic Hays for the first Blade film, featuring more ornate buckles and a different shaped vest. The costume consists of five garments: a long black coat, a padded vest, an undervest, a pair of trousers and a pair of boots. The coat is leather and features a shiny red lining. The black padded vest features two large metal buckles, which are intentionally tarnished and decorated with red resin pieces. The buckles latch together with magnets and each have a small pin to secure them more firmly. There are also four small pouches alongside the buckles, two of which are secured with Velcro, while the other two are secured with metal poppers. On the back is a metal clip to secure Blade's sword, which also fits through a hole in the back of the coat. The undervest is a black, cotton Calvin Klein vest, marked size L. The trousers are black and made of a synthetic waterproof leather. They feature the same magnetic buckle as the padded vest, and have two back pockets and a fleece lining. The boots are a US size 11 1/2 and are made of leather with a thick rubber sole. The costume has some wear from production use. There is dried stage blood on the right shoulder and lapel of the coat. The trousers have scuffs and markings, with some sticky residue on parts of the waistband. The padded vest has scuffing and paint transfer on the back, while the leather is cracked in some places. The right boot has an intentional hole drilled in the sole so the whole costume can be fitted onto a mannequin.£10000-15000 M

John Connor's (Christian Bale) final battle costume from McG's sci-fi action sequel Terminator Salvation. Connor wore his costume during the climactic assault on Skynet's headquarters to save Kyle Reese (Anton Yelchin) and the other prisoners. The costume consists of a jacket, a T-shirt, a tactical vest with leg attachment, a backpack, a pair of trousers, a pair of boots, a pair of gloves, a pistol holster, and several 40mm grenade pouches. The tactical vest contains a foam magazine and features faded handwritten notes indicating it was for stunt use. The grenades attached to the costume are made of hardened rubber. The backpack features a foam insert to make it look full. The costume is intentionally distressed to look well worn and battle damaged. It has cuts, tears, scuffing and scratching. An intentional hole has been drilled in the bottom of the left boot so it can be displayed upright on a mannequin. There is additional wear from production use, including scratching on the grenades and magazine.£3000-5000 Ω

Tony Stark's (Robert Downey Jr.) desert costume display from Jon Favreau's superhero film Iron Man. Stark wore his suit during the failed assassination attempt on him in Afghanistan that led to his becoming Iron Man. This display includes Stark's hand-tailored suit, consisting of a navy blue, vertically striped double-breasted David August jacket with half-zip sleeves and an interior label, which reads "Custom Styled for Robert Downey Jr."; a matching pair of trousers with an order label for "R,. DOWNEY JR. 3" with "March 7, 2007" stitched into the back right pocket; a sky-blue-and-white striped cotton blend button-up shirt; a navy blue floral silk Valentino tie; a black leather John Varvatos belt with a steel buckle; a pair of black leather lace-up loafers; and a pair of multicolour striped cotton socks. The costume is dressed on a full-body mannequin, which features a silicone replica Stark head with a faux-hair wig, a pair of polyurethane replica sunglasses, and a polyurethane replica Iron Man helmet with illuminating eyes, included to present the suit in a complete costume display. The mannequin is mounted on a metal pole to a wooden base that is painted silver. The shirt, shoes, and belt exhibit stains throughout from use. Dimensions (display): 76.25 cm x 43.25 cm x 183 cm (30" x 17" x 72")£10000-15000 Ω *Contains electronics; see electronics notice in the Buyer's Guide*Special shipping required; see special shipping notice in the Buyer's Guide

A Romulan science technician costume from J.J. Abrams' sci-fi film Star Trek. Romulan science technicians worked on the mining ship Narada under the command of Nero (Eric Bana), who sought revenge for the destruction of his planet. This costume features a jacket, top, pair of trousers and a pair of lace-up boots. The jacket features a quilted patchwork design with decorative stitching, and the collar features a wire armature to maintain its shape. The black top also features decorative stitching, while the trousers have a scaled effect achieved using a thin plastic material. The brown stitched-pattern faux-leather boots are split-toed and lace up at the side. The jacket, top and trousers all feature Michael Kaplan designer labels, with handwritten notes marked "Richard Arnold"; Arnold is a well-known Star Trek consultant who had an uncredited role in the film. The costume has been intentionally distressed and is presented on a custom-made mannequin display, which stands on a base bearing the film's title. Dimensions (displayed): 38 cm x 66 cm x 186 cm (15" x 26" x 73 1/4")£1500-2500 † *Special shipping required; see special shipping notice in the Buyer's Guide

SHOP DISPLAY MANNEQUIN OF A CHILD

STANDING CHILD MANNEQUIN

A 20th century art deco style moulded pressed glass shop display hat stand / milliners mannequin head in the form of a Tibetan Buddha. Moulded and pressed glass of green colour with moulded features. Measures 29cm tall.

Laurids Lonborg ( Lønborg ) - IKEA - A rare and original 1980's retro vintage iconic designed wire framed male mannequin having simple form and line work raised on a round base finished in a cream colourway. Measures; 189cm.

An incredible lifesize 1:1 scale Marvel Comics / 20th Century Fox made statue of The Silver Surfer. Promotional statue made for the release of 'Fantastic Four - Rise Of The Silver Surfer' (2007). The statue features a silver coloured mannequin representation of The Surfer, mounted atop his trademark surf board and the entire figure mounted on a large black stand. Comes apart for transportation. An impressive and rare promotional statue. When built, the figure measures approx; 250cm tall x 280cm long.

A vintage 'Sleek' shop display mannequin head.

METAL WIREWORK SHOP DISPLAY MANNEQUIN

A GOOD VINTAGE ART DECO LIFE SIZE SHOP DISPLAY MANNEQUIN

A Second World War Women's Land Army Composite Uniform, comprising a greatcoat, size 14, with label dated 1941, the lapel set with a WLA Proficiency economy badge, with armband; a pair of corduroy breeches, size no.6 with label dated 1944; a shirt and tie, wool socks and a pair of leather shoes, all displayed on a full size mannequin

A Quantity of Military Part Uniforms, comprising a Second World War RAF greatcoat, with brass buttons and shoulder rank straps to a Squadron Leader, the inside pocket with label dated 1942 in ink, on a full size mannequin; an RAF jersey and pair of trousers; a 1960's khaki tunic and two kilts to the Black Watch; two US tunics; a pair of breeches; three pairs of overalls; two shirts and two bomber jackets, all contained in a tin trunk

A Second World War ATS Composite Uniform, comprising a peaked cap with brass cap badge, a tunic with brass buttons, shoulder titles, lanyard, waist belt and labelled Size No.7, dated 1943; and a 1951 Pattern battledress skirt, labelled Size 10, dated 1943, all mounted on a full size mannequin

An early 20th century dress makers mannequin

A Collection of Various Mannequin Parts, Lady and Child

SHOP DISPLAY MANNEQUIN OF A CHILD

STANDING CHILD MANNEQUIN

SHOP DISPLAY MANNEQUIN OF A CHILD

A vintage shop mannequin with jointed arm.

A full size male mannequin

A Chinese silk dress, an evening clutch bag, several hats, gloves and a hat box (mannequin not included)