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Lot 86
ALAÏAEnsemble de cocktailCollection prêt à porter, Printemps-Eté 1989Robe et manteau en organza gommé beige et or, fond de robe en lamé orT: 36A beige and gold organza dress and coat by Alaïa.Footnotes:En 1989, à la demande de Jean-Paul Goude, Azzédine Alaïa participe à la création de nombreux costumes pour le grand défilé des Champs-Elysées célébrant le bi-centenaire de la Révolution française. C'est à cette même période que le modèle que nous présentons a été créé. Il faisait partie de la collection Printemps-Eté 1989. Un modèle identique ayant appartenu au célèbre mannequin Bettina est conservé dans les collections du Musée Galliera à Paris. Alexandre Samson, conservateur du musée, s'exprime sur cette collection : « Cette œuvre est à la croisée de plusieurs influences récurrentes dans le travail d'Azzedine Alaïa. La mode des années 1930 se lit dans le jeu subtil des découpes et des pinces, reproduites comme la robe sur son fond lamé or, qui ne se dévoile qu'en marchant. L'ampleur du manteau fait référence aux années 50, les motifs inspirés du moucharabieh sont imprimés sur un 'organza gommé' spécialement conçu pour la créatrice d'origine tunisienne. »For further information on this lot please visit Bonhams.com
Lot 1325
Advertising - a 1920s-30s child shop display mannequin in painted composition, the head with painted face and hair and glass eyes, the open mouth with white glass teeth, with posable arms, the right foot with a metal tube for fitting to a stand, 34¾in. (88cm.) high. *Original condition, with no repainting or restoration. Some paint flaking in places and some damp spotting & dulling to the paint surface. Cracks to the composition just above the right arm joint. Does not come with the stand.
Lot 274
Interwar Grenadier Guards Sergeant's Dress Tunicscarlet melton cloth, single breasted tunic. Dark blue, high collar with white edge piping and bullion embroidery flaming grenade. Â Guards pattern cuffs. Â Dark blue shoulder straps with white edge piping and bullion embroidery, KC regimental device. Â Right arm with bullion braid Sergeant stripes. Â Brass, KC regimental buttons. Â Cotton lining with paper issue label. Â Together with NCO's maroon sash. Â All mounted on a half mannequin. Â
Lot 27
A French, early to mid 20th century wicker male mannequin, full size. This is free standing and would make an interesting interior design piece. This comes in two pieces and slots together to stand securely. The legs could be used separately to the torso and head (1) In good condition, minor wear commensurate with age, two breaks in the wicker at the waist 'seam', clean, no parts missing.
Lot 209
Antique German bisque head very large doll A13M 32” tall on original composition. Ball jointed body , and good hands and antique clothing and a later bonnet. The head has been repaired and over painted at the rear historically. Dark brown Glass eyes open close with lashes absent . Tightly strung for posing and a good mannequin doll.(1)
Lot 249
Large antique baby mannequin doll and another c 27” German from an old shop display composition side glancing eyes and has a forged stockinette body and limbs( shown here full sized baby pram sized) dressed in a 1950s knit pram suit and leggings and has some leather baby reins with it, together with a further 24” composition 1930s toddler in knitted clothes with pram shoes and has a leg and arm unattached and requires restringing( doll with leather harness)
Lot 2155
WW2 Third Reich Heer Infanterie Officers Waffenrock for Reserve Infantry Regt 74, rank of Oberleutnant. Named to "Herr Brugggemann" and with makers label for "Friedr. Hesemann, Hannover". Dated 11/7/38. Complete with Officers aiguillettes. White Infantry piped Officers Schirmmutze which is maker marked "L.Lulf & Sohn, Bad - Mergentheim" along with "Stirndruckfrei Deutsches Reichspatent". Officers Brocade Parade Belt and buckle, no makers markings, size 85, Jackboots and decorations consisting of EKII 1914, Cross of Honour with Swords, War Merit Cross 2nd class without Swords, 25 Year Faithful Service Cross all mounted on a bar. All displayed on a mannequin torso which is included in this lot.
Lot 517
A TWENTIETH CENTURY MANNEQUIN BUST, the fibreglass female bust with painted hair and other features, height approximately 54cm, together with two painted wooden/ply wood figures of Tintin and a bell boy (3) (Condition Report: good general condition, signs of light use, mannequin is missing an eyelash)
Lot 1146
A group of six black and white photographs taken by Dennis Hopper, together with one black and white print of an assemblage.The photos depict a storefront with mannequin, modified phrenology model head, and an assemblage, and each is accompanied by a photo of the photo in a gallery setting.The photo of the phrenology head in the gallery and the assemblage print both feature extensive scribbling and writing on the verso.8.25 x 10.25 inches (largest)PROVENANCE Property from the Life and Career of Dennis Hopper
Lot 145
A HULC suit and costume as seen worn by Matt Damon in the role of "Max Da Costa" in Neill Blomkamp's dystopian Sci-Fi film Elysium (2013). The costume ensemble is displayed on a custom-made life-size mannequin of Damon. Together with a "ChemRail" hero gun prop as seen used by him. The suit comprises intricate hydraulic dampers and brackets (made of plastic, rubber, and metal), articulated to allow for Damon's movement in the role. The chest brackets, gloves, and shoes comprise production-made parts, while the plastic cover of the head port screen and the electronics were recreated to complete the look of the display. The costume consists of a shirt and pants, studio-distressed with fake blood stains throughout. The gun is made of plastic and rubber, with meticulous painting and the word "ChemRail" in white along the side. The mannequin features Max's tattoos and is mounted on a rotating base with light-up film logo. In the film, Damon plays Max, a parolee living on an impoverished, dystopian Earth who goes on a freedom mission to steal information from a powerful citizen in Elysium, a luxurious space station inhabited by the wealthy and ruled by a corrupt, fascistic government. Because he is dying of radiation poisoning, the smuggler directing his mission provides him with a surgically installed exoskeleton or "HULC suit" to give him extra strength and stamina, particularly as his body deteriorates. Damon can be seen in a HULC suit and costume of this type throughout the majority of the film, with Max obtaining a ChemRail gun during the action-packed finale on Elysium.Blomkamp's approach to special effects relied on in-camera effects as much as possible: miniatures, models, and mechanical props, as well as location shoots and gray suit performance. New Zealand-based Weta Workshop handled the design and creation of the HULC suits for Max and Kruger (Sharlto Copley), as well as droid and props. Concepts for the HULC suits were created by Aaron Beck of Weta Workshop.Includes a DVD of the film.79 x 26 x 26 inches (mannequin with base); 11.5 x 3.5 x 39.25 inches (gun)PROVENANCE Lot 426, ScreenUsed, "Spring 2016," March 20, 2016
Lot 22
An original Borg drone mannequin prop as seen used in Star Trek: First Contact (Paramount Pictures, 1996), the eighth Star Trek film and the second to feature the cast of Star Trek: The Next Generation (Paramount Domestic Television, 1987-1994). In film, the crew of the Enterprise travels back in time to stop the Borg from corrupting Earth's past.This prop Borg drone mannequin is composed of a cast foam latex material that has been hand-painted and features cast Borg drone armor. Wear from use during production, and from age are present throughout the figure. The base of the Borg drone's legs have a PVC pipe armature for internal support and display purposes. Borg drones, which make up the Borg Collective, are cybernetic beings whose organic bodies have been further advanced with implants and technology from all cultures "assimilated" by the Borg. While Borg drones were often depicted by actual humans in Star Trek, mannequins such as this one would have been used in shots that did not require movement.One such sequence occurs at the very beginning of the film, when Captain Jean-Luc Picard (Patrick Stewart) wakes from a nightmare about his time as "Locutus." The shot pulls back dramatically to reveal Picard in a Borg regeneration alcove amidst millions of drones. Similarly, during the climactic final confrontation between Picard, Data, and the Borg Queen (Alice Krige), drone mannequins can be seen in the background. Includes a DVD of the film.77 x 29 x 12 inchesPROVENANCE Lot 48, "40 Years of Star Trek: The Collection," Christie's, October 5-7, 2006
Lot 221
Original production costume components like those seen as part of the full iconic slave costume worn by Carrie Fisher as "Princess Leia Organa" in Star Wars: Episode VI - Return of the Jedi (Lucasfilm Ltd., 1983). Included is the original brassiere, front and back lower plate that would have been connected by a fabric loincloth, hip parts and two arm bands. These components are original production-made castings that were professionally painted in recent years. Elements of the costume are recently hand-painted in gold-tone and bronze-tones, with a metal-like finish and purposely distressed with a red undertone as it appeared on screen.NOTE: The neck collar and chain, cloth parts and hair piece are replicas added for display only. A custom made stand and mannequin are included.Carrie Fisher wears this type of ensemble while she is held captive by the powerful gangster Jabba the Hutt, both at his palace and while on his sail barge, the Khetanna. In a famous struggle between Leia and her captor, she manages to get behind the slug-like creature and choke him with the chains that bound her. With only minimal direction from George Lucas initially, Aggie Guerard Rodgers and Nilo Rodis-Jamero designed the iconic costume using inspiration from the 1929 film The Desert Song and Yvonne De Carlo's "Francesca" in Slave Girl (Universal Pictures, 1947).For scenes where Fisher would sit absolutely still, a sculpted bronze bra by designer Richard Miller, Head Jeweler for the film, was implemented. For scenes that required movement or use by stuntwomen such as Tracy Eddon, rubber or resin versions of the ensemble were used.In an interview with Star Wars Insider in regards to wearing the ensemble, Fisher said, "It was like steel, not steel, but hard plastic, and if you stood behind me you could see straight to Florida. You'll have to ask Boba Fett about that."Following the film, both the character Leia Organa and Carrie Fisher were seen as sex symbols. The outfit today remains one of the most iconic and memorable pieces of Star Wars and pop culture history. Only two other examples of production made and unused components have been publicly sold and no screen-used examples are known to exist outside of the Lucasfilm Archives.Includes a DVD of the film. 84 x 24 x 16.5 inches (Display)
Lot 348
A "Creeper" costume, as seen worn by Jonathan Breck in Victor Salva's horror film Jeepers Creepers (United Artists, 2001), displayed on a custom mannequin with stunning hand-painted head. In the film, brother and sister "Darry" (Justin Long) and "Trish" (Gina Philips) are pursued by the Creeper, a predatory cicada-like creature that arises from slumber every 23 years to feed.Created by Make-Up & Monsters Studios, the costume consists of a foam winged bodysuit with foam gloves and feet mounted on a steel-reinforced mannequin. The mannequin's hand-painted fiberglass head is built from the original production molds and includes wispy white hair. The feet were modified for pre-production screen tests for the sequel film, Jeepers Creepers 2 (United Artists, 2003) and used as reference for the redesign.For the majority of Jeepers Creepers, the Creeper appears as an ominous man in a hat and trenchcoat. However, after Trish runs him over with her car, he reanimates and reveals his wings. Little by little, the film reveals more of his insect-like features, including the pebbled skin of the suit and, finally, the wings. While the unfolded wings were brought to life via a combination of practical effects and CGI, this particular suit includes one folded wing and one wing stump.The suit was worn by Breck during the filming of the sequence in which Trish runs over the Creeper, as well as during the sequence in the police station when the Creeper crawls menacingly along the wall.Includes a DVD of the film. 82.25 x 33.5 x 34.25 (overall display); 97 x 45 x 39 inches (in crate)PROVENANCE Lot 582, "Hollywood Auction 27," Profiles in History, April 5, 2007.
Lot 355
Original face prosthetics, wig, and cowl as seen worn by Bill Skarsgard as "Pennywise" in It (Warner Bros. Pictures, 2017).Included with this lot is a foam latex head casting with an removable faux wig, a Bill Skarsgard foam mannequin bust with labels reading "RELAXED" in multiple places, two unused cheek components, and one unused production nose application. The wig and cowl components show signs of wear consistent with having been used during the production of the film.The cowl and wig were screen-used during a scene of the film where Pennywise appears from inside of a refrigerator in the abandoned house on Neibolt Street and terrorizes the Losers Club. It grossed over 700 million dollars in revenue worldwide and in its opening weekend, and was ranked the 29th highest grossing film of all time. When the film was released, it broke the record for the highest number of movie theaters playing an R-rated film at any single time, surpassing the release of Logan (20th Century Fox, 2017). While other examples of Pennywise's cowl that have been offered have seen post-production refurbishment, this cowl and wig remain in original condition. Includes a DVD of the film. 14 x 12 x 11 inches
Lot 70
A "Mr. Black / Berserker" Predator creature costume as seen worn by Brian Steele in Nimrod Antal's reboot/sequel film Predators (20th Century Fox, 2010), mounted on a custom mannequin with forest undergrowth detailed base.The costume includes: a hand-painted foam latex body suit with matching hands and feet; a foam latex headpiece with the Predator's characteristic dreadlocks crafted from foam; a hard rubber helmet with fiberglass layer, jawbone detail and various other decorations; hard rubber armor pieces; bracers with resin blades; a rubber collar; latex loincloth; and resin shoulder cannon. True to the original films, the long-awaited Predators follows a group of humans fighting to survive in a mysterious jungle while being hunted by the titular aliens. Adrien Brody, Topher Grace, Danny Trejo and others star as the human killers selected as prey. Steele portrays two of the Predators in the film, "Mr. Black / Berserker" (the Predator leading the hunt) and "Falconer." The group first encounters Berserker after discovering the Predator camp, the three Predators decloaking one by one after they have fled. Berserker can be seen most extensively at the end of the film, when survivors "Royce" (Brody) and "Isabelle" (Alice Braga) are attempting to escape. Royce faces off against the Predator and ultimately beheads it with an axe.Steele got his start in television roles such as "Harry" on Harry and the Hendersons (Amblin Television, 1991-1993) and moved on quickly to play a variety of animals, demons, vampires, and other fantastic creatures.Includes a DVD of the film.88.25 x 43 x 38 inches (overall)PROVENANCE Lot 346, "Entertainment Memorabilia," Prop Store of London, September 26, 2017
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5997 item(s)/page