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Lot 61
A 19th century Chinese carved wood mannequin/puppet head, with traces of paint over gesso, a metal hook inserted at the rear, 28.5cm, and a large South East Asian carved wood and painted vase, 19th century, of square form with animal mask handles, the rim with a meander band above the shoulder carved with a band of petals above a floral carved pendants, 39cmQty: 2
Lot 202
John Voss, Beachcomber, oil on canvas, signed, inscribed on the reverse, 91x71cm, unframed, mounted on stretchers; Windows, oil on canvas, unsigned, inscribed on the reverse, 102x76cm, unframed mounted on stretchers;Untitled (Mannequin), oil on canvas, signed, 102x76cm, unframed, mounted on stretchers; Untitled (Abstract), oil on canvas, signed, 100x80cm, unframed, mounted on stretchers.Qty: 4
Lot 1459
Third Reich Hitler Youth Boys Uniform Ensemble, being a lightweight brown shirt with the brown bakelite HJ/DJ marked buttons, red piped black shoulder strap with 265 numerals to the centre. Green twist cord lanyard. Machine embroidered yellow on black district triangle for Sud Schwaben. HJ proficiency badge to the breast. Standard type Hitler Youth armband. Black HJ type scarf with original leather knot piece (scarf post war addition). Hitler Youth boys type leather belt with chrome plated buckle and leather shoulder cross strap. Tan HJ style bread bag and felt covered water bottle with black cap. Displayed with a post war made pair of corduroy black shorts for display. We have not removed any items from the display mannequin, sold as shown
Lot 325
Actor, Kim Cattrall signed 10x8 colour photograph. Cattrall is perhaps best known for her roles in Sex and The City, Mannequin (1987), Masquerade (1988), The Bonfire of the Vanities (1990), Star Trek VI: The Undiscovered Country (1991), Split Second (1992) and many more. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 4581
Doctor Who - full-sized CYBERMAN (Tomb of the Cyberman 1967) as featured on Blue Peter 40th Anniversary show (1998). Blue Peter screen used suit has been restored and mounted on display mannequin. Newly made helmet and chest unit remade from moulds that produced the originals that can be seen on the episode. YouTube Link: SPOTTY THE DALEK ON BLUE PETER 40TH ANNIVERSARY (1998) AT 2 MINS 42-3 MINS.
Lot 42
Stockman of Paris - A mid 19th Century Victorian Industrial shop / haberdashery tailors dummy / dressmakers mannequin of female form. The mannequin raised on an ebonised oak tripod stand with torso above retaining it's original upholstery and finial turned neck top with further wood roundels to the shoulders. Measures approx; 158cm x 41cm.
Lot 2628
An Art Deco female plaster mannequin bust, having well detailed features with blue eyes and red lips, looking left, incised 'ART DECO BRUXELLES', lower left torso, 29 ½in. (75cm.) high. * Some small paint chips and scrapes, some small touch-ups, overall very good. * Some small paint chips and scrapes, some small touch-ups, overall very good.
Lot 378
A COMPOSITE NORTH EUROPEAN CUIRASSIER'S ARMOUR, EARLY 17TH CENTURY, PREDOMINANTLY DUTCHcomprising heavy close helmet with rounded skull formed in two halves joined along the crest of a moderately high roped medial comb, fitted at its rear with a tapering tubular plume-holder and at its front with a peak and bevor attached by common pivots having slightly domed radially incised heads (replaced), the obtusely pointed peak fitted on its underside with a U-shaped face-defence cut with seven bars each formed with a medial ridge, the lower edge of the face-guard secured to the bevor at the right of the chin by a swivel-hook and transversely pierced stud, the skull secured at the right of the neck by a similar swivel-hook and stud, and the flanged lower edges of the skull and bevor in each case fitted with a one-piece gorget-plate; slightly later heavy one-piece breastplate of vestigial peascod fashion with an upstanding inward-turned neck-opening, fitted at each of its shoulders with a later hinged buckle replacing a lower fastening now represented only by a vacant hole, and formed at its lower edge with a flange fitted at either end with a large mushroom-shaped stud for the attachment of a tasset; the right of the breast struck with the helmeted |A| mark used by the Armourers~ Company of London between 1650 and 1660, and the left of the breast struck with a cross paté; one-piece backplate with upstanding neck-opening and outward flanged lower edge fitted at its right and left ends respectively with a mushroom-shaped stud and a transversely-pierced stud for the attachment of an associated, detachable deep culet of four upward-overlapping lames; large symmetrical pauldrons, not an exact pair but in each case each forming part of the same series, the left and right of nine and ten lames respectively, in each case overlapping outwards from the fifth (the first lame of the left and the first four of the right associated), both pauldrons connected by a turner to a fully articulated vambrace formed of a tubular upper and lower cannon with an intervening bracelet couter of three lames (the right couter and lower cannon of the left vambrace associated); long tassets not an exact pair but in each case forming part of the same series, the left and right respectively of twelve and thirteen lames, and terminating in a winged poleyns of five, the latter laterally hinged to the last metacarpal lame; the main edges of the armour formed with inward turns; fingered gauntlets each formed of a long flared and pointed cuff fitted with a short separate inner plate, a wrist-plate, six metacarpal-plates, a knuckle-plate, scaled finger and thumb-defences ard turns, in some cases roped, and accompanied by incised lines, and the subsidiary edges bordered by similar lines; the surfaces of the armour cleaned bright with a light partly mottled patina; and accompanied by a pair of modern leather boots formed of sewn panels white fabric lining bordered at its upper edge with lace; the whole mounted on a mannequin with a steel base
Lot 379
A COMPOSITE NORTH EUROPEAN HARQUEBUSIER~S ARMOUR, PREDOMINANTLY ENGLISH (LONDON), MID-17TH CENTURYcomprising associated German Zischägge with hemispherical one-piece skull embossed with four radiating ribs, fitted at its apex with a transversely pierced finial and circular washer, at its brow with a flat obtusely-pointed peak pierced at its rear with a rectangular hole to accommodate a sliding nasal-bar secured at the brow by a rectangular staple and wing-headed locking screw , and struck at its point with an indistinct maker~s mark and the arsenal mark |F|; at its nape with a broad obtusely-pointed neck-guard of four upward-overlapping lames and at its sides with pendent scutiform cheek-pieces, each pierced with seven circular auditory-holes in rosette formation; one-piece breastplate of vestigial peascod fashion, with a slightly upturned neck-opening and a flanged lower edge, fitted within each arm-opening with a mushroom-headed stud to receive the shoulder-strap of a backplate and struck at the neck with the unidentified London maker~s mark |RK under a fleur de lis; one-piece backplate with flanged lower edge, fitted at the waist with a two-piece waist-belt and at each of its upper corners with a scaled shoulder-strap to engage the projecting mushroom-headed stud of the breastplate, and struck at the neck with the maker~s mark |BK| of the partnership of the London armourers Rafe Boulter and Sylvester Keene (their combined mark initially rejected in 1637, recognised by 1638/9, but replaced by separate marks in 1648); the pot, breastplate and backplate formed at their main edges with plain inward turns accompanied in places by borders of incised lines, and their surfaces lightly patinated generally but strongly on the pot; buff coat (restored) having deep skirt divided once at the centre front and once at each side of the rear, and equipped with long sleeves lined with white fabric having lace-fringed cuffs; buff leather sword-belt and carbine sling (both restored but with two original iron fittings incorporated in the latter); all mounted on a mannequin having a wooden base, bound around the waist with a red cummerband terminating at each end in a gold fringe, and fitted with a naturalistically modelled, wigged head;
Lot 380
A COMPOSITE ENGLISH PIKEMAN~S ARMOUR, LONDON, MID-17TH CENTURYcomprising pot with rounded crown formed in two halves joined by a turn along the crest of its low medial comb, and extending at its base to an integral brim turned down slightly at each side and projecting to an obtuse point front and rear (its edge showing some small cracks, dents, perforations and patches); collar formed of a single deep plate front and rear, in the former case flanged upwards at the neck-opening; one-piece breastplate of vestigial peascod fashion fitted at each side of its upper end with a pierced stud and accompanying swivel-hook (the left hook restored) to secure the free ends of the shoulder-straps of a backplate, the neck-opening struck with the mark |IW| of its maker, probably identifiable as John Wright (made free 1626, presented mark 1637, and the crowned IR government ownership mark of the time of King James II (1685-8), and formed with a deep flange at its lower edge supporting on a pair of hinges (the outer right one restored and the inner left one fractured at one side) a deep one-piece tasset embossed to simulate six lames; the main edges of all elements formed with plain inward turns accompanied at various points by recessed borders and incised lines, and the whole cleaned to a lightly patinated finish, and mounted on a fabric-covered mannequin with a wooden stand;
Lot 667
A CARVED ARTIST'S LAY FIGURE OR MANNEQUIN ITALIAN OR FRENCH, 19TH CENTURYOf articulated form 58cm highCondition Report: Colour paler than catalogue images suggest. Rubbing and loss to tip of noseAs is common with these figures- some of the pins to the joints have either worn loose or shrunk- and therefore necessarily been replaced.Wear to surface from handling and use- notably to feet with look to have had remedial repairsShrinkage around joint apertures notably- wrists, knee jointsPlease refer to additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 670
A CARVED ARTIST'S LAY FIGURE OR MANNEQUIN ITALIAN OR FRENCH, 19TH CENTURYOf articulated form 97cm highCondition Report: Colour slightly paler in areas than catalogue images suggest.As is common with these figures- some of the pins to the joints have either worn loose or shrunk- and therefore necessarily been replaced.Wear to surface from handling and use- notably to hands, right foot with losses to toes, tip of nose rubbed and with some lossShrinkage around joint apertures notably- right shoulder, Please refer to additional images for visual references to condition which forms part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 874
PUNK/ WAVE - 7" COLLECTION. A quality collection of around 80 7" singles. Artists/ titles include Wire inc Mannequin (HAR5144), Map Ref (HAR5192), I Am The Fly, A Question Of Degree, Free EP (PSR 444), Dot Dash, Outdoor Miner. Dead Kennedys inc Holiday In Cambodia, Kill The Poor, Californi Uber Alles, Halloween, Nazi Punks-Fuck Off, Too Drunk To Fuck, Bleed For Me, Buzzbomb (flexi disc). The Boys - I Don't Care. Black Flag - Six Pack, Bauhaus - Telegram Sam, Anti-Pasti - Let Them Free. Boomtown Rats, Bow Wow Wow, Magazine, The Members, New Model Army inc Bittersweet, The Price, Better Than Them. Chumbawamba, East Bay Ray, The Cortinas, Alternative TV, Xray Spex. Condition is generally VG to Ex.
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5997 item(s)/page